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Mirna Shaban

World Development book case study: the role of social networking in the Arab Spring -- ... - 0 views

  • The start of the unrest was in Tunisia and the spark was the self-immolation of a market stallholder, Mohammed Bouaziz, on 10 December 2010.
  • he first reported use of social networking websites by dissident groups taking part in a civil revolt was in Moldova, a small country between Romania and Ukraine, in April 2009.
  • The internet is useful for information dissemination and news gathering, social media for connecting and co-ordinating groups and individuals, mobile phones for taking photographs of what is happening and making it available to a wide global audience and satellite television for instant global reporting of events.
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  • For dissident groups, all of these digital tools allow them to bring together remote and often disparate groups and give them channels to bypass the conventional media, which is usually state controlled and unwilling to broadcast any news of civil unrest and opposition to the government.
  • Rapid internet interaction through Twitter and Facebook gave information to the protesters about how to counteract the security forces as they tried to disperse the protesters, maps showing locations for protest meetings and practical advice about such things as what to do when teargas is used against groups of protesters.
  • The governments in Tunisia and Egypt were very unhappy about the often brutal images of repression of the protests by government security forces and both governments tried to block the social-networking sites. In Tunisia, the effect was to increase the size of protest demonstrations and the Tunisian president, Zine el Abidine Ben Ali, was forced to change his strategy. He apologized for blocking the sites and reopened them. He offered to open talks with the dissident groups but by that time it was too late to save his government. He resigned on 16 January and an interim coalition government was set up.
  • The Egyptian government’s decision to cut all communication systems, including the internet and mobile phones, on the night of 27 January was widely perceived to be a watershed moment in the overthrow of the Mubarak government.
  • Egyptian protest sympathizers were unable to watch events on their computers and televisions and joined the demonstrators in Tahrir Square instead.
  • The Mubarak government stepped down on 12 February and was replaced by a military council purporting to support democratic change.
  • China has taken much firmer control of its internet as a result of events in Arab countries, fearing a contagion effect. After an internet call for popular revolt in February, over 100 activists are reported to have ‘disappeared’.
  • There is an argument to be made that the role of technology in these events has been overstated. The frequent cry is that it was not laptops that marched on Tahrir Square but people with a common cause that they had already identified. As far as they are concerned, revolution is nothing new and the impact of the new technology in the Arab Spring has mostly been reported by people who are using the technology themselves. Its importance, they say, has been exaggerated.
  • In the Western world, Twitter is a device that is most frequently used to comment on relatively minor media or personal events, such as the behaviour of a particular celebrity. In Egypt and Tunisia its use proved to be much more political and effective – not social networking, just networking.
  • The difficulties are immense: regional poverty, tensions over the use of resources such as oil and water, religious divisions within countries, rapid population growth and, more threatening than any of those, relationships between Israel and its Arab neighbours.
marikejp

Study: Why Do People Use Facebook? - ReadWrite - 1 views

  • (1) the need to belong and (2) the need for self-presentation.
  • Before 2009, MySpace led the social network race. By April 2009, it was dead. A 2008 study by E. Hargittai found that Hispanic students made up 25% of the MySpace population as compared to only 14% of Facebook users. The demographics of Facebook are quite different. Women are more likely to use Facebook than men, and Hispanic students were less likely to use it than Caucasians.
  • Facebook use intensity reduced perceived levels of loneliness, but FB's improvement of a user's social life did not improve the user's self-esteem.
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  • being exposed to information presented on one's Facebook profile, suggesting that it can help enhance self-esteem.
  • Facebook can serve as a support system for those people in collectivist cultures, who have frequent interactions and a close circle of Facebook friends.
  • "frequent Facebook use correlated with feelings of general connection in life and also with feelings of general disconnection in life."
  • "the correlation of disconnection with Facebook use was mediated by the tendency to cope with disconnection via Facebook."
  • If you're going on a date with someone you meet on OKCupid, for example, chances are you've friended them on Facebook to get a better idea of them. Recruiters are using Facebook to screen potential job applicants.
wstrahan

Pink Floyd: Pandora's Internet radio royalty ripoff - 0 views

  • The latest example is how Pandora is pushing for a special law in Congress to slash musicians' royalties – and the tactics they are using to trick artists into supporting this unfair cut in pay.
  • We hope that many online and mobile music services can give fans and artists the music they want, when they want it, at price points that work. But those same services should fairly pay the artists and creators who make the music at the core of their businesses.
  • Nearly 90% of the artists who get a check for digital play receive less than $5,000 a year. They cannot afford the 85% pay cut Pandora asked Congress to impose on the music community.
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  • Last year, we joined over 130 other bands and artists to oppose Pandora's campaign to cut the royalties paid for digital radio spins.
  • We've heard Pandora complain it pays too much in royalties to make a profit. (Of course, we also watched Pandora raise $235 million in its IPO and double its listeners in the last two years.) But a business that exists to deliver music can't really complain that its biggest cost is music.
  • Netflix pays more for movies than Pandora pays for music, but they aren't running to Congress for a bailout.
  • Everyone deserves the right to be paid a fair market rate for their work, regardless of what their work entails.
Kathleen Hancock

The Effect of Individuals' Organization Affiliation on Their Internet Donations - 0 views

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    Non-profit organizations using the internet to obtain donations/supporters
kimah6

This is Probably a Good Time to Say That I Don't Believe Robots Will Eat All ... - 4 views

  • This is Probably a Good Time to Say That I Don’t Believe Robots Will Eat All the Jobs …
    • kimah6
       
      Benefits of robotics technology. Author in support of technology advancement.
  • First: Focus on increasing access to education and skill development, which itself will increasingly be delivered via technology. Second: Let markets work ( this means voluntary contracts and free trade) so that capital and labor can rapidly reallocate to create new fields and jobs. Third: Create and sustain a vigorous social safety net so that people are not stranded and unable to provide for their families. The loop closes as rapid technological productivity improvement and resulting economic growth make it easy to pay for the safety net.
  • There is a consequence to a growing robot workforce. Everything gets really cheap.
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  • Therefore, with rare exceptions, there won’t be states where robots eat jobs and products get more expensive. They almost always get cheaper.
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    One of the most interesting topics in modern times is the "robots eat all the jobs" thesis. It boils down to this: Computers can increasingly substitute for human labor, thus displacing jobs and creating unemployment. Your job, and every job, goes to a machine.
wstrahan

Music as a Service as an Alternative to Music Piracy? - Springer - 0 views

  • Music pirates show a clearly positive approach to MaaS. The mean of attitude was 3.95 on a five-point scale.
  • While most pirates would use the free version (mean = 3.57), few would pay for MaaS (mean = 1.65).
  • Alternative
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  • We can observe a strong difference between the influence of attitude on intention to use free MaaS and the intention to use paid MaaS: building a strong attitude therefore does not lead directly to high willingness to pay; instead, it is the intention to test free MaaS that is influenced by attitudes.
  • We found that the search for music recommendations and the flat rate preference influence the attitude towards MaaS positively and significantly. The new recommendation functions and the pricing model are therefore functions users rated highly and which can help build a strongly positive attitude towards MaaS.
  • Pirates seem satisfied with the sound quality of tracks provided via illegal networks and seem to feel safe from prosecution.
  • Our study demonstrated the attractiveness of MaaS offers to music pirates. Nevertheless, most music pirates prefer free MaaS.
  • We showed that flat rates are regarded as an attractive pricing model by music pirates and that this constitutes a suitable alternative to pay-per-download, which is often considered too expensive (Al-Rafee and Cronan 2006).
  • Users who do not consider music piracy owing to moral scruples and higher search costs also show a positive attitude towards MaaS.
  • A reason for the increased willingness to pay may also relate to hedonistic social benefits, established by integrating social features into recommendation systems
  • MaaS providers should therefore focus on comprehensive, user-friendly recommendation systems that support social exchanges between MaaS users. Our study results clearly demonstrate that a platform’s features positively influence the attitude towards MaaS. Besides direct recommendations from friends, users can receive recommendations based on tagged music channels or collaborative filtering.
  • The presented study demonstrates that new offers of music consumption can also be an attractive alternative for music pirates. Although there is no indication of the reduction of illegal downloads in general, music pirates consider the free ad-based version of MaaS an alternative. Music pirates who have rejected legal music consumption due to high prices in the past may well switch to legal consumption.
  • Pandora
wstrahan

Spotify, YouTube, Streaming Services Are Killing Digital Downloads | TIME.com - 0 views

  • Now, with a deluge of  music streaming services letting fans listen to songs for free, the digital download may be going the way of the CD and the cassette tape before it.
  • U.S. digital track sales decreased for the first time ever in 2013, dropping from 1.34 billion to 1.26 billion, according to Nielsen SoundScan. CD sales also continued their ongoing decline, dropping 14 percent to 165 million. Digital album sales were stable, staying at 118 million sold last year. Meanwhile the number of songs streamed through services like Spotify, YouTube and Rhapsody increased 32 percent to 118.1 billion.
  • Spotify just arrived on U.S. shores in the summer of 2011, but it has become a lightning rod for controversy thanks to a chorus of artists who decry that paying musicians a fraction of a cent per listen is unfair.
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  • Digital downloads were a logical continuation of the business model that generated fat profits for record labels in the heyday of physical music stores. In some cases, with no manufacturing or distribution costs involved, a hit digital album could actually be more lucrative than a physical CD.
  • However, the music industry’s core problem—that lots of fans just don’t want to pay for music—remains an issue. Most people use the free, ad-supported version of Spotify, and the company recently expanded its free offering to mobile devices. The most popular platform for listening to music among young people is YouTube, which is almost entirely free.
  • U.S. digital track sales decreased for the first time ever in 2013, dropping from 1.34
braxtondn

Why Selfies Matter | TIME.com - 0 views

  • self-portraits are an extension of their self-absorption, while others view it as nothing more than an outlet for self-expression,
    • braxtondn
       
      Some may view the idea of a "selfie" as a form of expressing themselves, while others view it as just another trend. Either way, its an idea that has adapted to society.
  • As tweens and teens try to form their identity, selfies serve as a way to test how they look, and therefore feel, in certain outfits, make-up, poses and places. And because they live in a digital world, self-portraits provide a way of participating and affiliating with that world.
    • braxtondn
       
      By participating in posting "selfies" , it is giving people permission for others to comment and voice their opinions about the picture
  • they are simply reflections of their self-exploration and nothing more. “Self captured images allow young adults and teens to express their mood states and share important experiences,”
    • braxtondn
       
      The saying " a picture is worth a thousand words" applies to the idea of a selfie. 
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  • With Facebook becoming a prominent resource in young people’s’ therapy sessions, they could provide a useful jumping off point for addressing a teen’s or young adult’s self-perceptions.
    • braxtondn
       
      The comments and interactions online can be either positive or negative. It just depends on what is being posted
  • “Psychologically speaking, there may be some benefit to participating in sharing selfies because this practice is interwoven in our social culture and is a way to interact socially with others.”
    • braxtondn
       
      This helps support my idea that posting selfies can help boost a person's self-image.
  • selfies could be a way for therapists to break the ice and start a dialogue about what the teen was feeling when the self-portrait was taken, or why he snapped the picture in the first place
  • the material that children and adolescents view online — selfies included — can be influential in molding their sense of self.
  • y the most
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