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"Not all those young companies will survive, but the habit of hiring online seems baked in; 64 percent of respondents said at least half of their work force would be online by 2015, and 94 percent predicted that in 10 years most businesses would consist of online temps and physical full-time workers." One more thing: it seems that the educational degree is not considered as being 'very important' when hiring online help. Quentin Hardy (Bits, The New York Times) concludes 'In the future, having a degree may be helpful, but having a reputation will be even better.' Taking this one step further, rating systems such as Klout (not necessarily Klout itself) could become a very important part of your social capital. Of course, such reputation measures could be organized by the major online staffing companies -  like eBay for instance uses its famous reputation system.  Reputation as social capital will translate this way into financial capital - and could be a crucial data point for financial companies which could use these data to decide about your creditworthiness...

but what does your brain conjure if you're asked to picture work in the 21st century?

" Baxter, however, moves with less determination because it compensates for changes in its environment. This means it can work safely alongside people."

"You Can Be Active with the Activists or Sleeping with the Sleepers: Pirate Cinema by Cory Doctorow" Another book by Cory Doctorow - and I'm still busy reading Makers! Stefan Raets discusses the Doctorow's Youthful Techno-Defiance Trilogy: 'From Little Brother (tech-savvy teenagers take on a government-run surveillance system) to For the Win (tech-savvy teenagers take on unfair working conditions for MMORPG gold farmers) to now Pirate Cinema (tech-savvy teenagers take on draconian copyright laws).'

" "Commons-Based Peer Production". It's a revolution in how things are made, by whom, and in what quantities. In some ways, the future looks a lot like the past. These blacksmiths are making a local solution to a local problem. And we're going to be seeing a lot more of that." And this was a presentation for the World Economic Forum, in China.  Just imagine how we can use the web and virtual spaces to work with global teams, in order to produce on a very local level... 

"Bloomfield is working on a platform, called the Synthetic Economy Research Environment, that could enable economists to produce games that simulate large-scale economic phenomenon like a central bank." I often wondered whether professor Robert Bloomfield (Johnson School of Management at Cornell University) was still involved in virtual worlds research. He was the charismatic host of the rather high-brow Metanomics talk-show in Second Life. Now I got my answer, via Brad Plumer who published a post about the economics of video games on Wonkblog at The Washington Post. 

The famous sociologist Manuel Castells in an interview by Paul Mason (BBC):  "With Facebook and with all these social networks what happened is that we live constantly networked. We live in a culture of not virtual reality, but real virtuality because our virtuality, meaning the internet networks, the images are a fundamental part of our reality. We cannot live outside this construction of ourselves in the networks of communication." Ever wondered why people try to redefine themselves by nationalism, regionalism, membership of small subcultures, even though the world is globalizing fast? I think Castells has some anwers on that too:  "The more we are connected to everything and everybody and every activity, the more we need to know who we are. Unless I know who I am, I don't know where I am in the world, because then I am a consumer, I am taken by the market, I am taken by the media. "And therefore people decide that they are going to be different. But to do that, they have to identify themselves as individuals, as collectives, as nations, as genders, all these categories that sociologists have already constructed time ago." Castells explains how people in this crisis engage in co-operative or non-profit work. It's a kind of 'non-capitalism'.  Putting now on my list: his new book Aftermath. 

New Inquiry Senior Editor Malcolm Harris talked with artist Alex Rivera. The writer-director of the 2008 sci-film Sleep Dealer, Rivera has been working with drones since the 1990s, when he piloted a small quad-copter called the Low Drone back and forth over the Mexican-American border.

"As technology evolves to make the office more obsolete, it's going to result in massive changes--and massive opportunities." But the process is sometimes painstakingly slow, as it conflicts with traditions, the desire for 'real face time' and office politics. 

America is transforming before our eyes, and with our focus on the short-term economic crisis, we are blind to what might very well be the most fundamental economic shift of the past 50 years: the nine-to-five, 40-hour-week job with benefits and some security is fast going the way of the compact disc.