One of the basic principles of a task-based approach is that the task phase, or skills work if you like, comes before language study. There are two very good reasons for this:
If you begin by presenting the grammar and then go on to a task, learners will be concerned primarily with producing the language that has been highlighted rather than using all the language they can. If this lesson were to be about the going to future, for example, it would begin with a very sharp focus on going to, probably with lots of controlled repetition. When the class moved on to identify questions to do with the future they would not be thinking about meaning, about doing things with language, they would simply be trying to produce samples of a particular form.
The language syllabus: building language study into a task-based approach by ... - 1 views
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So a task-based lesson can and should focus on specific language forms, but that focus should come at the end of a teaching cycle. And a series of task-based lessons can and should provide systematic exposure to the language, both grammar and lexis. But meaning always comes before form in sequencing activities.
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At the next stage, the planning phase, the teacher asks learners to work in groups to prepare a spokesperson who will represent the group in the final (report) phase of the task cycle and present their questions to the class. They have already prepared their ideas and they are preparing to present them in a more formal setting speaking to the class as a whole. They will recycle their questions with a greater focus on accuracy. Of course this does not mean that they will be 100% accurate, but they will be focusing on accuracy within a meaningful context.
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R is for Rules « An A-Z of ELT - 0 views
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A passive knowledge affects learners’ competence more than performance and befits accuracy more than fluency. So putting a big emphasis on rules is a back-to-front approach; placing form before meaning, knowledge before skills and study before learning.
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This story suggests to me that conscious learning of rules is likely to be effective only under certain conditions, e.g. when the learner is motivated (as in Isherwood’s case by having a ‘gap’ in his competence pointed out to him) and, even more important perhaps, when the learner is ready — i.e. at the right stage in his/her interlanguage development. I
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“When we use language in real communication, grammar manisfests itself in ways that seem to have little to do with the conscious application of these linguistic facts (=rules). Grammar seems to be more like a process” (p. 1).
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newlits - Integrating viewing across the curriculum - 0 views
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As a viewer, we are positioned as quite dominant here. This high angle shot, looking down on the sea of people, most of who are looking up to us, portrays them as much less powerful than we, the viewers, are. While the ropes and masts take some of our attention, it is the sheer number of passengers staring upwards that is a salient feature of this photo. Historically we know that most have given all they have to travel to the land of opportunity, often leaving family and friends behind in their birth country. How might an individual feel in the midst of this? Can one historical photo give insight into the emotional experiences of these people? How does this photo suggest we "should" feel about immigrants in general? By explicitly combining knowledge of the photo’s composition and its implied power relations, teachers can help students understand how some images can create empathy, while some can suggest superiority or dominance. It is here that reading a graphic novel such as The Arrival can provide another "account" of the immigrant experience. Compare the historic photo here to the images on Shaun Tan’s website, taken from The Arrival. The images of the harbor entry are particularly poignant, when compared to similar historical photos of the Statue of Liberty who greeted ships coming to Ellis Island. Tan studied many photos and documents from that period and students can find many points of connection when viewing the graphic novel with other historical photos.
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but for teachers to clearly understand how to guide students in reading visual elements. Making meaning, extracting relevant information, developing relevant, shared metalinguistic terms to describe what is seen, and understanding how images and multimodal texts position viewers are key skills. T
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