"An immersive documentary and profound sensory experience from filmmaker Sam Green that explores the elemental phenomenon of sound. The film is a meditation on the power of sound to bend time, cross borders, and profoundly shape our perception of the world around us."

"Translocality seeks to unite human and nonhuman communities in the Bay Area socially, physically, and sonically as a living network of sentient beings. This open call invites applicants to propose soundscapes to activate sound art in Bay Area locations to: Recalibrate our sensitivity to living realities existing beyond the individual self Connect us to the complex weaving of stories, histories, and ecologies of place Investigate vestiges of memory materialized through objects, land, and architecture Imagine future possibilities for collective transformation in the SF Bay Area"

"In the lineage of musique concrète, a composition created from recorded sounds rather than instrumentation and vocals, The Last Stand chronicles the lifespan of a 300-year-old White Oak from the years 1750 - 2050. The "Mother Tree" lives in Black Rock Forest, a nearly 4,000 acre diverse ecosystem in upstate New York. The story spans the Mother Tree's life from acorn to its "last stand," the final burst of life-giving energy a tree gives to its vast forest network before it dies. From the quotidian to the catastrophic, the sonic narrative spans elements that produce and hold life in nature. As the years unfold, the human impact on the forest becomes visceral: from the onset of settler colonial occupation to the physical and technological expansion of nearby United States Military Academy West Point, species disappear, storms intensify, and the drone of highways and planes becomes constant.  "

"The world of acoustics is not just confined to finely tuned auditoriums and recording studios. The most intriguing sonic experiences can be had in some of the world's unique buildings and structures. "

Glitchy sequencer for your browser. Mark Fell and Rian Treanor Programming by James Bradbury Graphic Design by Joe Gilmore Commissioned by No Bounds 2021"

"[ Michel Redolfi ] Trailer HD concert "Sonic Waters" (Bruxelles, 25 11 2018)" See also Max Neuhaus Underwater Music

This CD consists of geothermal recordings of vibrations in the ground around the area of Krisuvik, Geysir and Myvatn in Iceland. The recordings have been carried out using accelerometers inserted into the earth at various places around the geysers, mapping the sonic aspects of volcanic activity at the surface of the earth."

"Sound art has an identity crisis. Trapped between experimental music and traditional art mediums, it suffers from inaccessibility and an elitist, academic "cost of entry" requirement in order to connect with works in the contemporary art canon. With the recent passing of sound artist Alvin Lucier, the only hope for the future of sound art is in uplifting the outliers who push towards creating new conceptually rooted work rather than continuing to reward artists who glorify technology at the expense of providing approachable entry points."

"Researchers are hoping to "hear" dark matter particles using a super-cooled experiment in California."

"Scattered sound establishes short-range attractions between small particles, while detuning the acoustic trap generates active fluctuations. "

"My listening protocol is not a set of fixed instructions on how to listen. This protocol is a set of notes for listening, which I use as part of my practice-based research on sound, art, public space and postcolonial entangled histories. It both reflects past listening experiences and anticipates future listening experiences."

Race and the Cultural Politics of Listening

"The exercises presented in this book have been developed by the author as part of his listening workshops and artistic research on acoustics and the body. Exploring issues concerning: contact, filter, and distance, each of the exercises evokes a situation where the body is used wholly as a medium for experiencing sounds in relation to one's present self. The exercises guide listeners to encounter sounds distributed in space in relation to their sources considering shifts in frequency, amplitude, and rhythm."

"On Practice: Listening asks: How can listening form a space of political encounter? What is the difference between listening and hearing? How do other people hear? This episode features artist Ain Bailey's collaboration with Micro Rainbow alongside recordings from Pauline Oliveros' tuning meditations, a sound piece from artist collective Ultra-red and a contribution from academic and sound practitioner Ximena Alarcón."

This article explores the gendered sound world of anti-abortion protests outside U.S. abortion clinics. These clinics are spaces of dissent where, on a daily basis, protesters congregate to vocalize their opposition to abortion. We employ the concept of sonic patriarchy, the sonic counterpart to the male gaze, to explore how anti-abortion protesting dominates the aural space surrounding abortion clinics and is used as a vehicle for controlling gendered bodies. P

"Can you imagine sound travels in the same way as light does? A research team at City University of Hong Kong (CityU) discovered a new type of sound wave: the airborne sound wave vibrates transversely and carries both spin and orbital angular momentum like light does. The findings shattered scientists' previous beliefs about the sound wave, opening an avenue to the development of novel applications in acoustic communications, acoustic sensing, and imaging."

What is phonography? In this essay, Christopher DeLaurenti, a phonographer with three decades of experience, maps an axiomatic 13-lesson pedagogy through an abbreviated history of field recording, from Jesse Walter Fewkes in 1890 to Tony Schwartz in the early 1960s. This paper surveys various meanings and uses of the term phonography from a text published in 1701 to the formation in 2000 of the phonography listserv, an online community of makers of field recordings.