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"An aural history of the Cold War technologies that underpinned the space race and the arms race. "

"We are interested in how data might be understood differently once sonified or made musical. We want to explore what kinds of codes are embedded in the architecture of American culture."

"This month's series will have readers thinking about the sounds in classrooms in different ways. They will consider race, class, and gender, and how those aspects intersect how we listen to the classrooms of our past and our present. More importantly, the posts will all include assignments that educators at all stages can use in their classrooms."

Race and the Cultural Politics of Listening

"What are the political potentials of listening? How does sound define the crossing of the territories of contemporaneity, of the differences in race, gender, social belonging? How can we, in the invisible depth of sound, define our belonging to the contemporary world, taking an active position in issues that concern ethics, subjectivity, the principles of collective and individual living?"

"Walking in nature has long been associated with creativity. Yet walking's associated research and artistic practices remain dogged by representationalism. Concomitantly, intersectional concerns of race, gender, and dis/ability determine what kinds of bodies are allowed to walk where (and in this case, the where is Brexit-era Britain). This article attempts to navigate the complexity of these tensions, contextualizing a five-day walking research-creation project along St. Cuthbert's Way that we called Queer Sonic Cultures. As academics and artists interested in the relationship between walking and composition, our initial propositions are to become affected as we walked and to create sonic cultures (songs) using whatever affected us along the way. In using research-creation as a research methodology, we understand our artistic compositional practice of co-creating lyrics-melody-harmony-production-arrangement as the research. Unlike some forms of arts-based research that use an artistic form to disseminate research findings, in research-creation the artistic practice is the research and the theory. In the interests of continuing to make this apparent, we shall prefer to describe this contextualizing article as Academic Liner Notes. The Academic Liner Notes begin with a brief description of the location of the walk, contextualized within the tradition of walking and composing in the British landscape, and the use of sound-based methods and literature to represent such landscapes. In this section we will trouble the whiteness and cis-hetero heritage of walking and art in rural Britain. Following this, we will introduce research-creation as a methodology contextualized within affect studies. We argue that the resultant sonic cultures (nine in total) rather than representing the walk, in fact, more-than-representationally intensify the affective dimensions of the relations we were part of along the way."

" This essay is about listening to the voice as a social prism of sound that disperses and reflects power. Thus by listening to and for elsewhere at public gatherings, we hear voices at work-in formation-producing an elsewhere by refusing to comply with the sonic demands of a Canadianness based on white settler colonialism, dependent on state-sanctioned multiculturalism, and rendered as silence."

"Silenced voices of disappeared dissidents and migrant slaves. Melodies lost to the violence of empire. Vanished monuments marking anti-colonial choruses. Hidden, transgressive dances of migrant domestic workers. Inaudible and obscured, these sounds and movements haunt Hong-Kai Wang's work. Rather than erecting monuments to these pasts, Wang uses listening, sounding, and singing as conduits to these lost or absent acts across temporal and geopolitical distances. This practice, situated around sound both real and imagined, might be described as anti-monumental."

"NIC Kay's #blackpeopledancingontheinternet explores ways that Black online communities have engaged in the transcultural exchange of dance, movement, and music, claiming and maneuvering the internet as a space for visible, culturally coded play, political organization, and innovation."

As the concrete details of Hamm's beating were slowly erased amid years of trials and new racial atrocities perpetuated by law enforcement, Come Out even anticipates the sort of numbness and exhaustion that now results from a 24/7 news cycle that blends outrages and atrocities into a dangerous, undifferentiated mass.

"n Pursuit of Silence is a meditative film about silence, our relationship with sound, and the impact of noise on our lives. In our race towards modernity, amidst all the technological innovation and the rapid growth of our cities, silence is now quickly passing into legend. From the Desert Fathers of the third century AD who became the model for Christian monasticism to John Cage's seminal work 4'33" which would go onto inspire a generation of artists, humankind has had a long fascination with silence. In Pursuit of Silence will be the first comprehensive look at this topic whose many dimensions lie at the heart of so much of human progress. Offering audiences a contemplative cinematic experience, the sights and sounds of this film will work its way through frantic minds, into the quiet spaces of hearts, and help shape a new vision of being."

"Each structure uniquely incorporates the circulation of water from the James River, which flows across the entire state of Virginia, reminding us to consider our bodies as mediums for environmental pollutants. "

"Each structure uniquely incorporates the circulation of water from the James River, which flows across the entire state of Virginia, reminding us to consider our bodies as mediums for environmental pollutants. "