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"There is a parallel city beneath our feet, connected by pipes and caverns, carrying rainwater, electricity, (un-)sanitary waste, and utilities. In St. Paul, It has been carved into the limestone rock for over a hundred years and extends for many miles. Above-ground pedestrians rarely notice the openings--manholes, gratings, and outfalls--and can barely imagine the subterranean spaces. That is where sound comes in: ears can judge volume,materials, shapes, and space better than eyes, in this case."

"They grow in secret and yet form the largest living organisms in the world: mycelia, the subterranean filament of fungi. In this, the sound artist Antye Greie-Ripatti {AGF} sees a metaphor for political activism in the age of the Internet. Here, too, small cells are interlacing in the subsurface to effect the greater. For her radio composition "Mycelium" Greie-Ripatti therefore sonifies the vital functions of fungi and contrasts them with voices of activists from all over the world. This creates a multi-lingual sound network, which transports a quiet but sustainable utopia: Together we are strong."

"This 9-channel sound, light & smoke installation was created in collaboration with the independent sonic arts collective Call & Response, Sep 2015 London Subterraneous takes the work of seventeenth century alchemist and scientist Athanasius Kircher as inspiration. Kircher was a polymath and inventor, who researched fields as diverse as medicine and Egyptology, and designed and constructed wondrous sound and vision automatons. These included a collection of so called speaking statues whose spiral mouths would lead out into the streets of Rome like giant trumpets. In this way the speaking trumpets or 'hearing lens' would reveal the cacophony of Rome to the listener. London Subterraneous aims to link Kircher's 'speaking trumpets' with his fascination of geology and underground reverberations and find a way to explore London's mundus subterraneous For this project, special microphones have been used to access sounds from a series of "stink pipes" that connect the city's familiar terrestrial environment to a lesser-known complex network of sewers and rivers below. The towering, hollow pipes, now rusting fixtures dotted across London erected as safety valves to vent excess toxic gases along a newly built Victorian sewer network in the 1860's allow us to connect through our past and eavesdrop on the capital's underground world. The resultant exhibition is a portrait of some of the sounds created below ground and through the pipes themselves "Although these stink pipes are nowadays "useless" this work aims to reveal them as poles of sound, or as singing flutes. In a way these are tones from the past." Jacob Kirkegaard"

"New Yorkers gathered on the shores of the East River to hear musicians - aboard a barge and canoe - taking advantage of the unique acoustics of a drainage tunnel."