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"All of Toronto's music and opera presenters include an educational component in what they do. But the Toronto Symphony Orchestra's A Toronto Symphony project may be the first time that the city's children get a hand in actually shaping a mainstage performance."

"A turntable that rotates in time with the earth, one revolution every 24 hours, playing Vivaldi's Four Seasons. If performed from beginning to end, the record would play for four years. The movement is so slow it isn't visible to the naked eye, yet the player is turning, imperceptibly."

"Inside the Soundscape Hildegard Westerkamp is a composer, radio artist and sound ecologist. She presents soundscape workshops and lectures internationally, performs and writes."

"Cube with Magic Ribbons is a computer visual and synthesised sound composition for live performance. The piece takes its title from a drawing of M.C.Escher which is rich with contradictory perspectives but it is also inspired by the wrapped spaces found in the two dimensional graphics of early computer games such as Asteroids and Pac-Man. It was created using a custom visual sequencer SoundCircuit, which rather than employing a conventional DAW layout, allows multiple virtual tape-heads to travel through a two-dimensional wrapped space along tracks that can be freely inter-connected. As the tape-heads travel through the resultant network, the topological layout of the tracks comes to directly influence the macro form of the music. Furthermore, as the piece unfolds the nature of this already confusing space reveals itself to be increasingly elastic and complex, yet inexorably intertwined with the musical form."

"Tsabar creates sensually driven installations, performances, and sculptures that examine the charged spaces and multi sensory zones of nightlife and their associations with notions such as freedom, excess, and escape. Her work treats the venues themselves as structures of power, enabling a display of fantasy, sexuality, and bravado, as well as providing a shelter from the realities of the outside world."

"The Enlightenment is described as a "hidden concert of pure light", performed by an uninhabited orchestra of lighting elements, including stagelights and high-powered bulbs. It reminds me somewhat of Francois Bayles "Acousmonium", but with a variety of lamps instead of speakers. Neon lights instead of violins, strobe lights instead of drums, etcetera."

"Tower Bridge has the acoustics of a small cathedral' … Iain Chambers in the Bascule Chambers, where Docklands Sinfonia will perform his work during the Totally Thames festival."

"For Hong Kong artist Samson Young, however, war sounds less obviously martial; indeed, it's pretty random. It's calm, somewhat foreboding - human, organic, often silent but with bursts of technological noise. And most importantly for Young, war sounds musical. Visitors to the artist's current exhibition at Team Gallery, Pastoral Music, see him sitting in the center of the room wearing fatigues, staring into an obsolete television monitor, surrounded by a surfeit of sound-making devices, some traditionally musical, like a contact mic hooked to a bass drum, and some definitely not, like soil, a room fan, Corn Flakes. What's going on exactly? The unconventional musical scores hanging - or, in some cases, drawn directly - on the walls suggest that Young's restrained movement amid the mess of sound-producing gadgets must constitute a musical performance."

"Joe Banks is a sound artist, author and researcher, originally specialising in radio phenomena and electromagnetic noise. For over twenty years Joe has been performing, releasing albums and exhibiting under the guise of Disinformation. This Disinformation brand name allows for a critique of corporate identities and modern communication, and uses a sonic palette sourced from errant radio waves, natural earth signals, and interference from the sun and from the National Grid, etc. In 2012, Joe published "Rorschach Audio - Art and Illusion for Sound" on Strange Attractor press, a book that explored the subject of EVP (ghost voice) research in contemporary sound art practice. Joe's work currently focusses on language and evolutionary neuroscience. Joe lives in London, 40 metres from the spot where physicist Leo Szilard conceived the theory of the thermonuclear chain reaction."

"Composer, performer, and sound artist Miya Masaoka considers the vagina to be the "third ear," a site for new ways of listening and perceiving. "

"The performative sensory environment Displace 2.0 takes place in the building of the recently dissolved platform TAG in the Hague for the 2012 TodaysArt festival. Displace 2.0 puts your sensory experience in the foreground. Groups of visitors progress through the three floors of the TAG building, encountering a series of environments and experience sensory-based actions that intermingle the senses of smell, taste, sight, sound and touch. At first, these sensory modalities are separated from each other, but then they grow over time to cause intense, almost hallucinatory sensations merging to the point of saturation."

"This site documents examples discussed in my book Between air and electricity - Microphones and loudspeakers as musical instruments. Although most of these pieces and performances are best experienced live, these audio and video documentations might be helpful to get a better understanding of the music."

"Robertina Šebjanič is one of those rare artists who brings as much attention to the aesthetics and concepts behind her artworks as to the meticulous scientific research that sustains them. Her installations, sound experiments and performances invite us to reflect upon our relationship as human beings with the rest of the world. Over the past few years, she has been collaborating with scientists, hackers, thinkers and other artists to explore themes such as interspecies communication, underwater sound pollution, the possible coexistence of animals and machines, chemical processes, the origin of life, etc. "

""Toward the Circle" is silent short film created during a research residency at the Experimental Media and Performing Arts Center (EMPAC) in Troy, NY. It presents a sequence of enclosures, each with a simulated burst of sound energy, that hints at an important relationship between sound and architecture. Zackery Belanger can be reached at zb@arcgeometer.com"

Mark Peter Wright is an artist, researcher and lecturer working at the intersection of critical theory and contemporary art. His practice explores the relationship between humans, animals, environments and their associated technologies of capture: critically and playfully generating debate through exhibitions, performance and collaborative events.

"As sound designers, we are usually focused on how sound can affect a player's immersion or enjoyment of a game - certainly important. However, for this blog post I wanted to try and focus on a slightly less common topic, how sound can affect a player's experience in relation to their 'performance'. How can we improve-or worsen-a player's ability to succeed with sound? "

Iris Garrelfs is an artist working on the cusp of music, art and sociology. Her practice includes fixed media, installation, improvised performance and has been included in major institutions worldwide

"ELECTROCHROMA is a 58ʼ30" audiovisual work that emerged from the manipulation of light to generate imagery as well as using a combination of extended techniques applied to sonic-material sources, including translation of image to sound to create the 5.1 surround audio composition. The work utilizes various analog and digital procedures and a variety of software processes to manipulate the moving image and sound. The workʼs imagery ranges from dark to light monochromatic spheres, shifting dynamics and intensity, including flickering and pulsating patterns, retinal impact, and sensory overloads. The sound composition focuses on timbre, low ends, modulated frequencies, textures, static noises, and electronic sounds moving through space. Other sonic layers were created through the use of electromagnetism, custom electronic sounds, and voices scored for the work and performed in a recording studio by artist Marylea Martha Quintana."

"   "Blissful positive energy," "Full chakra healing," "Extremely powerful third eye opening" - such are the benefits of binaural beat listening as promised in the titles of a few popular YouTube videos.[1] Throughout the wide distribution network of binaural beat audio, discourses abound that purport effects such as heightened sexual arousal; improved performance at job interviews; psychedelic-like drug experiences; enhancements in creativity, IQ, and lucid dreaming; and assistance in the fight against cancer. More than a panacea, binaural beats and the meditative auditory experience the associated rhetoric claims they provide, do not just heal or prevent defect and injury; they heighten the overall quality of life. Or, so is the promise.  "

"In 2020 the national warning system (air raid siren) is scheduled to be decommissioned. Before this happens, I am hoping to create a special composition as a swan song for the system which fits the technical specs and acoustic qualities of the hardware. This piece is to be performed/deployed simultaneously through all 4300 sirens of the Netherlands at a set time in the future - its sound enveloping everybody. Potentially, this will also be the largest sound installation of the country; in any case it is the biggest instrument available. "