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"Lead poisoning can stunt my growth / And mess with my mind / We would like help if you don't mind. Rather than water, words from poet Ken Silas, a student at Carman-Ainsworth High School in Flint, Michigan, flowed through a copper pipe and out of the faucet I'd just turned on, bearing my introduction to Beyond Streaming: A Sound Mural for Flint, conceived by artist Jan Tichy."

"Montefiore Hospital in the UK teamed up with ambient music artist Brian Eno in April 2013 to create a Quiet Room where patients can find relaxation and calm. Eno designed a light and sound installation for the room and for the reception area, including an original soundtrack of soothing instrumental tunes. Once the room has had a few inhabitants, there are plans to examine whether the patients who have sought solace there exhibit any beneficial physiological changes."

"From 1976 to 1982, Tony Conrad (1940-2016) created "Music and the Mind of the World," a piano composition comprising over 200 hours of recorded music. During this time everything Conrad played on the piano was recorded (with the incidental exception of perhaps three or four hours). In this endeavor - which includes the sounds of practicing, banging on the keys, formal exercises, experiments with the harmonic sonority of the piano itself, and even "On Top of Old Smokey" - we witness what might in essence be described as the total encounter between an improvising performer and the central instrument of Western musical culture. Now, for the first time, this influential yet largely unknown work has been published and is now available online for free at the domain musicandthemindofthe.world."

"Julian Treasure, chairman of The Sound Agency and author of the book 'Sound Business,' proposes we design health care facilities with acoustic healing in mind. "

"When did you last use radio technology? If you're straining to remember when you last turned on the AM/FM radio broadcast receiver in your car, you've probably gone too far back. Although it might not come to mind when we think about radio in the digital media era, things like GPS, wireless computer networks, and even our mobile phones use radio waves.  Far from being outdated, this century-old technology is still integral to much of what we do. "On the one hand, it's very ambient. We don't notice it," says Rick Prelinger, an archivist and professor emerit of film and digital media at the University of California, Santa Cruz. "But radio is also deeply engaged with the world." "

"Call Back Carousel is an audio time-travelogue, a slideshow of the mind's eye - projecting Kodachrome memories directly into the listeners' mind by means of sound alone. It is a way of travelling without ever having to leave the home. A vicarious vacation for the imagination. Pure audio escapism. Each episode is based on a found tape of a pre-recorded slideshow commentary. Most of these tapes were made by amateur tape recording enthusiasts and hobbyist photographers of the 60s and 70s. Their recorded commentaries would at one time have been used in conjunction with a sequence of 35mm slides but only the taped voices now remain. The recordings themselves come from my own archive of found reel-to-reel tapes that I have collected over the past twenty years."

""The Universal Sense: How Hearing Shapes the Mind.""

"This paper will explore how the practice of soundwalking can be a tool for memory retrieval. I ask: How are memories created and remembered in the mind and felt within the body? What happens to our perception of self, home, and knowing as we move through spaces and places of significance?"

"Noise is the top quality-of-life complaint to 311, and those complaints are on the rise. But our relationship with noise is very complicated, with lots of advantages, too. What noises drive you crazy, calm you down, damage your hearing or peace of mind, help you create? Callers sound off on noise and we hear from guests, including environmental psychologist Arline Bronzaft, acoustics consultant Alan Fierstein, sound historians Emily Thompson and David Hendy, and hearing specialist Eric Smouha."

"Philadelphia's Franklin Institute will soon unveil a new exhibit called Your Brain: www.newsworks.org/index.php/thepul…ur-of-your-brain. The Pulse's Zack Seward got a sneak peek from chief bioscientist Jayatri Das. The exhibit features about 80 interactive installations exploring how your brain works. And this one ... will blow your mind."

"This paper will explore how the practice of soundwalking can be a tool for memory retrieval. I ask: How are memories created and remembered in the mind and felt within the body? What happens to our perception of self, home, and knowing as we move through spaces and places of significance? "

"As visitors strolled through a recent display of Madame de Pompadour's coffee grinder, an 1840s Sèvres porcelain coffee set, tea canisters, sugar bowls and other European decorative arts at the Detroit Institute of Arts, the scent of roasted coffee beans arose in one room. Bach's "Coffee" Cantata played in the background. Not far away, cocoa pods were not only on display but also meant to be touched. In the final gallery, a tasting station offered two kinds of liquid chocolate, one adapted from an Aztec recipe and the other from an 18th-century French formula. Museums usually aim to offer a feast for the eyes, but this Detroit museum had much more in mind for "Bitter|Sweet: Coffee, Tea & Chocolate," which just closed at the institute. Officials, who used art objects to illustrate how the introduction of those beverages to Europe in the 16th century from Africa, Asia and the Americas changed social and consumption patterns, wanted the exhibition to be a banquet for all five senses."

"This Sonic Constellation Compilation is part of the ongoing series: WAYBACK SOUND MACHINE, A CONSTELLATION OF SOUNDING TIME, which asks What can we gather from sounding the past-and with that in mind, what is the relationship between soundscape and sound design? This is Part One of a three part series-within-the-series, that shares various artistic forms, and some text, of/on sound from the past, and designing and composing sound for the past."

"After hearing about the murder of Trayvon Martin, the unarmed teenager who was shot to death by George Zimmerman in a gated community in Sanford, Florida on February 26, 2012, I grappled with the urge to grab my godsons, nephews, cousins, brothers, and husband and never let go. I grappled with the Du Boisian question of the color-line, redressing it to consider "what does it feel like to be not only a problem but a target?" With these thoughts in my mind, I especially grappled with listening to the audio records of the 911 calls documenting the death of Trayvon Martin, just released late Friday March 16thby the Sanford police department."

"I love talking about field recording, as you can gather from reading my blog or following me on social media. I'm deeply passionate about all aspects of the discipline and I also love to inspire others to pursue it. Something I haven't talked much about is the editing and mastering side, probably because it isn't as glamorous as teetering on the edge of a volcano or being chased by an orangutan in the rainforest. It may also be because I do my best to escape the studio whenever I can, and this would mean more time spent indoors. At any rate, with this blog post I'm trying to fix that."

"Rather than perceiving the world in real time, we're actually experiencing a memory of that perception. That is, our unconscious minds filter and process the world under the hood, and often make split-second decisions. When we become aware of those perceptions and decisions-that is, once they've risen to the level of consciousness-we're actually experiencing "memories of those unconscious decisions and actions," the authors explained. "

"Sound maps of rivers and songs for cicadas are two examples of a new kind of music inspired by 19th-century German physicist Hermann von Helmholtz. Inventing his own resonator, the scientist broke down the frequencies of tonal sounds, indirectly showing music as the gathering of disparate elements in space. Foot Notes: On the Sensations of Tone, currently on view at apexart, takes Helmholtz as its patron saint of ecologically minded sound art, with nine practitioners presenting their own experiments with unconventional music."

"n urban areas, silent places where one can enjoy some quietude are getting more and more scarce. There's a lot of what some might call "noise pollution", sound harmful to human health and disturbing a balanced life. With cities still getting more crowded and thus louder every year, no wonder that this is quite a hot topic, also with artists. We saw Music for Forgotten Places by composer Oliver Blank last year for example, a project where one can dial a phone number on a sign to hear some music for a silent place in the city, and take a mindful moment in a busy city."

Kate Donovan is a radio artist/practitioner, facilitator and researcher based in Berlin. Her artistic practice deals with radio in an elemental sense, in terms of frequency, transmission and interconnectedness. Her editorial and organizational work in free and community radio fosters inclusion, diversity, and experimentation. With questions of science-fact, the imagined, physical immersion and the "environment" in mind, her research (and in turn, her practice) is an exploration of radio as a natural phenomenon, an artistic medium, and a site for resistance.

None of the music on this website exists. But don't you wish it did? The reviews that make up this preview of EAR WAVE EVENT were created by a neural network fed and trained on contemporary music press. Inverting the normal flow of music criticism, we invite artists to use these reviews prescriptively - to create realizations of musics 'imagined' by a prosthetic mind.