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"Artist Julianne Swartz presents a sound installation, Digital Empathy, which greets High Line visitors with a variety of messages. At some sites, computer-generated voices speak messages of concern, support, and love, intermingled with pragmatic information. In other sites, those same digitized voices recite poetry and sing love songs to park visitors."

"Between 1967 and 1988, Maryanne Amacher produced a 22-part series she titled City-Links. In City-Links, Amacher transmitted live sonic feeds from cities (or multiple sites within the same city) via high-quality telephone lines and mixed these sources live during installations, performances, and radio broadcasts. Sonic environments she selected included harbors, steel mills, stone towers, flour mills, factories, silos, airports, rivers, open fields, utility companies, and musicians "on location". The first in the series, In City (1967), was a 28-hour live mix connecting eight locations around Buffalo via phone lines to WBFO, Buffalo public radio. A very early example of telematic performance, or 'long distance music', the project enabled Amacher to connect acoustic spaces distant from each other and thus hear synchronicity 'live' as it is."