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Judy Rodman - All Things Vocal: Stage Fright Ambush: How To Prevent or Defuse A Sudden ... - 0 views

  • Have you ever had a strange, unexpected attack of stage fright you couldn't understand?
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    You've performed many-a-times, rocked shows with 10 people in the crowed, rocked shows with thousands in attendance, but tonight for some odd reason you are experiencing an unexpected attack of stage fright. Professional Vocalist Judy Rodman touches on the two prime causes for uncharacteristic stage fright, and what you can do to prevent or defuse a sudden attack of nerves.
songplacements

How To Improve Your Sound Stage for $2 - [audiojunkies] - 0 views

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    The midrange and tweeter cabinets on B&W Nautilus speakers are shaped like teardrops for reasons other than fashion. In fact containing the driver inside a sphere that is pulled back to a point rather than a typical wide baffle box provides significant sound quality benefits. READ MORE
songplacements

Web Music Video Distribution for Independent Artists - 4 views

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    Fact #1 - Youtube is the 2nd largest search engine next to Google. Fact #2 - Many people search for music on Youtube and other online video websites. Now that you know these two facts. The renegade producer suggests there is no better reason for you to develop a business strategy which includes online music video distribution. Now what type of videos are we talking about here, not everyone has the money to shoot a MTV style music video let alone a couple. Well the renegadeproducer suggests uploading not just clips of your band but clips of your brand. You can create clips from the audio, backstage, with members of your tribe at shows or even while having breakfast. Having content that can visually engage your fans while your not on the stage can help strengthen the overall brand. Time is obviously a factor, so for this you should check out TubeMogul that group distributes your videos to many video sharing sites at once, but first you gotta create the content.
Kelly Bounce

My Movie Garage Birthday Bash - 1 views

It is my birthday tomorrow and since I feel so happy these days I would like to set my own movie house in my garage. All my friends are invited and even my neighbors are free to watch. With all the...

stage hire

started by Kelly Bounce on 24 May 11 no follow-up yet
songplacements

How To Survive The New Music Industry « eleetmusic - Direction in music, ma... - 0 views

  • The older industry experts insisted that nothing much had changed. They encouraged artists to network with other bands to find gigs, sell CD’s out of thier trunks or, “do what ever it takes to generate a buzz”. You can’t get more vague than that.
  • The progressives represented new media applications, widgets and digital services that promised to help artists develop direct to fan relationships. They somehow forgot to mention that you would be required to pay for their service or use their branded widgets in order to create, market, promote, and distribute YOUR music to the world.
  • In the good old days, when there weren’t any computers programs, some of the greatest artists succeeded by telling their story in a unique way.
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  • Emmanual Jal learned the hard way what we as musicians take for granted. He learned how to survive and adapt in the toughest conditions.
  • survival divided by adaptation equals success.
  • ll of the CD’s, downloads, T-Shirts, widgets and direct to fan relationships will not work unless you adapt them to your situation.
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    Loiterers Should Be Arrested. The CMJ Music Marathon ended last week but the lessons learned have just begun. Kevin English, blogger at eleetmusic.com took some time to talk about the lessons that he took away with him from the many panelists. His conclusion; there is no concrete answer to surviving in todays music industry. Old school pundits stressed the importance of networking and buzz generation by any means possible while New Media progressives represented new media applications, widgets and digital services that promised to strengthen direct to fan relationships. It wasn't until the Sudanese rapper Emmanual Jai took to the stage that he realized industry survival was about constantly adapting, bending the industry to specifically cater to your needs. Figure out what your number one need is right now as an indie artist and exploit that need. Kevin's short but enlightening read this morning brings me to the idea of a (wait for it, wait for it) digital manager. Not loading up all of your tracks on myspace, but actually hiring a manager to surf the web all day and submit your music to opportunities world wide. Has anyone tried something like this yet? let me know how it works, and what you have been doing to try to adapt.
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