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Jenny Gilbert

Teaching Reading theory and links - 4 views

I found some intersting links on sustained silent reading and theory on the web look for the SSR tag for the links other notes from these pages: Student love to read under the following circumsta...

widereading teaching english reading

started by Jenny Gilbert on 31 Jan 09 no follow-up yet
Jenny Gilbert

Web 2.0 Storytelling: Emergence of a New Genre (EDUCAUSE Review) | EDUCAUSE - 0 views

  • To claim that there is now such a thing as “Web 2.0 storytelling” invites risks. For one, some media reports suggest that this type of storytelling could be either hype or a danger. In addition, trying to pin down such a moving target can result in creating terminology that becomes obsolete in short order. Moreover, claiming that storytelling is happening online and is developing in interesting ways contradicts some current assertions about a decline in reading.Accepting these risks, we suggest there is most certainly a new form of expression that is compelling to educators. Starting from our definitions, we should expect Web 2.0 storytelling to consist of Web 2.0 practices.
  • Lonelygirl15 (http://www.lonelygirl15.com/), which started as a series of short videos on YouTube, grew to include a large number of comments, blog posts, wiki pages, parody videos, response videos, and a body of criticism. In each of these cases, the relative ease of creating web content enabled social connections around and to story materials.
  • Web 2.0 narratives can follow that timeline, and podcasts in particular must do so. But they can also link in multiple directions. Consider the possibilities facing a reader (or a viewer or a listener) who approaches Postmodern Sass. One timeline follows blog posts in chronological order. Another follows comments to a single post. A third follows links between posts, such as when the author refers to an earlier situation or references an old joke. Web 2.0 creators have many options about the paths to set before their users. Web 2.0 storytelling can be fully hypertextual in its multilinearity.
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  • laying for Keeps (http://www.playingforkeepsnovel.com/) includes blog posts (with comments), podcasts (each blogged, with those posts commentable), PDF downloads, a MySpace page, and additional blog posts from various content contributors, with these posts housed at their own locations.
  • his sort of content repurposing, redesign, and republication can open up problems of version or content control, yet in return, it offers the possible harvesting of the storytelling energies of the creative world.
  • The Twitter content form (140-character microstories) permits stories to be told in serialized portions spread over time.
  • Even more varied forms include movie trailer recuts, in which the story creator edits clips from a well-known Hollywood movie to make a preview that tells a different story.
  • Web 2.0 storytelling is a rapidly evolving genre, developing as new platforms emerge and moving in pace with the creativity of the human mind. We anticipate that new storytelling forms will emerge from today’s tools for microblogging, social networking, web-based presentations, and microblog-like videos
  • For rich-media content creation, Web 2.0 tools have lowered the barriers by moving the process of (expensive) desktop video-editing software to (free) web-based applications17 and at the same time ostensibly moving the focus from using the tool to telling the story with the tool.
  • o be included, the tools had to be free, completely web-based, and able to produce a final product that could be viewed via a link and/or could be embedded into another site. Currently, The Fifty Tools website (http://cogdogroo.wikispaces.com/StoryTools) features examples of stories created in fifty-seven tools, and the number is likely, as new tools continue to emerge, to top seventy soon.
  • Should Web 2.0 storytelling be considered for educational purposes as well? After all, not every art form needs to be used in academia. We believe that the answer is “yes” and that Web 2.0 storytelling offers two main applications for colleges and universities: as composition platform and as curricular object.
  • Some projects can be Web 2.0 stories, while others integrate Web 2.0 storytelling practices.
  • A single course blog, for instance, tells the class “story.”
  • At a different—perhaps meta—level, the boundaries of Web 2.0 stories are not necessarily clear. A story's boundaries are clear when it is self-contained, say in a DVD or XBox360 game. But can we know for sure that all the followers of a story's Twitter feed, for example, are people who are not involved directly in the project? Turning this question around, how do we know that we've taken the right measure of just how far a story goes, when we could be missing one character's blog or a setting description carefully maintained by the author on Wikipedia?
  • For now, perhaps the best approach for educators is simply to give Web 2.0 storytelling a try and see what happens. We invite you to jump down the rabbit hole
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    excellent and detailed doc exploring and defining web2.0 storytelling and what that actually means
Jenny Gilbert

Inspiring Teachers - Monthly Columns -Differentiation of Instruction Part 1 - classroom... - 0 views

  • It is teaching towards each student's strengths, and allowing their weaknesses to develop into future strong points.
  • Quite frankly, the course of action begins with the very basics of how you run your classroom. Begin the year by getting a grasp of the strengths and weaknesses of your students through the use of the available data, like benchmark testing results, standardized test scores, pre-tests, student inventories, portfolios, guidance folders, and/or classroom grades from the previous year; although those important items are just the beginning of your learning process. They give results and information, but they do not tell you how the student got there.
  • a responsive classroom that differentiates is one where the teacher prides him or herself on getting to know the students as individuals. From my own experience, once you tap into that resource, you can more easily find ways to connect with everyone in the classroom.
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  • so use the idea of getting to know your students as a place to incorporate writing. When given a topic they can personally relate to, students usually write much more than they would ever tell you verbally. Sentence starters work well. Journal prompts are a terrific asset.
  • A teacher who makes an effort to value and learn about students on a more personal level, will gain the respect of the students and will begin on the journey of lesson planning for the whole group. It is not a "waste of time" to spend important moments on this "getting-to-know-you" task. The better you understand your students, the easier it is to get them to learn.
  • If students work together toward a common goal, then communication and organization improves. Plus, students feel supported, and they know they can go to other members of the class for guidance.
  • Facilitating an environment where a struggling student can approach a gifted student to request assistance, provides students with the chance to succeed in safe surroundings and at their own pace.
  • Although some teachers would disagree with me, I use self-assessment often
  • students are self-monitoring as well, and more often than not, they are pleased with their progress.
  • They feel good about themselves because they can see the learning in concrete form.
  • All students, from resource to gifted, need to "work up."
  • Using rubrics, checklists, and clearly written instructions, which are provided in advance, are a way to begin in helping all students learn to desire achievement
  • Diversity in the classroom is a given; our job is to figure out how to get students to want to learn the material on their own, at a pace that is good for them.
  • Teachers differentiate through their CONTENT.
  • What are the procedures/activities/steps which are followed so that students create their final outcome? This middle part is called the PROCESS. The final outcome is the PRODUCT. The product is most often the assessment vehicle by which students demonstrate what they have learned.
  • When students are offered choices in the process area, you enable them to discover different skills and competencies.
  • it means one plan with three options or sections.
  • Activities related to the same learning outcome are prepared with different stages of difficulty, each stage addressing higher levels of thinking and/or different learning styles.
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    there are 3 more parts to this.
Jenny Gilbert

Resource: In Search of the Novel - 0 views

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    Discover creative strategies for bringing novels to life for middle and high school students with this workshop, featuring the words and works of 10 novelists, including Charles Dickens, Mary Shelley, J. K. Rowling, and Toni Morrison. Within the framework of real classroom practice, the workshop offers interviews with contemporary authors, literary critics, teachers, and students, as well as film clips from adaptations of the novels featured. In Search of the Novel poses basic questions that can help you examine the genre from multiple perspectives and bring it to life for your students.
Jenny Gilbert

The Romantic poets | Books | guardian.co.uk - 0 views

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    "The Romantic poets This week, in the Guardian and the Observer, every day's paper comes with a free pamphlet on one of the great Romantics poets, from John Keats through to William Blake. As well as a selection of the poets' finest works, each pamphlet contains excerpts from their personal correspondence and a foreword from a modern-day admirer, with Christopher Hitchens championing Percy Bysshe Shelley, Margaret Drabble on William Wordsworth and Don Paterson writing in praise of Robert Burns. On the website, you can listen to readings of the featured poet's poems, join our daily discussions of their seminal works with the books blog's poet-in-residence, Carol Rumens, and download this week's books podcast, in which literary editor Claire Armitstead talks to Andrew Motion and the series editor, Nicholas Wroe, about the Romantics' legacy. If you missed out on any of the booklets, click here to buy copies from the readers offers department "
Jenny Gilbert

Ten Simple Strategies for Re-engaging Students | Edutopia - 0 views

  • Unlike traditional assignments where mistakes are marked wrong, this project will mark your mistakes as learning steps.
  • I encourage you to take risks and seek out information beyond what you think may or may not be right. In this forum, being right is hardly the end goal. Rather, the pursuit of greater understanding while exercising all of your options within a moral and ethical framework.
  • What happens when you take notes within a notebook? You eventually close that notebook and put it into a bag, or drawer. Only you possess that information. This is hardly the way our world works today and hardly the way we will conduct our research for this project.
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  • eating will allow us to bounce ideas and critique work as we progress.
  • This type of work will require you to engage an audience and be a participatory learner. It is hard to sit back and coast in this format and will require each student to be an active participant in the learning process.
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    some sound ideas here
Jenny Gilbert

Technology Tools in the Classroom: Using Computers to Engage Your Students - 0 views

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    Emerging technologies hold great promise for teaching and learning in the classroom, but how can teachers make sense of and keep up with it all? This session will provide an overview of some of the free and available computer-based tools and services ready to be incorporated into the classroom.
Jenny Gilbert

Introduction - 1 views

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    This resource pack explores the first meeting of Romeo and Juliet. The notion of "love at first sight" is discussed; the scene is set in context and students move on to looking in detail at the religious imagery used by Romeo and Juliet in Act 1, Scene 5. The sonnet form is then introduced. Students investigate Shakespeare's use of this form at this point and then progress to identifying other sonnets in the play.
Jenny Gilbert

Two weeks worth of Poetry Lessons - 18 different styles to explore - Literacy... - 0 views

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    a PowerPoint of what our students will be doing in writing for the next fortnight to explore poetry. This presentation contains explanations and examples of each of the 18 major styles of poetry and also Poetry assessment rubric for your students to use to assist them in writing their own poetry. You can either download the entire presentation or just use the slideshare presentation below. Enjoy
Jenny Gilbert

WritingFix: prompts, lessons, and resources for writing classrooms - 0 views

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    Writing Fix (online resource) Here's an interesting free resource for anyone involved in teaching or learning writing skills. This site has been put together by the writers, teachers and students of the Northern Nevada Writing Project to support the development of writing skills with the Six Trait Model. The site hosts an extensive collection of lessons, activities and other resources. (The Writing Fix is one of 190 web sites sponsored by the National Writing Project in the US.) Featured prominently at the Writing Fix are two separate "prompt generators". One is called the "Interactive Instant Plot Creator". You press separate buttons to bring up random suggestions for setting, character, and conflict. To go along with this idea generator, there is a downloadable "pre-writing worksheet" as well as a "rough draft worksheet". The other generator is called the "Random Prompt Generator for Writers". This second prompt generator consists of 470 prompts, each of which begins with a question that is followed by a suggested writing task.
Jenny Gilbert

Reading between the lines - 0 views

  • 'In other words,'' says Dr Sue Thomson, of the Australian Council for Educational Research, ''larger proportions of students can be described as 'strong performers' in the digital medium than in the print medium.''
  • If anything, what the new technologies will do is provide more opportunities to engage with long-form texts. The distribution mechanism will allow greater access. If you wanted to read almost anything on anything, I can almost guarantee there'll be 5000 words that someone's written about it somewhere, that you can get your hands on in an instant.'
  • ''Everybody's either on a Kindle, emailing, texting, reading the news on their iPads. The digital revolution is not destroying reading. It's changing the shape, the form, the context and maybe how we do it, but I don't think it's diminishing it.''
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  • But does access to more material make us more ''literate''? ''I actually think the evidence shows that most of our children are more literate, if you think of the definition 'literacy' as hugely more complex than it was 30 or 40 years ago and the different sorts of literacies that everyone has to have,'' says Ewing
  • ''At one point of time, if you could sign your name you were 'literate' - and then it was actually a very good measure. Later, if you could do a, say, primary school level of schooling, that was considered to be literacy. Today, I'd say, it's being able to interact with and participate in contemporary society, and in most workplaces these days that takes in having some element of computer literacy.''
  • BUT many worry that screen-based reading is already changing the way we read for the worse, playing to what has been called the Google generation, people with short attention spans who are prone to distraction and turn into ''skimmers''
  • ''Wide reading, particularly wide reading out of school, has a direct correlation with academic success.''
  • nd amid all the gloom and doomsaying, it seems we're still doing plenty of that.
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    Are kids not reading - or is it that the nature of reading has changed - great article
Jenny Gilbert

Guide to Grammar Lesson Plans - 0 views

  • Middle School & High School GamesEngaging teens in anything that smacks of grammar is usually a difficult task. To teach grammar and hopefully have some fun, try these games. Games are a fun way to engage students in tasks where they do not even know they are learning. Plus, they encourage teamwork and allow for kinesthetic learning. Students can play Stick it the Quickest and word sorts, which require Post-Its and chart paper. Some games require cards and larger teams. One grammar game requires baskets and balls to show correct grammar use. Whatever game you select for your students, they will enjoy this type of grammar practice over a worksheet any day. Choose the game for the grammar topic: Eight Parts of Speech Game Eight Parts of Speech Sentence Sort Grammar Lesson: Action Verbs and Verbs of Being Lesson Identify Noun Case Activity Identifying Parts of Speech Review Game Variety is Important in English Grammar Lessons
  • If your students struggle with passive voice, contractions, run-ons, comma splices, or pronouns in their writing, try one of the following lessons.
Jenny Gilbert

Short Story Teaching Resource Guide - 0 views

  • Using Short Stories to Teach Literary Elements and Reading ComprehensionTheme, symbolism, foreshadowing … there are so many literary elements for readers to understand in order to comprehend and appreciate what they read! Novels are great for reinforcing this knowledge, but may be too lengthy to introduce and teach specific elements properly. Students need multiple examples of literary elements being used in writing in order to understand them and identify them on their own, so the short story is perfect for this! Below are some resources to help you use short stories to teach literary elements. Additionally, you will find ideas for using short stories to develop students' reading comprehension, including active reading and vocabulary skills. The brevity of short stories can keep struggling readers from feel overwhelmed with the comprehension process, and teachers will find them easy to modify and organize for different audiences. For these reasons, teachers using stories to raise reading comprehension may also find these links helpful. Teaching About Theme Teaching About Foreshadowing Teaching About Symbolism Teaching Multiple Literary Elements Teaching Vocabulary with "The Lottery" Teaching Vocabulary with Stories of Your Choice Graphic Organizers to Help Understanding Listening Activities for ESL Students
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    excellent
Jenny Gilbert

English Raven: Open (Source) English Think Deeply - 0 views

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    excellent thinking and language activity - will help with discussing concepts and ideas and good ways to express them. Take the time to have a listen
Jenny Gilbert

Outlines for Conceptual Units - 0 views

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    For each unit I provide a set of possible texts and a possible conceptual focus. Keep in mind that my intention here is to suggest possibilities rather than to prescribe a curriculum; there are many other units that you could develop, and different texts and focuses for each of the units that I outline.
Jenny Gilbert

10 Digital Writing Opportunities You Probably Know and 10 You Probably Don't | ICT in m... - 0 views

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    list of sites for ICT and literacy - commented on
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    Loving piclit and I see it features on here. Have also used wordle and voice thread. About to try Myths and legends.
Jenny Gilbert

Spellchecker - Online Spell Check Form - 0 views

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    Fantastic free tool that requires no download or registration. Copy and paste text into the window and this service will highlight questionable spelling and grammar. An explanation is given as well as ways to fix the problem. This tool supports over 15 different languages including 3 variants of English.
Jenny Gilbert

Googledocsdocs.pdf (application/pdf Object) - 0 views

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    A pdf on how you can use google docs to create and collaborate on documents - useful for avoiding those problems of docs at work/home- use google docs and they are available in both places. Also useful for creating docs as a class as they can also be shared and edited.
Jenny Gilbert

Events - Online Literature Festival - 0 views

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    this could be fun.... Supported by the Brisbane Writers' Festival the Online Literature Festival offered the opportunity for teachers and students across Australia to meet and work with their favourite authors and illustrators. Students from Prep to Year 12 had the opportunity to interact with special online guests through a variety of web tools. Students can demonstrate their digital literacy skills through participation in a Book Rap based on their favourite Children's Book Council of Australia (CBCA) short listed title.
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