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Dostoevsky's great virtue as a writer is to be so utterly convincing in outlining what he doesn't believe and so deeply unconvincing in defending what he wants to believe. As Blake said of "Paradise Lost," Satan gets all the best lines. The story of the Grand Inquisitor places a stark choice in front of us: demonic happiness or unbearable freedom? And this choice conceals another, deeper one: truth or falsehood? The truth that sets free is not, as we saw, the freedom of inclination and passing desire. It is the freedom of faith. It is the acceptance - submission, even - to a demand that both places a perhaps intolerable burden on the self, but which also energizes a movement of subjective conversion, to begin again. In disobeying ourselves and obeying this hard command, we may put on new selves. Faith hopes for grace.

J.L.A. Garcia sees as wicked the viewpoint he attributes to Singer: "He has little use for most of the central elements of ethical sensibility and compunction, seeing rights and virtues as mere instruments in the service of maximizing the satisfaction of interests; and indeed he vigorously rejects the notion that there are distinctively human values-a view he dismisses as the pernicious consequence of "speciesism."

...Love and understanding, even without knowledge, are tremendous gifts; and religious knowledge claims are hard to support. We should, then, make room for those who embrace a religion as a source of love and understanding but remain agnostic about the religion's knowledge claims. We should, for example, countenance those who are Christians while doubting the literal truth of, say, the Trinity and the Resurrection. I wager, in fact, that many professed Christians are not at all sure about the truth of these doctrines -and other believers have similar doubts. They are, quite properly, religious agnostics.