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Newton knew what he had done. He was no accidental writer. A parabola, of course, is a curve that keeps on going – and that meant that at the end of a very long and very dense book, he lifted off again from the hard ground of daily reality and said, in effect, look: All this math and all these physical ideas govern everything we can see, out to and past the point where we can’t see anymore. Most important, he did so with implacable rigor, a demonstration that, he argued, should leave no room for dissent. He wrote “The theory that corresponds exactly to so nonuniform a motion through the greatest part of the heavens, and that observes the same laws as the theory of the planets and that agrees exactly with exact astronomical observations cannot fail to be true.” (Italics added).

To make his ambitions absolutely clear Newton used the same phrase for the title of book three. There his readers would discover “The System of the World.” This is where the literary structure of the work really comes into play, in my view. Through book three, Newton takes his audience through a carefully constructed tour of all the places within the grasp of his new physics. It begins with an analysis of the moons of Jupiter, demonstrating that inverse square relationships govern those motions. He went on, to show how the interaction between Jupiter and Saturn would pull each out of a perfect elliptical orbit; the real world, he says here, is messier than a geometer’s dream.

But the implication of electricity in the sleep deficit seems hard to argue with. Whatever it is that we wish or are made to do--pursue leisure, earn a living--there are simply far more usable hours now in which to do it

In the United States at midnight more than five million people are at work at full-time jobs. Supermarkets, gas stations, copy shops--many of these never close.

Living with electric lights makes it difficult to retrieve the experience of a non-electrified society. For all but the very wealthy, who could afford exorbitant arrays of expensive artificial lights, nightfall brought the works of daytime to a definitive end. Activities that need good light--where sharp tools are wielded or sharply defined boundaries maintained; purposeful activities designed to achieve specific goals; in short, that which we call work--all this subsided in the dim light of evening. Absent the press of work, people typically took themselves safely to home and were left with time in the evening for less urgent and more sensual matters: storytelling, sex, prayer, sleep, dreaming.