Writing Spaces | Readings on Writing - 0 views
Welcome to College Writing - 0 views
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CollegeWriting.Org is a free writing textbook for college writers. * Process: Understand the working habits and and attitudes of effective writers. Improve your prewrting, revising, and editing abilities. * Research: Understand library research methods and conventions for evaluating, citing, and summarizing sources. Explore primary research strategies--surveys, ethnography, case study. * Projects: Guidance on academic genres, popular writing assignments, and links to sample readings.
Writing as Design, Design as Writing ( jnd.org ) - 0 views
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I think you have to be a writer yourself to know how hard it is to make something easy to read -- or else you just have to be a little smart.
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One of the things that stands out when talking to designers and long-term users of poorly designed systems is that these people take great pride in their skills. They had to go through great difficulties to master the system, and they are rightfully proud of having done so. That, by itself, is alright. The problem is that the difficulties become a test of the person or group. Then, rather than ease the situation for the next people, it is used as a sort of initiation rite. The hardy survivors of the experience claim to share a common bond and look with disdain upon those who have not been through the same rites. They share horror stories with one another.
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To be successful, both writing and design have to follow basic psychological principles. And then they must be tested, tried out with readers or users who are similar to the intended audience, and then revised in whatever manner the test results indicate. All this takes a lot of effort and time. Time to learn the principles and appropriate techniques, time to practice them, time to test one's writing or design, time to revise, retest, and re-revise. Few are willing to expend that much time or effort.
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Education Week: Classroom-Tested Tech Tools Used to Boost Literacy - 0 views
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Teaching students to read in an authentic context is a key part of being literate, says Jeffrey Wilhelm, a former middle and high school teacher who is now at Boise State University, where he does research on struggling readers. “Being literate has always meant the capacity to use a culture’s most powerful tools to create and communicate meanings,” he says. “If you’re not teaching with [technology], you’re not only not preparing the kids for the future, you’re not preparing them for the present moment.”
10 Principles Of Effective Web Design - Smashing Magazine - 0 views
100 Best Higher Education Blogs | Online Degree Hub - 0 views
Scholars Turn Their Attention to Attention - The Chronicle Review - The Chronicle of Hi... - 0 views
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That illusion of competence is one of the things that worry scholars who study attention, cognition, and the classroom.
The Budget Debate: Arguing from the Facts - NYTimes.com - 0 views
Digital Discourse: Composing with Media in the Writing Classroom - 1 views
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None of these students had created a video composition before. And yet, using archival footage from Rauner and on-campus interviews, these first-time filmmakers produced a moving short film about student activism and apathy. As you watch the film, note that the filmmakers’ choices (of image, interviews, music, and transitions) are very clearly rooted in an awareness of the effect that they hoped to have on their audience.
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One might argue—and argue correctly—that teaching students an awareness of audience does not require that we study or assign multimedia compositions. But students are deeply engaged with these media, often relying on them to make very important life decisions, like whom to vote for in the next presidential election and why. This engagement leads students to feel that multimedia compositions matter, and that these compositions have a power that other compositions don’t have—perhaps because they believe multimedia compositions have a broad and genuinely interested audience are therefore more likely to be seen.
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Indeed, a group of students working on a short film reported to me that they had spent an hour heatedly arguing about a single transition in their film. These were students who often overlooked transitions in their written work.
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Featured Articles - 0 views
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The typewriter prized one particular kind of intelligence, but with the Web, we suddenly have a medium that honors multiple forms of intelligence-abstract, textual, visual, musical, social, and kinesthetic. As educators, we now have a chance to construct a medium that enables all young people to become engaged in their ideal way of learning. The Web affords the match we need between a medium and how a particular person learns.
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The first dimensional shift has to do with literacy and how it is evolving. Literacy today involves not only text, but also image and screen literacy. The ability to "read" multimedia texts and to feel comfortable with new, multiple-media genres is decidedly nontrivial.
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The real literacy of tomorrow entails the ability to be your own personal reference librarian-to know how to navigate through confusing, complex information spaces and feel comfortable doing so
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