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anonymous

A Crash Course On How Mobile Apps Are Changing Storytelling | The Creators Project - 0 views

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    Storytelling is so essential to the human condition, even our armpit-scratching ancestors knew how to spin a good yarn. But the ways we tell stories are constantly evolving, as new technologies spark new avenues of communication.
anonymous

The Aesthetics of Cellphone-Made Films - 1 views

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    By Caridad Botella THE HAND WITH A LENS
anonymous

Post-process: why the smartphone camera changed photography forever - 0 views

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    Or how a pro fell in love with photography again.
Alex Arditti

The ASC -- American Cinematographer: Gone Girl - 0 views

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    The article is mainly about the 6k workflow and the films cinematography techniques, but there is a small interview with the DI colourist on page 3, Might be useful for some of you. Great film by the way if anyone hasn't seen it. Apologies for the amount of articles on David Fincher i've posted, you my have noticed i'm slightly obsessed with his films!
Alex Arditti

Paint it Black? A Look at David Fincher's Color Palette - 3 views

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    David Fincher has been labelled all variations of a 'prince of darkness'. Perhaps rightfully so, as his movies mostly are crafted with a signature color palette (the colors and tones used throughout a film) which consists of dark tones, mostly green and blue.
anonymous

A film for colour graders - 9 views

http://www.imdb.com/title/tt0101420/ Looks great! Thank you Jacob, I'll look for it

Davide Desimone

Understanding Color Processing: 8-bit, 10-bit, 32-bit, and more - 2 views

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    Trying to understand video color precision is, well, a confusing task. There are so many different terms floated around - 8-bit and 10-bit color are used to describe cameras, while software talks about 8 bits per channel, 16 bits per channel, and 32-bits per channel "floating point" color. What does
anonymous

A study of colour emotion and colour preference. Part I: Colour emotions for single col... - 5 views

Alex Arditti

Technicolor 3 Strip - 0 views

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    Technicolor is a colour film printing process invented in 1916. It was the most widely used colour process in Hollywood from 1922 to 1952 and celebrated for its saturated levels of colour. It was used most commonly for filming musicals such as The Wizard of Oz and Singin' in the Rain and used for Disney's animated classics such as Snow White and the Seven Dwarfs and Fantasia.
Davide Desimone

Applying LUTs to Log Footage in FCP, Premiere, Avid and Resolve | CineTechnica - 2 views

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    NOTE: This article has been updated, read the Feb 2014 update here - Updated Applying LUTs to Log footage. Working with Log material can be difficult at times, so we have put out a couple of different LUTs for use when using the Sony F3′s S-Log or Canon Log from the Canon C300.
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