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Contents contributed and discussions participated by Davide Desimone

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BT.500 : Methodology for the subjective assessment of the quality of television pictures - 3 views

www.itu.int/...en

color testing quality television research

shared by Davide Desimone on 11 Nov 14 - No Cached

Davide Desimone on 11 Nov 14

BT.500 : Methodology for the subjective assessment of the quality of television pictures

<div class="cArrow"> </div><div class="cContentInner">BT.500 : Methodology for the subjective assessment of the quality of television pictures</div>

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ColorVisionTesting | Colorblind - 6 views

colorvisiontesting.com/ishihara.htm

shared by Davide Desimone on 04 Nov 14 - Cached

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Davide Desimone on 04 Nov 14

A usefull tool for testing peoples colour vision

<div class="cArrow"> </div><div class="cContentInner">A usefull tool for testing peoples colour vision</div>

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Applying LUTs to Log Footage in FCP, Premiere, Avid and Resolve | CineTechnica - 2 views

blog.abelcine.com/...-fcp-premiere-avid-and-resolve

color grading colour looks video film

shared by Davide Desimone on 29 Oct 14 - No Cached

Davide Desimone on 29 Oct 14

NOTE: This article has been updated, read the Feb 2014 update here - Updated Applying LUTs to Log footage. Working with Log material can be difficult at times, so we have put out a couple of different LUTs for use when using the Sony F3′s S-Log or Canon Log from the Canon C300.

<div class="cArrow"> </div><div class="cContentInner">NOTE: This article has been updated, read the Feb 2014 update here - Updated Applying LUTs to Log footage. Working with Log material can be difficult at times, so we have put out a couple of different LUTs for use when using the Sony F3′s S-Log or Canon Log from the Canon C300.</div>

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Understanding Color Processing: 8-bit, 10-bit, 32-bit, and more - 2 views

blogs.adobe.com/...standing_color_processing.html

color grading colour Bit

shared by Davide Desimone on 29 Oct 14 - No Cached

Davide Desimone on 29 Oct 14

Trying to understand video color precision is, well, a confusing task. There are so many different terms floated around - 8-bit and 10-bit color are used to describe cameras, while software talks about 8 bits per channel, 16 bits per channel, and 32-bits per channel "floating point" color. What does

<div class="cArrow"> </div><div class="cContentInner">Trying to understand video color precision is, well, a confusing task. There are so many different terms floated around - 8-bit and 10-bit color are used to describe cameras, while software talks about 8 bits per channel, 16 bits per channel, and 32-bits per channel "floating point" color. What does</div>

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Davide Desimone