Very useful book when shooting in Raw. It offers a whole chapter on how to colour grade RAW in DaVinci Resolve.
The book is available online through the UoS library and I have also added it to the Dropbox folder
Chromatic Cinema provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation.
The book is available to view online through the UoS library
This book has a chapter on 'Color and Meaning' in which the importance of colour is discussed in (mainly) paintings, stories and text. It's nearly 60 years old but is still useful for colour symbolism.
Storytelling is so essential to the human condition, even our armpit-scratching ancestors knew how to spin a good yarn. But the ways we tell stories are constantly evolving, as new technologies spark new avenues of communication.
Whether it's Vine, Instagram Video or Keek the popularity of micro video is changing the social media landscape. Our panellists discuss the practicalities of creating these super short videos and how they can be used to enhance the social media activity around your production.
If 2013 was the year of the selfie, then 2014 is the year of the hyper-short film. Today, people don't just watch films in cinemas or living rooms. Instead, the term "movies" takes on a new connotation, as people download and consume on the move: on foot, or on the train, sometimes with just seconds to spare, as the content flows through their Facebook or Twitter streams on their mobile devices.
"The moment you try to"re-paint" or modify such a thing, it is supposed to crash to pieces. And this is what has happened to "The Dying of the Light" - an unpleasant and tragic demonstration of the limits to the so-called wonders of digital post-production. By surgically eliminating the expressionistic color from the image - the pasty yellow-green of the African scenes, the dense sepia-chocolate of the American ones, and the bluish-green from the European ones - an unknown author has offered the public not only a crippled caricature of everything, but a collection of images deprived of soul, emotion and significance.""
A few youtube gems on color grading a David Fincher movie. About 5 minutes into the Panic Room featurette world class colorist Stephen Nakamura color corrects a few shots. The two part Se7en featurettes are all of Stephen colour correcting the end scene from the film.
Volume 7, issue 1 of this Journal seems to have a few articles about the use of colour in films. You can get full access to the articles through the Shibboleth link