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A Crash Course On How Mobile Apps Are Changing Storytelling | The Creators Project - 0 views

thecreatorsproject.vice.com/...apps-are-changing-storytelling film apps video mobile storytelling
shared by anonymous on 09 Oct 15 - No Cached
  • anonymous on 09 Oct 15
     
    Storytelling is so essential to the human condition, even our armpit-scratching ancestors knew how to spin a good yarn. But the ways we tell stories are constantly evolving, as new technologies spark new avenues of communication.
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The Aesthetics of Cellphone-Made Films - 1 views

artpulsemagazine.com/hetics-of-cellphone-made-films photography trends mobile instagram vintage apps filters grading
shared by anonymous on 09 Oct 15 - No Cached
  • anonymous on 09 Oct 15
     
    By Caridad Botella THE HAND WITH A LENS
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Post-process: why the smartphone camera changed photography forever - 0 views

www.theverge.com/...ra-changed-photography-forever photography mobile apps instagram
shared by anonymous on 09 Oct 15 - No Cached
  • anonymous on 09 Oct 15
     
    Or how a pro fell in love with photography again.
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The ASC -- American Cinematographer: Gone Girl - 0 views

www.theasc.com/...page1.php
shared by Alex Arditti on 08 Nov 14 - No Cached
  • Alex Arditti on 08 Nov 14
     
    The article is mainly about the 6k workflow and the films cinematography techniques, but there is a small interview with the DI colourist on page 3, Might be useful for some of you. Great film by the way if anyone hasn't seen it. Apologies for the amount of articles on David Fincher i've posted, you my have noticed i'm slightly obsessed with his films!
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Paint it Black? A Look at David Fincher's Color Palette - 3 views

www.fincherfanatic.com/paintitblack.pdf
shared by Alex Arditti on 06 Nov 14 - No Cached
  • Alex Arditti on 06 Nov 14
     
    David Fincher has been labelled all variations of a 'prince of darkness'. Perhaps rightfully so, as his movies mostly are crafted with a signature color palette (the colors and tones used throughout a film) which consists of dark tones, mostly green and blue.
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Understanding Color Processing: 8-bit, 10-bit, 32-bit, and more - 2 views

blogs.adobe.com/...standing_color_processing.html color grading colour Bit
shared by Davide Desimone on 29 Oct 14 - No Cached
  • Davide Desimone on 29 Oct 14
     
    Trying to understand video color precision is, well, a confusing task. There are so many different terms floated around - 8-bit and 10-bit color are used to describe cameras, while software talks about 8 bits per channel, 16 bits per channel, and 32-bits per channel "floating point" color. What does
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A study of colour emotion and colour preference. Part I: Colour emotions for single col... - 5 views

onlinelibrary.wiley.com/...pdf color colour emotion preference study research article
shared by anonymous on 30 Sep 14 - No Cached
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Technicolor 3 Strip - 0 views

www.digital-intermediate.co.uk/...technicolor.htm
shared by Alex Arditti on 29 Oct 14 - No Cached
  • Alex Arditti on 29 Oct 14
     
    Technicolor is a colour film printing process invented in 1916. It was the most widely used colour process in Hollywood from 1922 to 1952 and celebrated for its saturated levels of colour. It was used most commonly for filming musicals such as The Wizard of Oz and Singin' in the Rain and used for Disney's animated classics such as Snow White and the Seven Dwarfs and Fantasia.
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Applying LUTs to Log Footage in FCP, Premiere, Avid and Resolve | CineTechnica - 2 views

blog.abelcine.com/...-fcp-premiere-avid-and-resolve color grading colour looks video film
shared by Davide Desimone on 29 Oct 14 - No Cached
  • Davide Desimone on 29 Oct 14
     
    NOTE: This article has been updated, read the Feb 2014 update here - Updated Applying LUTs to Log footage. Working with Log material can be difficult at times, so we have put out a couple of different LUTs for use when using the Sony F3′s S-Log or Canon Log from the Canon C300.
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