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Professor Dan Pacheco's class at Newhouse had some fun before winter break by 3D scanning and printing "exact replicas" of their heads; a technology, according to Isaac Budmen, SU grad and co-author of "The Book on 3D Printing," that will permeate most every aspect of American homelife in the next two to three decades.

"Students in Pacheco's VR Storytelling course (http://vrstorytelling.org), most of whom have no 3D modeling experience, use Mixamo to easily and inexpensively add interactive characters to scenes that are viewed in Oculus Rift virtual reality headsets"

Pacheco has visions of how the Oculus could be used in the future. Maps could be interactive and 3D, said Pacheco. Pacheco also said natural disaster stories would be perfect for the Oculus Rift, especially when it comes to flooding. He envisions a project where "you can dial in a city, go to one of the coastal areas of that city, and see what the water level is like now and see what it's like in 10, 20, 30 years." "That would be pretty powerful, because instead of reading about the possible effects of climate change, you're going to be in it," he said.

"Last year, I had the opportunity to take a course called "The Next News Startup," a class that was taught by Dan Pacheco, the Chair of Journalism Innovation at Newhouse. The class taught students how to think about the future of the news industry as well as work on our own media startups. Our goal was to reach readers/viewers over mobile phones, tablets, the web and various digital platforms; one student used 3D Printing to create fishing lures and another created a website to promote diversity in the workplace. Pacheco was ultimately running a 'mini accelerator.' While the course was challenging at times, it was one of my favorite college courses. I never felt as if I were in a real class, but instead I was a growing a business while pitching, getting feedback from other students, Skyping with experts, and learning the "ins and outs" of how to create a business concept."

"... student journalists from the Newhouse School-who will discuss news engagement with people across campus; demos of Oculus Rift, 3D scanning, DJI Phantom drone and Google Glass with Dan Pacheco, chair of journalism innovation at the Newhouse School ..."

"Pacheco sees this as one part of a growing field of what he calls Experiential Media. Over the next decade, media will increasingly move into our environment, and we will move into media, Pacheco says. Your body itself, rather than a mouse, computer or phone, will increasingly become the primary mode of navigation through content. Pacheco brought an Oculus Rift to Gannett and helped the company locate a 360-degree photo team and 3D modeler from the gaming industry. The process of building the virtual reality farm included 2D photos and videos, which were then superimposed onto Google maps to recreate the scene. Pacheco says, 'It was like watching a pop-up book come to life.' "

Creating Your First VR Experience Practical tips for getting started in VR using freely available software and 3D assets. Prof. Dan Pacheco will draw upon material from his Virtual Reality Storytelling class at the S.I. Newhouse School to provide practical steps for creating interactive scenes in Unity3D that can be exported for web and the Oculus Rift. This will include demos and a deep-dive into Harvest of Change, the virtual reality journalism project he managed for The Des Moines Register and Gannett Digital, and some of the final projects from students in VR Storytelling. In addition, he will bring a 360° GoPro camera rig and stitching software to demonstrate how 360° videos can be produced and loaded onto the Samsung GearVR and into Unity3D VR environments.

Professor Pacheco reports on his experience with an extended HoloLens demo at the E3 conference and provides ideas on how it could be used in journalism and media.

"Dan Pacheco, professor of journalism innovation at the S.I. Newhouse School at Syracuse University, served as a consultant with Gannett Digital and the Des Moines Register on Harvest of Change. He describes team-building as part two of a "three act" process. (Act one: Find the story and conduct preliminary research.) Pacheco hired a game designer to handle 3D rendering who enjoyed the experience so much that "he got the journalism bug" and stayed with Gannett. They also brought in a second intern who had experience with Unity, a multiplatform gaming engine. The team was rounded out with Total Cinema 360, a New York-based film company."

'For a couple of days in journalism circles, "Harvest of Change" was the hot trending topic. Never before had you been able to virtually step inside a story and be enveloped by 360-degree video and hyper-realistic 3D renderings of a landscape you could move inside of. And while the full effect was achieved through the Oculus headset, there were also 2D versions made for desktop computers, which let more people experience the story. You can find it at desmoinesregister.com/pages/interactives/harvest-of-change. The seeds of this "harvest" were planted when Dan Pacheco, chair of journalism innovation at the S.I. Newhouse School at Syracuse University, met with Mitch Gelman, vice president of product at Gannett Digital. '

Columbia Journalism Review just listed the "Harvest of Change" virtual reality journalism project that Professor Pacheco co-produced at Gannett as one of 11 noteworthy journalism experiments today. BDJ senior, now graduated, also contributed as a developer.

Syracuse.com asked Professor Pacheco for his predictions about future technologies over the next 5 to 20 years.

Newhouse professor Daniel Pacheco and students from his virtual reality class visited La Casita Sept. 8 to film and photograph a group of dancers, led by Luz Encarnación. After a few hours, the students had taped enough footage to create a 3D virtual reality video. "What I like about the 360 medium for something like that is that you're right there with the artists," Pacheco said. "And, a lot of the time these things are done on a stage and there's a lot of distance between you (and the dancers). In this case, that entire dance is circular in nature, and so we put a camera right in the middle."