As a consequence, it has become difficult for filmmakers to make midlevel studio movies for adults who value thought over action, narrative ambiguity over blunt spectacle. Good big movies are still released and sometimes even produced by the studios. Among the most satisfying films of the past decade are some from “The Dark Knight” and “Harry Potter” franchises, both of which, in their different ways, engage Sept. 11 and the world it made while transporting viewers into fantastical realms.
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