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As almost everyone knows by now, various major daily newspaper published, on July 10, a photograph of four Iranian missiles streaking heavenward; then Little Green Footballs (significantly, a blog and not a daily newspaper) provided evidence that the photograph had been faked. Later, many of those same papers published a Whitman's sampler of retractions and apologies. For me it raised a series of questions about images.[1] Do they provide illustration of a text or an idea of evidence of some underlying reality or both? And if they are evidence, don't we have to know that the evidence is reliable, that it can be trusted?

A professional photographer of 20+ years, publisher of prophotolife.com and co-owner of the photo studio daylight-photo.com, in Cincinnati, OH. lots of how to videos on lighting, flash, studio etc

Foto8 was established in 1998 as an online web journal featuring quality photojournalism by professionals worldwide. Today, it continues to produce innovative online presentations of photojournalism, including providing the online resource for buying essential photography books and tickets to events, publishes the physical quarterly magazine EI8HT and houses the new gallery of photography in London, HOST. Over the years Foto8 has become known for its award-winning documentary photography presented in an exciting online and print format. From classical photo-stories to contemporary multi-media shows the website and magazine, and now the gallery, continue to stimulate and innovate. By showcasing this work Foto8 aims to inform and involve the viewer whilst pioneering new ways to tell stories. Foto8 believes that documentary photography performs an essential role in modern society. It is a valuable tool of communication as well as a vital part of educating ourselves about the lives of others which are often distant from our own. Photography allows us to look into, as well as at, lives of other people, to learn about their world, and in the process to define the issues that are important to us.

My lai massacre in pictures, U.S army photographers captured the events of the day, from the morning at LZ Dottie to the massacre itself. Some of the photos of the operation were published in a U.S Army newspaper without giving the impression that a massacre had taken place, other photos were secretly taken by R. Haeberle on his own camera, rather than the army issued one which was subject to censorship an estimated 504 Vietnamese civilians were killed by U.S. Army forces on March 16, 1968, in the hamlet of My Lai, during the Vietnam War

Part 1/6 - "From Refugee Photographer to War Photographer." Ashley Gilbertson photographs the war in Iraq for the New York Times. He talks about the invasion of Iraq, the battle for Falluja, the Marines he worked with, post-traumatic stress disorder, Iraqi civilians, and the future of photojournalism. His work is available in Whiskey Tango Foxtrot: A Photographer's Chronicle of the Iraq War published by the University of Chicago Press. part 1 of 6

On the eve of the election, a number of Magnum photographers have been venturing into American to capture what they can of this historic moment in time. The project is called InSight America. But rather than publish this work as a book a year after the fact, Magnum is posting the work online and on the fly. I caught up with Alex Webb after his recent journey to Ohio:

Philip Jones Griffiths (b. 1936) is a Welsh-born photojournalist known for his coverage of the Vietnam war. Griffiths studied pharmacy but started as a freelance photographer in 1961, traveling to Algeria in 1962. He arrived in Vietnam in 1966, working for the Magnum agency. Magnum found his images difficult to sell to American magazines, as they concentrated on the suffering of the Vietnamese people and reflected Griffiths's view of the war as an episode in the continuing decolonisation of former European possessions. He was able to get a 'scoop' that the American outlets liked, photographs of Jackie Kennedy vacationing with a male friend in Cambodia. The proceeds of these photos enabled him to continue his coverage of Vietnam and to publish Vietnam Inc. in 1971. The book had a major influence on American perceptions of the war, and became a classic of photojournalism. In 2001 the book was reprinted with a foreword by Noam Chomsky.

FREE DOWNLOAD - The UK Photographers Rights Guide. Permalink 19/11/04 22:33 , Categories: Photographers Rights I'm pleased to announce the launch of the UK Photographers Rights PDF. This is intended to provide a short UK guide to the main legal restrictions on the right to take photographs and the right to publish photographs that have been taken. The guide was written by Linda Macpherson LL.B, Dip.L.P., LL.M, who is a lecturer in law at Heriot Watt University, with particular experience in Information Technology Law, Intellectual Property Law and Media Law.