Group items tagged

Interview with Philip Jones Griffiths by Bob Dannin in New York City, January 2002

In January 2008, staff from the National Media Museum travelled to the Fondation Henri Cartier-Bresson in Paris, to film interviews with Agnès Sire (Director of the Fondation HCB), and Martine Franck (photographer and President of the Fondation HCB). These interviews give personal insights into Cartier-Bresson, the Fondation, and the history of the scrapbook and subsequent exhibition. For full information on the exhibition at the National Media Museum in Bradford, read more here: http://www.nationalmediamuseum.org.uk..

In January 2008, staff from the National Media Museum travelled to the Fondation Henri Cartier-Bresson in Paris, to film interviews with Agnès Sire (Director of the Fondation HCB), and Martine Franck (photographer and President of the Fondation HCB). These interviews give personal insights into Cartier-Bresson, the Fondation, and the history of the scrapbook and subsequent exhibition. For full information on the exhibition at the National Media Museum in Bradford, read more here: http://www.nationalmediamuseum.org.uk...

An interview with Steve McCurry, a documentary photographer famous for his portraits of Asia. Since the 1980's he has been a frequent contributor to National Geographic Magazine. This interview is part of a larger work in progress called "Cultural Expressions: Conversations with Photographers".

Aperture Users Professional Network interview with Magnum's David Allan Harvey for the Aperture Priority podcast series.

Getty Co-founder and CEO interviews Getty Photographers

Getty Co-founder and CEO, Johnathan Klein interviews Getty photographer Paula Bronstein

Getty Co-founder and CEO Jonathan Klein interviews Getty Photographer, Brent Stirton about the Virunga Gorilla murders and much more in the on-going podcast series "Getty Images Passion for Pictures".

An interview with magnum photographer, Alec Soth

British photographer Martin Parr, whose work straddles documentary and fine art photography, argues that photojournalism "has to get modern" to regain the attention and support of mainstream magazines. In this month's "State of the Art Report: Photojournalism Survival" (PDN August), Parr asserts, "You have to disguise things as entertainment, but still leave a message and some poignancy." In a recent interview, we asked him to elaborate on his theory.

AFN interview with GQ Photo Journalist Jim Nachtwey at Landstuhl Regional Medical Center.

interview with cartier bresson

part 2 of mccurry interview

World Press Photo 2008, interview with John Moore and Brent Stirton at the Oude Kerk Amsterdam, april 26 2008.

n October of 2004, photographer Alec Soth went on assignment for LIFE magazine to capture weekend soldiers at an Airsoft military simulation in Joelton, Tennessee. In anticipation of his upcoming Minnesota Artists Exhibition Program exhibition, filmmaker Mike Dust traveled alongside Soth for this three-day excursion, interviewing and shooting alongside him as he worked to capture images for, both the magazine shoot as well as for his personal work. A number of these photographs (Odessa, Joelton, Tennessee, 2004 and Josh, Joelton, Tennessee, 2004) became part of the exhibition Alec Soth: Portraits at the Minneapolis Institute of Arts the following spring. The video piece created during that shoot was installed in the gallery as an accompaniment to the exhibition. The video is broken into three segments entitled On Assignment, Portraiture, and The Ground Glass.

In October of 2004, photographer Alec Soth went on assignment for LIFE magazine to capture weekend soldiers at an Airsoft military simulation in Joelton, Tennessee. In anticipation of his upcoming Minnesota Artists Exhibition Program exhibition, filmmaker Mike Dust traveled alongside Soth for this three-day excursion, interviewing and shooting alongside him as he worked to capture images for, both the magazine shoot as well as for his personal work. A number of these photographs (Odessa, Joelton, Tennessee, 2004 and Josh, Joelton, Tennessee, 2004) became part of the exhibition Alec Soth: Portraits at the Minneapolis Institute of Arts the following spring. The video piece created during that shoot was installed in the gallery as an accompaniment to the exhibition. The video is broken into three segments entitled On Assignment, Portraiture, and The Ground Glass.

In October of 2004, photographer Alec Soth went on assignment for LIFE magazine to capture weekend soldiers at an Airsoft military simulation in Joelton, Tennessee. In anticipation of his upcoming Minnesota Artists Exhibition Program exhibition, filmmaker Mike Dust traveled alongside Soth for this three-day excursion, interviewing and shooting alongside him as he worked to capture images for, both the magazine shoot as well as for his personal work. A number of these photographs (Odessa, Joelton, Tennessee, 2004 and Josh, Joelton, Tennessee, 2004) became part of the exhibition Alec Soth: Portraits at the Minneapolis Institute of Arts the following spring. The video piece created during that shoot was installed in the gallery as an accompaniment to the exhibition. The video is broken into three segments entitled On Assignment, Portraiture, and The Ground Glass.

Jodi Cobb, Photographer; Karen Kasmauski, Photographer; Annie Griffiths Belt, Photographer; Book: "Women Photographers at National Geographic" [National Geographic]; Various photographs /// Bruce Weber, Photographer; Various photographs; 1 clip from "The Teddy Boys of the Edwardian Drape Society" [Little Bear Productions] /// Excerpt from CR interview with Henri Cartier Bresson, Photographer (7/6/00)

Richard Misrach and SJMA's recent acquisition Untitled, from the series On the Beach, photographed by Misrach. For the podcast we spoke with gallery owner Robert Mann who represented Richard Misrach for over 20 years and even traveled with him several summers through the desert Southwest. In addition, we interviewed geologist, SJMA board member and Misrach collector, Peter Lipman who shares his personal insight on Misrach's work.

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