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Photography and storytelling are as important as they've ever been. Witness our two current feature pieces about Eugene Richards and the 2004 PDN Photo Annual. Just when you think that television has mind-numbed the brains of most people, these presentations celebrate and enforce the power of still photographs to affect people and tell great stories.

great site for multimedia/interactive projects

Long-Form Multimedia Journalism: Quality Is the Key Ingredient As a producer of social documentary projects-viewed on digital platforms-Brian Storm talks about the excitement of doing journalism in this way, at this time. A conversation with Brian Storm MediaStorm describes its mission as ushering in the next generation of multimedia storytelling by publishing social documentary projects incorporating photojournalism, interactivity, animation, audio and video for distribution across multiple media. Brian Storm is the president of MediaStorm, a production studio located in Brooklyn, New York, which publishes multimedia social documentary projects at www.mediastorm.org and produces them for other news organizations. In an interview I did with Brian on December 30, 2008, he spoke about how he envisions the future of long-form, multimedia journalism from the perspective of its creation, distribution and economic viability. An edited version of our conversation follows.

Multimedia Journalists Discover Life After Newspapers Non-profits, NGOs and corporations are looking for storytellers, and former newspaper photographers are answering the call.

ohio university's visal journalism group site about life in athens ohio

The Raw File was created to produce and distribute socially reflective media that will provoke discussion. It is our hope that these conversations will intersect the lines of race and class, private and professional. Our content is distributed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License so that anyone may download, copy, exhibit, and distribute it for non-profit, educational purposes. We simply ask you to attribute this work to "www.therawfile.org". The Raw File has no agenda other than to provide a neutral and approachable environment for the documentation and dissemination of information by and about individuals and their communities, an outlet for stories that would otherwise go unheard into history. The Raw File is self-funded and in the process of being registered as a 501(c)(3) nonprofit . The Raw File… Founded by Brenda Ann Kenneally.

About the Project For four years, Bosnia and Herzegovina was torn by the bloodiest and most ruthless European conflict since World War II. Its capital, Sarajevo, was the focus of an epic siege. Its territory was riven into ethnic enclaves, and accounts of mass killing and rape shook the world's conscience. With the signing of the Dayton accords last December, Bosnia is emerging from that torment. Now it faces the challenge of reconstruction and reconciliation, of carrying out free elections and of bringing accused war criminals to justice. "Bosnia: Uncertain Paths to Peace" is both a photographic chronicle and a worldwide discussion of this crucial passage in Bosnia's struggle. An interactive photo essay by the French photojournalist Gilles Peress, with the photographer's narrative, documents the last weeks of the siege of Sarajevo in February and March, including the exodus of Serbs from the suburbs from which the siege had been mounted. A collection of forums for discussion, led by scholars, diplomats, artists, humanitarian leaders and other experts, will be active for one month, starting June 10, and open to contributions from the entire Internet community. Connections have been established in Sarajevo, at the war crimes tribunal in The Hague and at the United Nations to encourage participation by those closest to the Bosnian conflict and its resolution. And resources for context are available, including chronologies, maps, links to other Internet sites, a glossary and who's who, a reading list and recent coverage of the Bosnian events from The New York Times. We welcome your feedback about this project.