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About the Project For four years, Bosnia and Herzegovina was torn by the bloodiest and most ruthless European conflict since World War II. Its capital, Sarajevo, was the focus of an epic siege. Its territory was riven into ethnic enclaves, and accounts of mass killing and rape shook the world's conscience. With the signing of the Dayton accords last December, Bosnia is emerging from that torment. Now it faces the challenge of reconstruction and reconciliation, of carrying out free elections and of bringing accused war criminals to justice. "Bosnia: Uncertain Paths to Peace" is both a photographic chronicle and a worldwide discussion of this crucial passage in Bosnia's struggle. An interactive photo essay by the French photojournalist Gilles Peress, with the photographer's narrative, documents the last weeks of the siege of Sarajevo in February and March, including the exodus of Serbs from the suburbs from which the siege had been mounted. A collection of forums for discussion, led by scholars, diplomats, artists, humanitarian leaders and other experts, will be active for one month, starting June 10, and open to contributions from the entire Internet community. Connections have been established in Sarajevo, at the war crimes tribunal in The Hague and at the United Nations to encourage participation by those closest to the Bosnian conflict and its resolution. And resources for context are available, including chronologies, maps, links to other Internet sites, a glossary and who's who, a reading list and recent coverage of the Bosnian events from The New York Times. We welcome your feedback about this project.

Frontline Club: Irme Schaber talks about Gerda Taro At last week's Photography event at the Frontline Club, Irme Schaber talked about the life and work of Gerda Taro. If you missed the event, here is your chance to watch the entire debate. Schaber is a writer and lecturer on the history of exile photography, photojournalism and print-media. She is also Taro's biographer and curator of the current exhibition at the Barbican. Next week, she will present and talk about a wide selection of Taro's work. Taro worked alongside Robert Capa, who was her photographic as well as romantic partner and the two collaborated closely. Her photographs were widely reproduced in the French press and incorporated the dynamic camera angles of New Vision photography as well as a physical and emotional closeness to her subject. While covering the crucial battle of Brunete in July 1937, Taro was struck by a tank and killed.

Photographic truth and Photoshop April 17th, 2009 Photography's anxiety about truth, manipulation and reality has been on show recently. In different ways and from different contexts, people have been asking: "how much Photoshop is too much"? From the realm of fashion, French Elle is being celebrated for running a cover story in which the models photographs have not been 'Photoshopped' (thereby confirming, as I've noted previously, that digital manipulation is the norm in this visual domain). From the world of photojournalism, blogs like 1854, PDNPulse and the Online Photographer (with a follow-up here) have been buzzing with the story of the Danish photographer Klavs Bo Christensen who was excluded from that country's Picture of the Year competition for excessive colour manipulation of his Haiti story. Along with two others, Christensen was asked to submit his RAW files to the competition judges who felt that the colour in his photographs had been excessively saturated (their debate can be heard here), and removed his images from the competition as a result. Christensen was subsequently happy to have his files put on the web for comparison and discussion, thereby performing an important service to the photographic community.

Welcome to Visa pour l'Image, the premier International Festival of Photojournalism held in Perpignan, France. This festival is a unique event where you can join thousands of kindred spirits who share a love and passion for photography. View the greatest photojournalist work from around the world in exhibitions across the city. Experience the evening screenings in the dramatic open air medieval enclosure of the Campo Santo. Take part in symposiums and conferences and meet the foremost photo agencies and manufacturers of photographic related equipment. Explore the web site for full details.

INTERVIEW - "Interview with Gilles Peress: Images, Reality and the Curse of History"