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I adore using questions and answers as part of the writing process. It's an excellent way to get yourself out of writers block. It's a great method for creating specific characters. For creating a thesis for your work. It's something that should be at the heart of every project: what question is being answered here?

What makes RBI so different is that Ron has a genuine curiosity about all of his guests. And there's no script; there's no agenda; there are no pre-written questions. Its just honest, real talk with incredibly talented and creative people about what they do, and how they do it. You can't find interviews like this anywhere else.

" I recently attended the Theatre Communication Group (TCG) Annual Conference in Dallas, where a major focus of discussion was that very topic. For three days, I listened to panelists, questioned participants, and considered the discussions. I met many bright managers who passionately explained how they are trying to bridge the perceived gap separating potential audiences from their theater companies. I regret to report that no one could offer a concrete definition of the term "audience engagement". "

Equally comfortable playing romantic leads and action heroes, he has never been quite a force in theatre. This is partly a matter of choice. He has prioritised screen roles over stage opportunities. The last time he acted on stage was in 2009 in a popular West End production of Richard Greenberg's three-hander Three Days of Rain. In the mean time he has been taking a while to shake off the halo of urgent youth. He has tended to play callow characters more sinned against than sinning - the closest he's come to anything like villainy is as Idi Amin's morally compromised medic.