The Mechanic Muse - What Is Distant Reading? - NYTimes.com - 0 views
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Lit Lab tackles literary problems by scientific means: hypothesis-testing, computational modeling, quantitative analysis. Similar efforts are currently proliferating under the broad rubric of “digital humanities,” but Moretti’s approach is among the more radical. He advocates what he terms “distant reading”: understanding literature not by studying particular texts, but by aggregating and analyzing massive amounts of data.
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People recognize, say, Gothic literature based on castles, revenants, brooding atmospheres, and the greater frequency of words like “tremble” and “ruin.” Computers recognize Gothic literature based on the greater frequency of words like . . . “the.” Now, that’s interesting. It suggests that genres “possess distinctive features at every possible scale of analysis.” More important for the Lit Lab, it suggests that there are formal aspects of literature that people, unaided, cannot detect.
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Distant reading might prove to be a powerful tool for studying literature, and I’m intrigued by some of the lab’s other projects, from analyzing the evolution of chapter breaks to quantifying the difference between Irish and English prose styles. But whatever’s happening in this paper is neither powerful nor distant. (The plot networks were assembled by hand; try doing that without reading Hamlet.) By the end, even Moretti concedes that things didn’t unfold as planned. Somewhere along the line, he writes, he “drifted from quantification to the qualitative analysis of plot.”
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