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Weiye Loh

For The Onion, Any Pulitzer Prize Will Do - NYTimes.com - 0 views

  • The Onion’s ostensibly crotchety old publisher, a character by the name of T. Herman Zweibel, explains the paper’s crusade for a Pulitzer as the ultimate revenge after a long-running feud with Joseph Pulitzer. “As any student of American journalism, history and criminology knows fully well,” Mr. Zweibel says in an article, “I have been at war with Joseph Pulitzer since the beginning of his career. At first he showed a measure of promise, and was one of the leading lights among Onion copy boys, cheerfully going about his work, always busy, never requesting fresh crusts or more sleeping hay.” The relationship soured when Mr. Pulitzer committed the ultimate sin for a newspaperman in Mr. Zweibel’s eyes: He began asking questions. “Why are Mr. Zweibel’s editorials about the Whigs when most of them are long dead? Does manipulating the masses with appeals to their baser instinct sell a lot of papers?”
Weiye Loh

Can we claim patent to the food we cook? - 4 views

Food Patent Copyright National Heritage

started by Weiye Loh on 19 Sep 09 no follow-up yet
Weiye Loh

In Europe, sharp criticism of US reaction to WikiLeaks - The Boston Globe - 0 views

  • Washington’s fierce reaction to the flood of secret diplomatic cables released by WikiLeaks displays imperial arrogance and hypocrisy, indicating a post-9/11 obsession with secrecy that contradicts American principles.
  • John Naughton, writing in the same British paper, deplored the attack on the openness of the Internet and the pressure on companies such as Amazon and eBay to evict the WikiLeaks site. “The response has been vicious, coordinated and potentially comprehensive,’’ he said, and presents a “delicious irony’’ that “it is now the so-called liberal democracies that are clamoring to shut WikiLeaks down.’’
  • A year ago, he noted, Clinton made a major speech about Internet freedom, interpreted as a rebuke to China’s cyberattack on Google. “Even in authoritarian countries,’’ she said, “information networks are helping people to discover new facts and making governments more accountable.’’ To Naughton now, “that Clinton speech reads like a satirical masterpiece.’’
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  • The Russians seemed to take a special delight in tweaking Washington over its reaction to the leaks, suggesting the Americans are being hypocritical. “If it is a full-fledged democracy, then why have they put Assange away in jail? You call that democracy?’’ Prime Minister Vladimir V. Putin said during a news briefing with the French prime minister, Francois Fillon.
  • Even The Financial Times Deutschland (independent of the English-language Financial Times), said that “the already damaged reputation of the United States will only be further tattered with Assange’s new martyr status.’’ It added that “the openly embraced hope of the US government that along with Assange, WikiLeaks will disappear from the scene, is questionable.’’
  • Assange is being hounded, the paper said, “even though no one can explain what crimes Assange allegedly committed with the publication of the secret documents, or why publication by WikiLeaks was an offense, and in The New York Times, it was not.’’
  • But Renaud Girard, a respected reporter for the center-right Le Figaro, said he was impressed by the generally high quality of the American diplomatic corps. “What is most fascinating is that we see no cynicism in US diplomacy,’’ he said. “They really believe in human rights in Africa and China and Russia and Asia. They really believe in democracy and human rights. People accuse the Americans of double standards all the time. But it’s not true here. If anything, the diplomats are almost naive.’
Weiye Loh

Roger Pielke Jr.'s Blog: Every Relatively Affluent White Guy for Himself - 0 views

  • one of the big arguments that environmentalists have used about the need to stop climate change is that those who will suffer most are the little brown poor people in far-off lands who will, for instance, experience increased incidence of malaria and exposure to floods and other disasters. (Of course the fact that they are already burdened by such things in huge disproportion to the privileged minority doesn’t seem to enter into the argument).
  • But I raise this point because when it comes to climate survivalism, the little brown folks are nowhere to be seen, and apparently it’s every relatively affluent white guy (and his nuclear family, of course) for himself.
  • Dan Sarewitz takes the Washington Post to task for publishing a bizarre commentary on the coming climate apocalypse: Check out the article by a climate survivalist from the February 27, 2011 Washington Post. (I’m going to go out on a limb and treat the article as if it’s not a satire or hoax, but maybe the joke’s on me.) The author describes how he’s buying solar panels and generators and laying in food and supplies and putting extra locks on his doors and windows in anticipation of the coming climate apocalypse, much in the way that in the 1960s certain nuts were digging shelters in their backyard to provide protection against hydrogen bombs, and in the ‘80s (and probably to this day) right-wing crazies were building up small arsenals to protect themselves against the time when the government tried to take away their right to be bigots.
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  • fear of the coming apocalypse seems to be an honorable tradition among some factions of the human race, and besides in this case it’s probably good for the beleaguered economy that this guy is spending what must be lots of money on hardware, both high-tech and low. But there are some elements of climate survivalism that are truly troubling. The fact that the Washington Post chose to put this article on the front page of its Sunday opinion section is an editorial judgment that the author, who is executive director of the Chesapeake Climate Action Committee, is someone whose perspective deserves to be taken seriously.
Weiye Loh

gladwell dot com - something borrowed - 0 views

  • Intellectual-property doctrine isn't a straightforward application of the ethical principle "Thou shalt not steal." At its core is the notion that there are certain situations where you can steal. The protections of copyright, for instance, are time-limited; once something passes into the public domain, anyone can copy it without restriction. Or suppose that you invented a cure for breast cancer in your basement lab. Any patent you received would protect your intellectual property for twenty years, but after that anyone could take your invention.
  • You get an initial monopoly on your creation because we want to provide economic incentives for people to invent things like cancer drugs. But everyone gets to steal your breast-cancer cure—after a decent interval—because it is also in society's interest to let as many people as possible copy your invention; only then can others learn from it, and build on it, and come up with better and cheaper alternatives. This balance between the protecting and the limiting of intellectual property
  • Stanford law professor Lawrence Lessig argues in his new book "Free Culture": In ordinary language, to call a copyright a "property" right is a bit misleading, for the property of copyright is an odd kind of property. . . . I understand what I am taking when I take the picnic table you put in your backyard. I am taking a thing, the picnic table, and after I take it, you don't have it. But what am I taking when I take the good idea you had to put a picnic table in the backyard—by, for example, going to Sears, buying a table, and putting it in my backyard? What is the thing that I am taking then? The point is not just about the thingness of picnic tables versus ideas, though that is an important difference. The point instead is that in the ordinary case—indeed, in practically every case except for a narrow range of exceptions—ideas released to the world are free. I don't take anything from you when I copy the way you dress—though I might seem weird if I do it every day. . . . Instead, as Thomas Jefferson said (and this is especially true when I copy the way someone dresses), "He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me."
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  • Lessig argues that, when it comes to drawing this line between private interests and public interests in intellectual property, the courts and Congress have, in recent years, swung much too far in the direction of private interests.
  • We could have sat in his living room playing at musical genealogy for hours. Did the examples upset him? Of course not, because he knew enough about music to know that these patterns of influence—cribbing, tweaking, transforming—were at the very heart of the creative process.
  • True, copying could go too far. There were times when one artist was simply replicating the work of another, and to let that pass inhibited true creativity. But it was equally dangerous to be overly vigilant in policing creative expression, because if Led Zeppelin hadn't been free to mine the blues for inspiration we wouldn't have got "Whole Lotta Love," and if Kurt Cobain couldn't listen to "More Than a Feeling" and pick out and transform the part he really liked we wouldn't have "Smells Like Teen Spirit"—and, in the evolution of rock, "Smells Like Teen Spirit" was a real step forward from "More Than a Feeling." A successful music executive has to understand the distinction between borrowing that is transformative and borrowing that is merely derivative, and that distinction, I realized, was what was missing from the discussion of Bryony Lavery's borrowings. Yes, she had copied my work. But no one was asking why she had copied it, or what she had copied, or whether her copying served some larger purpose.
  • It also matters how Lavery chose to use my words. Borrowing crosses the line when it is used for a derivative work. It's one thing if you're writing a history of the Kennedys, like Doris Kearns Goodwin, and borrow, without attribution, from another history of the Kennedys. But Lavery wasn't writing another profile of Dorothy Lewis. She was writing a play about something entirely new—about what would happen if a mother met the man who killed her daughter. And she used my descriptions of Lewis's work and the outline of Lewis's life as a building block in making that confrontation plausible.
  • this is the second problem with plagiarism. It is not merely extremist. It has also become disconnected from the broader question of what does and does not inhibit creativity. We accept the right of one writer to engage in a full-scale knockoff of another—think how many serial-killer novels have been cloned from "The Silence of the Lambs." Yet, when Kathy Acker incorporated parts of a Harold Robbins sex scene verbatim in a satiric novel, she was denounced as a plagiarist (and threatened with a lawsuit)
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    Under copyright law, what matters is not that you copied someone else's work. What matters is what you copied, and how much you copied.
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