In Singapore, some thoughts are not All Right « Yawning Bread on Wordpress - 0 views
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If you think R21 is the strictest classification a movie in Singapore can receive, think again. The Oscar-nominated drama The Kids Are All Right has been rated R21 and has also had an additional condition imposed on it. The Board of Film Censors (BFC) says that it can only be released on one print. This is likely to be the first time an R21 film will be screened under such a condition outside of a film festival.
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Further down the news article, it was explained that the Board of Film Censors issued a letter earlier this week to the film’s distributor, Festive Films: It stated: ‘The majority of the members [of the Committee of Appeal] agreed with the board that the film normalises a homosexual family unit and has exceeded the film classification guidelines which states that ‘Films that promote or normalise a homosexual lifestyle cannot be allowed’.’ In addition, the committee said the fact that the film is allowed for release in Singapore at all was already a concession. It said: ‘Imposing a condition of one-print serves as a signal to the public at large that such alternative lifestyles should not be encouraged.’ – ibid
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Firstly, can/should the civil service create additional rules at whim? Secondly, why is the idea of two gay persons raising a family considered something to be defended against?
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s it a proper mission of the State to demand that its citizens not think these thoughts? Is it the proper use of State power to deny or severely limit access to such ideas? It is all the more ridiculous when this film The Kids Are All Right has been nominated for four Oscars this year — for Best Picture, Best Original Screenplay, Best Actress and Best Supporting Actor. Much of the world is talking about the film and the issues it raises, and the Singapore government is determined to make up our minds about the matter and give Singaporeans as little opportunity as possible to see the film for ourselves. All the while, the propaganda goes on: We are a world-class global city.
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The root problem, as I have argued many times before, is the failure of our government to respect the constitution, which mandates freedom of expression. Instead, their guiding policy is to allow majoritarian views to ride roughshod over other points of view. Worse yet, sometimes it is even arguable whether the view being defended has majority support, since in the matter of film classification, the government appoints its own nominees as the “public” consultation body. How do we know whether they represent the public?
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As the press report above indicates, the government is waving, in this instance, the film classification guidelines because somewhere there is the clause that ‘Films that promote or normalise a homosexual lifestyle cannot be allowed’, words that the government itself penned. The exact words, not that I agree with them, in the current Guidelines are: Films should not promote or normalise a homosexual lifestyle. However, nonexploitative and non-explicit depictions of sexual activity between two persons of the same gender may be considered for R21. – http://www.mda.gov.sg/Documents/PDF/FilmClassificationGuidelines_Final2010.pdf, accessed 17 Feb 2011.
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By the example of the treatment of this film, we now shine new light on the censorship impulse: gay sex can be suggested in non-explicit ways in film, but gay people living ordinary, respectable lives, doing non-sexual things, (e.g. raising a family and looking after children) cannot. It really boils down to reinforcing a policy that has been in effect for a long time, and which I have found extremely insulting: Gay people can be depicted as deviants that come to tragic ends, but any positive portrayal must be cut out.
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You would also notice that nowhere in this episode is reference made to the 2009/2010 Censorship Review Committee’s Report. This Committee I have already lambasted as timid and unprincipled. Yet, its (gutless) words are these: It is also not surprising that the CRC received many submissions calling for a lighter hand in the classification of films and plays which contain homosexual themes. Homosexuality and other nontraditional lifestyles remain contentious issues for Singapore. While the MDA’s content regulators have to calibrate their decisions on ratings according to the majority, the CRC agrees that minority interests should also be considered and that a flexible and contextual approach should be taken for content depicting homosexuality. At the same time, clear and specific audience advisories should accompany the ratings so that the content issues will warn away those who think they may be offended by such content. – http://www.crc2009.sg/images/pdf/CRC%202010%20Report%20%28website%29.pdf, accessed 17 Feb 2011, para 24.
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The government, in its Response to the CRC’s Report, said 63. Recommendation: A flexible and contextual approach for homosexual content should be adopted. Govt’s response: Agree. The current practice is already sufficiently flexible. Industry and artists must also be prepared to be more explicit in advising consumers on homosexual content. – http://www.crc2009.sg/images/pdf/Govt%27s%20Response%20to%20CRC%20Recommendations.pdf, accessed 17 Feb 2011.
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And what do the civil servants do? They tighten up. They seize up like frigid vaginas and assholes at the very introduction of an Other. These civil servants create a new rule that limits the classified film to just one copy. They violate their own name and mission — “Film Classification” — by doing more than classification, branching into distribution limitation. To serve whose agenda?