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The YouTube Wars Prof. Akalın was probably pleased last week when, for a few days at least, we lost our access to that Eurovision winning song. In response to a satirical video that was offensive to the memory of Atatürk, the founder of modern Turkey, a Turkish court shut down any access to YouTube.com. The offending video was uploaded supposedly by Greeks wanting to antagonize their neighbors, and it prompted a war of offensive and counter offensive videos and endless (and pointless) comments.  It is against the law here to insult Atatürk, but since the offenders were "out there" somewhere beyond prosecution on the Internet, punishment was levied on Turkish Internet users instead. The story is even sadder as I remember attending a conference in Athens last fall with several Turkish colleagues, and we were pleasantly surprised at the warmth of so many Greeks, including several who spoke with us in Turkish.

This article is an attempt to objectively define the phrase “creepy treehouse” as coined by Chris Lott, and in current usage by ed tech folks such as Scott Leslie, Marc Hugentobler, John Krutsch, and others

In the field of educational technology a creepy treehouse is an institutionally controlled technology/tool that emulates or mimics pre-existing technologies or tools that may already be in use by the learners, or by learners’ peer groups.

nstructors push down hot Web 2.0 technologies, while students push back with vocal objections or passive resistance.

episodes about music education technology and will specifically feature podcasts by music students as they learn about various aspects of music, podcasting and digital audio technologies.This podcast will be of benefit to school music teachers, technology teachers and anyone interested in learning the basics of podcasting and it's application in an educational setting.

"If someone asked me if I would dedicate a day a week to Wikipedia I would expect to be paid," she said. "People have invested a lot in becoming an expert and they are trying to earn a living and you can't expect experts to contribute without pay.

let students create their own labs to test hypotheses

Integrate lots of interviewing into a history curriculum and have students compare stories they hear. Add a five-minute reading component to journal-writing time, emphasizing to students that real authors share their writing and need to have a sense of their audience.

Performances, presentations, displays, publications, and entries into contests are essential for student buy-in. ULS's hula class spends the semester gearing up for a final performance, and Hamilton's seventh graders forget how hard they're working on their writing when they focus on creating podcasts. "When I tell students they are going to create a podcast of their own stories, they get excited," she says. "This buy-in from the students gives them a purpose to learn new skills and a reason to come to school."