In recent posts, I have introduced to you some of the music pieces I have composed over the years. In this post, I'll share with you some of my methods of composing.
Erica Muhl, a Professor of Composition at the USC Thornton School of Music, shares her experiences as a composer who is called upon to be an expert witness in copyright infringement suits involving suspected unlicensed use of a piece of music, and discusses why there are a handful of composers in the USA who are well suited to the task.
1 / the silent architecture of our music the organic source of our 12 pitches, how we tune our instruments
2 / loops of pitches the perfect closure of equal temper tuning
3 / groups of pitches the initial process of selecting pitches to create melody
4 / major / minor tonality the two core colors of equal temper
5 / evolution of scales organically evolving and organizing of our melodic resources
6 / evolving scales into arpeggios the theory how scales become arpeggios
7 / evolving arpeggios into chords the theory of how arpeggios become chords
8 / rhythm cool ideas about musical time, its subdivision and notation
9 / highlights of the history of music seven highlights to begin one's study of music history
10 / composing practical ideas for putting one's ideas into music
11 / how to practice ... something you don't know how to play
This is very important because vocal melodies need to have room for a singer to breathe and you must also consider the pitch range - a singer's pitch range is more narrow than most instruments.
center (key) to begin with. You don't have to stay in that key for the entire song, but it is wise to at least begin in a single key.
Choose a tonal
Begin with Chords and Melody at the same time
I like this one a lot. Begin with a single chord and a melody note or phrase, as you add on the next chord and more melodic notes, write them together. Experiment by changing the chord but not the melodic phrase. Experiment by changing the melodic phrase but not the chord
. Force yourself to disallow any of your favorite rhythmic patterns to creep into your new song idea
If you are thinking about dynamics while composing each part of the song, you are already ahead of the game.
- The variety of instruments you use, and the sounds you get out of those instruments brings color to you music.
Begin with Texture first
- The density of sound and timbre may influence the types of melodies you compose. Consider how the density of texture may change from section to section.
Begin with Form firs
Starting here can do wonders to keep you out of trouble (musically speaking). When you don't think about the form (arrangement of the parts of a song) early on in the writing process, it is easy to paint yourself in a corner late
50s - 60s Pop Music
Folk Music
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Jazz
Latin Music
Metal Music
Music Industry
Rap/Hip Hop Music
World Music
Alternative Music
Bluegrass Music
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Christian Rock/Pop Music
Classical Composers
Contemporary Jazz
Drums/Percussion
Heavy Metal
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Current Pop Music
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Rock Music