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'This exquisite recording finds one of the most gifted percussionists in Latin music today working in what is perhaps his true element - the Santeria liturgy. The spiritual power of this Afro-Caribbean religious ceremony, sung in Yoruba to the accompaniment of a three-man percussion bata is awesome, but it is the intense articulation of rhythm that makes this music so devastating, incredible.'-JD Considine,Musician Magazine'A wonderful album - absorbing, mesmerizing, beautiful and fun, graceful and sensual. It draws ou into a space and reality all its own, with a mood and flow quite distant from the everyday and yet hauntingly familiar. I found myself playing it over and over...' - City Paper (Washington DC)'Is a stone soul picnic, so party down. If you're going to buy one record this summer, here is one that, in the words of Hebrew National, answers to a higher authority.' - Glenn O'Brien, Interview Recorded in August 1985. Personnel: Milton Cardona (vocals, percussion); Steve Berrios, Hector Hernandez (bata); Jose Fernandez (percussion); Amma Dawn, Teresa Gomez, Sandra Wiles, Linda Evans (background vocals).

Dave Douglas - Trumpet, Adam Benjamin - Rhodes, Gene Lake - Drums. Marcus Strickland - Saxophones, Brad Joes - Bass, DJ Olive - Turntables. Moonshine, the newest album from trumpeter/composer Dave Douglas' Grammy-nominated band Keystone, is an album that moves musical genres forward into uncharted territory. The evolutionary/revolutionary aspect is found in the vibrant alchemy between Douglas' avant-garde leaning compositions, the relentless, polyrhythmic funk of drummer Gene Lake and bassist Brad Jones, the Sun-Ra-esque sonics of Adam Benjamin who plays a highly modulated Fender Rhodes and the post-post blowing of the front line featuring Douglas and saxophonist Marcus Strickland. But what puts this one over the top is the true integration of a DJ, in this case DJ Olive, into the constantly shifting improvisations of a cutting edge band. Rolling Stone called Keystone's 2005's self titled album, "a modernist requiem." Moonshine takes it a step further: a modernist recipe for the future sound of electronics, jazz, and new composition. "I think of it as Green Beat," says Douglas with a grin, referring to the organic way that the rhythms of vinyl, laptop, and drum set coalesce in this infectious, grooving new album. One forgets all the elements that go into this hybrid music, as each piece amounts to a masterpiece of modern jazz-informed composition and performance. There are many details buried in these tracks, and perhaps the most remarkable thing is that the basis for this recording was a single performance in front of a live studio audience. The state-of-the-art mutli-track recording of this session makes possible a hybrid of the best parts of studio isolation and live excitement. It allowed Greenleaf Music to raise to the highest level the post-production of these recordings.

A scholarly resource of recordings, liner notes, essays, and CD-quality audio ... from New World, Composers Recordings, and other innovative, important labels

Djembe ensemble recordings and other resources for West African drumming, especially from Mali

New record label founded by Jacob Edgar, an ethnomusicologist / music producer, head of research & development at Putumayo World Music. Charlotte, Vermont USA

I played djembe on this recording with Yaya Diallo. It was produced in Brattleboro, Vermont.

Resourcers, references, reviews, recordings, teachers, communities, workshops, drum vendors, and much more.

http://www.cumbancha.com/albums/umalali/ ... Cumbancha Records, Charlotte Vermont USA

In 1929, when Thomas de Hartmann and his wife took leave of G. I. Gurdjieff at Gurdjieff's Institute near Paris, they left behind a steamer trunk filled with manuscript music, much of which is recorded here for the first time. The music was composed by Gurdjieff and de Hartmann in a collaboration witnessed daily by the community of Gurdjieff's pupils and documented both in de Hartmann's book Our Life with Mr Gurdjieff and in the well-preserved sequence of manuscript drafts. One thing is clear: an exceptional musical event occurred at the Institute for the Harmonious Development of Man in the years 1925-27, and its enduring result is this body of music.

Kabiosile presents live recordings of the Afro Cuban folkloric music of Santeria (also known as Lucumi or la Regla de Ocha), Cuba's most dynamic African spiritual tradition. Learn to play the bata drums with El Lenguaje del Tambor : Bata Rhythms from Matanzas, Cuba.

Clinical Archives is independent netlabel for eclectic and illogical music. The basic directions : abstract, avant-garde, alternative, indie, intuition improvisation, free improv, jazz fusion, electronic jazz, free jazz, funk rocktronica, jam band, live electronic, experimental, manipulation, neoclassicism, illbient, ambient, musique concrète, noise, tape music, minimalism, acousmatic music, sound sculpture, sound collage, electroacoustic, acoustic; drone, new wave, field recordings, microsound, montage, psychedelic, folk; quasi-folk; prog-rock; post-punk; trip-hop, soundscapes, sound art, spoken word, strange and other forms ... "Clinical Archives is about expanding the definition of music" All those works are released for free under Creative Commons Licences.

Cocoon Recordings (Sven Vath, founder) Techno Minimal Techno TechhouseAdam BeyerAnthony RotherBeroshimaDavid KDaze MaximDominik EulbergExtraweltFrank LorberFunk D'VoidGuy GerberJacek SienkiewiczLegoweltLoco DiceMiniloguePig & DanPascal F.E.O.S.RareshRicardo VillalobosRichard BartzRoman FlügelStefan GoldmannSteve BugSven VäthTobi NeumannZombie Nation

Some albums can be downloaded free. Discography: Elements of One, Weaving Symbolics, Lucidarium, Invisible Paths, Tao of Mad Phat, Way of the Cipher, Def Trance Beat, Rhythm in Mind, Sonic Language of Myth, and more...

Mansour Seck has been a leading figure in Dande Lenon, Baaba Maal's band, for many years, and performed on many of Baaba Maal's recordings. Seck has released disks under his own name, as well. Mansour Seck and Baba Maal come from the same town, Podor, in Northern Senegal.