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jessicarisinger

Building Student Confidence Through Performance - Bernadette Teaches Music - 0 views

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    In this blog post, Bernadette describes the scenarios and performing experiences she has provided for her students. She focuses on the aspect of student confidence and how performance can build confidence.
Kelly Gallman

The $55 Interactive Whiteboard - 0 views

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    I enjoy building things myself and feel confident that I could create this IWB and pen.  The IWB has numerous applications in the music classroom including all students viewing the score and circling the parts you are working on and how they relate to the whole selection.  
patiencetez

033- Forward With the Arts: The Role of the Arts in Connecting us ALL! | Free Podcasts ... - 0 views

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    This is a discussion by New York Times columnist, David Brooks, and Kathy Fletcher, and the director of Turnaround Arts Initiative about the important work that Turnaround Arts does through the strategic use of the arts. The discussion talks about how music facilitates brain development, why certain things in music leave people fascinated, and what magic music brings to emotion. The discussion also unfolds how the arts, and music education in particular opens the student's mind to memorisation. David Brooks says "Students understand better when topics are introduced through music". I agree with that because most students become more alert when a topic is introduced through song and it fosters the interest of students. Therefore we need arts to succeed in education. A lot of artists came from struggling backgrounds so when they talk to children that would like to succeed in the music world but are frightened that they'll never make it, they tell them "I know what you are going through but you can make it". This encourages those children to push on and excel in the arts. Kathy Fletcher says music boosts critical thinking and confidence which is ideal for students and they end up excelling in all other fields. The arts connect us all through music in a way that music created is shared all around the world. Partnerships are created to perform music and people come together to listen to music. This makes us one.
patiencetez

Note pair music game for your ears - 0 views

  • Psychologists report that people who learned to play some musical instrument are smarter and have a better memory than people with no music training.
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    This is an ear training game using a "matching card" format. It looks simple and almost boring, however, once a person starts playing the game it becomes very interesting, This is well suited for middle school as it does not appear to "babyish".
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    Note pair is an online music game designed to help children read music notes easily and quickly. This game helps children learn to read music notes step by step, at their own pace. A child listens to a note, and tries to match it to a similar note. This ear training computer game lets you learn music notes and their pitches. Students and pupils who play a musical instrument as a child have a better verbal memory than those with no music training. Aural listening skills enhance brain development and students who listen more to music are calm, critical thinkers, and confident. Introducing such a game as a lesson starter even for classes that are not learning music fosters concentration and interest of the learners. Their brain becomes alert and ready to take in any information.
ajadin

Teaching Improvisation in Elementary Music - Frau Musik | Music Education Blog - 0 views

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    I like this particular blog post about being confident in teaching improvisation. It breaks down some great ideas for keeping everyone engaged and growing.
hjmartin0422

Stack Your Jazz Ensemble with Soloists in 10 Steps - Steve Treseler - 0 views

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    Getting students to improvise is sometimes a very tricky task--lending itself as one of the most difficult challenges we face as teachers; however, author Steve Treseler provides a concise list of 10 steps, or strategies, for approaching the aforementioned topic with students, which includes but is not limited to building community through improvised games, choosing a piece that remains in one key center, and teaching all students the melody. By following these 10 easy steps, Treseler is convinced that students will receive the support they need to perform with confidence.
tscarabino

Top 5 Music Education Blogs | Spinditty - 0 views

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    Resource for UF Masters in Music Education. This site is helpful to read, connect, collaborate, and steal great idea through blogs. I always gain a sense of confidence when I see that other educators are having similar issues that I am but more importantly dealing with them in similar ways. Lesson planning, resources are easily accessed through blogs such as these!
Stephen Hull

Decisions Made in the Practice Room: A Qualitative Study of Middle School S...: EBSCOhost - 0 views

  • The quality and quantity with which one approaches practicing are key factors in the development of expert instrumental performance skill (Ericsson, Krampe, & Tesch-Romer, 1993). Miksza (2007), Frost and Hamann (2000), and McPherson (2000) have all found that instrumental performance is related to the quality as well as the quantity of practice.
  • McPherson and Zimmerman (2002) described self-regulation as a form of self-teaching in which students set goals, self-monitor, and self-reflect.
  • Self-efficacy, defined as the confidence one has in his or her ability to plan and execute a given task, is considered to be a key factor predicting self-regulation success
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  • Other researchers have found that novice adolescent musicians tend to exhibit inconsistent practice habits. Rohwer and Polk (2006) categorized the practice tendencies of students as holistic/noncorrective, holistic/corrective, analytic/reactive, or analytic/proactive. They described analytic practicers as those who were prone to remediate sections of their music both proactively and reactively, and they found that these students made significantly more gains than did the holistic practicers. Barry (1990, 1992) focused on the use of structured practice time and supervision in middle school instrumental students and found that the students were significantly more able to prepare a musical etude when practice was carefully structured and supervised. Like McPherson and Renwick (2001), Barry found that students who engaged in unstructured practice tended to play their music faster, use a metronome less, use fewer mental practice strategies, and self-assessed less than those who engaged in structured and supervised practice.
  • Barry and Hallam (2002) argue that this is because novices who have not yet developed strong aural schemata are often unaware of their own errors, whereas more capable musicians are more aware of their strengths and weaknesses.
  • The ability to self-regulate, or self-teach, is a learned skill requiring individuals to make a number of decisions related to goal setting, self-efficacy, attention, strategy use, and assessment.
  • In order for teachers to improve the way in which they teach their students to practice, it seems apparent that they must first understand the ways in which their students think during practice.
  • retrospective think aloud protocol. Ericsson and Simon (1993) describe this method of data collection as a process in which subjects are asked to describe their thoughts immediately after performing a given task.
  • Though they stated that they knew which pieces needed work, they did not have a specific idea of what aspects of the music needed work.
  • When students encountered difficulty, they reacted in one of three ways. First, although each student exhibited different levels of tolerance for frustration, at some point they each demonstrated the tendency to move on to a new activity when something began to cause frustration.
  • Second, students would retreat to easier passages when things became too difficult.
  • Finally, student ability to maintain focus over the span of the practice period also affected motivation.
  • Although the ability to maintain attention and self-efficacy may be beyond a teacher's realm of direct influence because of the unique personalities of the children, it appears that teachers can improve student motivation by providing students goals for improvement rather than simply recording practice time.
  • The ability to clearly define goals that are specific, proximal (short term), and moderately challenging is a major component of effective practice (
  • The factors influencing the use of practice strategies can be broken down into three categories: strategy repertoire, appropriate use, and motivation. Using the metaphor of having a "practice toolbox," students need to have a number of tools from which to draw on, but they also need the knowledge and skill to use them appropriately and the motivation and self-discipline to make the effort to take the tools out of the box.
  • Educational leaders commonly emphasize the importance of teaching students how to critically think and learn on their own. Musical practice is an important way in which music teachers can provide their students with these opportunities.
  • It seems to follow that helping instrumental music students develop self-regulation would result in improved ensembles and more efficient rehearsals. Methods for teaching practice skills to middle school and high school students must be developed through continued research and best practice in order to develop independent musicians.
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    Teaching middle school students HOW to practice
lemason

Artistic to the Core: Music and Common Core | Edutopia - 0 views

  • Our Common Core Standards exist to support students' future success -- namely, college and career readiness.
  • I feel confident asserting that creativity and problem-solving skills acquired through arts training have prepared my students uniquely for their future success
  • These are the two biggest mental blocks I see: I am not a musician/singer/artist myself, so I do not feel comfortable with the art forms. There is no instructional time available to do anything "extra."
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  • Teachers must think on their feet, modify plans on the spot, approach content from different angles, support uniqueness, and inspire and foster growth.
  • Think of teaching standards through the arts, not independently of the arts
  • Holding onto misconceptions might prevent you from unlocking your students' creativity, originality and spark for learning
  • Start with a standard or concept you need to address. Ask yourself the following questions, and jot down all ideas you can. Your creative brainstorming will take your students beyond worksheets and unlock your creativity as a teacher and your students' enjoyment of the learning process.
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    This is an interesting read that was linked on Dr. Bauer's resources discussing the connections of arts and common core standards.
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    This informative Edutopia article by blogger and professor Karin Nolan encourages educators about the simplicity about integrating their current teaching approach and curriculum structure with a standards-based curriculum. You do not have be a musician to satisfy the standards either.
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    This is a great article for the classroom teacher who is looking arts integrated lessons.
lemason

Performance: Working with Beginners - SBO - 0 views

  • Breaking it down allows you to make kids comfortable, give them confidence, and, most importantly, not practice mistakes.
  • intellectualizing, listening, and blowing
  • Intellectualizing means thoroughly understanding the constructs of music –rhythmically, melodically, idiomatically, and tonally – before attempting the final product.
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  • It is also important for students to practice with a model and without a model. I give them a model about 50 percent of the time. In the very beginning, when it’s only three or four notes, the rhythm is not usually a problem
  • Thumbs up means “I got it, let’s go.” Thumbs sideways means “Almost, I need another pass.” Thumbs down means “I’m lost!”  
    • lemason
       
      This method works as feedback. I use them currently in my school.
  • Audiation is the musical voice inside your head, something like your musical imagination
  • Professional brass players use rebreather bags, incentive spirometers, and other tools to create an air model and to increase lung capacity
  • Children are used to taking conversational breaths; we need to teach them to breathe like musicians
  • For the inspiration I recommend using a breathing tube – basically a ½ to ¾-inch piece of PVC coupling
  • I use “sizzling” and “long tones.” Sizzling is great because you have the students create a natural resistance that simulates what it is like playing the horn
  • Long tones are very important to the development of a good sound
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    Helpful insight on starting your beginning band students.
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    Helpful insight on starting your beginning band students.
jheaver

musictheory.net - Lessons - 0 views

shared by jheaver on 10 Feb 19 - No Cached
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    MusicTheory.net is a free resource that provides lessons and practice on music theory concepts. Lessons include musical concepts such as note names, meter, scales, key signatures, intervals, chords, chord progressions and more. Each lessons comes with exercises that provide an opportunity for students to gain confidence with the concept at hand. Exercises can be personalized to the students knowledge and ability.
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    This website is great, and I use it every day in my classroom! There are lessons, exercises, tools, and even apps you can download on different devices. You could use this in a general or instrumental setting, and at any grade level.
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    Musictheory.net is a free and powerful online resource for teachers who are looking lessons, student exercises or other learning tools. Teachers can browse various lessons that cover topics ranging from the basics of the staff to understanding complex time signatures. The lessons on this website can prove to be useful for all levels of music education.
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    Musictheory.net is a great resource for students to learn about music theory and explore learning more on their own. The lessons and exercises are well-crafted and of great quality. The recent addition of apps for lessons and exercises provides a great low-cost option for students to continue learning on their own, but also allows for classrooms to be equipped with the apps for low costs, assuming that iPads are available.
asaxyguy

(6) Creative confidence | Jody Espina | TEDxCreativeCoast - YouTube - 0 views

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    A TED talk by Jody Espina, saxophonist and industry professional who founded JodyJazz Inc. Jody talks about creativity in all walks of life, and that the fear of taking risks and learning from our mistakes are important to growing as musicians and individuals.
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