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Tunisia's Nabil Karoui launches hunger strike against 'illegal' extension of pre-trial ... - 0 views

www.middleeasteye.net/...-extention-pre-trial-detention Tunisia media politics law judiciary parties
shared by Ed Webb on 07 Jun 21 - No Cached
  • Former Tunisian presidential candidate and media mogul Nabil Karoui has entered a hunger strike in protest against his continued "illegal" detention, his lawyer said in a news release.  Lawyer Nazih Souii said Karoui refused on Monday to sign a document acknowledging the extension of his pre-sentencing detention during a meeting with a judge overseeing his case at the country's judicial finance office
  • Karoui, president of Tunisia's Qalb Tounes party, was arrested in December on charges of money laundering and tax evasion. Arrested in 2019 as well, Karoui spent most of that year's presidential campaign in jail on the same charges.
  • Karoui was found guilty of "financial corruption" on 24 December but has yet to receive a sentence. He has a right to an appeal, but it is not clear whether one has been filed.  On Monday, Karoui, who has insisted that his detention is purely political, said he would refuse to go willingly back to prison, announcing a "sit-in" at the judge's office following news of his extended detention.  Karoui launched a hunger strike on Friday that he plans to continue, his lawyer said. 
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  • Other politicians have often accused Karoui of corruption, and cases have been opened against him, as well as his Nessma TV channel
  • Karoui founded the Qalb Tounes party, which came second in 2019's legislative vote, just ahead of that year's election cycle. The party is an ally of the Islamist-inspired Ennahda party, which holds the most seats in parliament
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Close encounters of the Arab kind - BBC News - 0 views

www.bbc.com/...world-middle-east-24403002 MENA Arabs Arabic sci-fi sciencefiction literature colonialism culture
shared by Ed Webb on 27 May 21 - No Cached
  • Rarely has mainstream sci-fi attempted to grapple with the complexities of the Arab world. As Lebanese Canadian sci-fi writer Amal el-Mohtar explained, the mainstream sci-fi she grew up with was "very, very white... except for the aliens, of course." Though it might at times have featured characters from ethnic minorities, rarely did it seek to positively engage with other cultures beyond exoticisation or fear-mongering.
  • It might come as a surprise that one of the first sci-fi novels written was not, in fact, Shelley's Frankenstein or HG Wells' The Time Machine, but the work of 13th Century Baghdad-based writer and physician, Zakariya al-Qazwini.
  • Awaj bin Anfaq is the story of a curious alien who arrives on planet Earth to observe human behaviour and finds himself perplexed by the oddities of this apparently sophisticated species. Neither is Mr Qazwini's work a regional anomaly. There are numerous examples of early Islamic sci-fi or fantasy fiction from the Arab world, not least of course, the fabulous Arabian Nights, replete with flying carpets, mystical jinn and even a little intergalactic travel.
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  • Arabic sci-fi is an opportunity to respond to the damaging stereotyping of the "Arab Other" in mainstream sci-fi, as well as a space to explore the complex challenges facing Middle East today."The problems of contemporary Islamic society - the problem of gender, the problems with authoritarianism - all of these are explored very thoroughly in Arab sci-fi. But most importantly of all, it is Arabs reflecting on themselves,"
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Oman's national unity racks up high cultural costs as local languages fall silent - Al-... - 0 views

www.al-monitor.com/...-under-risk-of-extinction.html Oman language languages culture identities nationalism
shared by Ed Webb on 26 May 21 - Cached
  • In Oman, the Gulf Cooperation Council country with the greatest linguistic diversity, eight of the country’s 10 languages are threatened or dying
  • the minority languages in Oman belong to three families: the Indo-Iranian Kumzari, Lawati (also known as Khojki), Zadjali and Balochi; the Modern South Arabian Harsusi, Bathari, Hobyot, Mehri and Jabbali; and the Bantu language Swahili. Only Balochi and Swahili have enough world speakers to be considered safe from extinction.
  • Some of the risks these languages face are due to the structural reforms — mainly in the field of education — instigated by Sultan Qaboos bin Said for the last five decades to promote national unity over a constellation of identities scattered across the state, with an emphasis on language. Ever since a coup orchestrated by British intelligence in July 1970 overthrew Sultan Qaboos’s father, Sultan Said bin Taimur, the state's official language, Arabic, has been a key element of this newly crafted Omani identity. 
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  • Oman's efforts to increase literacy rates have further strengthened the use of Arabic as the language of education. Other mother tongues were not included in the curricula, even as secondary languages, in the regions where they were widely used. It hastened the decline of local languages, as their use became limited to the family and local community. As the number of public schools has grown steadily from one in 1951 to more than 1,100 in 2017, Al Jahdhami reports an "intense exposure to Arabic" among the youth and a shift toward the language.
  • the young generations simply ask, “What would I learn this for?” because outside of the home, Arabic is the predominant means of communication
  • To save ancestral traditions and reach out to Kanim’s tech-savvy generation, a Dhofar-born singer has chosen to broadcast his Jabbali music on YouTube.
  • In the north, the tribal community in the village of Kumzar tries to hold on to its language, Kumzari. At 5,000 speakers, UNESCO considers Kumzari severely endangered. It is a Southwestern Iranian language that is heavily influenced by Arabic, Persian, Urdu, Hindi and English.
  • Across Oman's Dhofar mountain range, between 25,000 and 50,000 people who belong to different tribes and clans speak Jabbali (or Shehri), which literally means "the language of the mountain." However, although the youth are proud of having a language of their own, with its colorful vocabulary for nature and the mountains, their language proficiency is much lower than that of the older generations. This is partly because the young generation, educated in Arabic, employs a mixture of Jabbali and Arabic. Furthermore, the internet and TV — whose content is predominantly if not exclusively in Arabic — are aggravating the loss of linguistic skills among young Omanis. 
  • a project led by the Ministry of Heritage and Culture is researching the languages ​​spoken in the sultanate and another, by the Department of Culture at Oman’s Royal Court, is working on Oman's dead languages — ones that no longer have any speakers
  • Local and international academics are working to document those languages before their remains disappear entirely, mainly in Dhofar and in the mountainous peninsula of Musandam, which overlooks the Strait of Hormuz.
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Hip Hop Finds Its Groove in North Africa | Newlines Magazine - 0 views

newlinesmag.com/...nds-its-groove-in-north-africa music hiphop Maghreb MENA Morocco Tunisia Algeria Egypt France Italy Belgium language colonialism identity identities
shared by Ed Webb on 24 May 21 - No Cached
  • Pop music in the region today truly represents the Westernization of classical Arabic music defined by traditional elements of improvisation (where songs often last as long as an hour), instruments native to the region like the oud, and maqam, which is a system of melodies and pitches native to Arabic music. Classical Arabic artists like Oum Kulthum and Asmahan thrived on this style and are considered icons of Arabic music because of their ability to evoke emotion through their artistry.But in conjunction with colonization, Arabic music began to shift from its classical roots with the Cairo Congress of Arab Music in 1932, organized by King Fuad of Egypt. This symposium brought together renowned composers and ethnomusicologists from the Middle East, North Africa, and Europe who created a set of proposals for the modernization and standardization of Arabic music, one of which was the incorporation of European instruments into Arabic ensembles because “such instruments possessed tremendously varied, expressive means and depictive powers.”The other notable event that pushed this modernization further was the introduction of the phonograph to the region. Phonographs could only play songs for a limited duration, making the traditional improvisation and hour-long running times of classical Arabic music nearly impossible.The final nail in the coffin was the burgeoning film industry in the 1950s and 1960s, particularly in Egypt, the cultural epicenter for creative output in the Middle East and North Africa. Movies were heavily Westernized at the time, forcing directors and producers to modify accompanying music to incorporate Western-style elements in their instruments and duration.
  • a new movement is rising in North Africa.Rappers and emcees from the region are boldly approaching hip-hop and the larger Arab music landscape by exploring taboo themes and proactively deconstructing societal markers of North African identity. They are experimenting with beat production and dialect as they go about creating a space for their music and for these conversations to be held in a public domain. This is not a knock on the Levantine or Khaleeji rap scenes; there are many artists who are doing this currently. But North African emcees are using their lyrical flows and melodic rhythms to grapple with the essential question of identity. The music sounds fresh and breathes new life into the pop-dominant Arabic music scene.
  • A vast majority of North African rappers primarily use their regional Arabic dialects and French in their music. But many artists, specifically North African artists based in Europe, also use Spanish, Dutch, and English on their albums. A few artists will even use all four languages in one song.
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  • Many emcees, more so than their Levantine or Khaleeji counterparts, utilize Afropop and Afro-fusion rhythms in their music as a nod to their home continent.
  • Dialect and slang are important in rap, Boubaker stressed, because “it is a question of using a popular spoken language in constant evolution and which incorporates foreign influences.”
  • French colonial policy in Algeria, she explained, aimed to violently prevent and suppress the teaching of Indigenous languages like Tamazight. France intentionally stoked tensions between Indigenous Imazighen and ethnic Arabs by implementing unjust laws seeking to tear at the societal fabric of the country and destroy Algerian identity.France implemented similar policies in other North African countries as well, actively working to create sectarian tensions that led to ethnic and linguistic divides that, in turn, led to brutal, violent conflicts and suppression of Indigenous culture.
  • Afrobeats is a fusion of hip-hop, dancehall, soca, and other Black genres that can be identified by its use of African drums and a 3/2 time signature — different from a Western 4/4 time signature — that gives the genre its trademark dance tempo
  • For North African artists, use of these rhythms can be traced back to Black North Africans and Indigenous communities who are descendants of the slave trade. Boubaker shared that the different genres, namely gnawa in Morocco, diwan in Algeria, and stambali in Tunisia, are the result of a distinct weaving between the musicalities of North Africa, sub-Saharan Africa, and Black Sufi tradition that can lead to a state of trance.
  • The stambali genre, Boubaker elaborated, is sung in a language derived from a mixture of Tunisian Arabic and the Houassa language spoken by the Hausas, a people of the Sahel, mainly in northern Nigeria and southern Niger who were part of the slave trade to Tunisia.
  • “Moroccan artists, early on, primarily referenced Malcolm X as a way to make the connection between race, Blackness, and Islam in the U.S. and embraced their own African identity through their music,” Almeida said. “The African theme has been going on for a while now.”
  • While Moroccan and Egyptian emcees found early opportunities, Tunisian and in particular Algerian artists did not have that initial access.
  • In Algeria, however, while the rap scene was up and coming, Almeida said the government actively worked to shut it down, which, she said, “really crushed everything.”That now looks different, with Algerian rappers even drawing influences from raï music and sampling prominent Algerian artists in their music.
  • Algerian artists of the 1990s and up to the present day are now primarily recording their music in France, Spain, and other European countries to then broadcast back to Algeria and the rest of North Africa. This is a subtle but noticeable diversion away from seeking opportunities in the traditional Middle East/North Africa hubs of music and culture such as Cairo, Beirut, and Baghdad.
  • “We just have to go back to our history, and we need to start loving ourselves and we need to recognize who we truly are because we’re not Arabs. 100% being Egyptian and being Moroccan is straight up being African and straight up being proud. And this is why I never have any issue representing mahraganat in my music because this is Egyptian music. I’m proud of my double cultures. I’m proud of my continent, and I really want to showcase it everywhere.”
  • North African rappers today are using hip-hop to express what it means to be who they are in the context of their country, their continent, and their lived experiences. And while there is a deep and painful colonial history associated with this music, the artistic yield has been profound not just for the region but the world.
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The Death of the Palestinian Cause Has Been Greatly Exaggerated | Newlines Magazine - 0 views

newlinesmag.com/...e-has-been-greatly-exaggerated Israel Palestine israelpalestine KSA Saudi UAE Morocco Sudan Egypt Jordan Syria media diplomacy analysis nationalism
shared by Ed Webb on 22 May 21 - No Cached
  • For the last 10 years, Western (and even Arab) pundits have repeatedly questioned the place of Palestine in the pan-Arab psyche. They surmised that the Arab Spring had refocused Arab minds on their problems at home. They assumed that battling tyrannical regimes and their security apparatuses, reforming corrupt polities and decrepit health care and education systems, combating terrorism and religious extremism, whittling back the power of the military, and overcoming economic challenges like corruption and unemployment would take precedence over an unsolved and apparently unsolvable cause.
  • reforming the Arab world’s political systems and the security and patronage networks that keep them in power and allow them to dominate their populations appears to be just as arduous a task as resolving the Israeli-Palestinian conflict
  • The difference now is not that Arab populaces have abandoned Palestine. Western and regional observers say the muted outrage over affronts like American support for the annexation of the Golan Heights or recognition of Jerusalem as Israel’s capital, or even the Abraham Accords and the subsequent sycophantic embrace of Israel in the Gulf is an indicator of Arab public opinion, that it signals a loss of interest in the cause.It is not. Arabs are of course not of a single mind on any particular issue, nor is it possible to gauge public opinion under tyrannical regimes. But it is indicative of the fact that these authoritarians no longer see the pan-Arab Palestinian cause and supporting it as vital to their survival. They have discovered that inward-looking, nationalistic pride is the key to enduring in perpetuity. It is the final step in the dismantling of pan-Arabism as a political force, one that will shape the region’s fortunes and its states’ alliances in the years and decades to come.
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  • Nowhere is this shift in attitude more abjectly transparent than in the Gulf states’ media outlets, which hew closely to the state line and even go beyond it in an attempt to out-hawk official policy, which by comparison appears reasonable and measured.
  • an obvious and transparent outgrowth of the Gulf states’ normalization deals with Israel, though it is curious to me why they feel the need to amplify Israel’s narrative of the conflict if they did not think public opinion was already on the side of normalization
  • Jordan violently suppressed demonstrators protesting the attacks on Gaza, who apparently did not receive the memo that 27 years should have been enough time to accept Israel’s position on the conflict. In Egypt, despite its testy relationship with Hamas and its participation in the blockade of Gaza, it is still political and social suicide to publicly embrace normalization as a concept.
  • There was great presumption and folly in the grandiose naming of a convenient political deal between unelected monarchs and a premier accused of bribery and corruption, which was brokered by an American president who paid hush money to a porn star, after the patriarch of the prophets of Israel and Islam.
  • few Arab leaders have ever actually done anything for the Palestinians beyond rhetorical support for the cause, but they were happy to use the prospect of Palestine to keep their populations in check. The late former President Hafez al-Assad imposed a multi-decade state of emergency and mobilization to justify his tyrannical hold over Syria while awaiting the mother of all battles with the enemy, all without firing a single shot across the border since 1973. The leader of the beating heart of Arabism intervened in Lebanon’s civil war and had no qualms massacring pan-Arab nationalists and their Palestinian allies, or to recruit his Amal militia allies to starve Palestinian refugee camps in Lebanon. His son and successor, President Bashar al-Assad, negotiated with Israel via intermediaries, ready to sell out his allies in Iran and Hezbollah, even as he declared his fealty to the resistance.
  • The Gulf states have long had backchannels and secret dealings with the Israelis and developed a penchant for Israeli digital surveillance tools. Egypt needed Israel to destroy extremist militants in Sinai. And Morocco, Oman, and Qatar all had different levels of diplomatic ties.
  • We don’t know broadly whether a majority of Arabs care about Palestine or not, though every indicator points to the fact that they still do
  • Riyadh’s media outlets have taken on a prominent role in expressing public sympathy for Israel and its positions
  • In Saudi Arabia, a monumental shift is underway to neuter the power of the clerical establishment in favor of a more nationalistic vision of progress that gives primacy to Saudi identity. According to Mohammed bin Salman, the crown prince, in a recent interview, this identity derives from religious heritage but also from cultural and historic traditions. MBS has defanged the hated Committee for the Promotion of Virtue and Prevention of Vice, introduced social reforms that dismantle some of the restrictions on women, detained numerous clerics who criticized his policies, both foreign and domestic, and has been elevated by his surrogates into an almost messianic figure sent to renew the faith and empower Saudi identity through KPI-infused economic progress initiatives like Vision 2030. He has also, of course, arrested those who sought to pursue activism and reform and those who criticized the pace and manner of his revolution.
  • where nationalist pride is intermingled with the quality of life and performance metrics of a technocratic capitalist state, albeit one where the reins are held by only a handful of families
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Meet the new vanguard of Moroccan photography | Middle East Eye - 0 views

www.middleeasteye.net/...-photography-meet-new-vanguard Morocco Photography photographs youth Iran representation
shared by Ed Webb on 28 Apr 21 - Cached
  • 14 emerging Moroccan photographers recently decided to form Noorseen, an art collective they hope will help them harness resources and share insights through the collaborative process
  • “A lot of visible works of photographers on Morocco have similar tropes; the picturesque medina, the traditional costumes, the portrait of an elder,” says 22-year-old Noorseen member Mehdi Aït El Mallali. “We want to show the other side, which is an expression of the Moroccan youth. We show Morocco through our own eyes, as a member of this society.”
  • “Throughout national and international exhibitions or festivals, the same few names represent Moroccan contemporary photography. Why can't we? Young photographers could take over, and we want to amplify our voice."
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  • “Instagram trivialised photography,” Beslem says. “It became a consumable product. Yes, it is a powerful tool. But when people judge a photograph based on likes, they end up reproducing popular gimmicks. This kind of conformism levels down the local scene. We want to stand out from it.”
  • By taking control of the narrative, Noorseen is breaking away from stereotypical depictions of Morocco that draw on a folkloric vision recreating a tourist’s fantasy.  “We take Iran as an example, a country that is riddled with stereotypes,” Moumou says. “But when you look at the works of young Iranian photographers, you discover how multifaceted and rich contemporary Iran really is, and you see unexpected images that only young Iranians could produce.
  • we’re always represented by others. We will be representing ourselves
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Signal asks users to set up TLS proxy servers to help Iranians 'bypass' censorship | Mi... - 0 views

www.middleeasteye.net/...roxy-servers-bypass-censorship Iran socialmedia censorship politics election
shared by Ed Webb on 19 Feb 21 - No Cached
  • Signal has asked users to set up TLS proxy servers to help Iranians bypass censorship of the app, after Iran blocked the encrypted messaging platform. 
  • Signal said it was "working around Iran's censorship" after becoming the most downloaded app on Iranian app stores.
  • Thousands of Iranians flocked to Signal after Facebook-owned WhatsApp announced plans to overhaul its privacy policy. 
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  • An Iranian filtering committee blocked Signal after it alleged the app hosted "criminal content". However, neither the government nor the judiciary, which both sit on the committee, are taking responsibility for the move. An Iranian judiciary spokesperson distanced himself from blocking Signal, saying it had not "blocked any media, news outlet or messaging service" since 2019.  The "Identifying the Criminal Content Working Group" consists of six government ministers and seven officials from other authorities.
  • Signal was previously blocked between 2016 and 2017. It joins Telegram, Twitter, Facebook and YouTube, which Iranian authorities have also blocked. 
  • An analyst close to the government told Middle East Eye the judiciary and hardliners were determined to make Iranians pessimistic about reformist candidates ahead of June's presidential elections.  "As Rouhani is close to the end of his tenure, the judiciary and hardliners are determined to make sure Rouhani has no encouraging legacy to make people totally pessimistic about reformists and moderates," said the analyst.  Rouhani has two legacies, according to the analyst: "One is the 2015 nuclear deal, which is somehow in intensive care, and the other is his striving to keep social networks open and unblocked."
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Jeffrey Goldberg Doesn't Speak for the Jews - 0 views

jewishcurrents.org/berg-doesnt-speak-for-the-jews USA US media journalist Jews Jewishness Zionism opinion analysis
shared by Ed Webb on 11 Dec 20 - Cached
  • For some members of the tribe, Sanders’ commitment to social justice, his family’s experience with the Holocaust, his distinctive old-Brooklyn accent, his childhood memories of stickball and Ebbets Field, and even his visits to a kibbutz are all insufficient proofs of Jewishness. Why doesn’t he belong to a synagogue? Why did he marry a Catholic? Why is he so critical of the mainstream consensus on Israel? Why isn’t he a Jew the way Goldberg wants him to be a Jew?
  • Goldberg continues to edit one of the most important magazines in the country, and is a fixture of its star-studded annual Aspen Ideas Festival. As such, he is easily one of the most powerful arbiters of elite opinion, and representative of the establishment that has led the country to the brink of ruin.
  • If you’re a Jew who matters inside the Beltway, there’s a decent chance you hang out with Goldberg.
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  • He gets to decide, for instance, that Peter Beinart (J Street-aligned liberal Zionists) and David Frum (respectable #NeverTrump neoconservatives) should represent the poles of acceptable Jewish discourse. Meanwhile, the emerging generation of American Jews who supported Sanders, and who in many cases feel totally alienated from Zionism, are shut out. Goldberg’s project is to define the center, both for politics in general and for Jews specifically. And as that center buckles and shifts leftward, it’s worth reevaluating the macher who for so long has set the terms of debate.
  • The story of Jeffrey Goldberg is one of hypermasculinity, nationalism, and careerism, a steady ascension facilitated by the right friendships and the right positions at the right times. Along the way he has drawn many harsh critics, none of whom have successfully held him back. But his disproportionate influence on the conversation and his vigorous policing of Jewish communal politics merit a closer look.
  • After enduring antisemitic bullying as a suburban child, he fell in love with Israel on his first visit at age 13.
  • At 20, he dropped out of Penn and made aliyah. As an Israel Defense Force volunteer during the First Intifada, he worked as a guard (or “prisoner counselor,” as he later insisted) at the overcrowded Ketziot prison camp, which was condemned by human rights groups at the time for violating the Geneva Conventions. There, he witnessed a fellow guard beating a Palestinian prisoner for talking back. In Goldberg’s account, he tried to stop his friend but then helped cover the incident up (“‘He fell,’ I lied”).
  • The odd human rights violation, pointless imperial war, or botched hire notwithstanding, no one can deny that he has done well for himself, and it seems likely he’ll be shaping the national conversation for years to come. But in the Jewish world, Goldberg wields perhaps even more influence than outside of it, and by patrolling its borders he defines a narrow center of opinion antithetical to dissent.
  • If there is any justice, Goldberg’s career will be remembered primarily for a long, award-winning reported piece from Iraq that ran in The New Yorker in March 2002, at the height of the post-9/11 jingoistic fervor, which informed that magazine’s readership that Saddam Hussein had both an active WMD program and ties to Al-Qaeda. Goldberg endorsed George W. Bush’s catastrophic war of choice in an article for Slate later that year, in which he wrote, “I believe that the coming invasion of Iraq will be remembered as an act of profound morality.” He was hardly the only high-profile journalist to help launder what turned out to be false intelligence into the mainstream media, but whereas Judith Miller was pushed out by the New York Times in 2005 and has since become persona non grata in liberal elite circles, Goldberg’s status and influence have only grown.
  • palpable distaste for Diaspora Jewry features frequently in Goldberg’s writing
  • a conservative minority of us has accepted a faustian bargain with Trump’s white supremacist base in order to support the right-wing coalition in Israel
  • Goldberg is not part of the ascendant right. Rather, he is perhaps the single most representative figure of the liberal Zionist establishment in all of media, voicing the anxieties of a rapidly collapsing order. And with at least the passive approval of an elite network, Goldberg has spent years passing harsh, biblical judgment on both Jews and gentiles who dare to weigh in on issues related to Israel, from authors to organizations to U.S. presidents.
  • Goldberg started out as a police reporter but achieved greater renown as a national security correspondent, with dispatches from Gaza, Cairo, and Iraqi Kurdistan in the months before and after 9/11. This period is crucial to understanding Goldberg’s influence—he had already become one of the most widely read reporters on the Middle East at precisely the moment when the Washington establishment became single-mindedly focused on terrorist and extremist threats from the region. This gave him an outsized role in shaping liberal elite discourse, with outsized consequences.
  • it fit in perfectly with Goldberg’s longstanding project to deny the very obvious influence of pro-Israel advocates over U.S. politics.
  • Obama successfully pandered to Goldberg, who noted, “speaking in a kind of code Jews readily understand, Obama also made sure to mention that he was fond of the writer Leon Uris, the author of [the 1958 Zionist pulp bestseller] Exodus.”
  • In 2009, Goldberg referred to “the rather circumscribed universe of anti-Zionists-with-Jewish parents”, neatly ostracizing Jews he disagrees with from the tribe
  • For Goldberg and the tribe he leads, a reactionary gentile who unapologetically supports Israel is preferable to a progressive Jew who expresses hesitation, discomfort, or outrage.
  • an epically sleazy hit job
  • Goldberg has spent most of his adult life in affluent Northwest DC, so it would be absurd for him to directly question the legitimacy of American Jews, but he has had no such reservations about European Jews, and especially the largest such community, the Jews of France. In 2015, he wrote a long reported essay in The Atlantic entitled, “Is It Time for the Jews to Leave Europe?”, accompanied by a 20-minute video conversation with Leon Wieseltier and James Bennet, in which he concluded, “I am predisposed to believe that there is no great future for the Jews in Europe, because evidence to support this belief is accumulating so quickly.”
  • Goldberg represents what, at least until recently, was an influential set of attitudes among mainstream Jewish liberals. But his approach seems exhausted, unable to respond to the scale of the disaster Jewish liberals now confront, from the ultra-orthodox, pro-settlement coalition firmly in charge of Israel to White House-approved antisemitism in the U.S.
  • superficially curious and open-minded about big ideas, yet forever bound within a narrow establishment consensus averse to channeling any kind of populist anger
  • to whatever extent my own Jewish identity has been stunted, I blame Jews like Goldberg. Of course I don’t blame him personally or exclusively, but he’s representative of, and has worked hard to reinforce, a set of attitudes that have made institutional Judaism and Jewish communal identity seem unattractive or unattainable. I’m certain I’m not alone in feeling this way. Membership in non-Orthodox synagogues is in steady decline, as is American Jews’ attachment to Israel, especially among millennials. Jewishness as defined by Goldberg is not our community’s future; it isn’t even our present
  • Goldberg embodies the worst contradictions of American Zionism: on the one hand, the phony machismo, the insistence that Israel is the bedrock of a meaningful Jewish identity, and the morally bankrupt defense of Israel’s routine violence against its Arab subjects; and on the other hand, the smug, comfortable, coddled daily existence of the Beltway elite
  • It’s taken me well into my thirties to grasp that there is a Jewishness to be located between the synagogue-attending, aggressively Zionist establishment that Goldberg presents to the most powerful people on Earth as definitive, and the superficial bagels-and-Seinfeld gloss on basic American whiteness that often seems like the only alternative. Jewishness can be righteous, confrontational, progressive, maybe even cool. It doesn’t have to be defined as a religion, a nationality, or a vaguely embarrassing set of quirks; it can be a way of asserting one’s humanity and moral fervor as America, Israel, and the world descend into a crude parody of fascism.
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