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Ed Webb

Khaled and the myth of rai | The Middle East Channel - 0 views

  • it was not the opposition of "fundamentalists" that kept rai music (not just Khaled's) off of Algerian state radio. It was rather the Algerian (secular) regime's cultural policies. The state promoted classical Arabic culture and language and denied Algeria's multi-cultural nature. Expressive culture in Arabic dialect or Berber was therefore mostly excluded from the state-controlled media. Rai is sung in the distinctive colloquial Arabic of Wahran, which is not only very different from "classical" or literary Arabic but is also full of borrowings from Spanish, French and Berber. This official national-cultural politics, which was particularly severe during the regime of Houari Boumediene (1965-1978), began to loosen during Chadly Benjadid's regime (1979-1992). In his 1998 autobiography, "Derrière la sourire," Khaled recounts how he managed to break the official embargo in the early 1980s. He was invited to appear on a television show in Algiers, which he knew couldn't be censored because it was to be broadcast live. Khaled was warned ahead of time: no vulgarities, no sex. So he sang three songs: the first, about the Prophet Muhammad; the second, a "poetic" song, one that was artistically acceptable; and the third, about alcohol and women.
  • Khaled, and other rai stars, came to play at this festival due to the efforts of the "liberal" wing of the Algerian regime -- and particularly to Lieutenant-Colonel Hosni Snoussi, director of the state-supported arts and culture organization, Office Riadh el Feth in Algiers, who had taken Cheb Khaled under his wing. The regime's liberal wing became interested in promoting rai in the wake of a spate of unrest that erupted during the early 1980s. Most notably, the 1980 riots in Tizi Ouzou, Kabylia (the "Berber Spring"); the 1985 riots in Algiers, which broke out following rumors that housing being built for the poor would be allocated to state bureaucrats; and the 1986 student riots in Constantine that resulted in the deaths of four protesters and spread to other cities. Young Algerians played a leading role in all these protests. The liberal wing of the regime determined that, to deter further unrest, the state should focus on promoting the interests of youth and on developing the market economy. Rai was very popular with Algerian youth, and so the "liberals" determined that promoting it was to be an important element of these reform efforts. It was changes in state policy toward rai, pushed by Snoussi, that got Khaled and other rai stars onto the stage in Algiers in 1985.
  • The French government had a stake in trying to control and channel the energies of the rai scene.
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  • Khaled opened his set at Bobigny with a religious song, "Sallou 'ala al-Nabi" (Blessings on the Prophet). This is also how he typically opened concerts in Algeria. This is important to underscore because standard accounts of rai music (like Eyre's) typically give the impression that there is a kind of inherent antagonism between rai artists and Islam.
  • Because rai was a badge of cultural pride for young Beurs, the French state determined that its interests lay in promoting North African Arab culture in France, rather than being an antagonist. Not just Khaled, but an array of top Algerian rai artists performed at Bobigny in 1986. Clearly the tab for transporting and putting up these stars was an expensive proposition for the French government. Moreover, because Khaled had been avoiding his military service, Col. Snoussi had to intervene with the Algerian military authorities in order to secure him a passport to travel to France.
  • That liberal elements of the Algerian state played a major role in initiating and underwriting the process whereby rai music became known around the world, and whereby Khaled became the world's best-known Arab singer, deserves to be much more widely known. (Government sponsorship and subsidies for rai came to an end, after the bloody riots of October 1988 and the state's launching of a movement toward reform and democratization.) It is remarkable success story, with significant political and cultural implications, in both France and Algeria. Col. Snoussi and his liberal associates deserve credit, as do key French actors like Martin Meissonier and Jack Lang.
  • Khaled met some criticism after recording the John Lennon song "Imagine" with Israeli artist Noa (for the European release of his 1999 album Kenza) and after performing the song with Noa at a "peace" concert called "Time for Life" in Rome in May, 2002. Khaled subsequently toured the Middle East with Palestinian-American 'ud and violin maestro Simon Shaheen and Egyptian shaabi singer Hakim. In Lebanon and Jordan he encountered campaigns to boycott his concert, on the grounds that he had engaged in "normalization" with Israel by performing with an Israeli artist and in the presence of Israeli Foreign Minister Shimon Peres. Khaled responded that Palestinian singer Nabil Khouri had also performed at the concert and that Yasir Arafat's adviser Mohammed Rashid was in attendance. The Lebanon and Jordan concerts were well-attended, despite the protests. Khaled also recorded with the Algerian Jewish pianist Maurice El Medioni on his 2004 album Ya-Rayi, but I'm not aware that any criticism was leveled against him for working with Medioni or with U.S. musicians
  • It makes more sense to speak of Khaled as a European artist who has done much to promote Arab culture in the West, rather than to frame him as an Algerian artist, the thrust of whose work is against Islamic intolerance.
Ed Webb

BBC News - Egyptian politics descends into smear campaigns - 0 views

  • "The internet has revolutionised political life in Egypt," comments Mustafa Kamel al-Sayyid, a politics professor at the American University in Cairo. "It's a tool enabling opposition groups, particularly those who are subject to suppression by the government, to communicate with their members and co-ordinate activities."
  • with only 13 million internet users in a population of 80 million, he worries the medium has its limits. "The rest of the population still isn't reached," Mr Maher points out. "We need to find ways to reach the street. The ruling party is allowing internet use while it oppresses any opposition presence in the streets because it doesn't see the internet as a real threat."
Ed Webb

SpyTalk - Israeli spies wooing U.S. Muslims, sources say - 0 views

  • “Israeli agents have become more aggressive in targeting Muslims living in the United States as well as in operating against critics.”
    • Ed Webb
       
      Because, y'know, criticism kills
Ed Webb

Gmail - Priority Inbox - 0 views

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    NB Arabic subtitles
Ed Webb

On Jordan's Cyber Crimes Law at The Black Iris of Jordan - 0 views

  • I was invited, along with a significant number of bloggers and online notables to attend one of several meetings with the minister of ICT, Marwan Jumah, who along with a legal aid, presented the law and, to his credit, tackled whatever questions, issues or concerns we had to offer. At the time, no one knew anything about the law so it was quite difficult to effectively argue the points, this is to say nothing of the absent legal background. However, to their credit, the concerns of those presented were taken in to consideration and proper amendments were even made to the memorandum accompanying the actual law before it was presented to the cabinet.
    • Ed Webb
       
      Quite striking that such consultation should take place.
  • This new cyber crime law is aimed at tackling specific issues related to online crimes, such as hacking, identity theft, financial transaction crimes, etc. And that’s all perfectly fine. The ICT ministry made the argument that this law was “urgent” enough to pass as a temporary law because of the number of cyber related crimes that are being presented before the judiciary every month. However, I am inclined to believe that given the fact that the Internet has been around for over 15 years in Jordan, it is unlikely that the government has just now noticed that crimes concerning its citizens are taking place online and there is a need for various protections.
  • The mere approval of the law made international headlines and will likely place Jordan firmly on the Internet Enemies list for the first time - putting out that beacon of hope we once took pride in throughout a region of highly regulated and censored Internet.
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  • Laws are constructed to firmly place the citizen in either a constant state of fear through uncertainties, or in a bubble of complacency.
  • The equation may have been much simpler 10 or 20 years ago, when limiting free speech contributed to maintaining some political stability. But in this day and age I think the state has yet to recognize that these variables now sit in opposition to one another, and the limitations placed on media in the information age will undoubtedly create long term instability. The sooner this is recognized, the sooner we’ll be better off
Ed Webb

The Associated Press: Porn offers window into Iraq's chaotic politics - 0 views

  • The porn, in an odd way, has told the story of Iraq's security and political situation since Saddam Hussein's ouster in 2003. It emerged in the anything-goes atmosphere that erupted in the vacuum immediately following the U.S. invasion — then went back into hiding amid the anarchy when armed militias roamed the capital through 2008, targeting those they saw as immoral.Its reemergence since then reflects how security has improved but also how the fragile government is busy with more pressing issues than spicy videos.
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