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Pop music in the region today truly represents the Westernization of classical Arabic music defined by traditional elements of improvisation (where songs often last as long as an hour), instruments native to the region like the oud, and maqam, which is a system of melodies and pitches native to Arabic music. Classical Arabic artists like Oum Kulthum and Asmahan thrived on this style and are considered icons of Arabic music because of their ability to evoke emotion through their artistry.But in conjunction with colonization, Arabic music began to shift from its classical roots with the Cairo Congress of Arab Music in 1932, organized by King Fuad of Egypt. This symposium brought together renowned composers and ethnomusicologists from the Middle East, North Africa, and Europe who created a set of proposals for the modernization and standardization of Arabic music, one of which was the incorporation of European instruments into Arabic ensembles because “such instruments possessed tremendously varied, expressive means and depictive powers.”The other notable event that pushed this modernization further was the introduction of the phonograph to the region. Phonographs could only play songs for a limited duration, making the traditional improvisation and hour-long running times of classical Arabic music nearly impossible.The final nail in the coffin was the burgeoning film industry in the 1950s and 1960s, particularly in Egypt, the cultural epicenter for creative output in the Middle East and North Africa. Movies were heavily Westernized at the time, forcing directors and producers to modify accompanying music to incorporate Western-style elements in their instruments and duration.

a new movement is rising in North Africa.Rappers and emcees from the region are boldly approaching hip-hop and the larger Arab music landscape by exploring taboo themes and proactively deconstructing societal markers of North African identity. They are experimenting with beat production and dialect as they go about creating a space for their music and for these conversations to be held in a public domain. This is not a knock on the Levantine or Khaleeji rap scenes; there are many artists who are doing this currently. But North African emcees are using their lyrical flows and melodic rhythms to grapple with the essential question of identity. The music sounds fresh and breathes new life into the pop-dominant Arabic music scene.

A vast majority of North African rappers primarily use their regional Arabic dialects and French in their music. But many artists, specifically North African artists based in Europe, also use Spanish, Dutch, and English on their albums. A few artists will even use all four languages in one song.

the Iraqi National Communications and Media Commission shut down or gave warnings to 17 media institutions for covering the protests in Iraq. The offices of Al-Arabiya, Al-Hadath, Dijlah TV, Al-Rasheed TV, NRT, Al-Sharqiya TV, Al-Fallujah TV, Houna Baghdad and Al-Hurra were closed, while Al-Sumariya, Asia Network Television, Rudaw Media Network, Sky News Arabia and Ur Television were warned to change how they cover the demonstrations.

On Nov. 17, a mortar shell hit Iraq Art Co. in Karrada in the center of Baghdad.

Iraq Art Co. is a local production business that offers television services to several satellite channels such as the BBC, Al-Araby TV (owned by the Palestinian politician Azmi Bechara) and other channels. Al-Araby Al-Jadeed, which is affiliated with Al-Araby TV, said, “The missile was targeting the Al-Araby TV office in Baghdad.”

Watching television for more than 3.5 hours per day is associated with a dose-response decline in verbal memory over the following six years, independent of confounding variables. These results are found in particular amongst those with better cognition at baseline and are robust to a range of sensitivity analyses exploring reverse causality, differential non-response and stability of television viewing. Watching television is not longitudinally associated with changes in semantic fluency. Overall our results provide preliminary data to suggest that television viewing for more than 3.5 hours per day is related to cognitive decline.

Despite some such studies showing positive associations with language acquisition and visual motor skills in very young children2, many more studies have shown concerning cognitive associations including with poorer reading recognition, reading comprehension and maths3, and cognitive, language and motor developmental delays4,5. However, much less attention has been paid to the effects of television viewing at the other end of the lifespan. Indeed, despite it having been hypothesised for over 25 years that watching excessive television can contribute to the development of dementia1, this theory still remains underexplored empirically.

Watching television for more than 3.5 hours per day was associated with poorer verbal memory six years later with evidence of a dose-response relationship: greater hours of television per day were associated with poorer verbal memory at follow up (Table 2)

Before the pandemic spread, a number of countries in the Middle East and North Africa had been experiencing a wave of public protests for more democratic and accountable rule akin to the so-called Arab Spring of 2011. "The crackdown started several months before the pandemic, but has been exacerbated by the emergency laws and extrajudicial tools regimes are employing under the guise of the pandemic," Sarah Yerkes, a senior fellow at the Carnegie Endowment for Peace Middle East Program. 

"Regimes across North Africa are exploiting the pandemic to crackdown on activists, journalists, and anyone critical of the regime, particularly those using social media."

In Algeria, with the popular anti-government protest movement known as the Hirak put on hold for safety reasons since March, the repressive climate, arguably the worst in North Africa, has worsened with the continued arrests of journalists and activists, which has been a maintained pattern since President Abdelmadjid Tebboune took office in December.

“They just want to see your visa,” a British embassy official told me on March 18, passing on a message from Egyptian security officials at the country’s visa and immigration office. I knew what that meant: Other journalists had been called to the same authority to have their visas revoked. Later that day, the British official called me again as I sheltered in a hotel room, after a lawyer advised me to flee my apartment in case it was raided by police. The security services had spoken to the Egyptian Ministry of Foreign Affairs, which had passed a second message to the British embassy. “They’re asking you to leave,”

I dodged the meeting at the visa authority by sending a lawyer in my place, after officials at the German embassy in Cairo—I’m a dual national—warned me I could be arrested or deported there. We think it’s best you get on a plane, they said. 

The number of infected people has become a metric for evaluating the Egyptian government’s control of the disease; the possibility that more people could be infected has become almost blasphemous in the eyes of the authorities. Even now, as confirmed COVID-19 cases in Egypt top 7,000, the size of the outbreak remains an inflammatory subject, with fear and nationalist pride working alongside a state that is practiced at concealing information

the most overriding issue, for this critic at least, is the total lack of significant Middle Eastern and North African representation in the cast despite the very clear influence of MENA, Islamic and Arab culture on the desert planet and this universe in the original book and this film. I’ve written before about the importance of Fremen characters being played by MENA actors not least because their language is mostly made up of Arabic words, like “Mahdi'' (‘the rightly guided one”) and “Lisan al Gaib” (“the voice from the outer world”), respectively. Though it's notable that jihad, the phrase frequently used in the book, has now been replaced with "crusade" and "holy war". 

One can easily observe the Bedouin and Amazigh inspiration behind this nomadic community on the page and the screen, through the Fremen’s penchant for Keffiyeh, group feeling unity and strength in their ability to survive in such a dangerous environment. These ideas, as well as the cyclical nature of dynasties and civilisations, were reflected in Tunisian sociologist, philosopher and historian Ibn Khaldun’s 14th Century book of Islamic History, “The Muqaddimah”, which underpinned much of Herbert’s sci-fi series.

Jordan’s Wadi Rum and Abu Dhabi in the UAE provided the vast beauty and brutality of this fictional desert planet landscape. The pale, flat-roofed buildings of Arrakeen, the planet’s seat of power which, in the book, was transferred from the city of Carthag (sound familiar?) under Harkonnen rule, is reminiscent of North African architecture. If the overarching storyline about Imperialist colonisers stealing a powerful fuel from the native population doesn't remind you of a certain 20th Century Western conflict with the Middle East, the Knights Templar colour scheme of the Sardaukar certainly hints at a 12th Century one. A holy war no less!

The scenes emerging from Iran today elicit a mix of reactions across a region still reeling from the dark legacy of the “Arab Spring,” which itself came on the heels of the “Green Movement” protests in the wake of Iran’s 2009 presidential election. Many Arabs cannot help but recall the sense of hope that reverberated from Tunisia to Yemen, only to be shattered by unyielding repression, war, and the resurgence of authoritarianism. Subsequent protest waves, including those that began in 2019 in Lebanon, Iraq, and Sudan, were similarly met with brutality, co-optation, and dissolution.

Over a decade on from the Arab uprisings, the path toward democracy and freedom for youth across the Middle East has become more treacherous than ever, as liberation movements find themselves fighting against stronger, smarter, and more entrenched regimes that have adapted to modern challenges to their domination.

Technologies that many hoped would help to evade state censorship and facilitate mobilization have been co-opted as repressive surveillance tools.

Al Manthari has paid the price for America’s shoot-first-ask-no-questions-later system of remote warfare. The irreparable damage to his body left Al Manthari unable to walk or work, robbing him of dignity and causing his daughters — ages 8 and 14 at the time of the strike — to drop out of school to help care for him. The psychological impact of the strike has been profound, leaving Al Manthari traumatized and in need of treatment. And the financial impact has been ruinous.

While the U.S. has millions of dollars in funds earmarked for civilian victims of U.S. attacks, the military ignored pleas on Al Manthari’s behalf, leaving the 56-year-old to rely on a GoFundMe campaign earlier this year to save his life

Since at least World War I, the U.S. military has been paying compensation for harm to civilians. During the Vietnam War, solatia payments, as they are called, were a means for the military to make reparations for civilian injuries or deaths without having to admit guilt. In 1968, for example, the going rate for adult lives was $33. Children merited half that.

Iraq as the fifth-most-vulnerable country to climate change. Temperatures have increased by 1.8 degrees Celsius (3.2 degrees Fahrenheit) in three decades, according to Berkeley Earth, well above the global average, and in the summers, the mercury now regularly hits 50 Celsius (122 Fahrenheit)

burning crops and desiccating marshes

As upstream dams in Turkey and Iran weaken the flows of the Tigris and Euphrates rivers, a salty tide is creeping north from the Persian Gulf, poisoning the land

Jordan’s strategic relationships and regional importance continue to win it unmatched financial support from the international community. And as a result, the government has felt little urgency or pressure to undertake real reform or respond to the legitimate demands of its youth. With trust between the youth and the regime low and the perception of corruption high, however, remaining complacent carries grave risks for the country’s stability.

“Economic optimism is scant, particularly among the youth,” the Arab Barometer found, adding that the economic crisis was “leading many to consider migration despite global travel restrictions.”

the rate of suicide in Jordan has also increased over the past few years amid the dire economic conditions. In 2020, the rate was the highest in 10 years and 45 percent higher than the year before, with one suicide on average every other day. After university graduates threatened earlier this year to commit mass suicide over widespread unemployment, Jordan’s parliament passed legislation criminalizing suicide and attempts to commit suicide in a public place, doubling the fine if it is a mass suicide attempt.

Turkey's parliament on Thursday approved a tough pre-election law that could see reporters and social media users jailed for up to three years for spreading "fake news".

cement the government's already-firm grip on the media eight months before a general election that President Recep Tayyip Erdogan enters trailing in the polls.

The Council of Europe said the measure's vague definition of "disinformation" and accompanying threat of jail could have a "chilling effect and increased self-censorship, not least in view of the upcoming elections in June 2023".

In public speeches, President Abdel Fatah al-Sissi has repeatedly scolded families for having more than two children, calling the population crisis a national security issue that has hindered progress on development goals.

More than one billion people already live in Africa. By 2050, the populations of at least 26 African countries are expected to double.

rising temperatures increasingly threaten the country’s food and water supplies

Almost 30 years ago, then-Prince Charles declared that he wanted to be a “defender of faith,” rather than simply “Defender of the Faith,” to reflect Britain’s growing religious diversity. It created a bit of a storm in a teacup, as he had clearly not meant that he would be changing the traditional role so much as adding to it. The new King is a particular type of Anglican: one that on the one hand, is incredibly tied to the notion of tradition; but on the other, has shown a great deal of affinity for both Eastern Orthodox Christianity and Islam, two religions clearly outside the Anglican fold that he must now titularly lead.

the King has been quite public about his admiration for Islam as a religion, and Muslim communities, both in Britain and abroad.

Privately, he’s shown a lot of sympathy for where Muslims are in difficult political situations, both in Europe and further afield. Robert Jobson’s recent Charles at Seventy claims that the King has significant sympathies for the Palestinians living under Israeli occupation, for example. It’s also claimed that he disagreed with dress restrictions imposed on Muslim women in various European countries.

The Israeli army’s expanded authorization for bombing non-military targets, the loosening of constraints regarding expected civilian casualties, and the use of an artificial intelligence system to generate more potential targets than ever before, appear to have contributed to the destructive nature of the initial stages of Israel’s current war on the Gaza Strip, an investigation by +972 Magazine and Local Call reveals

The investigation by +972 and Local Call is based on conversations with seven current and former members of Israel’s intelligence community — including military intelligence and air force personnel who were involved in Israeli operations in the besieged Strip — in addition to Palestinian testimonies, data, and documentation from the Gaza Strip, and official statements by the IDF Spokesperson and other Israeli state institutions.

The bombing of power targets, according to intelligence sources who had first-hand experience with its application in Gaza in the past, is mainly intended to harm Palestinian civil society: to “create a shock” that, among other things, will reverberate powerfully and “lead civilians to put pressure on Hamas,”

a rare public glimpse of how Israel and its American allies harness Israel’s influential tech sector and tech diaspora to run cover for the Jewish state as it endures scrutiny over the humanitarian impact of its invasion of Gaza.

reveal the degree to which, in the tech-oriented hasbara world, the lines between government, the private sector, and the nonprofit world are blurry at best. And the tactics that these wealthy individuals, advocates, and groups use -- hounding Israel critics on social media; firing pro-Palestine employees and canceling speaking engagements; smearing Palestinian journalists; and attempting to ship military-grade equipment to the IDF -- are often heavy-handed and controversial.

Members of the hasbara-oriented tech world WhatsApp group have eagerly taken up the call to shape public opinion as part of a bid to win what’s been described as the “second battlefield” and “the information war.”

It's the first queer play to be staged in Tunisia -- director Essia Jaibi's latest work aims to challenge conservative attitudes in a country where same-sex acts are punishable by prison terms.

The work, co-produced by LGBTQ rights group Mawjoudin (translating to "we exist"), is played by six mostly amateur actors aged between 23 and 71, reflecting a decades-long struggle for gay rights in the North African country

other problems facing all Tunisians: police and judicial corruption, impunity and the brain drain as people leave to seek better economic prospects in Europe and elsewhere.

Going back 10 years to the Arab Spring and eight years before that to the invasion of Iraq, much of the region has experienced terrible loss not only on a human scale, but also of its archaeological heritage. The culmination of both came in 2015 with the brutal murder of the 82-year-old archaeologist Khaled al-Asaad — who had been in charge of the Syrian UNESCO World Heritage site of Palmyra for 40 years — and the destruction of part of the 2,000-year-old site by the Islamic State group

Three countries — Iraq, Syria and Libya — have an extraordinary heritage of ancient archaeological sites, many of them now endangered, and had in common long-standing dictators, (although in the case of Syria, of course, the Assad regime continues), all of whom used their cultural heritage in various ways to define how they saw their nation

That dictators draw inspiration from ancient history to shape their nations is nothing new — Mussolini looked back to the Roman empire, while Hitler and the Nazi party developed their mythical, ancient “Aryan” race. The last shah of Iran, Mohammad Reza Pahlavi, threw one of the most lavish parties in history at Persepolis in 1971 during national celebrations to illustrate the grandeur of the 2,500-year-old Persian empire founded by Cyrus the Great in the sixth century B.C.

The MENA online ecosystem is not a good place for freedoms or civil debate right now, to say the least. The Digital Authoritarianism collection I edited last year makes for grim reading. Many MENA states have set in place legal frameworks criminalizing online dissent (and a lot more than just dissent). The pervasive use of Israeli-designed digital surveillance tools has turbocharged the ability of autocratic regimes to spy on their citizens (or on anyone else). Online discourse is plagued by armies of bots and trolls. And the suppression of Palestinian activist content shows how social media platforms have proven an uneven playing field when it comes to content moderation. Apocalyptic takes on what Musk might do really do need to grapple with how terrible things already are.

Musk explained his approach to free speech in a recent tweet: “By “free speech”, I simply mean that which matches the law.” That may sound good to some people in an American context, I suppose. But in the MENA, it would play directly into the hands of authoritarian regimes which have spent years constructing elaborate legal and normative frameworks to criminalize online dissent. Those laws don’t just ban violent hate speech, but range from political dissent, criticism of royal family members or the military, human rights monitoring, even dancing on TikTok. Following these cybercrime laws as a guide to content moderation would entail censoring a wide range of legitimate political speech - the opposite, presumably, of what an avowed free speech advocate would want to see.

If new Twitter policies drawn from the right wing understanding of the American online arena were applied consistently in the MENA context, it could potentially ease the suppression of Palestinian voices. I mean, that wouldn’t be the intention and it probably wouldn’t, but it’s worth thinking about.