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in title, tags, annotations or urlMorsi's Win is Al Jazeera's Loss - Al-Monitor: the Pulse of the Middle East - 2 views
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Al Jazeera Arabic’s pro-Brotherhood methodology is two-pronged. First, it predominantly hosts guests that it can be fairly certain would be gentle in their criticism of the Muslim Brotherhood, and second, its anchors refrain from asking Muslim Brotherhood members and spokesmen embarrassing questions.
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The alliance between Qatar, the host and backer of Al Jazeera, with Egypt’s Muslim Brotherhood is no secret.
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Al Jazeera Arabic’s love affair with the Muslim Brotherhood has done damage to more than one country’s revolutionary cause. In Syria, Al Jazeera Arabic’s championing of the Muslim Brotherhood-dominated and highly ineffective opposition Syrian National Council has cost the channel much credibility. Al Jazeera Arabic refrains from criticising the group or highlighting its repeated failures. It also instructs its reporters to follow a certain narrative, prompting numerous resignations.
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Liberal Islamophobia: Anti-Muslim hostility is not just a conservative phenomenon | Middle East Eye - 1 views
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it would be wrong to view Islamophobia as a strictly conservative phenomenon. Polling data indicate that 49 percent of Democrats hold unfavourable views of Islam. Also, Brookings Institution scholar Shadi Hamid has argued that US President Barack Obama, a Democrat, holds views that amount to “Islamic exceptionalism”. Hamid argues that Obama’s statements about Muslims suggest that he is “frustrated by Islam” and that he has bought into Samuel Huntington’s “clash of civilizations” thesis
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American news media, including liberal outlets, have done a poor job contextualising stories about Muslims and Islam. A growing body of empirical research into American news media coverage of Islam reveals deeply problematic patterns - negative, stereotypical portrayals, almost no Muslim sources, and few mention of Muslims or Islam in the context of positive news. That American news outlets apply the “terrorism” description almost exclusively to Muslim-perpetrated violence cannot be lost on anyone paying attention
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while denunciations of terrorism by Muslim groups generally go unreported, Islamophobic statements drive news narratives
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The New Hybridities of Arab Musical Intifadas - www.jadaliyya.com - Readability - 1 views
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Both extreme metal and hardcore rap have long featured dissonant, even jarring music that is often marked in equal measure by the sophistication of and difficulty in listening to it. Lyrically, the grittiness, anger and themes such as poverty, unemployment, police brutality, and lack of life opportunities—were at the heart of American hip hop culture before it wase taken over by bling. Similarly, extreme metal’s focus on war, corruption, and chaos played a major role in the genre’s increasing popularity with young people across the Middle East and North Africa in the last twenty years.
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During the last twenty years in which both heavy metal and hiphop have developed in the Arab and larger Muslim majority worlds, the closed nature of the political spheres in the region helped encourage these scenes to become sites of subcultural and even countercultural production. The music they have produced is the very antithesis of the far more popular, hyper-commercialized and corporatized (or “Rotana-ized”) Arab pop, whose European and American predecessors Adorno so thoroughly despised. They also stand in opposition to the largely depoliticized and musically unchallenging religious pop of stars like Sami Yusuf and Ali Gohar, who as Walter Armbrust points out, tend not merely to leave unchallenged and even reinforce patriarchal values, but offer aesthetic endorsement of the existing system through the themes and locations of their videos
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whether Adorno would accept it or not, the self-reflexivity and willingness to critique society by its own referents that have characterized the best exemplars of extreme metal and political hip-hop are legitimate heirs of the tradition of critical engagement that have defined Adorno's oeuvre and that of his Frankfurt School colleagues. While critics have long labeled both metal and rap as juvenile, hedonistic, and even nihilistic forms of music, this interpretation is far off the mark when it comes to the more political forms of both genres. They function not merely as the CNN—or in the case of the Arab world, al-Jazeera—of the streets, but as their oped page as well, both educating their audience about political and social realities in their societies and the possibility of creating more positive futures
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Iranian Police Seizing Dissidents Get Aid Of Western Companies - Bloomberg - 0 views
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About half the political prisoners he met in jail told him police had tracked their communications and movements through their cell phones
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Stockholm-based Ericsson AB, Creativity Software Ltd. of the U.K. and Dublin-based AdaptiveMobile Security Ltd. marketed or provided gear over the past two years that Iran’s law enforcement or state security agencies would have access to, according to more than 100 documents and interviews with more than two dozen technicians and managers who worked on the systems.
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When Iranian security officers needed to locate a target one night in late 2009, one former Ericsson employee says he got an emergency call to come into the office to fix a glitch in an Ericsson positioning center.
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A Middle Eastern Primer - NYTimes.com - 0 views
Veteran US diplomat tackles Middle East 'mess' - Al-Monitor: the Pulse of the Middle East - 0 views
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Al-Monitor: In the old days, the Iranians and the Saudis used to talk to each other and resolve issues. Now, this is a missing piece. Patterson: It goes back 20 years [to Lebanon]. This is a missing piece. And so the proxy war has gotten a lot worse and you see it all over now in frankly scary dimensions. But it wasn’t that long ago when they had some kind of relationship. … They never liked each other, but they weren’t at this level of animosity.
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Al-Monitor: Let’s turn to Egypt. General, now Field Marshal [Abdel Fattah] al-Sisi seems on his way to becoming Egypt’s next president. How would you characterize our relationship with him and the Egyptian government at this point? Patterson: Personal relationships with him have been good — certainly with ambassadors, including me and with [Defense] Secretary [Chuck] Hagel and with Secretary Kerry and a lot of people on the Hill. But it’s certainly no secret that we’re concerned about freedom of the press, freedom of association, all the fundamentals that are being thrown into question right now in Egypt, not to mention the huge economic issues.
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Al-Monitor: There have been some incredibly anti-American statements lately in Egypt. [Former parliament member and current Al-Osboa editor] Mustafa Bakri openly called last week for attacks against Americans. What are we doing to counter this? Patterson: We complain to the government. Mr. Bakri did sort of back off that statement. But now there has been a rash of hugely anti-American stuff in the press. This ebbs and flows, … [but] it’s really a quite dangerous game, because you fan up public opinion and then you’re hostage to public opinion.
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Khaled and the myth of rai | The Middle East Channel - 0 views
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it was not the opposition of "fundamentalists" that kept rai music (not just Khaled's) off of Algerian state radio. It was rather the Algerian (secular) regime's cultural policies. The state promoted classical Arabic culture and language and denied Algeria's multi-cultural nature. Expressive culture in Arabic dialect or Berber was therefore mostly excluded from the state-controlled media. Rai is sung in the distinctive colloquial Arabic of Wahran, which is not only very different from "classical" or literary Arabic but is also full of borrowings from Spanish, French and Berber. This official national-cultural politics, which was particularly severe during the regime of Houari Boumediene (1965-1978), began to loosen during Chadly Benjadid's regime (1979-1992). In his 1998 autobiography, "Derrière la sourire," Khaled recounts how he managed to break the official embargo in the early 1980s. He was invited to appear on a television show in Algiers, which he knew couldn't be censored because it was to be broadcast live. Khaled was warned ahead of time: no vulgarities, no sex. So he sang three songs: the first, about the Prophet Muhammad; the second, a "poetic" song, one that was artistically acceptable; and the third, about alcohol and women.
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Khaled, and other rai stars, came to play at this festival due to the efforts of the "liberal" wing of the Algerian regime -- and particularly to Lieutenant-Colonel Hosni Snoussi, director of the state-supported arts and culture organization, Office Riadh el Feth in Algiers, who had taken Cheb Khaled under his wing. The regime's liberal wing became interested in promoting rai in the wake of a spate of unrest that erupted during the early 1980s. Most notably, the 1980 riots in Tizi Ouzou, Kabylia (the "Berber Spring"); the 1985 riots in Algiers, which broke out following rumors that housing being built for the poor would be allocated to state bureaucrats; and the 1986 student riots in Constantine that resulted in the deaths of four protesters and spread to other cities. Young Algerians played a leading role in all these protests. The liberal wing of the regime determined that, to deter further unrest, the state should focus on promoting the interests of youth and on developing the market economy. Rai was very popular with Algerian youth, and so the "liberals" determined that promoting it was to be an important element of these reform efforts. It was changes in state policy toward rai, pushed by Snoussi, that got Khaled and other rai stars onto the stage in Algiers in 1985.
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The French government had a stake in trying to control and channel the energies of the rai scene.
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Middle East press on the settlements: What the Middle East papers say | The Economist - 0 views
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commentary in the Arab and Israeli media showed little optimism for the future of negotiations
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Opposition to settlement building is widespread in opinion columns, with a prominent exception in Michael Freund's "Rev Up the Bulldozers," published on Arutz Sheva, a right-wing news site. Mr Freund, expressing a view widely held by settlement supporters, argues that:...settlements are not the obstacle to peace. They never have been. The true obstacle to peace remains what it has always been: the Palestinian refusal to accept a permanent and sovereign Jewish presence in the land of Israel. In the right-of-the-centre Jerusalem Post, however, David Newman argues that as the settlements grow, evacuating them as part of a two-state solution becomes increasingly difficult, writing that "every additional house, family and road make a peace agreement less plausible." He continues, condemning Netanyahu's decision:Israel is the stronger side in this ongoing conflict and, as such, is the one able to make the critical concessions and lead the way. They should be seen as concessions from a position of strength and not, as the right wing argues, a sign of surrender. [...] Back to square one. No settlement freeze, no significant peace talks. All of us, Israelis and Palestinians alike, will suffer the consequences.
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To read full translations and further commentary, please go to Meedan.net
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