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PLP graduates have effectively become the editorial decision-makers for TV channels owned by GIS

the full confidence of the security apparatus in the graduates to oversee the media based on how they were selected and trained, including training on national security

As punishment for not following orders, the channel fired not only Kamal, but his entire production team was as well, the source said, despite mediation efforts by several senior staffers at the channel to keep some members of the team on board. The hasty dismissals appear to be a clear message to people working at other channels to not deviate in the slightest from the programming instructions handed down to them.

daily editorial instructions sent by PLP graduates

the ideas and policies of young people who have no media experience, which is reflected in their choices of topics and guests

this new system is the main cause of the recent mass layoffs taking place at various TV channels.

PLP graduates’ role is not only restricted to managing the editorial content filling Egypt’s airwaves. During the last youth conference, the graduates had final say over all aspects of the event, including the list of presenters and guests. They also arranged all the themes and prepared all the questions and warned presenters not to deviate from the script

Oman's efforts to increase literacy rates have further strengthened the use of Arabic as the language of education. Other mother tongues were not included in the curricula, even as secondary languages, in the regions where they were widely used. It hastened the decline of local languages, as their use became limited to the family and local community. As the number of public schools has grown steadily from one in 1951 to more than 1,100 in 2017, Al Jahdhami reports an "intense exposure to Arabic" among the youth and a shift toward the language.

the young generations simply ask, “What would I learn this for?” because outside of the home, Arabic is the predominant means of communication

Across Oman's Dhofar mountain range, between 25,000 and 50,000 people who belong to different tribes and clans speak Jabbali (or Shehri), which literally means "the language of the mountain." However, although the youth are proud of having a language of their own, with its colorful vocabulary for nature and the mountains, their language proficiency is much lower than that of the older generations. This is partly because the young generation, educated in Arabic, employs a mixture of Jabbali and Arabic. Furthermore, the internet and TV — whose content is predominantly if not exclusively in Arabic — are aggravating the loss of linguistic skills among young Omanis. 

In the north, the tribal community in the village of Kumzar tries to hold on to its language, Kumzari. At 5,000 speakers, UNESCO considers Kumzari severely endangered. It is a Southwestern Iranian language that is heavily influenced by Arabic, Persian, Urdu, Hindi and English.

To save ancestral traditions and reach out to Kanim’s tech-savvy generation, a Dhofar-born singer has chosen to broadcast his Jabbali music on YouTube.

a project led by the Ministry of Heritage and Culture is researching the languages ​​spoken in the sultanate and another, by the Department of Culture at Oman’s Royal Court, is working on Oman's dead languages — ones that no longer have any speakers

Local and international academics are working to document those languages before their remains disappear entirely, mainly in Dhofar and in the mountainous peninsula of Musandam, which overlooks the Strait of Hormuz.

“Instagram trivialised photography,” Beslem says. “It became a consumable product. Yes, it is a powerful tool. But when people judge a photograph based on likes, they end up reproducing popular gimmicks. This kind of conformism levels down the local scene. We want to stand out from it.”

By taking control of the narrative, Noorseen is breaking away from stereotypical depictions of Morocco that draw on a folkloric vision recreating a tourist’s fantasy.  “We take Iran as an example, a country that is riddled with stereotypes,” Moumou says. “But when you look at the works of young Iranian photographers, you discover how multifaceted and rich contemporary Iran really is, and you see unexpected images that only young Iranians could produce.

we’re always represented by others. We will be representing ourselves

Tehran has previously lodged a complaint against Iran International over its programming, but Ofcom ruled that the London-based television network had not broken any rules.

British newspaper The Guardian reported in Oct. 2018 that Iran International had financial ties to MbS. The Guardian charged that the TV network was "being funded through a secretive offshore entity and a company whose director is a Saudi Arabian businessman with close links to the Saudi crown prince." A month later, Iran International issued a statement denying any links to any governments, including Saudi Arabia, and insisted that it "does not advocate any movement or party or government." Some of Iran International's high-profile staff have stirred controversy for often expressing opinions on social media that may be in contravention of the outlet's editorial guidelines.

Iranian authorities have long taken issued with foreign-based Persian-language news networks, accusing them of being tasked with attacking the Islamic Republic. Salami's warning to the Saudi royal family comes as Tehran and Riyadh are working toward mending relations and re-establishing diplomatic ties. The IRGC commander's apparent criticism of Saudi media indicates that it will be brought up in the anticipated next round of talks between the two sides in Iraq.

Tunisians have witnessed many Africans taking part in pro-Saied rallies in the past months.

Tunisia has always formally rejected calls to host migrants and refugees on a permanent basis

Migrants in these overpopulated, mostly working-class neighbourhoods “now have a sort of autonomous, independent communities. They have their own laws,” Zarzis-based activist Jihad A. told The New Arab, adding “migrants have strained ties with local communities. Clashes, sometimes violent, have often taken place in the past year."

“Unemployed, uneducated, and rebellious Tunisian youth have constituted a big challenge to the regime, since the Ben Ali era”, believes T.J., a blogger and civil society activist. “To get rid of these young people, mainly in the poor southern towns of the country, Saied’s authorities are shutting their eyes to the massive daily migration journeys from the south-eastern coasts of Zarzis, Jerba and Sfax to Italy”

more Tunisians sail to Europe from Tunisia than Africans

On August 1st, Italy’s Interior ministry revealed that the biggest numbers of irregular migrants who arrived in Italy from January to July 2022 are Tunisians, which is more than Bangladeshis, Sub-Saharan Africans, Iranians and others.

in Tataouine, there’s a flourishing network of migration for Tunisians to western Europe, via Turkey and Serbia.

individuals and families fly regularly to Istanbul. There, a Tunisian official sells them the official security document, which states that a person is ‘clean’, and not prosecuted in any legal cases in Tunisia. That document, which is never delivered in Tunisia because it is supposed to contain “classified” information, is strictly required by Serbia to allow Tunisians in

Medenine and Tataouine, two key regions for fuel smuggling and human trafficking, have remained without senior officials for months after President Saied sacked their old governors.

“Mayors can play a major role in monitoring irregular migration and in the hosting of migrants”, explains Boubaker Souid, Mayor of Tataouine. “But they are now left without any prerogative and who knows how Saied’s regime will get rid of them”.   

“It seems that one of the tactics of the Tunisian authorities is to empty the country of young people, who have always been the main source of contest and revolt”, says M.B., a civil society activist from Medenine.

On February 24, 2022, Kais Saied announced that he wanted to ban foreign funding for associations. For him, associations applying for or receiving foreign funding are “suspicious activities”. Consequently, the civil society ceased to play its role in monitoring and reporting migration issues and in delivering credible information and data about it.

The day after Mursi's removal, Nile TV and state radio suddenly hosted studio guests who railed against the Brotherhood as "enemies of the people" and cast Islamist supporters of the elected president as instigators of violence.

"Every editor-in-chief at national newspapers is treading water, waiting for the new regime and its policies to crystallise and taking into account that the armed forces have a stance to be reckoned with," Attiya Eissawi, managing editor at state-run Al-Ahram told Reuters.

"Many of them expect to be replaced if their new editorial policies are not to the satisfaction of the new regime."

52 senior executives and editors at Al-Ahram, including the chairman of the company, which is also a publisher and houses a policy think-tank, have been axed since the fall of Mubarak and the election of Mursi

rights activists and journalists say the toppled leader tried to use government-owned channels and papers to his own advantage as his predecessors had done, only less successfully

State-employed journalists went on strike to demand the removal of Mursi's information minister, Salah Abdel-Maqsoud.In May, radio journalists stopped work in protest when the top editor of state radio was transferred to a small station covering youth affairs and sports, after the minister deemed a Radio Misr broadcast insulting to the president.

Al-Akhbar, one of the biggest, accused the Brotherhood of meddling and incompetence in a front-page editorial by the editor-in-chief the week before the mass anti-Mursi protests that gave popular support for the army's action.A journalist at al-Ahram told Reuters that phone calls from the military and the security services regarding news coverage had been the norm before Mubarak's fall."This time, they don't need to," the journalist said, citing huge popular support for the military's toppling of Mursi.

Since the Islamist channels were silenced, coverage of large protests by Mursi supporters against his removal have been scarce on state TV and at times completely absent on private satellite channels that fiercely opposed the Brotherhood.

"Unfortunately, the Egyptian media is only presenting one picture of what's happening now. It's the picture of those who want the military government," said Abdel Aziz Mujaahed, one of 29 Mubasher Misr staff members, including the station's general manager, who were arrested on Wednesday.

The Muslim Brotherhood's political arm said the state-owned printing press refused to print its newspaper - Freedom and Justice - for two days after Mursi's removal, but the paper was back on some newsstands on Saturday.A military source acknowledged restricting publication because the paper planned to splash an article, which he said was untrue, alleging that the army was split and a major unit remained loyal to Mursi.

it is a consultation and consensus-building platform like no other

Twitter is more immune to infiltration and/or electronic committees of security apparatus; when someone from them replies to you he/she can't really reach out to others not following him/her, so it's very hard to create a false consensus or dominant opinion as with Facebook comments and the like.

The infrastructure of Twitter is only mildly conducive to exchange of ideas with people outside of our immediate list of friends; accessing strangers' ideas on a given topic is only a hashtag click away but how often do we do that click? It's more comfortable to only follow discussions among people we've pre-approved.

Since the first revolution we can say that we're seeing more Twitter-conversation than Twitter-organisation. But I predict we'll see more of a reversion to the organisation use at some point, as the battle with the enemies of democracy intensifies.

We need to market the revolution and in that we'll need to teach ourselves how to conduct a constructive Twitter conversation, one that doesn't end in people blocking each other.

at the end of the day it's a platform for youth who many times find no other alternative

It will continue to play an important role in citizen journalism as it has always done, and delivering independent media to counter the official one.

The revolution and its revolutionaries were badly portrayed and have been subjected to intensive campaigns of defamation, despite all the efforts on social media to provide another narrative and defy the propaganda.

especially after the start of the revolution, media outlets rely on Twitter to stay on top of events on the ground throughout the major cities in Egypt. In fact, almost all newspapers and TV channels will make daily references to news spread through Twitter one way or the other.

If many people join Twitter from different classes and groups to represent the Egyptian street, we can discuss for real what the Egyptian people in the street want.

“new Arab public sphere”

two distinct political positions that characterized Arab politics in the period up to the Arab Spring uprisings in 2010-11: an approach on Al Jazeera sympathetic to Islamist groups across the region and more conservative pro-Western approach in Saudi controlled media

The Arab uprisings came at the moment of a third stage in the development of modern Arab media: that of social media

bitterly contested conflicts between youth-driven protest movements and governments who were caught absolutely unawares due to a variety of factors: close cooperation with Western governments, elaborate security apparatus and the arrogance that comes with being in power unchallenged for so long

Media in the post-Spring Arab world currently has been targeted by the forces of the state in their counter-revolutionary pushback

Since the military coup that removed the elected post-uprising government, the Egyptian government has used traditional preferred instruments of television and print media for propaganda and control

Gulf governments have focused on social media in particular

Another important feature of Arab media is how it has become an arena for the Sunni-Shia sectarian schism

media has been revamped and brought back into action as one element of a multi-faceted campaign involving the law, religion, surveillance and forces of coercion to face a range of internal and external enemies seen as challenging the very survival of governing elites. New media were momentarily a weapon against these entrenched systems of rule; for now, the rulers have mastered the new array of technologies and are back in command

The best rap and metal in the region succeeds because it manages to avoid both the kind of “extreme consciousness of doom” that leads to aesthetic nihilism, hyper-stylized violence and other forms of artistic “idle chatter,” while also avoiding the kind of surrender to the culture industry which leads even the most well-intentioned of mainstream artists to “collaborate with culture as its salaried and honoured nuisance” rather than challenge it directly from the margins.

the ultimate function of immanent criticism: to enable a positive synthesis, or irreducible hybridization of identities. Such identities can not be subsumed under any dominant ideology or political and economic narrative and therefore cannot serve to reinforce them

in the Middle East and North Africa region, in the years leading up to the current revolutionary moment, the growing popularity of metal and rap music represents a return of the aura to local music scenes. Both Benjamin and Adorno believed that a remnant, or perhaps better, specter of the original aura remained within works of art even in the mechanical/industrial age. This spector becomes visible in the kind of critical art represented by the groups discussed here, contributing to the continued “excessiveness”, “aesthetic deviance”, and “pointing elsewhere” towards cultural difference and a different future that characterize the best exemplars of the music

As Moe Hamzeh, leader of one of the most talented and successful Arab rock/metal groups, Beriut's The Kordz6, explains, while Arab rock or rap artists obviously want to be successful, the relative lack of interest in the two genres by Rotana and other Arab media conglomerates has been a blessing from an aesthetic perspective. It has saved them from the inevitable fate of all commercialized popular music, whether American hiphop and hair metal to Arab video-clip driven pop. At the same time, the lack of commercialization has made the public performance of the music, usually in small group settings or festivals geared specifically to fans of the genres, the crucial means of creating audiences and building solidarity among their communities of fans.

singers and rappers were actually smiling as they performed their music. And so were the crowds surrounding them. This is likely not the vibe Adorno imagined would surround the kind of immanently critical music he felt was necessary to wake people up to the false consciousness they had been mindlessly inhabiting. But it points to a crucial problem with Adorno’s musical aesthetic, at least form the standpoint of reception. The more abstract, atonal, and devoid of recognizable harmonies or rhythmic pulse a piece of music is, the harder it will be for it to inspire a large number of people. Once people are actually on the streets protesting rather than in their smaller subcultural gatherings, they need something catchier and more uplifting to sing along to than brutal vocals and rapid fire rhymes

Adorno did not think much of the aesthetic and political potential of folk music, which he tied both to nationalist and fascist sentiments. In its then present-day form (rather than traditional-historical form), he believed it to foster little more than a “pseudo-folk community,” particularly in its cultural and aesthetic historical trajectory in Germany. But in Egypt as in the United States, the music has played a more critical political role in struggles for political freedom and social justice.

the band’s popularity is inseparable from its dual role as a voice of protest and a regenerator of traditional styles of music that recently were in danger of disappearing completely because of a combination of market forces and government censorship

What the kind of joyful hybridity exemplified by the production style of Armada Bizerta and myriad other rap groups around the Arab and larger Muslim worlds (and across Africa) reveal is that even within one genre of music, such as hip hop, talented artists can create innumerable sonic tapestries to match, and help shape, the national mood—from dissonant anger to joyful creativity—as the political and cultural situation on the ground changes. Their flexibility is key to their function as the kind immanent critique Adorno and other critical theorists hoped would be able to “reliquify” the “congealed” ideologically bounded identities imposed by authoritarian regimes on their citizens

The joyful aesthetics of groups such as Amarda Bizerta, Emel Mathlouthi, Ramy Essam, and other artists at the heart of youth-inspired revolutions challenges Adorno’s belief that critical music in the age of mass reproduction and consumption has to be, essentially, hard to listen to in order to make the listener think and perhaps even motivated to take some form of action. It seems that while in the pre-Revolutionary period, when cultural expression was still heavily policed, this indeed was the case—thus the power and popularity of genres like metal and hardcore rap. But with the explosion of political, cultural, and artistic energy of the protests a new aesthetic dynamic was born that, at least as of the time of this writing, remains quite powerful. As important, by drawing people literally closer together, the music brings them closer to its critical and transformational aura, closing a circle that was broken, according to Benjamin, with the mechanical reproduction and commodification of musi a century ago

It remains to be seen whether Americans and Europeans, so used to providing the “original” music and culture which others have long sampled, will prove as adept as the “new generation” of Arab revolutionaries in adapting the tools and ideas of others to create their own cultural, political, and economic hybrids. But if the experience of the last year is any indication, without doing so there is little chance of the current wave of protests across the West producing the kind of large-scale transformation now underway, however problematically, in the Arab world.

The cyber-repression was made easier by the physical structure of Tunisia’s data flow, which runs through just a few choke points. In broad terms, the system has two distinct parts: one for intercepting phone-related traffic and one for the Internet, Saadaoui says.

In each of the three telecom rooms, which are about half the size of a tennis court, a handful of computers known as “boxes” straddle the data pipelines, Chakchouk says. Their function is to siphon off communications, mostly by searching for key words, according to Saadaoui. “You get all the traffic going through these boxes,” Saadaoui says. Once the system flagged a suspect e-mail, a fiber optic network under the streets of Tunis carried it from the telecom offices to the Interior Ministry’s operator room, Saadaoui says. Moez Ben Mahmoud Hassen, a spokesman for Tunisie Telecom, said the company “denies any possible relation with such practices.” He stressed that it follows the law and respects the confidentiality of communications. Asked about the company’s activities during Ben Ali’s government, he said it was a matter for the courts and declined to elaborate. Communications through mobile operator Orascom Telecom Tunisie, also known as Tunisiana, were not monitored, according to a statement released by company spokeswoman Fatma Ben Hadj Ali. The country’s other mobile operator, Orange Tunisia, didn’t respond to requests for comment.

By 2010, it became a contest as Tunisians increasingly employed encryption the packet inspection couldn’t crack. Communications on Facebook boomed, and the regime demanded better tools, Saadaoui says. The same European contractor that provided e-mail surveillance signed a deal to add monitoring of social networks, he says. It was too late. The supplier hadn’t yet delivered the solution when the “Facebook revolution” crested in January. The government’s last-ditch attempts to quell online organizing included hacking and password-stealing attacks by Ben Ali’s regime, outside the purview of the Internet agency, Saadaoui says. Slim Amamou, a blogger who was arrested during the uprising and briefly became a minister for youth and sport after the revolution, says the presidential palace and ruling party orchestrated the final cyber attacks.

Today, Chakchouk, the new head of Tunisia’s Internet authority says he’s working to dismantle Ammar 404, and turned off the mass filtering, he says. Now he’s locked in legal battles over court orders to block specific Web pages. On Saturday, May 7, he and his team pulled an all-nighter to set the filtering equipment to block a single Web page to comply with a military court’s demand related to a defamation complaint. The following Tuesday, still looking tired, Chakchouk says it took so long because they were figuring out how to replace the page with a message explaining the blockage -- rather than the customary Error 404. Since the revolution, Chakchouk has spoken at conferences around the world, decrying censorship. Yet he won’t say much about surveillance. For now, the packet inspection boxes are still on the network. “We tried to understand the equipment and we’re still doing that,” he says. “We’re waiting for the new government to decide what to do with it.”