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the most overriding issue, for this critic at least, is the total lack of significant Middle Eastern and North African representation in the cast despite the very clear influence of MENA, Islamic and Arab culture on the desert planet and this universe in the original book and this film. I’ve written before about the importance of Fremen characters being played by MENA actors not least because their language is mostly made up of Arabic words, like “Mahdi'' (‘the rightly guided one”) and “Lisan al Gaib” (“the voice from the outer world”), respectively. Though it's notable that jihad, the phrase frequently used in the book, has now been replaced with "crusade" and "holy war". 

One can easily observe the Bedouin and Amazigh inspiration behind this nomadic community on the page and the screen, through the Fremen’s penchant for Keffiyeh, group feeling unity and strength in their ability to survive in such a dangerous environment. These ideas, as well as the cyclical nature of dynasties and civilisations, were reflected in Tunisian sociologist, philosopher and historian Ibn Khaldun’s 14th Century book of Islamic History, “The Muqaddimah”, which underpinned much of Herbert’s sci-fi series.

Jordan’s Wadi Rum and Abu Dhabi in the UAE provided the vast beauty and brutality of this fictional desert planet landscape. The pale, flat-roofed buildings of Arrakeen, the planet’s seat of power which, in the book, was transferred from the city of Carthag (sound familiar?) under Harkonnen rule, is reminiscent of North African architecture. If the overarching storyline about Imperialist colonisers stealing a powerful fuel from the native population doesn't remind you of a certain 20th Century Western conflict with the Middle East, the Knights Templar colour scheme of the Sardaukar certainly hints at a 12th Century one. A holy war no less!

“They just want to see your visa,” a British embassy official told me on March 18, passing on a message from Egyptian security officials at the country’s visa and immigration office. I knew what that meant: Other journalists had been called to the same authority to have their visas revoked. Later that day, the British official called me again as I sheltered in a hotel room, after a lawyer advised me to flee my apartment in case it was raided by police. The security services had spoken to the Egyptian Ministry of Foreign Affairs, which had passed a second message to the British embassy. “They’re asking you to leave,”

I dodged the meeting at the visa authority by sending a lawyer in my place, after officials at the German embassy in Cairo—I’m a dual national—warned me I could be arrested or deported there. We think it’s best you get on a plane, they said. 

The number of infected people has become a metric for evaluating the Egyptian government’s control of the disease; the possibility that more people could be infected has become almost blasphemous in the eyes of the authorities. Even now, as confirmed COVID-19 cases in Egypt top 7,000, the size of the outbreak remains an inflammatory subject, with fear and nationalist pride working alongside a state that is practiced at concealing information

The commander of Iran’s Islamic Revolutionary Guard Corps (IRGC) has warned the Saudi royal family that it will “pay the price” unless it reins in the media outlets it allegedly funds. The warning comes as Tehran accuses foreign-based Persian-language networks—and especially the TV channel Iran International—of spreading fake news and inciting unrest.

the IRGC-linked Tasnim News Agency reported hours after his speech that the main target was Iran International. Tasnim maintained that there is "no doubt" that London-based Iran International "is linked to the crown prince," referring to Mohammed bin Salman Al Saud (MbS). Tasnim also named Dubai-based Al-Arabiya and Al-Hadath as other news networks funded by the Kingdom and targeted by Salami in his speech.

MP Mohammad Ali Naqdali—the secretary of the parliament’s legal and judicial commission—urged Iranian authorities on Oct. 8 to file a complaint against Iran International with the UK media regulator, Ofcom. The lawmaker called on the foreign ministry and judiciary to complain about Iran International over its alleged role in "encouraging further protests” in Iran. Naqdali also criticized other Persian-language outlets based in the UK, describing them as "lie-producing factories."

"If you want to understand the emotive universe from which the Arab spring arose, cinema is a good place to start. Look at a film like Elia Suleiman's Divine Intervention: there the director spits out an apricot pit at an Israeli tank and blows it up. The scene is both fantasy and prophecy."

I don't think the idea of Islamic cinema even exists in the west. Islam is presumed not to have a modern culture. I'd argue it's important that these films don't insist on any kind of stylistic unity – and that in nearly all of them Islam is portrayed as quite marginal. They argue against religiosity as a determining force. They're all about change, too, about modernity, which neocons like Francis Fukuyama say the Islamic world is incapable of

"If you want to be thought of as an auteur, you don't want to be categorised according to ethnicity or religion," Ahmad says. "By calling someone 'Islamic', you're meant to be taking away from their universal appeal."

Tomorrow's events, dubbed a "day of revolution against torture, corruption, poverty and unemployment" by protest leaders, were initiated by two dissident movements, both based online. One is dedicated to the memory of Khaled Said, an Alexandrian man beaten to death by police last year, while the other, "6 April", is a youth group named after the date of an uprising two years ago in the Nile delta town of El-Mahalla El-Kubra, in which three people were killed by police.

In a sign of how seriously the Mubarak regime is taking any challenge to its authority following the downfall of Tunisia's president Ben Ali, counter-protests are being organised under the banner of "Mubarak: Egypt's security". Organisers say they want to express their rejection of the "destruction of state institutions" by the opposition, raising fears of violent clashes on the ground."Regardless of how many people turn up, these protests will be highly significant," said Nabil Abdel Fattah, a political analyst at the semi-official Al-Ahram Research Centre. "Those confronting the regime on Tuesday will be the sons and daughters of virtual activism - a new generation that has finally found something around which they can unite and rally.They are the product of a government that has never offered them any ideological vision to believe in, and now they have themselves become a symbol of contemporary Egypt.

the BBC updated their pages. With some rather diplomatic language . Israel: “Seat of government Jerusalem, though most foreign embassies are in Tel Aviv.” . http://www.bbc.co.uk/sport/olympics/2012/countries/israel . Palestine: “Intended seat of government East Jerusalem. Ramallah serves as administrative capital.” . http://www.bbc.co.uk/sport/olympics/2012/countries/palestine

Social media is a minefield for the unwary. Some things demand vetting if not outright verification, because the risk is to be an utter dupe. The BBC has especially sound practices in this regard, but it, too, was fooled.It's worth noting that traditional and new media organisations were instrumental in unmasking the falsity of the "gay girl" blog. Among others, National Public Radio's Andy Carvin asked his Twitter audience for help, and got plenty, while the Washington Post did its own digging into the matter; meanwhile, the Electronic Intifada website pieced together some evidence as well – and all kinds of people with no media affiliations contributed what they knew, learned or surmised.

Sounding real is not the same as being real. The fake Amina's blog was especially well done, with details that sounded authentic even to native Syrians. Its unmasked author said he was telling larger truths, but we have a name for this technique: fiction.

pseudonym. This is a much-used method online – not revealing one's own name but having a consistent identifier. It's one step away from outright anonymity, where there is no accountability whatever

while offering condolences is part of the Islamic faith, a question remains as to what motivates both the need to issue these statements as well as the urgency with which they were thrust into the public domain. For British Muslims, as we know, citizenship has always been conditional. And now, counter-terror and anti-extremism measures such as Prevent work hard to ensure that Muslims stay in line. So an occasion such as the Queen’s death isn’t an opportunity for sincere reflection or honesty – rather it serves as a test of loyalty.

maybe the effect of Prevent’s surveillance and thought-criminalisation is so insidious that Muslims have internalised it, causing them to believe unquestioningly that these are their true feelings

Prevent, and the associated fear of counter-terror surveillance, has caused a throttling of Muslims’ collective and individual voices. Britain wants Muslim immigrants to embrace being British, but without allowing them the rights and freedoms to which white British people have a claim, including freedom of speech

The British government ran a secret “black propaganda” campaign for decades, targeting Africa, the Middle East and parts of Asia with leaflets and reports from fake sources aimed at destabilising cold war enemies by encouraging racial tensions, sowing chaos, inciting violence and reinforcing anti-communist ideas, newly declassified documents have revealed.

The campaign also sought to mobilise Muslims against Moscow, promoting greater religious conservatism and radical ideas. To appear authentic, documents encouraged hatred of Israel.

The Information Research Department (IRD) was set up by the post-second world war Labour government to counter Soviet propaganda attacks on Britain. Its activities mirrored the CIA’s cold war propaganda operations and the extensive efforts of the USSR and its satellites.

Fuelled by populist politics, a nationalistic press and the apparent desire to confront complex problems with ‘red meat’ and increased nationalism, Tunisia’s President has steered his country on a dark course.

rather than address the core problems facing Tunisia, its President – buoyed by a supportive media – has embarked on a populist witch-hunt of his political opponents and now one of the country’s most vulnerable groups. 

As the UK Government focuses its efforts on pushing through an immigration bill that it itself admits has only a 50% chance of meeting international legal thresholds, there are parallels between both sets of leaderships. Like Tunisia’s President, Rishi Sunak Government is attempting to use populist nationalism and the wilful demonising of migrants as cover for its own gross economic mismanagement and flailing popularity.

The Obama White House's interest in spreading this falsehood is multi-fold and obvious:For one, the claim that this attack was just about anger over an anti-Muhammad video completely absolves the US government of any responsibility or even role in provoking the anti-American rage driving it. After all, if the violence that erupted in that region is driven only by anger over some independent film about Muhammad, then no rational person would blame the US government for it, and there could be no suggestion that its actions in the region – things like this, and this, and this, and this – had any role to play.

it's deeply satisfying to point over there at those Muslims and scorn their primitive religious violence, while ignoring the massive amounts of violence to which one's own country continuously subjects them. It's much more fun and self-affirming to scoff: "can you believe those Muslims are so primitive that they killed our ambassador over a film?" than it is to acknowledge: "our country and its allies have continually bombed, killed, invaded, and occupied their countries and supported their tyrants."

the self-loving mindset that enables the New York Times to write an entire editorial today purporting to analyze Muslim rage without once mentioning the numerous acts of American violence aimed at them