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Ed Webb

An industry under threat: Ramadan 2019, brought to you by Egyptian Media Group | MadaMasr - 0 views

  • This time of year, the offices of TV production companies are usually bustling with stars conducting meetings in preparation for the upcoming Ramadan television season (which falls in May this year)
  • The local television scene is rife with talk about the implications of recent developments in the field, which entail an effective halt in almost all TV drama production
  • What we’re witnessing this year is not a marketing crisis, or a weakness in screenplays, or any of the other issues that have ailed the drama industry in the past; rather, the very existence of the industry is under unprecedented threat. The number of series being produced has plummeted, and is expected to amount to 18 series at most, the majority of which are  to be produced by Synergy, the production house owned by Tamer Morsy, head of the intelligence-affiliated Egyptian Media Group (EMG). It is the newest step in the state’s ongoing bid to monopolize all forms of media and artistic production in Egypt.
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  • one must go back to the outset of the crisis, nearly three years ago. Back then, there were over 30 series released every season, produced under a diverse range of production houses and addressing a wide array of subjects. The industry cycle was more or less stable, starting with producers in competition with each other, to satellite channels racing to purchase the best series’ screening rights and advertising revenues being the central source of profit. The main issues concerned increasing production budgets and the skyrocketing salaries of certain stars.
  • the state was preparing a plan to exert control over the entire market. The first signs of this plan emerged in June 2017, with statements by the president and a number of government officials voicing their displeasure with the content offered on Ramadan TV series, and their desire to remedy the situation. This remedy manifested in the form of extreme censorship measures, including the establishment of the Drama Committee within the Supreme Meda Regulatory Council, designed to monitor the TV drama industry.
  • The effects of these directives became apparent last year in the striking similarity of the content of the series released, as well as the ubiquity of police and army officers as characters in most of them
  • satellite channels, many of which — including ONtv and Al Hayah — are currently controlled by EMG, owned by Eagle Capital for Financial Investment, a private equity fund founded by Egypt’s General Intelligence Services (GIS)
  • Television channels, sources say, will fill up the remaining airtime — previously overflowing with series — with variety television shows, including talk and game shows, instead. Tawfiq Okasha, the controversial media personality who made his comeback in March — courtesy of  Synergy Productions and EMG — recently dedicated a segment on his show (which airs on Al Hayah) to criticizing actors and “the obscene sums of money they demand.” Okasha then proceeded to discuss a plan to bring down the number of series airing this Ramadan to 18, with each television channel airing only three.
  • as a result of this monopoly, many producers are out of work this year, including Beelink’s Mohamed Mashish, El Adl Group’s Maha Selim, and producer Ahmed Al Sobky, when the three of them combined had eight series screening last Ramadan
  • most seem to attribute it to the president, who appears to be irked by the scale the industry had come to operate on and the high salaries paid to TV stars
  • difficulties the company faced when filming last year’s Eagle of the South, as a result of excessive military intervention in the series’ content and production process. Members of the Armed Forces were often present on set and would interfere in most details during the shoot, not to mention that the show’s star, Mohamed Ramadan, would often miss shoots because his military conscription service overlapped with shooting times. Sometimes, he would arrive to the shooting location in a military vehicle
  • Shaaban believes that the current setback in television production has been primarily brought on by declining economic conditions, which have led to a decrease in advertising budgets. The industry, he says, is built on the flow of money from advertising agencies to satellite channels to production companies. If channels were reaping advertising revenues, they would be able to buy series from producers, who in turn would be able to produce more series, and so on. However, given the current economic climate, corporations haven’t been spending as much on advertising as they used to, and this has definitely affected the production cycle.
  • prominent actor Adel Imam, who could potentially miss his first Ramadan season in seven years, due to alleged censorial objections to the subject matter of his new series, in which he was reportedly set to play the president’s physician
  • The initial outcome of Morsy’s monopoly over the Egyptian drama market became clear last year with the elimination of certain series from Egypt’s Ramadan season, including El Adl Group’s We Have Other Statements (starring Youssra) and Land of Hypocrisy (starring Mohamed Heneidy), which were only aired on non-Egyptian channels, as well as Beelink Productions’ What Came to Pass (starring Ruby), which was not broadcast at all. Now, with Morsy’s newly acquired control over more channels, in addition to EMG’s acquisition of shares in the CBC television network and Morsy’s partnership with D Media, it appears that other producers will no longer have access to air their series in Egypt. Both D Media and DMC, another prominent television network, are owned by the GIS.
  • It is possible that, for the first time in history, the Egyptian drama sector will produce less work than its counterparts in Lebanon, Syria and Kuwait, who produce 10 to 20 works on average each Ramadan season.
  • 2 million Egyptian workers of all stripes who contribute to and depend upon this industry, patiently waiting for the Ramadan season from year to year
  • Medhat estimates that the industry spends about LE2 billion annually and brings in about LE4 billion in revenue — all of which, in the 2019 season, will go almost entirely to one entity
  • One interpretation of these recent developments is that the Egyptian state — nostalgic for the heyday of state television, when the state alone was in control of all television productions — is planning a comeback under new terms, tailored to fit the demands of the current moment. After exerting its control over satellite TV channels, it now seeks to control production as well, in order to keep the media and entertainment sectors securely under its wing, only for the state to emerge once again as the only player on the local scene.
Ed Webb

Egyptian intelligence services extend control over media | RSF - 0 views

  • Reporters Without Borders (RSF) is worried about the way Egyptian media outlets are being taken over by businessmen linked to the government and intelligence services. The regime’s domination of the media continues to grow and is even affecting pro-government media.
  • Al Hayat was quietly taken over at the end of August. The new owner’s identity has not yet been officially announced but several Egyptian media outlets have reported that it was acquired by Falcon, a successful Egyptian security company whose CEO is a former senior military intelligence officer and a former head of the radio and TV regulatory agency.
  • the financial pressure came shortly after Al Wafd’s representatives in parliament expressed their opposition to the government’s controversial plan to hand over two strategic islands, Tiran and Sanafir, to Saudi Arabia
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  • A former military intelligence officer, who was also an armed forces spokesman, took charge of Al Asema TV in January.
  • ONTV, a popular TV channel that supported the government while occasionally broadcasting critical comments, was taken over in May 2016 by Ahmed Abu Hashima, a powerful multi-millionaire steel magnate said to be close to military intelligence and to President Abdel- Fattah al-Sisi. A month after the acquisition, the authorities expelled Liliane Daoud, a well-known ONTV programme presenter with a reputation for journalistic integrity. She was deportable because she has British and Lebanese dual nationality.
  • Hashima bought two other TV channels, Al Nahar and CBC, and four newspapers, Sout Al Omma, Ain, Dot Masr and Al Youm al Sabea, in 2016.
  • the editor had told that that “President Sisi is the newspaper’s new owner” and that it could therefore not continue to employ critical journalists
  • the government’s influence over the broadcast media landscape was also significantly enhanced in 2016 by the creation of a DMC, a major new TV network with a range of news, sports and entertainment channels. Dubbed “the mouthpiece of the intelligence services” by some journalists and launched with a patriotic anthem and Koranic chants, DMC gets permission to film where other privately-owned TV channels are denied access. It is also known to broadcast interviews that are presented as exclusives but just reiterate the regime’s pro-security, anti-Muslim Brotherhood dogma
Ed Webb

Egyptian Chronicles: Another Bad Day for Media in #Egypt : #YouTube , Offensive cartoon... - 2 views

  • Speaking about Religion and media censorship. Al Masry Al Youm has officially apologized  for the daring cover of Assyasy Magazine "The Politician magazine" latest issue. Here is the daring cover which is the product of famous revolutionary cartoonist Ahmed Nady. The controversial cover by Ahmed Nady The cover shows those who signed Al Azhar document to denounce violence completely naked and in their hands wine glasses and in the back Mohamed Morsi tells a strong and enormous CSF officer to act as he wants as there is no more political cover for the protesters
  • Many activists criticized the political activists and parties participated in the document accusing them of dumping the protesters alone facing the police violence. This is the first time the Sheikh of Al Azhar and the Church representative are  being shown naked like that. According to Ahmed Nady , the cartoonist he got a tip that Al Masry Al Youm administration has decided to pull the issue from the market after it got an objection from the Church on how a church man would appear like that in a cartoon on cover of a magazine.
  • it seems that administration of Al Masry Al Youm does not want to break any taboos anymore
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  • TV hosts Dina Abdel Fatah and Wael Al Abrashi will be interrogate at the public prosecution office as they are accused of promoting Black Bloc culture in Egypt !! Wael Al Abrashi claimed that he spoke to Black Bloc members on Dream TV2 while Dina Abdel Fatah hosted alleged Black Bloc Members in her show on Tahrir TV. Of course the alleged and self proclaimed Black Bloc Facebook pages and twitter accounts denied that these were members in the Black Block.
  • there is a long list of TV hosts and journalists like Mahmoud Saad , Lamis El Hadidy and Mona Shazly as well their producers. These TV hosts are accused of letting their guests insult the judges and judiciary in Egypt !!
  • Abdel Fatah is being summoned after his live TV confrontation with minister of justice Ahmed Mekki last Saturday during the Ultras trial on CBC channel's morning show
  • Former MP Mostafa Al Naggar was summoned to appear in front of the magistrate for the same charge : Insulting judiciary !!!
  • to be accused of promoting Black Bloc in Egypt !! For God sake what kind of charge this is !?
  • a tip I got from a dear friend that the judges who reported that long list to the ministry of justice are the Muslim brotherhood's Judges for Egypt group !!! You have to know that the number of "Insulting the president" lawsuits in time of Morsi's rule "6 months"  exceeded all the lawsuits filed isnce 1892 when that stupid charged entered our legal system !! I have got nothing to say more. This is not the Egypt we want.
Ed Webb

Netanyahu launches own TV channel to bypass mainstream media - Middle East Monitor - 0 views

  • Benjamin Netanyahu has launched his own TV channel to bypass mainstream media and ensure positive coverage ahead of the upcoming General Election. “Likud TV” was launched yesterday on the Israeli Prime Minister’s official Facebook page and will air every evening at 19:00 local time (17:00 GMT) until the election on 9 April. Sporting the slogan “we’re throwing the ‘fake’ out of the news,” the channel has been interpreted as a bid by Netanyahu to bypass traditional media outlets which he claims have engaged in a coordinated attack against him.
  • The channel’s launch was coordinated with the unveiling of Netanyahu’s campaign video this weekend. In the video, he appears alongside Israeli TV presenter Eliraz Sade in a mock secret meeting to arrange positive media coverage. Sitting in a high-backed office chair with his back to Netanyahu.“You’re asking me for positive coverage?” Sade asks the Prime Minister.“Truthful coverage,” he replies.“But if I present truthful coverage, it might come out positive.”“Walla [‘really’],” says Netanyahu before winking at the camera.This was a not-so-subtle nod to Case 4000 in which Netanyahu is accused of providing regulatory benefits to Shaul Elovitch, the owner of telecom giant Bezeq, in return for favourable coverage on Elovitch’s Walla news site.
  • Commentators have been quick to point out the similarity between Netanyahu’s campaign and that of US President Donald Trump. The Jerusalem Post noted that Likud TV “seems to follow the model of [Trump’s] Real News Update, a weekly webcast meant to back Trump’s re-election campaign” ahead of the US elections due to be held in 2020. Trump has championed the “fake news” narrative, labelling journalists the “enemy of the people” and taking aim at some of America’s biggest news outlets.
Ed Webb

Tahrir media wars: State TV gives ground before Al Jazeera-led rivals | Al-Masry Al-You... - 0 views

  • Facebook and Twitter might be the media keywords in these "Days of Anger," but in Egypt, television dominates as a way of disseminating information; it is why protests went on even when the government shut down the Internet and cell phone service. Al Jazeera's coverage has been characterized by its scope and commitment, as well as its timeline: on Friday, 28 January, while state TV ignored the protests, Al Jazeera broadcast constant live footage from the 6th of October bridge.
  • Al-Jazeera's "Gulf War moment"
  • Over the past twelve days, state television has been providing skewed coverage or willfully ignorant non-coverage of the demonstrations that has amounted to unabashed propaganda. Broadcasts have attempted to evidence some of the most destructive rumors: that protesters morphed into looters as soon as police were withdrawn; that foreign journalists were part of a conspiracy to overthrow the government; that the majority of Egyptians, Mubarak supporters, are being bullied and intimidated by thuggish activists whose uprising has paralyzed Egypt's economy. One protester described state TV to Moheyldin this way: "It would make Nazi propaganda chief Joseph Goebbels proud."
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  • it hasn't just been the past twelve days that has exposed the biased and obsolete agenda of Egyptian state TV--that's been happening gradually for the last 15 years. The model for controlling a people, once a great tool, is "locked in the past, in a world where the government controls the message," according to Lawrence Pintak, a professor, former journalist, and the author of forthcoming book "The New Arab Journalist: Mission and Identity in a Time of Turmoil."
  • News media in Egypt are "weapons of war," said Pitnak. "Government media is a weapon of pro-Mubarak people; the majority of the rest of the media have become weapons of people."
  • "As journalists, we're human beings. Once they start shooting at you or beating you up, it's hard not to take it personally. It is no longer objective, unbiased coverage. It has become a struggle between media--Arab and Western--and Mubarak."
  • Perhaps most indicative of the changing face of Egyptian television is Shahira Amin, whose departure after twelve years at Nile TV drew attention to the network's habit of prioritizing regime solidity over truth. Her resignation became a news story in and of itself, and when she told it to the media, she did so live from Tahrir Square--in an interview with Al Jazeera.
Ed Webb

Iraq clamps down on media and broadcast networks covering protests - 0 views

  • the Iraqi National Communications and Media Commission shut down or gave warnings to 17 media institutions for covering the protests in Iraq. The offices of Al-Arabiya, Al-Hadath, Dijlah TV, Al-Rasheed TV, NRT, Al-Sharqiya TV, Al-Fallujah TV, Houna Baghdad and Al-Hurra were closed, while Al-Sumariya, Asia Network Television, Rudaw Media Network, Sky News Arabia and Ur Television were warned to change how they cover the demonstrations.
  • On Nov. 17, a mortar shell hit Iraq Art Co. in Karrada in the center of Baghdad.
  • Iraq Art Co. is a local production business that offers television services to several satellite channels such as the BBC, Al-Araby TV (owned by the Palestinian politician Azmi Bechara) and other channels. Al-Araby Al-Jadeed, which is affiliated with Al-Araby TV, said, “The missile was targeting the Al-Araby TV office in Baghdad.”
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  • On Nov. 8 and 15, two episodes of the news satire Al-Basheer Show were jammed, as soon as the broadcast began on the German DW channel. Jamming would start at 9 p.m. while the episodes were being shown, and would end an hour later at 10 p.m., when the show was over.
  • The government clampdown on the media and journalists has taken several forms, ranging from obscure threats to the shutdown of media institutions to jamming channels or not offering security protection. There were also insinuations that media channels have been inciting people to protest.
  • “I received a text message on my personal phone threatening to kill me and attack my family if I continue to use my phone to contact the channel where I work.”
  • The Iraqi Media House, a civil society organization in Iraq, reported that “as a result of the internet ban, 90% of Iraqi media coverage was cut off, and 70% of social media coverage was dead. Fears of targeting media channels and journalists also reduced coverage.”
  • The Press Freedom Advocacy Association in Iraq reported that there had been “89 violations against journalists," 33 death threats and the shutdown of or warnings to 17 offices and headquarters of media institutions.
Ed Webb

Trouble in paradise: 'GOD TV' spat exposes tensions between Israel, evangelicals | The ... - 0 views

  • An evangelical broadcaster who boasted of miraculously securing a TV license in Israel now risks being taken off the air over suspicions of trying to convert Jews to Christianity. The controversy over “GOD TV” has put both Israel and its evangelical Christian supporters in an awkward position, exposing tensions the two sides have long papered over.
  • Israel has long welcomed evangelicals’ political and financial support, especially as their influence over the White House has risen during the Trump era, and it has largely shrugged off concerns about any hidden religious agenda.
  • When GOD TV, an international Christian broadcaster, reached a seven-year contract earlier this year with HOT, Israel’s main cable provider, it presented itself as producing content for Christians. But in a video message that has since been taken down, GOD TV CEO Ward Simpson suggested its real aim was to convince Jews to accept Jesus as their messiah. The channel, known as “Shelanu,” broadcast in Hebrew even though most Christians in the Holy Land speak Arabic.
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  • Freedom of religion is enshrined in Israeli law, and proselytizing is allowed as long as missionary activities are not directed at minors and do not involve economic coercion.
  • The Communications Ministry said it was investigating a “discrepancy” between the application for the license that was granted in March, which said the channel was focused on the Christian community, and its actual content, which appears to “target Jews and convince them that Jesus is the messiah.”
  • Simpson denied trying to convert Jews to Christianity. He said Jews who accept Jesus as the messiah can continue to practice their faith, a reference to Messianic Jews, popularly known as Jews for Jesus.
  • widely seen as a form of Christianity. All major Jewish denominations reject it, and Israel considers Messianic Jews to be converts to another faith
  • Simpson’s willingness to speak openly about conversion reflects the growing influence of evangelical Christians in both Israel and the United States. “They feel bulletproof to say these kinds of things and what their real agenda is,”
  • Daniel Hummel, the author of a book on evangelicals and Israel, says Christian Zionists have “more or less learned” that Messianic Judaism’s presence in the movement is “politically unwise.” “The issue always continues to simmer, but the precedent was set [in the 1970s] and grew stronger that any Christian organization wishing to work in Israel or be at all close to the center of political action in the [Christian Zionist movement] would need to publicly disavow at minimum coercive evangelization.”
Ed Webb

Free Speech in the Muslim World? Ask the Egyptian TV Station That First Aired the Anti-... - 0 views

  • Now the new Arab democracies may be forced to consider how to balance speech rights with popular demands for blasphemy restrictions. Egypt's Muslim Brotherhood has repeated its call for an international convention against giving offense to religion. Tunisian leaders said the crisis underlined the need for a blasphemy law, of the sort that already exists in countries such as Pakistan. We're told of a cultural divide between the West, with its traditional freedoms, and majority-Muslim countries extraordinarily sensitive to insults to Islam.
  • A lesson of Al Nas TV is that maybe this divide is not so great after all. The Egyptian station was broadcasting in a manner that Westerners would recognize -- airing a controversy and discussing its implications -- and its staff has reason to hope for Western-style protection of speech.
  • financed by the Saudi government and associated with the conservative Salafist movement
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  • it wasn't until the TV broadcast that things really blew up
  • If Egyptian prosecutors can accuse a filmmaker in the United States of "threatening national unity" or "assaulting Islam," crimes that carry the death penalty, surely they can actually arrest the men in Cairo who propagated the video
  • In presenting the video, the broadcasters explained that they spread offensive speech because the public needed to be informed of in injustice.
  • Al Nas was using the freedom of speech in the same way it is exercised in other countries, including those in the West. Exposing outrages is a central role of the free media, after all. Informing the public is a vital part of democracy, and will be essential in the Arab world as democracy spreads
  • Some public questioning of Al Nas has begun, and the TV station is on the defensive. "We did not mean... to harm the national unity," insisted Essam Ramy, the editor of the program, in an interview with NPR. He said the program merely "monitors what happens on the Egyptian street," and that if Al Nas really wanted to incite riots, the station would have played even more of the video than it did
  • Film producers who were salivating to smear Muslims must have been thrilled when Al Nas became a distributor for their product. If they're going to have a democracy, Egyptians are stuck with free speech -- and also with the responsibility to use it better than Al Nas did this month
Ed Webb

Turkish entertainment TV station suspends broadcasting, claiming political pressure - T... - 1 views

  • Turkey’s second oldest private TV station, Flash TV, an entertainment outlet, has announced a self-imposed suspension of broadcasting for two months, claiming heavy political pressure.
  • The demolition of the headquarters of the 28 year-old TV station was recently ordered by a court in Bursa province.
  • an evening news bulletin, which was considered relatively critical in the overall political environment of the country.
Ed Webb

Egyptian Media group signs cooperation protocols with National Media Authority - Politi... - 0 views

  • Egypt's biggest private media conglomerate Egyptian Media signed on Sunday several protocols with the National Media Authority (NMA) to provide content on state-owned Egyptian TV.
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      Egyptian General Intelligence Service (EGIS) has owned Egyptian Media since 2017.
  • the NMA and Egyptian Media will launch a new satellite TV channel aimed for the Arab region and focusing on Arab families
  • Egyptian State TV, which is part of the Egyptian TV and Radio Union, owns over 10 terrestrial and satellite channels. The Egyptian Media group owns ONTV network and CBC TV Network. 
Ed Webb

Due to technical problems on our... - Mada Masr English | Facebook - 0 views

  • the main reason for Kamal’s dismissal was that he made a seemingly minor programming change in his last episode on August 2, going against instructions handed down by a group of young graduates of the Presidential Leadership Program (PLP) who have been put in charge of editorial content for all channels owned by the General Intelligence Service (GIS), including DMC
  • GIS owns the Egyptian Media Group, the biggest media conglomerate in Egypt and the parent company of several media organizations, including ONtv and the Youm7 news organization. The GIS also owns D Media, which owns the DMC network, Radio 9090 and mobtada.com. The GIS also has majority stakes in channels like al-Hayat TV, al-Nahar TV and CBC TV
  • Presidential Leadership Program was launched in 2015 under an initiative announced by President Abdel Fattah al-Sisi. Run in partnership with the Ministry of Defense and the Cabinet of Ministers, the PLP “targets young future leaders and enables them to acquire the skills they need to learn about governance, administrative and political fields,” according to their website. The eight-month program is open to university graduates between 20 and 30 years old with the goal of “increasing the awareness of young people on political and national development knowledge.” At the National Youth Conference in April 2017, Sisi said the PLP prepares young adults to fill crucial roles in the presidency, ministries and governorates
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  • PLP graduates have effectively become the editorial decision-makers for TV channels owned by GIS
  • the full confidence of the security apparatus in the graduates to oversee the media based on how they were selected and trained, including training on national security
  • As punishment for not following orders, the channel fired not only Kamal, but his entire production team was as well, the source said, despite mediation efforts by several senior staffers at the channel to keep some members of the team on board. The hasty dismissals appear to be a clear message to people working at other channels to not deviate in the slightest from the programming instructions handed down to them.
  • daily editorial instructions sent by PLP graduates
  • the ideas and policies of young people who have no media experience, which is reflected in their choices of topics and guests
  • this new system is the main cause of the recent mass layoffs taking place at various TV channels.
  • PLP graduates’ role is not only restricted to managing the editorial content filling Egypt’s airwaves. During the last youth conference, the graduates had final say over all aspects of the event, including the list of presenters and guests. They also arranged all the themes and prepared all the questions and warned presenters not to deviate from the script
Ed Webb

IRGC media producers open new front against Rouhani - 0 views

  • The Avant TV video, released on social media five days after protests erupted in Iran, which have thus far spread to dozens of cities and almost every province, carefully stitches together an emotional array of interviews of people unhappy with the economic situation and President Hassan Rouhani’s policies. With scarce public information available about Avant TV, and with the great pains its producers have taken to present it as an independent station, the video is intended to appear to be transparent, a true representation of the will of the Iranian people. Glaringly absent from the video are any criticism of the political establishment as a whole, which has been one of the main themes of the current demonstrations. Avant TV is in fact not independent at all. Al-Monitor has not been able to contact it, but two pro-regime media producers confirmed that it is only the latest example of a new media outlet backed by the Islamic Revolutionary Guard Corps (IRGC) seeking to reinforce the narrative of the supreme leader above the politics of Iran.
  • Avant TV stems from the media wars at the heart of political factionalism both inside and outside Iran
  • In revealing new details of his budget bill, Rouhani named, for the first time, the variety of state institutions, including cultural centers, that have received enormous funds and unconditional support from the regime. He attributed the move to a desire for transparency and an attempt to curtail corrupt use of state funds. The reaction on Iranian social media and in the local press was quick and harsh. People began attacking conservative and hard-line centers and clerics for taking so much from government coffers. “We couldn’t allow him to cut off our lifeline,” a producer at the regime production studios said after Rouhani revealed his new budget. “He and his supporters want to silence us by taking away our funding. But we will not be silenced. We will show him that people don’t agree with him.”
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  • The tactic that producers developed was to move away from content solely made for state television — which potential audiences almost automatically consider regime propaganda — to creating small production studios that develop content not easily identifiable as pro-regime. These ad hoc production studios receive funding from the IRGC and the government's cultural budget, but they remain small and unidentifiable on purpose.
  • The protests that began on Dec. 28 in Mashhad were a response to Rouhani from hard-liners for his remarks on the budget as well as his other attempts to curtail hard-line forces. Much of the analysis on the reasons behind the sudden outpouring of protests points to its origin in hard-liners' attempts to organize anti-Rouhani rallies in the lead-up to the annual pro-regime 9 Dey rally, established by the supreme leader in 2009 to celebrate the suppression of the Green Movement. Indeed, Mashhad is notably home to two of Rouhani’s main rivals in the 2017 presidential elections, Ebrahim Raisi and Mohammad Bagher Ghalibaf. The intent was for the protests to culminate in a large 9 Dey rally, but despite the hard-liners’ intentions, once people went into the streets, they eventually began to chant slogans against the supreme leader and the regime as a whole.
  • Regime production studios have thus begun to create videos that highlight economic anxieties and attack Rouhani’s handling of the government. These slick new productions are meant to look critical, but in the end, they reinforce a belief in the virtues and the leadership of the supreme leader, Ayatollah Ali Khamenei. Avant TV is only the latest example of the ways in which factionalism within the Islamic Republic and opposition to the regime play out in the media landscape.
Ed Webb

IRGC warns Saudi Arabia it must 'control' media 'provoking our youth' | Amwaj.media - 0 views

  • The commander of Iran’s Islamic Revolutionary Guard Corps (IRGC) has warned the Saudi royal family that it will “pay the price” unless it reins in the media outlets it allegedly funds. The warning comes as Tehran accuses foreign-based Persian-language networks—and especially the TV channel Iran International—of spreading fake news and inciting unrest.
  • the IRGC-linked Tasnim News Agency reported hours after his speech that the main target was Iran International. Tasnim maintained that there is "no doubt" that London-based Iran International "is linked to the crown prince," referring to Mohammed bin Salman Al Saud (MbS). Tasnim also named Dubai-based Al-Arabiya and Al-Hadath as other news networks funded by the Kingdom and targeted by Salami in his speech.
  • MP Mohammad Ali Naqdali—the secretary of the parliament’s legal and judicial commission—urged Iranian authorities on Oct. 8 to file a complaint against Iran International with the UK media regulator, Ofcom. The lawmaker called on the foreign ministry and judiciary to complain about Iran International over its alleged role in "encouraging further protests” in Iran. Naqdali also criticized other Persian-language outlets based in the UK, describing them as "lie-producing factories."
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  • Tehran has previously lodged a complaint against Iran International over its programming, but Ofcom ruled that the London-based television network had not broken any rules.
  • British newspaper The Guardian reported in Oct. 2018 that Iran International had financial ties to MbS. The Guardian charged that the TV network was "being funded through a secretive offshore entity and a company whose director is a Saudi Arabian businessman with close links to the Saudi crown prince." A month later, Iran International issued a statement denying any links to any governments, including Saudi Arabia, and insisted that it "does not advocate any movement or party or government." Some of Iran International's high-profile staff have stirred controversy for often expressing opinions on social media that may be in contravention of the outlet's editorial guidelines.
  • Iranian authorities have long taken issued with foreign-based Persian-language news networks, accusing them of being tasked with attacking the Islamic Republic. Salami's warning to the Saudi royal family comes as Tehran and Riyadh are working toward mending relations and re-establishing diplomatic ties. The IRGC commander's apparent criticism of Saudi media indicates that it will be brought up in the anticipated next round of talks between the two sides in Iraq.
Ed Webb

'The End': Anti-normalisation, Islamofuturism and the erasure of Palestine - Middle Eas... - 0 views

  • The End (El-Nehaya), the Egyptian dystopian science fiction thriller series, has captured the imagination of audiences throughout the Arab world this Ramadan TV season. It is ranked the third most popular series this season, and has generated a lot of discussion in social media about its futuristic technology and debt to Hollywood science fiction and dystopian films.The End was also lumped into the debate over normalisation in this year’s Ramadanic TV programming and was attacked by the Israeli Foreign Ministry for its anti-normalisation stance. The End is premised on the fictional idea that the Arab world would become a superpower and that Israel would be destroyed less than a century into its establishment — that is, in less than thirty years. In its place, Al-Quds conglomerate will be created and will be under total Arab control.
  • Some contrasted the daring futuristic scenario with the utter impotence of the Arab world today, to offer any viable solution to the Palestinian struggle for freedom and the ongoing Nakba. Others thought it was enough that the series managed to provoke and infuriate Israel.
  • The series does not only substitute one form of domination in Al-Quds conglomerate for another. More importantly, the Palestinians are completely erased from Al-Quds conglomerate itself.
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  • Ironically, the liquidation of Israel in The End did not bring an end to the oppression in Palestine or the Arab world in general.  Around 2090, Al-Quds conglomerate became the main site for a robocide, the genocide in which humans eliminated all robots after one of them terminated its owner. Consequently, laws were passed to ban the production of robots and the development of AI. The series merely substitutes one form of domination and apartheid for another.After the elimination of the majority of the robots, the all-powerful Energy Co. was established in Al-Quds conglomerate. The corporation employs algorithmic governance, using surveillance technology, facial recognition software and military drones to track and control citizens. Its security forces regularly attack and brutalise citizens. One form of oppression is gone, but Palestine and the Arab world do not live in liberty yet.
  • The most bewildering aspect about this triumphalist history of the liberation of Al-Quds conglomerate in the dystopian world of the series, is the absence of any trace of the Palestinians or Palestinian culture. The obverse side of the obliteration of Israel seems to be the erasure of the Palestinians.
  • The people who live in Al-Quds conglomerate speak Egyptian colloquial Arabic, and no one seems to be taking pride in their Arabic cultural heritage or Palestinian identity.
  • The other noticeable feature about the representation of life in Al-Quds conglomerate is its patriarchal gender politics. Women and men follow a rigid division of labour, even professional women who have careers. Radwa, the protagonist’s wife, works as the principal (agricultural) engineer at Green Co., the company responsible for providing food supplies to Al-Quds conglomerate, but she has to perform the domestic chores in the house.
  • the dystopian world of the series is deeply steeped in Islamic culture and traditions. If Afrofuturism, for example, is “rooted in and unapologetically celebrate[s] the uniqueness and innovation of black culture,” this series is clearly grounded in Islamofuturism.
  • The series illuminates and raises questions about these significant matters that have affected humanity in the last few decades. These issues include not only the polarisation of wealth and the cupola created in the global apartheid, but also neoliberal algorithmic governance, the naturalisation of AI (as both human surrogates and sex bots), the rise of megalopolis cities as corporations, renewable energy and ecological sustainability.
  • it is not clear where the series positions itself on the question of the state and the military.
  • the series itself is produced by Synergy, a mega-entertainment production house that has monopolised the Egyptian media sector and has ties to Egyptian intelligence.
Ed Webb

Iran state TV hacked with image of supreme leader in crosshairs - Al-Monitor: Independe... - 0 views

  • Hackers supporting Iran's wave of women-led protests interrupted a state TV news broadcast with an image of gun-sight crosshairs and flames over an image of supreme leader Ayatollah Ali Khamenei, in footage widely shared online on Sunday.
  • activists have spray-painted "Death to Khamenei" and "The Police are the Murderers of the People" on billboards in Tehran
  • Another 90 people were killed in Iran's far southeast, in unrest on September 30 sparked by the alleged rape of a teenage girl by a police chief in Sistan-Baluchestan province, said IHR, citing the UK-based Baluch Activists Campaign.
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  • In the face of the violence and the online restrictions, protesters have adopted new tactics to spread their message of resistance in public spaces."We are not afraid anymore. We will fight," read one large banner placed on an overpass of Tehran's Modares highway, seen in images verified by AFP.
  • "Join us and rise up," read another message in the TV hack claimed by the group Edalat-e Ali (Ali's Justice).It also posted pictures of Amini and three other women killed in the crackdown that has claimed at least 95 lives according to Norway-based group Iran Human Rights.
  • Many on social media said it evoked images of Neda Agha Soltan, a young woman who became an enduring symbol of the Iranian opposition after she was shot dead at protests in 2009.
  • a man with a spray can is seen altering the wording of a government billboard on the same highway from "The police are the servants of the people" to "The police are the murderers of the people".
  • Iranian pop singer Shervin Hajipour -- who was arrested after his song "Baraye" went viral online and became a protest anthem -- appeared back in an Instagram video Sunday for the first time since his release.In a short message, the 25-year-old denied links to any "movement or organisation outside the country" and said his song was only meant to "express solidarity with the people".
Ed Webb

Hamas to launch new satellite TV channel - Al-Monitor: the Pulse of the Middle East - 1 views

  • The Hamas-led Gaza government is preparing to launch its own Al Ra’i satellite television channel, a new addition to an array of print and electronic media outlets by the same name
  • The Gaza government and Hamas own a number of media outlets, mostly established after Hamas’ victory in the 2006 elections. They include a daily and semi-weekly newspapers, a number of local FM radio stations, a monthly newspaper that deals with social issues, a variety of local news agencies and websites, a media production company and the Al-Aqsa satellite television channel, as well as a few television channels and news sites abroad.
  • The current staff is comprised of approximately 30 employees, some of whom come from various government ministries and possess the required qualifications. We are also collaborating with local media production companies to produce programs at a lower cost, or sometimes free of charge,
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  • According to a number of Hamas officials interviewed by Al-Monitor, the movement felt that it lacked the proper venue on other Palestinian, Arab and foreign media outlets to express its views, because those outlets are biased toward either the Palestinian Authority (PA) or Israel and limit their coverage to exposing the movement’s negative aspects, without any mention of its positive ones.
  • Hamas gives great importance to the media, and has tried on more than one occasion to pressure media outlets into adopting its point of view or political line. Its dispute with Fatah also compelled Hamas to try to control the Palestinian Journalists Syndicate in Gaza, where Fatah controlled the majority of board members. Hamas formed its own Journalists Syndicate board of directors in Gaza, composed of journalists affiliated with the movement and Islamic Jihad. But the experiment quickly proved to be a failure when the board announced its resignation several months later.
  • “The channel’s discourse will be different from the one adopted by other Hamas-affiliated media outlets. It will express the point of view of the government and will not be similar to that of the Hamas-affiliated Al-Aqsa satellite channel. We will try to focus attention on the human aspect and the suffering of people, as well as the positive qualities of Palestinian society in the Gaza Strip,”
  • “There was a clear mix-up, in Arab and foreign countries, between the stance of the Gaza government and that of Hamas as a movement, after the ouster of President Mohammed Morsi. As a result of satellite channels abroad being agreeable to the Muslim Brotherhood, and our lack of control over their editorial policies, it became necessary for us to have our own television channel that would target Arab and Western audiences and clarify the government’s stance independently.”
  • the Gaza government still bars the distribution of West Bank newspapers in Gaza, in retaliation for the PA’s ban on the distribution of Hamas-affiliated newspapers in the West Bank. Hamas continues to forbid Fatah-affiliated media offices from conducting business in Gaza, but has allowed some of their reporters to file from Gaza, in return for the Ramallah government allowing Al-Aqsa TV and Al-Quds reporters to work there
Ed Webb

Political Party Leader Buys Tunisia's Most-Watched TV Station - Tunisia Live : Tunisia ... - 1 views

  • questions about the relationship between political parties and Tunisian media
  • He asserted that the channel will maintain editorial freedom, and emphasized that it will be a wholly Tunisian-owned enterprise
  • Ettounisya is a popular television station that, like most of its Tunisian competitors, devotes a large amount of airtime to political talk shows
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  • established shortly after the 2011 revolution and now is the most-watched channel in Tunisia
  • ongoing legal proceedings against the channel’s director, Sami Fehri, who has been held in jail for months on corruption charges
  • Riahi is the leader of the Free Patriotic Union party, which he founded in 2011. It has a secular, pro-business agenda and gained one seat in National Constituent Assembly (NCA)
  • symptomatic of the problems regarding regulation of Tunisian media. “The government has created a legislative vacuum,”
  • advertising revenue for Tunisian television stations is too meager to actually fund their operations. He questioned why a businessman such as Riahi would want to enter such an unprofitable sector, suggesting that the real motivation is to gain control over a powerful tool to disseminate one’s own messages to the public
  • The creation of the High Authority for Audiovisual Communication (HAICA) was called for in a November 2011 law. The statute calls for a nine-person body representing the Tunisian government, the journalists’ union, and the audiovisual communications industry. The HAICA would be tasked with regulating the Tunisian media sector, supervising the media during electoral campaigns, and nominating directors of public radio and television stations. The announcement of this body has been repeatedly delayed, however, leaving the sector largely free from regulatory restrictions.
Ed Webb

Turkish TV station aims to switch western views - FT.com - 1 views

  • The fledgling TV news channel, under the wing of the state-run Turkish Radio and Television Corporation, is at the forefront of an ambitious effort by Recep Tayyip Erdogan, Turkey’s president, to shape how the country is viewed around the world. With sleek graphics, English-speaking foreign journalists and funded from the deep pockets of the taxpayer, it follows the blueprint of Qatar’s Al Jazeera and Russia’s RT, formerly Russia Today.
  • “There has [for many years] been a need for a broadcast channel delivering the events to the world from a different perspective, which presents Turkey’s own viewpoint,” says Ibrahim Eren, head of broadcasting for TRT. Ankara’s growing influence, not least in Syria and the migrant crisis, had created the need for a station showing non-Turkish viewers “how we see the world”
  • foreign journalists whom he views as an extension of western influence over Turkish internal affairs
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  • public insults to reporters from CNN, the Economist and the BBC, notably when the 2013 Gezi Park protests provided media outlets with gripping images of tear-gassed protesters
  • While TRT World has hired expensive expatriate talent and technical staff, other Turkish journalists have been jailed, their newspapers closed and their careers ended over material the government deems offensive. In 2015 Reporters without Borders ranked Turkey 149th in the world for press freedom, behind South Sudan and Palestine
  • most of the foreign employees contacted by the FT privately expressed concern they had signed up to a project that would become halfway between state propaganda and an expression of Turkish soft power. “If we’re not careful, we end up a joke,” says a senior news staffer who is already considering quitting
  • Mr van Meek, a veteran of Fox News and Al Jazeera, rejects such criticism and says the channel’s coverage will be a measure of its independence: “Watch the content. I think we are fair and objective and credible.”
  • live broadcasts that are available online and as part of Turkish cable bundles. Yet almost nobody outside the country can yet watch it on television.
  • The benefits of being under the public broadcaster’s umbrella are apparent. During two recent high-profile terrorism incidents, TRT World was able to break a nationwide ban and broadcast live from the scene, while others had to rely on studio interviews.
  • its headcount has swelled to at least 220 in Istanbul, with additional centers in London, Singapore and Washington
  • Industry analysts estimate annual running costs at £50m-£100m, rising further if the channel develops a large network of correspondents. RT’s annual budget is about £125m.
  • “If you had $100m to improve the state of Turkish media, would you spend it on a glasshouse in the middle of Istanbul?” says Andrew Finkel, founder of P24, an organisation that aims to strengthen independent reporting in Turkey. “Why are public funds being used this way?”
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    WIll it be as credible as Al Jazeera is (in some quarters, at least), or dismissed as propaganda, as RT mostly is, and Iran's Press TV generally is?
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