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free information flow is essential and vital for the press and scientific research. We often hear of difficulties facing journalists in accessing information and sensitive data because official entities refuse to disclose information. We also often hear about academic research stumbling and terminating because of lack of security permits or because the Central Agency for Public Mobilisation and Statistics (CAPMAS) objected to a research questionnaire, under the pretext that opinion polls could divulge information to the enemy about the domestic front and thus could be a national security risk. These security caveats caused the quality of the press and scientific research in the country to decline

Thus, if the intelligence rationale about freedom of information has merits, then the logic of rights also has merits because it argues that access and dissemination of information strengthens national security.

we can also say that the mindset of caution and opacity that caused a lack of transparency and negligible public oversight of state institutions was an even greater danger to national security

The day after Mursi's removal, Nile TV and state radio suddenly hosted studio guests who railed against the Brotherhood as "enemies of the people" and cast Islamist supporters of the elected president as instigators of violence.

"Every editor-in-chief at national newspapers is treading water, waiting for the new regime and its policies to crystallise and taking into account that the armed forces have a stance to be reckoned with," Attiya Eissawi, managing editor at state-run Al-Ahram told Reuters.

"Many of them expect to be replaced if their new editorial policies are not to the satisfaction of the new regime."

52 senior executives and editors at Al-Ahram, including the chairman of the company, which is also a publisher and houses a policy think-tank, have been axed since the fall of Mubarak and the election of Mursi

rights activists and journalists say the toppled leader tried to use government-owned channels and papers to his own advantage as his predecessors had done, only less successfully

State-employed journalists went on strike to demand the removal of Mursi's information minister, Salah Abdel-Maqsoud.In May, radio journalists stopped work in protest when the top editor of state radio was transferred to a small station covering youth affairs and sports, after the minister deemed a Radio Misr broadcast insulting to the president.

Al-Akhbar, one of the biggest, accused the Brotherhood of meddling and incompetence in a front-page editorial by the editor-in-chief the week before the mass anti-Mursi protests that gave popular support for the army's action.A journalist at al-Ahram told Reuters that phone calls from the military and the security services regarding news coverage had been the norm before Mubarak's fall."This time, they don't need to," the journalist said, citing huge popular support for the military's toppling of Mursi.

Since the Islamist channels were silenced, coverage of large protests by Mursi supporters against his removal have been scarce on state TV and at times completely absent on private satellite channels that fiercely opposed the Brotherhood.

"Unfortunately, the Egyptian media is only presenting one picture of what's happening now. It's the picture of those who want the military government," said Abdel Aziz Mujaahed, one of 29 Mubasher Misr staff members, including the station's general manager, who were arrested on Wednesday.

The Muslim Brotherhood's political arm said the state-owned printing press refused to print its newspaper - Freedom and Justice - for two days after Mursi's removal, but the paper was back on some newsstands on Saturday.A military source acknowledged restricting publication because the paper planned to splash an article, which he said was untrue, alleging that the army was split and a major unit remained loyal to Mursi.

They don't shy away from the problems women face in everyday life, such as forced marriage, sexual molestation, the lack of female education, and domestic violence - matters this society is not accustomed to discussing openly.

It is hardly surprising that women, who for the first time see their own experiences reflected in the public domain, form a significant part of Kannywood's audience. They also play a considerable role in the industry itself. According to the Motion Pictures Practitioners Association of Nigeria, 75 percent of the Hausa movie actors are female, as is the case for two-thirds of the association's members - from singers and producers to actors and make-up artists.

the Kano-based film industry is providing jobs and business to the city, something that went a long way towards improving public opinion of the profession.

not more than 10 years ago, a moralistic backlash triggered by a sex scandal almost destroyed the local film industry. As is often the case in public fights about morality, the female body was the battleground.

The Censorship Board came into existence before the scandal in 2001, and is a combined initiative of the local film industry and the state government. It was a response to the adoption of Islamic law in Kano a year earlier. Under the law, filmmaking was under threat of being abolished altogether. In order to avoid that, Kannywood voluntarily subjected itself to stricter censorship.

Kannywood treats the viewer to a mishmash of cultural influences. Before the local film industry came into existence in the 1990s, northerners watched Hindi language films from India. The glamour of the Bollywood musicals has rubbed off on the Hausa movies, some of which feature singing and dancing.

The overly zealous KSCB executive lost his moral authority when the police caught him in a compromising situation with a young girl in his car, and Kannywood celebrated when, in 2011, the newly elected governor appointed a new head of the Censorship Board.

He describes the task of the board as "preserving Hausa culture".

"We don't like to see body contact between men and women. No handshaking, let alone kissing," he says. "And no nudity or transparent dresses." The general secretary explains how things such as prostitution, lesbianism and adultery may be portrayed, as long as it is clear to the audience that they are unacceptable. Song and dance are permissible, as long as there is no physical contact between the sexes.

"Filmmakers themselves understand they have a task to educate people and cannot go against society,"

Kannywood movies do transmit empowering messages to a female audience

"It's the masses who watch Kannywood movies, not the elite. The general public is more ready for social change than political and religious leaders."

female producers are rare, let alone female directors

most female producers work with a male assistant to get things done on the ground

public insults to reporters from CNN, the Economist and the BBC, notably when the 2013 Gezi Park protests provided media outlets with gripping images of tear-gassed protesters

While TRT World has hired expensive expatriate talent and technical staff, other Turkish journalists have been jailed, their newspapers closed and their careers ended over material the government deems offensive. In 2015 Reporters without Borders ranked Turkey 149th in the world for press freedom, behind South Sudan and Palestine

most of the foreign employees contacted by the FT privately expressed concern they had signed up to a project that would become halfway between state propaganda and an expression of Turkish soft power. “If we’re not careful, we end up a joke,” says a senior news staffer who is already considering quitting

Mr van Meek, a veteran of Fox News and Al Jazeera, rejects such criticism and says the channel’s coverage will be a measure of its independence: “Watch the content. I think we are fair and objective and credible.”

live broadcasts that are available online and as part of Turkish cable bundles. Yet almost nobody outside the country can yet watch it on television.

The benefits of being under the public broadcaster’s umbrella are apparent. During two recent high-profile terrorism incidents, TRT World was able to break a nationwide ban and broadcast live from the scene, while others had to rely on studio interviews.

its headcount has swelled to at least 220 in Istanbul, with additional centers in London, Singapore and Washington

Industry analysts estimate annual running costs at £50m-£100m, rising further if the channel develops a large network of correspondents. RT’s annual budget is about £125m.

“If you had $100m to improve the state of Turkish media, would you spend it on a glasshouse in the middle of Istanbul?” says Andrew Finkel, founder of P24, an organisation that aims to strengthen independent reporting in Turkey. “Why are public funds being used this way?”

Al Jazeera Arabic’s love affair with the Muslim Brotherhood has done damage to more than one country’s revolutionary cause. In Syria, Al Jazeera Arabic’s championing of the Muslim Brotherhood-dominated and highly ineffective opposition Syrian National Council has cost the channel much credibility. Al Jazeera Arabic refrains from criticising the group or highlighting its repeated failures. It also instructs its reporters to follow a certain narrative, prompting numerous resignations. 

in Palestine, Al Jazeera Arabic scores major coups in uncovering the rampant corruption of the Palestinian Authority but neglects to mention democratic setbacks in the Hamas Muslim Brotherhood-controlled Gaza strip

there is no other single channel to carry the mantle that Al Jazeera Arabic has so readily done away with. The best Arabic-language speakers can do now is to flip between two or more channels that carry a different narrative in order to arrive as close as possible to the truth

the same narrative does not plague Al Jazeera’s English-language version of the station

Sometimes, people receive text messages warning them of the consequences of buying certain newspapers. Thus, most people who buy such newspapers are those affiliated with the papers’ stands politically. The editor said they have turned to the web in an effort to disseminate information through that route, but when we spoke to him he said the website was blocked.

Although the media is allowed to cover parliamentary debates, those outlets that are allowed in receive instructions about what kind of coverage to provide; Once a fortnight, state TV broadcasts from 9:00 am to 12:00 am questions and answers from parliament, live, but opposition members have to ask their questions after 12:00; Since stateowned media ignore questions asked by opposition MPs, political parties try to disseminate them through their affiliated newspapers or websites. The problem is that through those channels exposure is very limited.

While in Tunisia, TMG members also attended a hearing by the appeals court in the southern town of Gafsa, in the case of journalist Fahem Boukadous, who had been charged following his coverage of labour unrest, including demonstrations against corruption, in southern Tunisia. Boukadous had been sentenced to four years in prison for “belonging to a criminal association” and “harming public order.” Boukadous had been hospitalized with breathing problems the day before the hearing. On the day this report was released, the Gafsa court upheld the sentence. Boukadous, a journalist with the Al-Hiwar Al-Tunisi satellite television station, went into hiding in July 2008 after discovering that he was wanted by the Tunisian authorities on charges sparked by his coverage of the demonstrations in Gafsa. He was sentenced to six years in prison in December 2008. Boukadous emerged to challenge the sentence in November 2009 on the basis that he had been tried in absentia. A court overturned the previous ruling, but said that Boukadous would again be tried on the same charges. In January of this year, the journalist was found guilty as charged and sentenced to four years in prison – upheld on 7 July.

Despite the dangers and claustrophobic environment, a number of independent journalists continue to attempt to carry out their profession. Often, they report on corruption – and the authorities react with redoubled wrath. In fact, it was a satirical mock interview with Tunisian President Zine El Abidine Ben Ali, in which he talks about his alleged nepotism, corruption and repression of political opponents, which renowned critical journalist Taoufik Ben Brik believes earned him a six-month jail sentence on fabricated charges of assaulting a woman in a car park.

Whereas entertainment channels that do not offer news content can attract a multisectarian and multiethnic viewing base, news channels generally draw upon a particular ethnic or sectarian segment of the population whose coverage it favors, further reinforcing the political divisions that already afflict the media environment. 

 “The Ninth Studio” does not rely for its success on an enormous budget or sophisticated technical capabilities. Rather, it tends to deal frankly and directly with issues that concern the ordinary audience, and to do so with a high degree of independence. “The Ninth Studio” tends to focus on issues pertaining to the corruption and inefficiency of governmental institutions, and generally offers scathing criticism of Iraqi officials, without indulging in the discourse of sectarian prejudice.

Despite the absence of sectarian language on “The Ninth Studio,” and the difficulty of discerning any sectarian bias in its rhetoric, Iraq's Media and Communications Commission temporarily shut down its office in September on the pretext of it being a threat to public peace. Most likely, this decision came in response to governmental pressures, and as a consequence of the show's earlier criticism of the commission.

The problem is that neutral media organizations usually lack sufficient financial support, and are exposed to pressures by officials who are unhappy with their content, without being able to rely on independent institutions capable of defending them.

Noah, who in the Bible's Book of Genesis built the ark that saved his family and many pairs of animals from a great flood, is revered by Judaism, Christianity and Islam. An entire chapter in the Koran is devoted to him.

Cairo's Al-Azhar, the highest authority of Sunni Islam and a main centre of Islamic teaching for over a millennium, issued a fatwa, or religious injunction, against the film on Thursday. "Al-Azhar ... renews its objection to any act depicting the messengers and prophets of God and the companions of the Prophet (Mohammad), peace be upon him,"

Mel Gibson's 2004 film "The Passion of the Christ" on Jesus's crucifixion was widely screened in the Arab World, despite a flurry of objections by Muslim clerics. A 2012 Arab miniseries "Omar" on the exploits of a seventh century Muslim ruler and companion of the Prophet Mohammad also managed to defy clerics' objections and air on a Gulf-based satellite television channel.