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Ed Webb

Rachid Taha, Singer Who Fused Rock and Algerian Folk, Dead at 59 - Rolling Stone - 0 views

www.rollingstone.com/...rachid-taha-dead-at-59-723058

music rock rai Algeria France

shared by Ed Webb on 17 Jan 19 - No Cached
  • Rachid Taha, the French-Algerian singer best known for fusing rock with raï, a form of traditional Algerian folk, has died from a heart attack at age 59
  • Singing in both English and Arabic, Taha rose to prominence as the frontman of Carte de Sejour, citing the Clash as a chief influence. He famously met the band in 1981 before a gig in Paris and handed them a demo tape – an event that Taha believes may have inspired the Clash’s 1982 hit “Rock the Casbah.”
Ed Webb

The New Hybridities of Arab Musical Intifadas - www.jadaliyya.com - Readability - 1 views

www.readability.com/...ia1vllef

music hiphop Arabs MENA uprisings Adorno metal metalmusic

shared by Ed Webb on 31 May 12 - No Cached
  • Both extreme metal and hardcore rap have long featured dissonant, even jarring music that is often marked in equal measure by the sophistication of and difficulty in listening to it. Lyrically, the grittiness, anger and themes such as poverty, unemployment, police brutality, and lack of life opportunities—were at the heart of American hip hop culture before it wase taken over by bling. Similarly, extreme metal’s focus on war, corruption, and chaos played a major role in the genre’s increasing popularity with young people across the Middle East and North Africa in the last twenty years.
  • During the last twenty years in which both heavy metal and hiphop have developed in the Arab and larger Muslim majority worlds, the closed nature of the political spheres in the region helped encourage these scenes to become sites of subcultural and even countercultural production. The music they have produced is the very antithesis of the far more popular, hyper-commercialized and corporatized (or “Rotana-ized”) Arab pop, whose European and American predecessors Adorno so thoroughly despised. They also stand in opposition to the largely depoliticized and musically unchallenging religious pop of stars like Sami Yusuf and Ali Gohar, who as Walter Armbrust points out, tend not merely to leave unchallenged and even reinforce patriarchal values, but offer aesthetic endorsement of the existing system through the themes and locations of their videos
  • whether Adorno would accept it or not, the self-reflexivity and willingness to critique society by its own referents that have characterized the best exemplars of extreme metal and political hip-hop are legitimate heirs of the tradition of critical engagement that have defined Adorno's oeuvre and that of his Frankfurt School colleagues. While critics have long labeled both metal and rap as juvenile, hedonistic, and even nihilistic forms of music, this interpretation is far off the mark when it comes to the more political forms of both genres. They function not merely as the CNN—or in the case of the Arab world, al-Jazeera—of the streets, but as their oped page as well, both educating their audience about political and social realities in their societies and the possibility of creating more positive futures
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  • the ultimate function of immanent criticism: to enable a positive synthesis, or irreducible hybridization of identities. Such identities can not be subsumed under any dominant ideology or political and economic narrative and therefore cannot serve to reinforce them
  • The best rap and metal in the region succeeds because it manages to avoid both the kind of “extreme consciousness of doom” that leads to aesthetic nihilism, hyper-stylized violence and other forms of artistic “idle chatter,” while also avoiding the kind of surrender to the culture industry which leads even the most well-intentioned of mainstream artists to “collaborate with culture as its salaried and honoured nuisance” rather than challenge it directly from the margins.
  • in the Middle East and North Africa region, in the years leading up to the current revolutionary moment, the growing popularity of metal and rap music represents a return of the aura to local music scenes. Both Benjamin and Adorno believed that a remnant, or perhaps better, specter of the original aura remained within works of art even in the mechanical/industrial age. This spector becomes visible in the kind of critical art represented by the groups discussed here, contributing to the continued “excessiveness”, “aesthetic deviance”, and “pointing elsewhere” towards cultural difference and a different future that characterize the best exemplars of the music
  • singers and rappers were actually smiling as they performed their music. And so were the crowds surrounding them. This is likely not the vibe Adorno imagined would surround the kind of immanently critical music he felt was necessary to wake people up to the false consciousness they had been mindlessly inhabiting. But it points to a crucial problem with Adorno’s musical aesthetic, at least form the standpoint of reception. The more abstract, atonal, and devoid of recognizable harmonies or rhythmic pulse a piece of music is, the harder it will be for it to inspire a large number of people. Once people are actually on the streets protesting rather than in their smaller subcultural gatherings, they need something catchier and more uplifting to sing along to than brutal vocals and rapid fire rhymes
  • As Moe Hamzeh, leader of one of the most talented and successful Arab rock/metal groups, Beriut's The Kordz6, explains, while Arab rock or rap artists obviously want to be successful, the relative lack of interest in the two genres by Rotana and other Arab media conglomerates has been a blessing from an aesthetic perspective. It has saved them from the inevitable fate of all commercialized popular music, whether American hiphop and hair metal to Arab video-clip driven pop. At the same time, the lack of commercialization has made the public performance of the music, usually in small group settings or festivals geared specifically to fans of the genres, the crucial means of creating audiences and building solidarity among their communities of fans.
  • Adorno did not think much of the aesthetic and political potential of folk music, which he tied both to nationalist and fascist sentiments. In its then present-day form (rather than traditional-historical form), he believed it to foster little more than a “pseudo-folk community,” particularly in its cultural and aesthetic historical trajectory in Germany. But in Egypt as in the United States, the music has played a more critical political role in struggles for political freedom and social justice.
  • the band’s popularity is inseparable from its dual role as a voice of protest and a regenerator of traditional styles of music that recently were in danger of disappearing completely because of a combination of market forces and government censorship
  • The joyful aesthetics of groups such as Amarda Bizerta, Emel Mathlouthi, Ramy Essam, and other artists at the heart of youth-inspired revolutions challenges Adorno’s belief that critical music in the age of mass reproduction and consumption has to be, essentially, hard to listen to in order to make the listener think and perhaps even motivated to take some form of action. It seems that while in the pre-Revolutionary period, when cultural expression was still heavily policed, this indeed was the case—thus the power and popularity of genres like metal and hardcore rap. But with the explosion of political, cultural, and artistic energy of the protests a new aesthetic dynamic was born that, at least as of the time of this writing, remains quite powerful. As important, by drawing people literally closer together, the music brings them closer to its critical and transformational aura, closing a circle that was broken, according to Benjamin, with the mechanical reproduction and commodification of musi a century ago
  • What the kind of joyful hybridity exemplified by the production style of Armada Bizerta and myriad other rap groups around the Arab and larger Muslim worlds (and across Africa) reveal is that even within one genre of music, such as hip hop, talented artists can create innumerable sonic tapestries to match, and help shape, the national mood—from dissonant anger to joyful creativity—as the political and cultural situation on the ground changes. Their flexibility is key to their function as the kind immanent critique Adorno and other critical theorists hoped would be able to “reliquify” the “congealed” ideologically bounded identities imposed by authoritarian regimes on their citizens
  • It remains to be seen whether Americans and Europeans, so used to providing the “original” music and culture which others have long sampled, will prove as adept as the “new generation” of Arab revolutionaries in adapting the tools and ideas of others to create their own cultural, political, and economic hybrids. But if the experience of the last year is any indication, without doing so there is little chance of the current wave of protests across the West producing the kind of large-scale transformation now underway, however problematically, in the Arab world.
Ed Webb

YouTube - Clay Shirky - 0 views

www.youtube.com/watch

shirky media tagging data viral web2.0

shared by Ed Webb on 07 Feb 09 - Cached
  • Ed Webb on 07 Feb 09
     
    One of the smartest analysts of emerging digital media practices. Worth 40 minutes of your time.
  • Ed Webb on 07 Feb 09
     
    Shirky rocks out in this excellent lecture/presentation on digital media and how we organize and disseminate data. Pull rather than push.
Ed Webb

Howard Rheingold's Vlog - 0 views

vlog.rheingold.com

rheingold vlog web2.0 blog socialmedia socialnetworking media

shared by Ed Webb on 23 Feb 09 - Cached
  • Ed Webb on 23 Feb 09
     
    Howard rocks out
Ed Webb

Ahwaa.org - 0 views

ahwaa.org

lgbtME LGBT LGBTQ middleeast socialmedia

shared by Ed Webb on 17 Apr 11 - No Cached
  • Ed Webb on 17 Apr 11
     
    Officially launching our latest project, an interactive bilingual platform to debate LGBTQ issues in the MENA: http://ahwaa.org #lgbtME @mideastyouth rock
Ed Webb

Once a beacon, Lebanese dailies lose regional sway - 2 views

www.middleeasteye.net/...es-lose-regional-sway-19938460

Lebanon press media newspapers finance economics politics KSA Saudi Syria Libya PLO

shared by Ed Webb on 31 Mar 16 - No Cached
  • Its slogan was "the voice of the voiceless", but after four decades the prestigious Lebanese daily As-Safir is in danger of falling silent, illustrating the unprecedented crisis rocking the country's media.Lebanese newspapers, long seen as a beacon of freedom in a tumultuous region, are suffering because of the country's political paralysis and a slump in funding from rival regional powers.
  • As-Safir's main competitor, An-Nahar, is also struggling to survive and its employees have not been paid for months."Our ink has run dry," said Talal Salman, founder and editor-in-chief of As-Safir. "The Lebanese press, a pioneer in the Arab world, is undergoing its worst crisis ever."
  • He blames the country's political stalemate, with existing divisions exacerbated by the war in neighbouring Syria.Two main blocs dominate Lebanon: one backed by the West and Gulf kingdoms, and the other by Iran and Syria.The rift means there have been no parliamentary elections since 2009, and lawmakers have failed for nearly two years to elect a president."Without politics, there is no media, and there is no politics in Lebanon today,"
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  • Many of the region's most influential journalists have written their best stories for Lebanese newspapers, relishing the freedom to be critical that one could only dream of under other more oppressive governments.But the freedom was never complete.Some journalists have paid the ultimate price for their work, including An-Nahar's Samir Kassir and Gibran Tueini, who were both murdered as the Syrian army pulled out of Lebanon in 2005.As-Safir's Salman escaped an assassination attempt himself in 1984, when Lebanon was mired in civil war
  • advertising revenue slump
  • long-standing reliance of Lebanese media on political financing from the Middle East's rival powers
  • During the 1975-1990 Lebanese civil war, Libya's Muammar Gaddafi, Iraq's Saddam Hussein and the Palestine Liberation Organisation's Yasser Arafat were key financiers.As-Safir acted as the voice of Arab nationalists and defenders of the Palestinian cause, while An-Nahar stood for Lebanese pluralism.After the war, Saudi, Qatari and Iranian money took over, but a few years on, even Riyadh's oil-fuelled coffers ran dry.
  • regimes have taken to setting up newspapers on their own turf
  • The editors of An-Nahar, founded in 1933, have denied rumours that it may face closure, but its journalists have not been paid for seven months and several have been let go.Staff at the English-language Daily Star as well as the Al-Mustaqbal newspaper and television station owned by billionaire Sunni former Prime Minister Saad Hariri say they too are owed pay.
Ed Webb

This Magazine: Libya: Is it me you're looking for? - 0 views

www.thismagazine.ca/...libyaisitme.php

popularculture Libya music generational age culture

shared by Ed Webb on 25 Mar 09 - Cached
  • a preview of Poplak’s upcoming The Sheikh’s Batmobile: In Pursuit of American Pop Culture in the Muslim World (Penguin, 2009).
  • I thus broached the fact that I was in the country on false pretences with no small amount of trepidation. My reasons for being there sounded silly when I said them out loud, so I wasn’t sure how I’d explain that I’d travelled to Libya to confirm the story of a music video reenactment that had occurred in the Tripoli medina. But told him I did, bracing myself for a blow that never came. It was, in fact, remarkably easy convincing my chiselled praetorian to forgo the usual itinerary for some investigative work. “So, you don’t want to go with the Germans on a walking tour of the ruins?” asked Eder. “No,” I said. “I sort of lied about that on the visa application form.” “You want to find out about this music video?” “Yes. That’s why I’m here.” Eder shook his head. “Man, people come here and ask the weirdest shit. But what you are asking—this is not to fuck little boys or such.” I agreed. Vigorously. “But I warn you,” he said, presaging the fact that working in Libya was the journalistic equivalent of sculpting quicksilver, “the tour group will only allow you so much freedom before you make people suspicious. And people here don’t like to give information. They’re afraid, and maybe they should be.”
  • Eder felt more allegiance to East coast hip hop than he did to Middle-Eastern Arab culture. American popular culture was his popular culture.
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  • The Tripolitan shore is, after all, where America’s centuries-long relationship with the Muslim world properly began. Operation El Dorado Canyon was but another in a long line of American military engagements with the variegated rulers of Libya, a legacy that dates back over 200 years. Within the DNA of those dusty, forgotten battles lies the code of enmity that continues unabated. But this concomitant history also hints at a lengthy cultural involvement— a mutual fascination that was tinged with both revulsion and wonder.
  • The stage darkens. Lights swing back and forth, illuminating the Hanna House. Then all goes quiet. An icon of the 1980s— onetime member of R’n’B supergroup the Commodores, 90 million solo records sold, over a dozen Top 10 singles on the Billboard charts—stalks up to the spotlight, a smile on his face, the velvety Mediterranean breeze fluttering his navy-blue shirt. He then belts out five of his most beloved hits in front of the enraptured guests, culminating in a rousing sing-along, accompanied by 40 angel-costumed children typical to this sort of proceeding, of the “We Are the World” anthem he co-wrote with Michael Jackson. “Hanna will be honoured tonight because of the fact that you’ve attached peace to her name,” Lionel Richie tells the crowd. “I love you Libya! I’ll be back.” Yes, but how did he come to be there in the first place?
  • The take-home message was that the man who wrote “Dancing on the Ceiling” was a greater nuncio for peace—or at least common ground—than any number of official envoys, roadmaps or summit meetings. But there was one item in the story that made me choke up, Beaches style. I played it again—just to make sure I hadn’t misheard. Then I made my way through the blustery autumnal day to the newsstand to purchase a copy of Gentlemen’s Quarterly. In print, the story hit me with a wallop I usually associate with passages from great literature (or first-edition comic books). Richie told GQ that when he visited the Tripoli medina, a contingent of Libyan children had massed around him, closed their eyes, made wavy gesticulations with their hands, and moaned “Hello.” This was not a séance, but rather a passable rendition of the “Hello” video clip (a staple on MTV in the station’s early years, and a landmark moment in the history of the music video), in which a gorgeous blind woman, who knows Richie only from his mellifluous voice, somehow sculpts a perfectly representative clay bust of his Jheri-curled visage. “What’s going on here? How do you know?” begged Lionel Richie of the Libyan children. “How do you know?” How did they know? Lionel Richie’s videos are prominent in the cultural memory of a generation of North Americans; a friend once described Richie’s “All Night Long” clip as “a profound piece of eschatological imagination.” Indeed, to a scion of the 1980s, the Richie oeuvre carries an almost oneiric weight. Like “All Night Long,” the “Hello” video was an indelible piece of my childhood, a kiln-fired shard of memory now flung into the quandary of the Muslim world.
  • popular culture as a binding force. Hundreds of millions of people in over a 100 countries know Lionel Richie’s music, and adore it. According to the GQ article, anti-Ba’athist residents of Baghdad had blasted “All Night Long” as the Shock ’n’ Awe™ commenced. “The only thing Shiite and Sunni now share, aside from their hatred of each other and their worship of Allah and his prophet, is their abiding love for Lionel Brockman Richie Jr.,” wrote Mr. Corsello.
  • Did hundreds of young Libyan children really have the “Hello” video downloaded onto their cognitive hard drives the same way a Westerner born of the 1980s did? In no way did I think that GQ or Lionel Richie had willfully fabricated these details. I just wondered if something had become garbled in the translation. I had to find out if that video reenactment had happened. Mr. Corsello put it perfectly: “We … have a strategic, even moral, obligation to know: What is the freakin’ deal with Lionel Richie?”
  • The Libyans I’d met so far were polite but reticent. “Such questions!” they’d remark, sounding like so many Peter Lorres in Casablanca. “Behind the questions, what do you hope to find, Mr. Richard? There is only darkness.” Indeed, it was impossible to get a peripheral sense of what was going on in Libya: I felt out of my depth, immersed in an ostensibly bright world that was defined by brutality. Securing an interview felt like pinning live butterfly specimens. I kept in mind the recent case of five Bulgarian nurses, sentenced to death on trumped-up charges of injecting the AIDS virus into poor Libyan children. They had been horribly mistreated; it took some filthy dealing on the part of European governments to secure their freedom. And I knew that any locals implicated in my quest could expect much worse.
  • maybe you think we’re backwards here
  • we spent our evenings haunting stores that sold bootleg DVDs of titles that had yet to be released stateside
  • in the vanguard of a new Libyan generation, surfing the demographic wave of a massive Middle Eastern birthrate, pulled west by the accident of his tribal affiliations, plugged in because of an unprecedented technological sea-change in how media were disseminated. And that put him as much at odds with the Libyan mainstream as I was.
  • One thing I was slowly learning in the Muslim world: There is no Muslim world. There is no monolithic, stand-alone Other.
  • Cultural critic Greil Marcus once described early rock and pop as “music that affirmed meaninglessness and in that affirmation contained every conceivable kind of meaning.” This stands as a testament to what popular culture does best: unite us in an indefinable, unrefined moment of merriment, sadness, sentiment, titillation. There are two great equalizers: Death and pop culture. That’s what Lionel Richie meant by his story. And that’s why his story meant so much.
  • Ed Webb on 25 Mar 09
     
    Essential reading.
Ed Webb

'No Flag of Gays': Egyptians Checked for 'Rainbow Flags' at Red Hot Chili Peppers Conce... - 0 views

egyptianstreets.com/...-red-hot-chili-peppers-concert

Egypt music LGBT LGBTQ censorship

shared by Ed Webb on 18 Mar 19 - Cached
  • On Friday night, American rock band Red Hot Chili Peppers performed a concert for more than 10,000 people with the Pyramids of Giza in the background. Some concertgoers have posted on social media their bewilderment after being asked by policemen upon entry whether they have any “flag of gays”. On Twitter, Samer Al-Atrush wrote that the concert had high security. Among the items banned, Al-Atrush tweeted, were rainbow flags often used in support of the LGBTIQ+ community.
  • Another user, Ahmed Mohieldin, responded that policemen confiscated his friends’ daughter’s crayons in case they were thinking of drawing a rainbow flag.
  • less than two years after seven people were arrested for raising a rainbow flag during a concert by Mashrou’ Leila in Cairo.
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  • Mashrou’ Leila was later banned by the Syndicate of Musical Professions from performing in Egypt for performing “abnormal art”.
  • police have often relied on anti-debauchery laws to arrest and detain both homosexuals and supporters of homosexuality on charges of debauchery, blasphemy and others. Similarly, private citizens have also raised lawsuits against a number of figures for promoting the rights of the LGBTIQ+ community.
Ed Webb

The Making of a YouTube Radical - The New York Times - 0 views

www.nytimes.com/...youtube-radical.html

US USA technology youtube radicalization nazis alt-right socialmedia

shared by Ed Webb on 09 Jun 19 - No Cached
  • Mr. Cain, 26, recently swore off the alt-right nearly five years after discovering it, and has become a vocal critic of the movement. He is scarred by his experience of being radicalized by what he calls a “decentralized cult” of far-right YouTube personalities, who convinced him that Western civilization was under threat from Muslim immigrants and cultural Marxists, that innate I.Q. differences explained racial disparities, and that feminism was a dangerous ideology.
  • Over years of reporting on internet culture, I’ve heard countless versions of Mr. Cain’s story: an aimless young man — usually white, frequently interested in video games — visits YouTube looking for direction or distraction and is seduced by a community of far-right creators. Some young men discover far-right videos by accident, while others seek them out. Some travel all the way to neo-Nazism, while others stop at milder forms of bigotry.
  • YouTube and its recommendation algorithm, the software that determines which videos appear on users’ home pages and inside the “Up Next” sidebar next to a video that is playing. The algorithm is responsible for more than 70 percent of all time spent on the site
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  • YouTube has inadvertently created a dangerous on-ramp to extremism by combining two things: a business model that rewards provocative videos with exposure and advertising dollars, and an algorithm that guides users down personalized paths meant to keep them glued to their screens
  • “If I’m YouTube and I want you to watch more, I’m always going to steer you toward Crazytown.”
  • 94 percent of Americans ages 18 to 24 use YouTube, a higher percentage than for any other online service
  • YouTube has been a godsend for hyper-partisans on all sides. It has allowed them to bypass traditional gatekeepers and broadcast their views to mainstream audiences, and has helped once-obscure commentators build lucrative media businesses
  • Bellingcat, an investigative news site, analyzed messages from far-right chat rooms and found that YouTube was cited as the most frequent cause of members’ “red-pilling” — an internet slang term for converting to far-right beliefs
  • The internet was an escape. Mr. Cain grew up in postindustrial Appalachia and was raised by his conservative Christian grandparents. He was smart, but shy and socially awkward, and he carved out an identity during high school as a countercultural punk. He went to community college, but dropped out after three semesters. Broke and depressed, he resolved to get his act together. He began looking for help in the same place he looked for everything: YouTube.
  • they rallied around issues like free speech and antifeminism, portraying themselves as truth-telling rebels doing battle against humorless “social justice warriors.” Their videos felt like episodes in a long-running soap opera, with a constant stream of new heroes and villains. To Mr. Cain, all of this felt like forbidden knowledge — as if, just by watching some YouTube videos, he had been let into an exclusive club. “When I found this stuff, I felt like I was chasing uncomfortable truths,” he told me. “I felt like it was giving me power and respect and authority.”
  • YouTube’s executives announced that the recommendation algorithm would give more weight to watch time, rather than views. That way, creators would be encouraged to make videos that users would finish, users would be more satisfied and YouTube would be able to show them more ads.
  • A month after its algorithm tweak, YouTube changed its rules to allow all video creators to run ads alongside their videos and earn a portion of the revenue they generated.
  • Many right-wing creators already made long video essays, or posted video versions of their podcasts. Their inflammatory messages were more engaging than milder fare. And now that they could earn money from their videos, they had a financial incentive to churn out as much material as possible.
  • Several current and former YouTube employees, who would speak only on the condition of anonymity because they had signed confidentiality agreements, said company leaders were obsessed with increasing engagement during those years. The executives, the people said, rarely considered whether the company’s algorithms were fueling the spread of extreme and hateful political content.
  • Google Brain’s researchers wondered if they could keep YouTube users engaged for longer by steering them into different parts of YouTube, rather than feeding their existing interests. And they began testing a new algorithm that incorporated a different type of A.I., called reinforcement learning. The new A.I., known as Reinforce, was a kind of long-term addiction machine. It was designed to maximize users’ engagement over time by predicting which recommendations would expand their tastes and get them to watch not just one more video but many more.
  • YouTube’s recommendations system is not set in stone. The company makes many small changes every year, and has already introduced a version of its algorithm that is switched on after major news events to promote videos from “authoritative sources” over conspiracy theories and partisan content. This past week, the company announced that it would expand that approach, so that a person who had watched a series of conspiracy theory videos would be nudged toward videos from more authoritative news sources. It also said that a January change to its algorithm to reduce the spread of so-called “borderline” videos had resulted in significantly less traffic to those videos.
  • the bulk of his media diet came from far-right channels. And after the election, he began exploring a part of YouTube with a darker, more radical group of creators. These people didn’t couch their racist and anti-Semitic views in sarcastic memes, and they didn’t speak in dog whistles. One channel run by Jared Taylor, the editor of the white nationalist magazine American Renaissance, posted videos with titles like “‘Refugee’ Invasion Is European Suicide.” Others posted clips of interviews with white supremacists like Richard Spencer and David Duke.
  • As Mr. Molyneux promoted white nationalists, his YouTube channel kept growing. He now has more than 900,000 subscribers, and his videos have been watched nearly 300 million times. Last year, he and Ms. Southern — Mr. Cain’s “fashy bae” — went on a joint speaking tour in Australia and New Zealand, where they criticized Islam and discussed what they saw as the dangers of nonwhite immigration. In March, after a white nationalist gunman killed 50 Muslims in a pair of mosques in Christchurch, New Zealand, Mr. Molyneux and Ms. Southern distanced themselves from the violence, calling the killer a left-wing “eco-terrorist” and saying that linking the shooting to far-right speech was “utter insanity.” Neither Mr. Molyneux nor Ms. Southern replied to a request for comment. The day after my request, Mr. Molyneux uploaded a video titled “An Open Letter to Corporate Reporters,” in which he denied promoting hatred or violence and said labeling him an extremist was “just a way of slandering ideas without having to engage with the content of those ideas.”
  • Unlike most progressives Mr. Cain had seen take on the right, Mr. Bonnell and Ms. Wynn were funny and engaging. They spoke the native language of YouTube, and they didn’t get outraged by far-right ideas. Instead, they rolled their eyes at them, and made them seem shallow and unsophisticated.
  • “I noticed that right-wing people were taking these old-fashioned, knee-jerk, reactionary politics and packing them as edgy punk rock,” Ms. Wynn told me. “One of my goals was to take the excitement out of it.”
  • Ms. Wynn and Mr. Bonnell are part of a new group of YouTubers who are trying to build a counterweight to YouTube’s far-right flank. This group calls itself BreadTube, a reference to the left-wing anarchist Peter Kropotkin’s 1892 book, “The Conquest of Bread.” It also includes people like Oliver Thorn, a British philosopher who hosts the channel PhilosophyTube, where he posts videos about topics like transphobia, racism and Marxist economics.
  • The core of BreadTube’s strategy is a kind of algorithmic hijacking. By talking about many of the same topics that far-right creators do — and, in some cases, by responding directly to their videos — left-wing YouTubers are able to get their videos recommended to the same audience.
  • What is most surprising about Mr. Cain’s new life, on the surface, is how similar it feels to his old one. He still watches dozens of YouTube videos every day and hangs on the words of his favorite creators. It is still difficult, at times, to tell where the YouTube algorithm stops and his personality begins.
  • It’s possible that vulnerable young men like Mr. Cain will drift away from radical groups as they grow up and find stability elsewhere. It’s also possible that this kind of whiplash polarization is here to stay as political factions gain and lose traction online.
  • I’ve learned now that you can’t go to YouTube and think that you’re getting some kind of education, because you’re not.
Ed Webb

The Uncounted - The New York Times - 0 views

www.nytimes.com/...asualties-iraq-airstrikes.html

shared by Ed Webb on 19 Nov 17 - No Cached
  • Our own reporting, conducted over 18 months, shows that the air war has been significantly less precise than the coalition claims. Between April 2016 and June 2017, we visited the sites of nearly 150 airstrikes across northern Iraq, not long after ISIS was evicted from them. We toured the wreckage; we interviewed hundreds of witnesses, survivors, family members, intelligence informants and local officials; we photographed bomb fragments, scoured local news sources, identified ISIS targets in the vicinity and mapped the destruction through satellite imagery. We also visited the American air base in Qatar where the coalition directs the air campaign. There, we were given access to the main operations floor and interviewed senior commanders, intelligence officials, legal advisers and civilian-casualty assessment experts. We provided their analysts with the coordinates and date ranges of every airstrike — 103 in all — in three ISIS-controlled areas and examined their responses. The result is the first systematic, ground-based sample of airstrikes in Iraq since this latest military action began in 2014.
    • Ed Webb
      Ed Webb on 19 Nov 17
       
      This is what excellent (and expensive) investigative reporting looks like. Essential in democracies that this kind of work be done to hold governments to account.
  • one in five of the coalition strikes we identified resulted in civilian death, a rate more than 31 times that acknowledged by the coalition
  • a consistent failure by the coalition to investigate claims properly or to keep records that make it possible to investigate the claims at all
  • ...29 more annotations...
  • the result simply of flawed or outdated intelligence that conflated civilians with combatants
  • “In the middle of the night,” he wrote, “coalition airplanes targeted two houses occupied by innocent civilians. Is this technology? This barbarian attack cost me the lives of my wife, daughter, brother and nephew.”
  • two direct hits. “O.K., this is my house, and this is Mohannad’s house,” he recalled. “One rocket here, and one rocket there. It was not a mistake.”
  • in 2003, the United States invaded. One night just a few months afterward, the Americans showed up at the Woods and took over a huge abandoned military barracks across the street from Basim’s property. The next morning, they started cutting down trees. “They said, ‘This is for our security,’ ” Basim recalled. “I said, ‘Your security doesn’t mean destruction of the forest.’ ” Walls of concrete and concertina wire started to appear amid the pine and chinar stands.
  • When the Americans withdrew in 2011, Basim felt as if almost everyone he knew harbored grievances toward the occupation.
  • “Radical Islamists grew as a result of this war, and many ideas grew out of this war which we have never seen or heard before,”
  • During the Iraq and Afghanistan conflicts, war planners began to focus more seriously on condolence payments, seeing them as a way to improve relations with locals and forestall revenge attacks. Soon, American forces were disbursing thousands of dollars yearly to civilians who suffered losses because of combat operations, for everything from property damage to the death of a family member.
  • In 2003, an activist from Northern California named Marla Ruzicka showed up in Baghdad determined to overhaul the system. She founded Civic, now known as the Center for Civilians in Conflict, and collected evidence of civilians killed in American military operations. She discovered not only that there were many more than expected but also that the assistance efforts for survivors were remarkably haphazard and arbitrary. Civic championed the cause in Washington and found an ally in Senator Patrick J. Leahy of Vermont. In 2005, Ruzicka was killed by a suicide blast in Baghdad, but her efforts culminated in legislation that established a fund to provide Iraqi victims of American combat operations with nonmonetary assistance — medical care, home reconstruction — that served, in practice, as compensation.
  • not a single person in Iraq or Syria has received a condolence payment for a civilian death since the war began in 2014. “There really isn’t a process,” a senior Central Command official told us. “It’s not that anyone is against it; it just hasn’t been done, so it’s almost an aspirational requirement.”
  • While assisting civilian victims is no longer a military priority, some authorities appear to remain concerned about retaliation. About a year after the strike on Basim’s house, his cousin Hussain Al-Rizzo, a systems-engineering professor at the University of Arkansas at Little Rock, received a visit from an F.B.I. agent. The agent, he said, asked if the deaths of his relatives in an American airstrike made him in his “heart of hearts sympathize with the bad guys.” Hussain, who has lived in the United States since 1987, was stunned by the question. He said no.
  • Because there was no established mechanism for Iraqi victims to meet American officials, his appointment was at the American Citizen Services section. He pressed against the window and showed the consular officer his dossier. One page contained satellite imagery of the Razzo houses, and others contained before-and-after photos of the destruction. Between them were photos of each victim: Mayada sipping tea, Tuqa in the back yard, Najib in a black-and-white self-portrait and a head shot of Mohannad, an engineering professor, his academic credentials filling the rest of the page. The most important issue, Basim had written, was that his family was now “looked at as members of ISIS” by the Iraqi authorities. This threatened to be a problem, especially after the city’s liberation. The consular officer, who spoke to us on the condition of anonymity, was moved. “I have people coming in every day that lie to me, that come with these sob stories,” the officer remembered telling him, “but I believe you.”
  • when Basim’s case was referred to a military attorney, the attorney replied, “There’s no way to prove that the U.S. was involved.”
  • we wrote to the coalition ourselves, explaining that we were reporters working on an article about Basim. We provided details about his family and his efforts to reach someone in authority and included a link to the YouTube video the coalition posted immediately after the strike. A public-affairs officer responded, “There is nothing in the historical log for 20 SEP 2015,” the date the coalition had assigned to the strike video. Not long after, the video disappeared from the coalition’s YouTube channel. We responded by providing the GPS coordinates of Basim’s home, his emails to the State Department and an archived link to the YouTube video, which unlike the videos on the Pentagon’s website allow for comments underneath — including those that Basim’s family members left nearly a year before.
  • Over the coming weeks, one by one, the coalition began removing all the airstrike videos from YouTube.
  • An alarm blares occasional high-temperature alerts, but the buildings themselves are kept so frigid that aviators sometimes wear extra socks as mittens
  • Most of the civilian deaths acknowledged by the coalition emerge from this internal reporting process. Often, though, watchdogs or journalists bring allegations to the coalition, or officials learn about potential civilian deaths through social media. The coalition ultimately rejects a vast majority of such external reports. It will try to match the incident to a strike in its logs to determine whether it was indeed its aircraft that struck the location in question (the Iraqi Air Force also carries out strikes). If so, it then scours its drone footage, pilot videos, internal records and, when they believe it is warranted, social media and other open-source information for corroborating evidence. Each month, the coalition releases a report listing those allegations deemed credible, dismissing most of them on the grounds that coalition aircraft did not strike in the vicinity or that the reporter failed to provide sufficiently precise information about the time and place of the episode.
  • They speak of every one of the acknowledged deaths as tragic but utterly unavoidable. “We’re not happy with it, and we’re never going to be happy with it,” said Thomas, the Central Command spokesman. “But we’re pretty confident we do the best we can to try to limit these things.”
  • Airwars, a nonprofit based in London that monitors news reports, accounts by nongovernmental organizations, social-media posts and the coalition’s own public statements. Airwars tries to triangulate these sources and grade each allegation from “fair” to “disputed.” As of October, it estimates that up to 3,000 Iraqi civilians have been killed in coalition airstrikes — six times as many as the coalition has stated in its public summaries. But Chris Woods, the organization’s director, told us that Airwars itself “may be significantly underreporting deaths in Iraq,” because the local reporting there is weaker than in other countries that Airwars monitors.
  • the coalition, the institution best placed to investigate civilian death claims, does not itself routinely dispatch investigators on the ground, citing access and security concerns, meaning there has not been such a rigorous ground investigation of this air war — or any American-led air campaign — since Human Rights Watch analyzed the civilian toll of the NATO bombing in Kosovo, a conflict that ended in 1999
  • we selected three areas in Nineveh Province, traveling to the location of every airstrike that took place during ISIS control in each — 103 sites in all. These areas encompassed the range of ISIS-controlled settlements in size and population makeup: downtown Shura, a small provincial town that was largely abandoned during periods of heavy fighting; downtown Qaiyara, a suburban municipality; and Aden, a densely packed city neighborhood in eastern Mosul. The sample would arguably provide a conservative estimate of the civilian toll: It did not include western Mosul, which may have suffered the highest number of civilian deaths in the entire war. Nor did it include any strikes conducted after December 2016, when a rule change allowed more ground commanders to call in strikes, possibly contributing to a sharp increase in the death toll.
  • In addition to interviewing hundreds of witnesses, we dug through the debris for bomb fragments, tracked down videos of airstrikes in the area and studied before-and-after satellite imagery. We also obtained and analyzed more than 100 coordinate sets for suspected ISIS sites passed on by intelligence informants. We then mapped each neighborhood door to door, identifying houses where ISIS members were known to have lived and locating ISIS facilities that could be considered legitimate targets. We scoured the wreckage of each strike for materials suggesting an ISIS presence, like weapons, literature and decomposed remains of fighters. We verified every allegation with local administrators, security forces or health officials
  • During the two years that ISIS ruled downtown Qaiyara, an area of about one square mile, there were 40 airstrikes, 13 of which killed 43 civilians — 19 men, eight women and 16 children, ages 14 or younger. In the same period, according to the Iraqi federal police, ISIS executed 18 civilians in downtown Qaiyara
  • in about half of the strikes that killed civilians, we could find no discernible ISIS target nearby
  • By the time the information made its way to the coalition and it decided to act, the mortar had been moved. Such intelligence failures suggest that not all civilian casualties are unavoidable tragedies; some deaths could be prevented if the coalition recognizes its past failures and changes its operating assumptions accordingly. But in the course of our investigation, we found that it seldom did either.
  • On the evening of April 20, 2015, aircraft bombed the station, causing a tremendous explosion that engulfed the street. Muthana Ahmed Tuaama, a university student, told us his brother rushed into the blaze to rescue the wounded, when a second blast shook the facility. “I found my brother at the end of the street,” he said. “I carried him.” Body parts littered the alleyway. “You see those puddles of water,” he said. “It was just like that, but full of blood.” We determined that at least 18 civilians died in this one attack and that many more were grievously wounded. News of the strike was picked up by local bloggers, national Iraqi outlets and ISIS propaganda channels and was submitted as an allegation to the coalition by Airwars. Months later, the coalition announced the results of its investigation, stating that there was “insufficient evidence to find that civilians were harmed in this strike.” Yet even a cursory internet search offers significant evidence that civilians were harmed: We found disturbingly graphic videos of the strike’s aftermath on YouTube, showing blood-soaked toddlers and children with their legs ripped off.
  • Human rights organizations have repeatedly found discrepancies between the dates or locations of strikes and those recorded in the logs. In one instance, the coalition deemed an allegation regarding a strike in the Al-Thani neighborhood of Tabqa, Syria, on Dec. 20, 2016, as “not credible,” explaining that the nearest airstrike was more than a kilometer away. After Human Rights Watch dispatched researchers to the ground and discovered evidence to the contrary, the coalition acknowledged the strike as its own
  • The most common justification the coalition gives when denying civilian casualty allegations is that it has no record of carrying out a strike at the time or area in question. If incomplete accounts like these are standard practice, it calls into question the coalition’s ability to determine whether any strike is its own. Still, even using the most conservative rubric and selecting only those 30 airstrikes the Air Force analysts classified as “probable” coalition airstrikes, we found at least 21 civilians had been killed in six strikes. Expanding to the 65 strikes that fell within 600 meters — for example, the strikes on the home of Inas Hamadi in Qaiyara and the electrical substation in Aden — pushed that figure to at least 54 killed in 15 strikes. No matter which threshold we used, though, the results from our sample were consistent: One of every five airstrikes killed a civilian
  • “We deeply regret this unintentional loss of life in an attempt to defeat Da’esh,” Scrocca wrote, using another term for ISIS. “We are prepared to offer you a monetary expression of our sympathy and regret for this unfortunate incident.” He invited Basim to come to Erbil to discuss the matter. Basim was the first person to receive such an offer, in Iraq or Syria, during the entire anti-ISIS war.
  • “This situation of war,” he continued, “big corporations are behind it.” This is where the real power lay, not with individual Americans. He’d come to believe that his family, along with all Iraqis, had been caught in the grinder of grand forces like oil and empire, and that the only refuge lay in something even grander: faith. He had rediscovered his religion. “There was some bond that grew between me and my God. I thanked him for keeping my son alive. I thanked him that my operation was successful. Now I can walk.”
Ed Webb

Erdoğan's Turkey and the Problem of the 30 Million - War on the Rocks - 0 views

warontherocks.com/...-the-problem-of-the-30-million

Turkey AKP Erdogan politics media authoritarianism parties minorities Kurds left nationalism xenophobia

shared by Ed Webb on 05 Jun 20 - No Cached
  • Erdoğan’s brand is waning in the cities, the coasts, and among young people. Neither the new Erdoğan-shaped presidential system, nor his expansionist foreign policy are popular in these parts. Even before the COVID-19 pandemic, chronic unemployment and inflation extinguished any hope of him bouncing back in the polls. Despite his total control over the state, mainstream media, and major capital groups, the president is unlikely to ever get much more than half of the popular vote.
  • The Erdoğan government now faced a question that all successful populist regimes must solve: What to do with the minority? They certainly can’t be granted free and fair elections, lest they attain the means to exact revenge. Nor can they be deprived of all their rights of representation, lest they be driven to revolt or treason. So how does a very slim majority of a country suppress the other half indefinitely? How does it rest easy, knowing that its hegemony is locked in?
  • The Erdoğan government surely knows that an attempt to “nationalize” all of the 30 million would be unrealistic. Rather, it seeks to separate the leftists and Kurds among them and brand them as terrorists, then turn around and securely pull the center opposition into the nationalist opposition.
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  • the government first needs to contain the spread of the left
  • The left, however, puts up genuine systemic resistance: They reject the idea that the Turkish nation is pure and infallible. Like leftists elsewhere, they deconstruct official history, focusing on massacres of minorities and exploitation of the working classes. There is also an inextricable tie to the Kurdish movement, which in turn is linked to the Kurdistan Workers’ Party (PKK) — an insurgency that has been waging war on the Turkish state for over four decades. The connection between the non-Kurdish left and the Kurdish movement is complicated and has gone through various stages in the recent past. For the Turkish right, there is little difference between leftist subversion and Kurdish insurrection. “I joined the police to beat up Communists” a crescent-mustached officer once told me, and he was talking about arresting Kurdish protesters.
  • Many in the urban middle class, who are fairly indifferent about Kurdish rights, wanted to see Demirtas grow the HDP into a Turkish-Kurdish version of the European Greens. The idea at the time was to also expand into a grand center-left coalition that would prevent Erdoğan from establishing his hyper-centralized presidential system. Their momentum was cut short when months after the coup attempt, in December 2016, the government detained Demirtas on charges of terrorism and began a ruthless crackdown on the HDP’s activities that has since only gained in intensity.
  • The second part of the government’s strategy is to keep the left — crippled and branded as terrorists — within the political system. While Turkey’s politics is polarized between the government and the opposition, this creates a second polarization, this time within the opposition camp. It is this second polarity where the vast majority of political discourse takes place. From the perspective of a nationalistic system of valuation, in which being “local and national” reigns supreme, this is a fatal flaw. On the one hand, the various factions of the opposition can’t win a national vote unless they partner with the HDP to form a 50 percent bloc against Erdoğan. On the other, the nationalists within the opposition cannot be seen working with the “terrorists” of the pro-Kurdish left.
  • the People’s Republican Party (CHP), Turkey’s founding and currently main opposition party, has tried to contain this “patriot-terrorist” polarity. Its umbrella candidates for the presidency, ranging from the soporific Ekmeleddin Ihsanoğlu in 2014, to the firebrand Muharrem Ince in 2018, have failed. In the 2019 municipal elections, however, the CHP’s mayoral candidates did well, uniting the Kemalist-nationalist camp, Islamists, liberal cosmopolitans, as well as leftists and even some sympathizers of the Kurdish movement. These candidates won against Erdoğan’s men in all major cities, including Ankara and (in a repeat election) Istanbul. This was the first, and so far only, time Erdoğan’s containment of the left had been breached.
  • the Erdoğan government finally seeks to pull the entire bloc to the right. This means focusing on liberal-minded urbanites whose nationalism has lapsed, and rekindling their faith in the national mythos. This is the most challenging aspect of its effort, and where it has done most poorly.
  • restructuring of the media. For the past few years, the government has been taking over media channels that centrist voters traditionally follow, then gradually shifting their tone to favor the government. The Dogan Media Group, owner of Hurriyet (Turkey’s former newspaper of record) and CNN Turk (a 24-hour TV news channel) used to cater to a secular, urban, and increasingly progressive audience. The group’s main audience overlapped with the centrist-opposition CHP’s voter base, whose older members are secularist-nationalists and younger members (often their children) are leftist-progressives. In March 2018, the media group was sold to an Erdoğan-friendly conglomerate, which fired many of its veteran journalists and changed editorial guidelines. The result has been a desensitized, less colorful version of the jingoist carnival running across Erdoğan’s formal channels. CNN Turk, especially, became a tool for the government to enter the living rooms of CHP voters and tell them that they were voting for terrorist collaborators. So insidious were these attacks that the CHP had to ban its members from getting on the channel, and call upon its electorate to boycott it.
  •  Erdoğan said “We have 18 martyrs and close to 200 wounded. In our country, we have the terror group’s so-called political organism. Aside from that, our nation is now in a state of Yekvücut.” The term is a favorite of the president. It is a combination of the Farsi term “Yek” meaning “single” and the Arabic word “vücut” meaning “existence,” or in the Turkish use, “body.” Erdoğan was thinking of the nation as a single biological organism, with the leftists and the Kurdish movement as foreign bodies
  • The opposition media — largely relegated to the internet — was reporting on the plight of the working class and the brewing economic crisis. Like free media across the West, they also questioned the quality and veracity of their government’s COVID-19 data. In a speech delivered in May, Erdoğan was unusually angry. He had clearly expected a Yekvücut moment and was struggling to understand why it hadn’t come about. His strategy to create a “local and national” opposition wasn’t working, and the frustration of it seemed to hit him head on. “I want to warn once again the media and other representatives who are in league with the CHP’s leaders,” he said, before launching into what was — even for him — an unusually vituperative attack: “You are not national, and your localness is in question,” he said, “you have always sided with whoever was treacherous [bozguncu], whoever was perverted, whoever was depraved” adding, “you are like the creatures in mythology that only feed on enmity, hate, fear, confusion and pain.”
  • The absurd accusations of fraud and coup-abetting aside, there is something to the idea that the opposition wants things to get worse. The Erdoğan government’s consolidation over the past decade has been so suffocating for opposition voters that many do look for deliverance in economic or natural disaster.
  • The Erdoğan government may have cut short the HDP’s rise, but it hasn’t been able to prevent leftist ideas from spreading. The CHP’s youth wings today are highly class-conscious and hostile to militant nationalism. Figures like the CHP’s Istanbul provincial head Canan Kaftancıoğlu , who campaign on a mix of feminism, workers’ rights, and anti-fascist slogans, are gaining a national following. The polarization within the opposition is likely deepening, with part of the 30 million become more “national,” while another part is becoming more leftist. This means that the great mass of right-wing sentiment is growing, but so is the left-wing minority. The “problem,” in the government’s view, may no longer be 30 million strong, but it is more acute, and perhaps more vexing, than before.
  • (gun ownership has soared since the 2016 coup attempt)
  • To Turkey’s governing class, the military coup of their imagination is not a matter of defending against an armed force trying to take over the government. Rather, it is a night of free-for-all, in which politics is stripped down to its violent core, and a majority at the height of its powers can finally put down the enemy within: the haters, the doubters, the creatures of mythology.
  • “Turkey will not only reach its 2023 goals [the centennial of the Republic], it will also be rid of the representatives of this diseased politics,” he said in May, hinting that he might cut the left out of the political system entirely. If this should happen, politics would be an uneven contest between Islamist, pan-Turkic, and secularist hues of Turkish nationalism. Far off, in the back streets of the big cities and in the Kurdish provinces, in second-hand bookshops and hidden corners of the internet, there would be a progressive left, weathering out what is surely going to be a violent storm.
Ed Webb

Dune: An accomplished escape into the realm of cinematic Arab appropriation - 0 views

english.alaraby.co.uk/...ealm-cinematic-arab-subversion

media film MENA culture representation

shared by Ed Webb on 18 Oct 21 - Cached
  • the most overriding issue, for this critic at least, is the total lack of significant Middle Eastern and North African representation in the cast despite the very clear influence of MENA, Islamic and Arab culture on the desert planet and this universe in the original book and this film. I’ve written before about the importance of Fremen characters being played by MENA actors not least because their language is mostly made up of Arabic words, like “Mahdi'' (‘the rightly guided one”) and “Lisan al Gaib” (“the voice from the outer world”), respectively. Though it's notable that jihad, the phrase frequently used in the book, has now been replaced with "crusade" and "holy war". 
  • One can easily observe the Bedouin and Amazigh inspiration behind this nomadic community on the page and the screen, through the Fremen’s penchant for Keffiyeh, group feeling unity and strength in their ability to survive in such a dangerous environment. These ideas, as well as the cyclical nature of dynasties and civilisations, were reflected in Tunisian sociologist, philosopher and historian Ibn Khaldun’s 14th Century book of Islamic History, “The Muqaddimah”, which underpinned much of Herbert’s sci-fi series.
  • Jordan’s Wadi Rum and Abu Dhabi in the UAE provided the vast beauty and brutality of this fictional desert planet landscape. The pale, flat-roofed buildings of Arrakeen, the planet’s seat of power which, in the book, was transferred from the city of Carthag (sound familiar?) under Harkonnen rule, is reminiscent of North African architecture. If the overarching storyline about Imperialist colonisers stealing a powerful fuel from the native population doesn't remind you of a certain 20th Century Western conflict with the Middle East, the Knights Templar colour scheme of the Sardaukar certainly hints at a 12th Century one. A holy war no less!
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  • With all this rich, Maghrebi and Middle Eastern culture, aesthetic and historical references on display, once again I must ask: where are the significant MENA actors?
  • What an opportunity it would have been to cast the likes of Egyptian actor Amr Waked or French-Algerian actress Lyna Khoudri in these roles. Instead, we get Javier Bardem doing whatever the Arab version of Blackface is.
  • The rest of the Fremen - those whose faces aren't masked and have speaking roles - are made up of actors of Guyanese, West or East African heritage. This wouldn’t be a problem at all if there were at least some MENA actors to reflect the diversity of that region which Villeunueve claims to care so much about and admitted to using as inspiration: “I feel true that I’m right in doing it this way. It feels authentic, it feels honest and true to the book.”
  • We’re used to being vilified, maligned or erased on screen. We’re used to having most of our representation in Hollywood limited to plane hijacking or suicide bombing or perverted sheikhs or refugees or having non-MENA actors replacing us in our own stories. Like Dwayne Johnson who is playing Black Adam, the first MENA superhero character to get his own solo movie. Can you imagine the outrage if The Rock was cast as Black Panther? Or Shang-Chi? People wouldn’t stand for it.
  • But in a post-9/11 world where Arabs and Islam are still considered too dangerous and foreign to pass the racial profiling in studio boardrooms and casting call discrimination, too taboo to be given the same equal opportunities for positive or nuanced representation as other ethnic minorities are now slowly beginning to benefit from, must we continue to wait and bittersweetly watch films like Dune that take but do not give back?
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