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Eissa is no stranger to controversy. Before El-Daif, he caused a stir with his first screenplay, for Mawlana (Our Grand Sheikh), about modern Muslim televangelists as well as the relationship between religion and the state.

"El-Daif has very well depicted taboos never discussed before in Egyptian cinema, showing how Islam is misinterpreted as a religion that forces a woman to cover herself from head to toe," said Nagwa Ali, 40, an accountant, as she was leaving a Cairo cinema.

other critics say the film is long-winded and static, although praising it for tackling taboo subjects otherwise ignored in Egyptian cinema

In the film, Yahia faces blasphemy charges due to his views about his interpretation of Islam and its teachings that have appeared in his books and articles. His life is at risk, which leads the government to assign policemen to protect him and his family against extremists. Ironically, the fierce debates and controversy portrayed in El-Daif are mirrored in real-life arguments around the film, leading to calls for it to be banned.

it also angered Islamic scholars, including Khalid El-Gindi, a prominent preacher and member of the Supreme Council for Islamic Affairs. "Six religious institutions including Al-Azhar [the highest Islamic authority in Egypt and the region] have stipulated that hijab is a heavenly order. Nevertheless, Eissa comes with his film to simply try to convince people otherwise," El-Gindi said angrily in a telephone interview with TV host Sayed Ali broadcast on Egyptian Al-Hadath Al-Youm satellite channel.

El Gindi also upbraided the Egyptian censorship authority which, although it took a few months to approve the film, surprisingly did not cut any scenes.

El-Daif avoids the stereotypical image of a religious fanatic, introducing a handsome light-bearded young man dressed in an elegant outfit who comes from a well-bred family and who has studied engineering in the USA.  He has managed to influence the intellectual's daughter to the extent that she agrees to wear the hijab despite her liberal upbringing. Many women in Egypt wear the hijab for social rather than religious reasons, submitting to social and family pressures while also seeking to avoid sexual harassment. However, the attire does not protect women from unwanted attention and abuse, as women who have spoken to MEE confirm.

Egyptian feminists and liberal thinkers have their own explanation of the hijab as being often associated with the rise of the conservative Saudi Wahhabi doctrine that emerged in Egyptian society in the mid-1970s.

In the first six weeks of screening, El Daif took around seven million Egyptian pounds (about $400,000) and remained in third place at the Egyptian box office. It is still showing at most Egyptian cinemas. "Deals are underway to screen the film in a number of Arab and European countries," said an official at the film's production company, iProduction.

“Shiite channels have been operating for years and have not caused strife or crises that Salafist channels ignite. This is because Shiite channels do not incite to violence and bloodshed and do not declare others to be infidels.”

Human rights activist and lawyer at the Association for Freedom of Thought and Expression, Ahmed Ezzat, told Deutsche Welle in 2012 that the law does not criminalize embracing or promoting the Shiite faith. Shutting down any Shiite channel or prosecuting any promoter of the Shiite ideology would be based on a broad application of the law against blasphemy of religions, he said.

“The legal criteria in shutting down any station would be based on its content and on whether or not it is viewed as blasphemy or incitement against any religion or belief."

“some Salafist channels, such as al-Hafez and al-Nas, were shut down in 2013.”

“What is happening is a part of the chaotic media and religious discourse. There are 121 religious channels broadcasting via Nilesat, including more than 60 Shiite channels, some of which explain Shiite ideas in a moderate way," he said. "Others are extremist and incite against the Sunni sect. Sunni channels respond also to such incitement with counterincitement. Thus, all extremist channels — be they Shiite or Sunni — need to be taken down.”

many Shiite channels are not at loggerheads with the state institutions, but rather with some Salafist parties.

in 2007 he founded Mosaic, which provides mentoring programs for young Muslims across the U.K. He also became patron of the Oxford Centre for Islamic Studies, where he gave his most famous speech, “Islam and the West” in 1993

If there is much misunderstanding in the West about the nature of Islam, there is also much ignorance about the debt our own culture and civilization owed to the Islamic world

“Islam can teach us today a way of understanding and living in the world which Christianity itself is the poorer for having lost. At the heart of Islam is its preservation of an integral view of the Universe.”

he also argues that the West needs Islam in the here and now. There does not seem to be a parallel in any other Western political figure.

the world will also get used to a Western head of state who sees Islam in quite a different light than the waves of populism across Europe and North America

Some of the most provocative films owe more to pulp and lo-fi subcultures than to mainstream cinema: look at Omar Ali Khan's anti-yuppie, anti-fundamentalist horror flick Hell's Ground (2007), Halil Uysal's Tirej (2002), a mesmerising film about – and made by – Kurdish guerrilla soldiers, and Omar Majeed's Taqwacore (2009), about a bunch of dope-smoking Muslim punks in the US.

An alternative canon, curated by the Middle Eastern art magazine Bidoun, points to gems such as Peggy Ahwesh's Beirut Outtakes (2007), made up of film scraps from an abandoned cinema in the Lebanese capital; its combination of colour and decay, Hollywood and local celluloid, high and low culture captures the city's vivid history with panache.

Because the Arab spring was a revolution spread (if not created) by digital media such as mobile phones, Twitter and amateur video, it could be argued that more Muslims than ever before now associate political freedom with the moving image – rather than the printed word. What's more, the speed and sophistication of image-production by canny campaigners may also help to dispel some of the orientalist stereotypes that still circulate in the west.

"A lot of British Muslim kids are very keen to see themselves represented," he says. "They want to see they have a great culture. But often they go back to a glorious, nostalgic version of Islam that offers them only a narrative of cultural degeneration since the middle ages. Winds of Change should remind us that we have powerful and well-established critiques of religion from within our societies."

General Comment 34, a statement issued by the UN Human Rights Committee in July of 2011 stating that defamation of religion is not an acceptable reason for limiting freedoms of speech. According to paragraph 48 of the declaration, “Prohibitions of displays of lack of respect for a religion or other belief system, including blasphemy laws, are incompatible with the Covenant, except in specific circumstances…” Such “specific circumstances” include cases in which national or individual security is deemed to be threatened.

Although the country lacks laws criminalizing blasphemy, Article 121.3 of Tunisia’s penal code – which criminalizes disruptions that “harm public order or morality” – has been used to convict individuals found guilty of acts that could be perceived as attacks against Islam.

A prosecutor in Tunisia can prosecute on the basis of these two laws together and can add to the sentence. We have seen this in other countries, in other contexts.

Gen. al-Khayanin told the AP that his country's goal was simpler: "To make sure the Libyan people are not being killed. You cannot go halfway — and we are ready to go as long as it takes.""I have nothing against Gadhafi ... as long as he protects his own people," said al-Khayanin. "Removing Gadhafi is an internal issue, but at least the fighting has to stop."

One officer who did give his name, 2nd Lt. Naveed Ashraf, a Pakistani technical adviser for the Qatari Air Force, insisted that Islam, the main religion in Qatar and Libya, shouldn't be part of the equation — but Gadhafi's onslaught against his own people should be."This is not about Muslims possibly killing other Muslims," Ashraf said. "No religion tolerates this brutality ... Nobody has the right to do what he is doing."

because of the rising influence of orthodox interpretations of the faith, stambeli artists are careful to stress the monotheistic, Islamic essence of their practice

The origins of stambeli music resemble those of American jazz (even though the two genres don’t sound alike). In both cases, the musical traditions of former slaves combined with the diverse cultural influences of their new environments to create something radically new. Whereas slaves arriving in Louisiana mixed their music and practices with European, Caribbean, and American ingredients, slaves arriving in Tunis during the same period fused their animist practices with North African versions of mystical Sufism and orthodox Islam. Mounir Argui, a theater director and music producer who works with Bidali, says that the metal castanets that play such a prominent role in stambeli performances evoke “the sounds of chains and shackles” that the slaves once wore, while the chanting recalls the “moaning.”

the Tunisian state never prioritized the preservation of stambeli, focusing instead on the art and culture it considered highbrow

Many Tunisians see stambeli as an alien phenomenon associated with blacks, who are already widely viewed as not quite Tunisian. In post-revolutionary Tunisia, where asserting the Islamic character of the country has become an important political symbol for some, the pagan origins of stambeli also cause suspicion

As long as some Tunisians continue to see freedom of religion and freedom of art as mutually exclusive, the rare traditions like stambeli that manage to straddle both will find little space

In 2017, the parliamentary Committee on Religious Affairs approved a draft law that banned issuing fatwas through the media unless prior authorization had been obtained from Al-Azhar, the country’s top religious institution. The draft still has to go through the General Assembly to become law.

The Ministry of Religious Endowments — known locally as Awqaf — objected that the right of authorizations should rest with Al-Azhar, saying that this bypasses the ministry, which should be the appropriate authority to grant permissions. The ministry argued that as all of its imams are graduates of Al-Azhar, they were fully equipped to give this permission.

Parliament has shelved the draft law until an agreement is reached between Al-Azhar and Awqaf, which has so far failed to materialize. 

According to Hosni Hassan, media professor at Helwan University, the main purpose of the trainings is to ensure that the Friday sermons — delivered by imams of Awqaf — are efficient tools to spread the Egyptian state’s version of Islam and to persuade the public.

The state — represented by the Ministry of Religious Endowments — is paying close attention to Friday sermons and religious lessons in mosques so they can become tools of improving social and religious behavior

“The rate of extremist fatwas has declined since 2013 after the fall of the Muslim Brotherhood, after the group was designated as a terrorist organization and its sheikhs were arrested,”

The ministry announced in 2014 that only preachers licensed by the ministry were allowed to deliver the Friday sermons or teach religious classes in mosques.The ministry organizes a number of exams every year for those wishing to obtain such licenses. In 2015, a new law stipulated that unlicensed preachers who deliver the Friday sermons or teach religious courses in mosques shall be sentenced to imprisonment from three months to a year or pay a fine of 20,000-50,000 pounds ($1,238-3,097).

The Ministry of Religious Endowments also issued in 2016 a decision that the imams in the mosques deliver a unified Friday sermon.