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The subject came out of something I lived through, growing up in a war. Something that my co-screenwriter Joelle also lived through. It’s not like we read a book or based it on a TV interview on CNN. It’s something that we lived through, all the dynamics that you saw in the film, we are very familiar with it. You know, the Palestinian point of view, the Christian point of view. These are things that are so familiar to us. You know it’s this thing that we grew up eating and drinking and living. We were stopped at checkpoints, we hid under the bombs, we lived in shelters in Beirut in the 70s and the 80s and the 90s

We could have been such a lighthouse in the midst of all these other places around because we’re so interesting. Lebanon so interesting. But it’s sad that it does not fully use its potential. You know Christians, Muslims, Shiites, Sunni, liberal, it has all the potential of making a very, very interesting place

I had a lot of prejudice towards the Christians growing up. Like incredible. My parents were very left wing pro-Palestinian. And anybody from the Christian camp, from East Beirut, was considered a traitor, the enemy. And then you meet people from East Beirut, Christians, who were part of the Christian camp, and then you sit down and they work on your movie and and then you go have a drink and then you suddenly say, “Their story’s like mine, they suffered as much as [me].”

“The Insult” is about reexamining the other side. The woman who co-wrote the film with me who became my wife — we wrote four films together — she comes from the Christian camp. I come from [Muslim] West Beirut. She wrote all the scenes of the Palestinian. And I wrote the scenes of the Christians. We swapped.

every screening we do in the states, in Los Angeles in Telluride, in Toronto people were like so emotional about it. And then they said, “We totally identified because of what’s going on in the States today. We are living in America at a period where it feels like this entire society is tearing apart a bit.” And they look at the film and suddenly it’s speaking to them, even though that was not the intention.

Sometimes the country needs to go through a tear in order to heal better.

Noah, who in the Bible's Book of Genesis built the ark that saved his family and many pairs of animals from a great flood, is revered by Judaism, Christianity and Islam. An entire chapter in the Koran is devoted to him.

Cairo's Al-Azhar, the highest authority of Sunni Islam and a main centre of Islamic teaching for over a millennium, issued a fatwa, or religious injunction, against the film on Thursday. "Al-Azhar ... renews its objection to any act depicting the messengers and prophets of God and the companions of the Prophet (Mohammad), peace be upon him,"

Mel Gibson's 2004 film "The Passion of the Christ" on Jesus's crucifixion was widely screened in the Arab World, despite a flurry of objections by Muslim clerics. A 2012 Arab miniseries "Omar" on the exploits of a seventh century Muslim ruler and companion of the Prophet Mohammad also managed to defy clerics' objections and air on a Gulf-based satellite television channel.

"It's nothing but shooting and drugs, shooting and drugs - it's true, but it will ruin our reputation," says one youth.

Until the war which led to Israel being founded broke out in 1948, Jaffa was the considered the cultural capital of what was then British Mandate Palestine.

A young man in Ajami "doesn't know if he's Palestinian or Israeli, he's confused, he doesn't know what he is, what he wants to do," says Ms Rihan.

"I'm shocked that Jews like the film more than Arabs, even though it shows that we are like this because of them!", she adds.

The actors were not given the script, just thrown into scenarios and told to react.

Over seven years, Mr Shani learnt Arabic and says he spent more time in Ajami with Mr Copti than with his own wife, immersing himself in "a totally different world".

Originally from the northwestern Kurdistan province, Amini was on a visit with her family to the capital Tehran when she was detained on Tuesday.

In her hometown of Saghez, where her body was laid to rest on Saturday, some residents hurled stones at the governor's office and chanted slogans against the authorities

President Ebrahim Raisi, an ultra-conservative former judiciary chief who came to power last year, has ordered an inquiry into Amini's death.

Filmmakers, artists, athletes, and political and religious figures have taken to social media to express their anger against the morality police, both inside and outside the country.

Grand Ayatollah Assadollah Bayat Zanjani, a cleric seen as close to the reformists, denounced what he said was "illegitimate" and "illegal" actions behind "this regrettable incident"."The Koran clearly forbids the use of force" to enforce religious and moral values, he said.

Two-time Oscar-winning film director Asghar Farhadi said that "Mahsa now is more alive than we are" because "we are silent in the face of such boundless cruelty. We are complicit in this crime."

"The hair of our girls is covered with a shroud," several footballers on Iran's national team wrote in a joint story they shared on Instagram.

climate change is a systemic challenge, but most news organizations are still treating it only as a topic

It is always a good start to build a climate desk, and news organizations need climate specialists. But they are no substitute for increasing the climate literacy, or climate fluency, of all desks.

many editors think of climate journalism as crisis reporting.  And while it is important to cover extreme weather events, they are still only the breaking news surface of something much more profound and systemic

There are so many important and interesting stories just on climate adaptation alone that you would overlook as an editor when you reduce climate journalism only to breaking news and crisis reporting.      

Public broadcasters in Europe have an unrivalled responsibility to get it right, because they are comparatively well-funded. In addition, they tend to be their country's most-trusted news organization. Especially when it comes to climate journalism, an audience’s trust in a news organization is a hugely important ingredient.  Sometimes I have been struck by the timidity of public service media. Yes, they are under growing political pressure in many countries. But to preemptively capitulate is not a strategy.

All it took for the last IPCC report to be washed out of the news cycle within hours was an actor misbehaving at the Oscars. It had taken seven years to produce that report.

energy literacy is a core aspect of climate journalism and it seems the war in Ukraine has also heightened the world’s awareness for just how integral energy is to our societies and economies. A next phase in this realization may be that the much-needed shift to renewable energies will come with its own new set of geopolitical dependencies

The location of the denial has shifted. It has shifted from denying climate science, and specifically that climate change since the pre-industrial age is human-made to denying how urgent our situation is and how little time we have left to avoid a much more dramatic course of events. The willingness to embrace the time pressure we are under is part of climate literacy. 

I have never heard a young journalist say ‘I am somehow glad I won’t live long enough to see the worst effects of climate change’ while I have seen quite a few older colleagues express such sentiments. Some of them were even middle-aged, which makes me think they never looked at an IPCC report.      

I have met the CEOs of very large global companies who had deep knowledge of the climate crisis while I have yet to meet just one chief editor with a similar degree of climate knowledge

It is the nature of the climate crisis, though, to move faster than most of us think. I wouldn’t be surprised to soon see a major news organization re-organize itself around the climate crisis as their organizational axis.