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In 2013 Sana Yazigi, a Syrian graphic designer from Damascus, launched the online archive The Creative Memory of the Syrian Revolution, consisting of works created by Syrian artists during the uprising

"From the early days of the revolution," Yazigi says, "I was amazed to witness an incredible outpouring of artworks. I didn’t want them all to disappear, to be forgotten. I wanted to keep a record. There was a sense of urgency, a need to document what was going on."

The website documents paintings, music, graffiti, videos and cartoons among others, constituting an exceptional wartime archive. 

At a time when press freedoms are regularly described as under threat and investment in the shaky Turkish economy is no sure bet, foreign media companies could be expected to avoid the country. Instead the opposite is true. A swathe of often state-backed foreign media outlets have begun expanding their output in Turkey, with Chinese, German, Russian and Azeri companies establishing radio stations, websites, online portals and even a news channel in recent years. 

Alper Gormus, a prominent Turkish media critic, said that the Turkish public depended on outlets such as Russia's Sputnik Turkiye, the UK's BBC Turkce or Deutsche Well Turkce because trust in government-controlled media was extremely low.

“The conditions are very similar to post-coup Turkey in the 1980s in the sense that the majority of the media is supporting the government,"

The Complaints Committee of the Supreme Council for Media Regulation blocked CairoScene’s website in Egypt because it did not obtain a license from the Council. The media monitoring unit of the Council found “foul images” on CairoScene’s website which include a series of paintings of nude women. CairoScene’s mother company ‘MO4’ has also been operating without a license, which also provoked the Council’s decision.

In October, the Supreme Council for Media Regulation in Egypt opened application process for media outlets to obtain authorized licenses to operate online in a move to implement Law 180. This law media websites to receive a license in Egypt for the first time.

Some critics were concerned that this is a tactic to hinder media platforms and journalists. According to an official source at the Supreme Council, the Council will monitor any violations of the new media law and will block unauthorized sites immediately once they commit any violations.

The once-embattled ancien regime is back with full force. Not only to consolidate its power in the present, but also to control the past. Yet, since the outbreak of the January 25 Revolution, besides the Islamists, two distinct communities were – and still are – in conflict, among other things, over the revolution’s nature and principles: the regime and the revolutionary activists. What follows is an exploration of these communities’ strategies to permeate the people’s collective consciousness and to enforce their own narratives of the revolution and its memory, across three different domains: Egypt’s public space; Egypt’s online sphere; and outside Egypt.

in the revolution’s early years, Egypt’s public space was representative of the young activists’ creativity and rebellion

Through graffiti on walls, images, texts and structures, the activists created from the country’s streets and squares memorials to keep the memory of the brave martyrs as well as the revolution’s ideals alive. Walls of Freedom, a 2014 book by Hamdy and Stone, offers thorough insights into the revolution and its artistic works. Young Egyptians’ independent cultural activities, including concerts and exhibitions, played a role in enhancing the historical narrative of the pro-revolution community.

  The United Arab Emirates says it will now require anyone conducting "commercial activities" through social media to register for a government-issued license.

new rules announced Tuesday target so-called "social media influencers,"

help ensure "that media material respects the religious, cultural and social values of the UAE,"

analysis by BuzzFeed News shows the number of shares on Facebook, Twitter, and other social media sites of the most-read stories about Syria in the past two months were a 10th of what they were just over a year ago

“I work so hard to try and post videos, but no one cares. I don’t know what to say. They just see the article or report, and just say: ‘Oh, that’s really sad.’ And after that they turn the internet off and go and live their lives.”

Once the footage is online people like Ethar El-Katatney, executive producer of AJ+, pick it up, and try to work out how they can tell the next story from Syria.“All of the footage I am looking at today looks the same as the footage I saw a year ago and it’s the same dust, and blood, and screaming, and hospital rooms and hospital floors,” El-Katatney told BuzzFeed News. “It has become normalized.”

Egypt's biggest private media conglomerate Egyptian Media signed on Sunday several protocols with the National Media Authority (NMA) to provide content on state-owned Egyptian TV.

the NMA and Egyptian Media will launch a new satellite TV channel aimed for the Arab region and focusing on Arab families

Egyptian State TV, which is part of the Egyptian TV and Radio Union, owns over 10 terrestrial and satellite channels. The Egyptian Media group owns ONTV network and CBC TV Network. 

they had shared and could recite the viral Facebook memes constructing an alternate reality of nefarious Muslim plots. Mr. Lal called them “the embers beneath the ashes” of Sinhalese anger

the forces of social disruption that have followed Facebook’s rapid expansion in the developing world, whose markets represent the company’s financial future. For months, we had been tracking riots and lynchings around the world linked to misinformation and hate speech on Facebook, which pushes whatever content keeps users on the site longest — a potentially damaging practice in countries with weak institutions.

Time and again, communal hatreds overrun the newsfeed — the primary portal for news and information for many users — unchecked as local media are displaced by Facebook and governments find themselves with little leverage over the company. Some users, energized by hate speech and misinformation, plot real-world attacks.

"Media literacy has long focused on personal responsibility, which can not only imbue individuals with a false sense of confidence in their skills, but also put the onus of monitoring media effects on the audience, rather than media creators, social media platforms, or regulators,"

the need to better understand the modern media environment, which is heavily driven by algorithm-based personalization on social-media platforms, and the need to be more systematic about evaluating the impact of various media-literacy strategies and interventions

In response, bills to promote media literacy in schools have been introduced or passed in more than a dozen states. A range of nonprofit, corporate, and media organizations have stepped up efforts to promote related curricula and programs. Such efforts should be applauded—but not viewed as a "panacea," the Data & Society researchers argue.

Liao Liang's mission in the Kenyan capital is hardly confidential: As a senior editor of the China Global Television Network (CGTN), a subsidiary of Chinese state television, his task is that of shining a positive light on his country's ambitious activities -- particularly those in Africa, where China's reputation has suffered as its footprint has grown.

"It's an apartheid system," he says, with the Chinese at the top, then the whites, then the blacks and at the very bottom are the Kenyans. "We have to let the Chinese go first in the restrooms and we're only allowed to eat in the cafeteria after 1 p.m., after they have eaten. They treat us like their inferiors." Sometimes, James M. says, he only receives half of his contractual editor's salary of 2,000 euros per month. He says he is penalized 2,000 shillings - around 17 euros - for every mistake in his stories, including typos.

CGTN journalists aren't just there to ward off criticism of China's expansion in Africa but also to break the West's media dominance. The broadcaster has a similar mission in Africa as Russia's state broadcaster RT does in Europe.

The Jordanian government on Aug. 1 closed a shrine dedicated to the prophet Aaron near the ancient Nabataean city of Petra. The move followed a burst of public outrage sparked by videos and photos circulating on the internet showing a group of Jewish tourists praying at the site. 

Suleiman Farajat, commissioner of the Petra Development and Tourism Region Authority (PDTRA), had said in an Aug. 2 statement that the photos shared online date to 2013, but that the videos of Jewish men praying were more recent. Farajat remarked that the PDTRA had closed the site after learning that some 300 Israeli tourists had been planning to visit the shrine. At least five Israelis were able to enter the tomb, having been permitted access by guards. Farajat stressed that the authority will not allow non-Islamic religious ceremonies at the site. He asserted in his statement that the tomb has nothing to do with Judaism historically or archaeologically.

an Israeli tour guide for one visit had denied that any of the tourists had prayed and said the trip had been coordinated with Jordanian authorities

CPJ's 10 most censored countries Eritrea North Korea Turkmenistan Saudi Arabia China Vietnam Iran Equatorial Guinea Belarus Cuba

"The internet was supposed to make censorship obsolete, but that hasn't happened," Joel Simon, CPJ executive director, said in a statement. "Many of the world's most censored countries are highly wired, with active online communities. These governments combine old-style brutality with new technology, often purchased from Western companies, to stifle dissent and control the media,"

Egyptian authorities have forced a Guardian journalist to leave the country after she reported on a scientific study that said Egypt was likely to have many more coronavirus cases than have been officially confirmed.

She cited a study accepted for publication in the Lancet Infectious Diseases journal, which had analysed flight records, traveller data and infection rates to estimate that Egypt could have had 19,310 coronavirus cases by early March, with the lower end of the range about 6,000 cases. The Egyptian government’s official count at the time period covered by the data was that three people were infected.

On 17 March, Michaelson’s press accreditation was revoked. The Guardian offered the Egyptian authorities the chance to write a letter for publication rebutting its report or the Canadian study, but received no response to the offer.

Launched in June 2013, Mowatin is an independent Omani magazine that covers a variety of topics in Oman and the Arabian Gulf including politics, human rights and the economy. In January 2016, the magazine announced a suspension of its activities due to "circumstances beyond its control", in particular its desire to "guarantee the safety" of its journalists and writers. The magazine's journalists were subjected to pressures and harassment from Omani authorities, in particular the Internal Security Services (ISS), the country's national security intelligence agency. In a video published on 25 April, the magazine announced that it would resume publishing from London, on 3 May on the occasion of World Press Freedom Day. However, hours after resuming publication, the magazine and human rights groups reported that the website was blocked inside Oman.

Citizens of the Gulf Cooperation Council (GCC) states woke up on Monday morning to what is the most severe crisis in the regional block’s 38 year history to date. In a closely coordinated series of statements, Saudi Arabia, Bahrain and the UAE, along with Egypt, announced the severing of ties with the peninsular state of Qatar.

In what may be the most debilitating move, Qatar’s border with Saudi Arabia—which is its only land border —has been shut and all flights over Saudi and UAE airspace has been closed off to Qatar bound flights and Qatar Airways. Qatari citizens have been given two weeks to leave Saudi Arabia, Bahrain and the UAE and all travel by these countries citizens to Qatar is now prohibited.

It is likely that this time the Gulf States will demand the complete shuttering of the Al Jazeera TV Network before any mediation can take place. Additionally, the plug will have to be pulled on networks funded by Qatar such as Al Araby Al Jadeed (The New Arab), originally set up to compete with Al Jazeera and headed by former Arab Israeli politician Azmi Bishara.

“The Journal has done a lot of good work in covering the Trump administration, but not nearly as much as it should have,” another recent departee said. “I lay almost all of that at Gerry’s doorstep. Political editors and reporters find themselves either directly stymied by Gerry’s interference or shave the edges off their stories in advance to try to please him (and, by extension, Murdoch).”

“This is the most access he has had to a sitting president ever – that is something he’s tried to do and has done in other countries particularly with British prime ministers,” Ellison said. “He’s choosing his own personal access over having any journalistic clout.” Murdoch bought the newspaper in 2007, but initially it was thought to be one of the few outlets in his portfolio impervious to his political influence. In the Trump era, some staff fear that seems to be changing fast.

Throughout the campaign, Ivanka was a trustee of the $300m fortune allocated to Murdoch’s daughters with Deng, stepping down only after the financial connection became public.

nothing seems to disturb Egypt’s ruling cadres more than the written word. The recent litany of bans and shutdowns, including blocking hundreds of web pages online, illustrates what Cambridge University’s Khaled Fahmy, a prolific historian of the Middle East, called “an alarmist moment of crisis,” one in which Egypt’s authoritarian state of emergency laws have turned something as simple as reading into a dangerous act. “Free press and freedom of information … are essential ingredients of any democratic system. The regime and many segments of society do not see it this way—they see the exact opposite. They see at times of crises we have to have absolute unity,”

sentenced to five years in jail under a counter-terrorism law for possessing a copy of Karl Marx’s Value, Price and Profit

Sisi prefers conservative Islamists who he can control over secular dissidents—chiefly writers—who threaten his rule.

“I just wanted to pitch-in but I wasn't sure how,” says the 37-year-old street artist, who made his name in Cairo during the 2011 revolution against Hosni Mubarak.

“If I would were in Cairo now, I would have taken to the streets with graffiti, like I did in 2011. I kept on wondering: how can I participate in a concrete and positive way, and make it useful?"

On the morning of 20 September, Ganzeer woke up anxious. During the next few hours he drew the image that has quickly come to define a new wave of protests against the sitting president. In the illustration, Sisi is dressed in a striped jacket and tie, but drawn as a cartoonish cat burglar.

Today, Twitter has a different story, and it is not one of speaking truth to power. Twitter is no longer empowering its users. Its platform cannot be considered neutral. Twitter’s actions suggest it is systematically suppressing voices in the Middle East and North Africa (MENA) region.

What started out as an investigation into the mass suspension of accounts of Egyptian dissidents, uncovered a mass censorship algorithm that targeted users who use Arabic flagging their text as hateful conduct. This story is still unfolding. As you read this, mass and unjustified systemic locking and suspension of Twitter Arabic accounts continues. Users are angry and bewildered.

draconian yet lazy algorithms have systematically shut down voices of dissent – and pulled unsuspecting social media users down with them

“They just want to see your visa,” a British embassy official told me on March 18, passing on a message from Egyptian security officials at the country’s visa and immigration office. I knew what that meant: Other journalists had been called to the same authority to have their visas revoked. Later that day, the British official called me again as I sheltered in a hotel room, after a lawyer advised me to flee my apartment in case it was raided by police. The security services had spoken to the Egyptian Ministry of Foreign Affairs, which had passed a second message to the British embassy. “They’re asking you to leave,”

I dodged the meeting at the visa authority by sending a lawyer in my place, after officials at the German embassy in Cairo—I’m a dual national—warned me I could be arrested or deported there. We think it’s best you get on a plane, they said. 

The number of infected people has become a metric for evaluating the Egyptian government’s control of the disease; the possibility that more people could be infected has become almost blasphemous in the eyes of the authorities. Even now, as confirmed COVID-19 cases in Egypt top 7,000, the size of the outbreak remains an inflammatory subject, with fear and nationalist pride working alongside a state that is practiced at concealing information