Western media and depictions of death and injury to 'others' | Racism | Al Jazeera - 0 views
www.aljazeera.com/...th-injury-190122105451654.html
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shared by Ed Webb on 15 Mar 19
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not necessary for a newspaper to run images of the dead and injured in a manner that seemed blatantly disrespectful and dehumanising
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Part of the issue people had with the editorial response was that it seemed to imply that the images were published because the attack in Nairobi was a "special" isolated incident, one that required especially gruesome images to depict "the truth" of what happened.
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Kenyans were neither fooled nor placated. Many others in the Global South agreed, as they, too, had experienced - many times over - how powerful news organisations from the geopolitical West present what happens in their communities and countries in two-dimensional ways, often with little regard for how their words and images would affect those who were depicted
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a long tradition of exploiting the most painful, brutal moments of those in geopolitical locations that the West continues to regard in a condescending, paternalistic manner - particularly those in Africa, the Middle East and Asia. Others shared examples of The New York Times' past reports on atrocities and terror attacks in the West, which did not include any gruesome images, to disprove the editors' claim that they would "show reality…wherever in the world" in a similar fashion.
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Kenyans compared The New York Times' coverage of this story - without photos of dead, white, American bodies - to its coverage of the attack in Nairobi and pointed out the newspaper's hypocrisy
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In response to the charges that Kenyans are engaging in "anti-democratic" behaviour, many pointed out that such lectures on media freedom smack of a smug, "First World" brand of racist superiority. It is a defensive reaction that also allows powerful, privileged news organisations and their foreign correspondents to deflect attention from legitimate criticism of their practices by focusing on "irrational" "mob reactions"
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"freedom of the press really needs to be distinguished from the foreign press…do[ing] whatever they like. One is about critiquing state excesses and advancing democracy. The other is not necessarily that."
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there is ample evidence showing that mainstream media in the US routinely treats black victims of violence differently, that "black people's lives are valued less than whites' in the US". Given that context, she argued, "#RiversideAttack photos are not an isolated incidence. They continue a long tradition of presenting white grief as important and black grief as irrelevant."
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Sentilles argued that this discrepancy - and "the very fact of visual access to the dead" from regions that we have historically positioned as "other" - creates and maintains a hierarchy. It encourages those in the geopolitical West to objectify the victims of terror and disaster in "other" lands as lesser beings who do not require the same level of dignity with which we would approach our own. Those others' lives in those far-away locations are less valued, their deaths less impactful, and thus less respect needs to be shown around their deaths. Moreover, "publishing some images while suppressing others sends the message that the visible bodies are somehow less consequential than the bodies granted the privilege of privacy."
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it remains important that foreign journalists operating in Africa remember to examine and critique their positionality as they report on events in countries into which they have just "parachuted". Members of the foreign press should know that, as representatives of powerful news organisations, they have enormous power to influence the ways in which those in the "West" view "Africa" and "Africans". However, their reports often lack this necessary self-awareness and critique. Instead, their work reflects the lineages of power that come with Western news institutions and the fact of being in a "Western" body (which, no doubt, also depends on how a particular reporter is read as a "racialised" and gendered body) in a particular setting and context.
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Most Western media outlets' reports on Africa continue to offer their readers predictable, contemporary versions of deeply problematic colonial images of "Africa" that allows them to safely imagine themselves as "civilised", and "Africans" as…well, you know the rest