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This company considered the Tunisian Internet agency a big partner … a technical partner that hosted equipment that does not belong to it, and that was used to undertake censorship and surveillance related tests. For these companies, Tunisia responded to their needs; a country close to Europe, and a place where everything was permitted, and no one dares to raise the question about the 404 error. But now, when a website hosted in Europe, or the USA does no longer exist, and 404 error appears on the computer screen, newspapers immediately report that “censorship is back” , and that “ATI is lying to us”. Truly, there is not a single functioning machine except the local filters, which are functioning for public institutions.

I can’t tell you the names of the companies. I read the contracts of these companies with the agency, and they contain confidentiality clauses.

the problem of Tunisia is the content. We have an advanced infrastructure but the content and apps are not developing for simple reasons. Before, to create a website there were obstacles — namely waiting for the ATCE approval, and censorship. People did not feel comfortable and safe to create content. It was impossible to create websites in Tunisia; it was a dream.

There are no more political constraints. And there is no more censorship. People used to be afraid from authorities tracking them and their families down. This is why Tunisia was behind.

people are lodging complaints against each other for defamation. We are overreacting and I have fears that if we over react we will receive censorship orders.

The government should not be involved in internet regulation. Instead, an independent authority should take in charge such task. But we don’t have such authorities for the internet in Tunisia

Visitors to Huffington's website last May could have seen  this page (preserved here by the Wayback Machine) which lists Narwani's articles. Look at the same page today and they have all been deleted except for one which she co-authored with someone else. It's as if the other articles never existed.

concern about Facebook's deletion of various pages connected with the Syrian opposition, possibly at the behest of pro-Assad elements. Some of them have been listed by Felim McMahon of Storyful and the blogger, Brown Moses. McMahon points out that some of these have helped Storyful to corroborate (or not) various claims about the Syrian conflict, while Brown Moses notes that "nearly every Facebook page" reporting on the chemical attacks in Damascus last August has now gone. Alongside the fighting on the ground, there's also a propaganda war being fought over Syria – mostly via the internet. At first sight this might seem like a sideshow but, as in all wars, it's an integral part of the conflict. One individual heavily involved in the Syrian propaganda war on the pro-Assad side, through Twitter and various websites, is Sharmine Narwani (who I have written about previously, here,  here, here, and here). Among other things, Narwani wrote a dozen highly contentious articles for Huffington Post, some of them about Syria. Whether you like them or agree with them is beside the point. Whatever their merits or de-merits, they were examples of the sort of arguments being used by Assad supporters and the fact that Huffington, a major American website, saw fit to publish them at the time is also interesting and relevant. 

I'm not suggesting that articles on the internet should never be deleted or changed but that it should not be done lightly, and when it does happen, publishers should be prepared to justify their decisions in public.

AK Party is still the most popular party among the electorate, and if elections were held tomorrow, it would still lead the polls

Government claims that external forces, terror groups, provocateurs and social media actually instigated protests were not found to be credible by most respondents. Only 3.2 percent of respondents said unidentified external or internal powers were behind the protests, while 1.8 percent said provocateurs and instigators provoked the protests. Those who believe media or social media were behind the incidents ranked lowest in the survey with 0.6 percent.

a majority of those who said they voted for the ruling AK Party were against the building plans; 41.6 percent of people who voted for the AK Party in the June 2011 elections said they opposed the government plans, while 38.3 of AK Party supporters said they favor the plans

62.1 percent of respondents said the media did not cover events fairly

The majority of those surveyed also said they believe the press is not free in Turkey, with 53.3 percent versus 41.1 percent.

54.2 percent saying that they oppose the Syrian policy, while only 27.4 percent favor the government position

Half of surveyed individuals (49.9 percent) were against Syrian President Bashar al-Assad's staying in power, however, while only 6.2 percent said they favored him staying; 43.9 percent said they did not care about Assad's prospects one way or another

Almost 43 percent said Turkey should not switch to a presidential system, with 30.9 percent declaring their support for a presidential system. In April polling data by MetroPOLL, support for a presidential system was 35.2 percent

41.7 percent said Turkey needs a new political party

72.5 percent of the respondents said they like President Abdullah Gül most among existing political figures. Gül was followed by Erdoğan with 53.5 percent, Kılıçdaroğlu 26.7 percent and Devlet Bahçeli 29.3 percent. Erdoğan lost almost 7 percentage points from the April poll conducted by MetroPOLL

The margin of error for the overall poll is 2 percentage points, and the confidence level is 95 percent

The cyber-repression was made easier by the physical structure of Tunisia’s data flow, which runs through just a few choke points. In broad terms, the system has two distinct parts: one for intercepting phone-related traffic and one for the Internet, Saadaoui says.

In each of the three telecom rooms, which are about half the size of a tennis court, a handful of computers known as “boxes” straddle the data pipelines, Chakchouk says. Their function is to siphon off communications, mostly by searching for key words, according to Saadaoui. “You get all the traffic going through these boxes,” Saadaoui says. Once the system flagged a suspect e-mail, a fiber optic network under the streets of Tunis carried it from the telecom offices to the Interior Ministry’s operator room, Saadaoui says. Moez Ben Mahmoud Hassen, a spokesman for Tunisie Telecom, said the company “denies any possible relation with such practices.” He stressed that it follows the law and respects the confidentiality of communications. Asked about the company’s activities during Ben Ali’s government, he said it was a matter for the courts and declined to elaborate. Communications through mobile operator Orascom Telecom Tunisie, also known as Tunisiana, were not monitored, according to a statement released by company spokeswoman Fatma Ben Hadj Ali. The country’s other mobile operator, Orange Tunisia, didn’t respond to requests for comment.

By 2010, it became a contest as Tunisians increasingly employed encryption the packet inspection couldn’t crack. Communications on Facebook boomed, and the regime demanded better tools, Saadaoui says. The same European contractor that provided e-mail surveillance signed a deal to add monitoring of social networks, he says. It was too late. The supplier hadn’t yet delivered the solution when the “Facebook revolution” crested in January. The government’s last-ditch attempts to quell online organizing included hacking and password-stealing attacks by Ben Ali’s regime, outside the purview of the Internet agency, Saadaoui says. Slim Amamou, a blogger who was arrested during the uprising and briefly became a minister for youth and sport after the revolution, says the presidential palace and ruling party orchestrated the final cyber attacks.

Today, Chakchouk, the new head of Tunisia’s Internet authority says he’s working to dismantle Ammar 404, and turned off the mass filtering, he says. Now he’s locked in legal battles over court orders to block specific Web pages. On Saturday, May 7, he and his team pulled an all-nighter to set the filtering equipment to block a single Web page to comply with a military court’s demand related to a defamation complaint. The following Tuesday, still looking tired, Chakchouk says it took so long because they were figuring out how to replace the page with a message explaining the blockage -- rather than the customary Error 404. Since the revolution, Chakchouk has spoken at conferences around the world, decrying censorship. Yet he won’t say much about surveillance. For now, the packet inspection boxes are still on the network. “We tried to understand the equipment and we’re still doing that,” he says. “We’re waiting for the new government to decide what to do with it.”

The theme of the golem, after all, has been explored several times before, from the silent film era of Paul Wegener’s expressionist Der Golem (1916) until today, including in The X-Files and The Simpsons’ annual “Tree House of Horror” Halloween episodes. There have also been a small number of horror films that explore Jewish folklore, such as Ole Bornedal’s The Possession (2012), which in lieu of The Exorcist’s Pazuzu features the malicious spirit of legend known as a dybbuk, an entity which also appears in David Goyer’s The Unborn (2009), and even in the Coen brothers’ A Serious Man (2009). Yet despite a preponderance of Jewish horror directors from Curt Siodmak, creator of The Wolf Man (1941) to Polanski, Hollywood has tended not to explore explicitly Jewish themes in horror.

the sense of the terrors of the real world is fundamental to monotheistic horror, for it asks what the ultimate origin of evil is.

The Franco-Bulgarian philosopher Tzvetan Todorov in The Fantastic: A Structural Approach to a Literary Genre distinguished between what he called the “uncanny,” whereby the supernaturalism of a story can be ultimately explained by rational recourse, and the “marvelous” in what’s been depicted is to be understood as genuinely supernatural. For Todorov, that which is fantastic in literature exists in the ambiguity between the uncanny and the marvelous, where the characters in a story (and the reader) are unsure as to whether events witnessed are genuinely supernatural or not. Todorov writes: “The fantastic is that hesitation experienced by a person who knows only the laws of nature, confronting an apparently supernatural event.”

what I’ve termed “monotheistic horror” in contrast to “dualistic horror.” The latter is any work which posits supernatural evil as somehow separate in agency from God, while the former steadfastly holds to all things—even evil things—as having their origin in the Lord. I’d argue that Jewish horror fiction, for all of its diversity, must be resolutely defined by an overpowering sense of monotheism, and that it is that sense of the fundamental unity of reality that makes those works terrifying. Ghosts, goblins, and ghouls can exist in both types of horror, but in dualistic horror God is either configured as explicitly separate from those evil things, or mention of Him is passed over.

The Paz brothers’ film is an example of Jewish horror not because it takes place in a 17th-century shtetl, or because its story deals with that most Jewish of monsters, but rather because there is no sense that anything that happens doesn’t occur due to the power and sovereignty of God.

in The Golem the creature is fashioned in adherence to God’s reality. Hanna’s creation is not demonic, but rather divine—if still capable of malevolence.

Any fiction that presents the malevolence experienced in reality as integral to the unity of that very same reality is monotheistic horror. In this way, I’d argue that Franz Kafka is one of the greatest horror writers of the 20th century, with a dark perspective that rivals that of H.P. Lovecraft. The latter thought the world meaningless, but Kafka never fell into that error. The result is paradoxically a horror all the more disturbing for what it implies about evil’s derivation.

For Kafka the deep wisdom of reality is even darker than Lovecraft’s nihilism, for his horror is based on the type of irony that can only be born from the most radical of monotheisms. The author could tell his friend Max Brod that here is “Plenty of hope—for God—no end of hope—only not for us,” a succinct summation of the major themes of Jewish horror, where what is fully externalized is a theodicy that recognizes evil exists in the world while also acknowledging that God must be its author.

The ur-text of Jewish horror, and what I would argue is perhaps the most terrifying story every told, is the biblical Book of Job. Few narratives can match Job in the sheer awful implications of what’s been recounted, of the upstanding man of Uz who “was perfect and upright, and one that feared God,” but who nevertheless was struck down by the Lord with a deluge of afflictions. So many details of Job’s story, often associated with the fatalism of Greek tragedy to which it bears some similarity, have a gothic sensibility. There is Satan who talks of “roving about in the earth and … walking about in it,” and of Job cursing himself by asking, “Why did I not perish at birth, and die as I came from the womb?” Then there is the pyrotechnic impressiveness of God himself, who “answered Job out of the whirlwind, and said who is this that darkeneth counsel by words without knowledge?”

Monotheistic horror should not be interpreted as the logical culmination of monotheism itself, rather it should be seen as the dark undercurrent, the nagging anxiety, of what it means if there is only one Lord but we’re uncertain as to if He is always benevolent, for as Miles observes “all of God’s actions could actually have been the devil’s.” There is the upsetting ambiguity of monotheistic horror—not that God’s actions are the devil’s, but that they could be.

one of the most potent lessons of Jewish horror fiction: that there is a permeable membrane between civilization and anarchy, where those who claim to protect us one day can cast us aside the next. The “friends” of Job are among the most callous of monsters in the book. What makes Jewish horror so frightening is its entirely accurate understanding that all evil ultimately must have its origin not in devils, but in the two most frightening things in our sublime universe: God and his creations.

lower-level officials self-censor dealings with critics of the administration abroad

“The reality in which political decisions or presidential pettiness directs top U.S. diplomats’ choices over whose human rights work is mentioned in the public sphere and whose is not is a really scary reality.”

She often debunks misinformation spread online and comments on major news events related to propaganda and election interference, including Brexit and the ongoing investigation by special counsel Robert Mueller into links between the Russian government and Trump’s campaign. She has regularly tweeted criticism about Trump’s sharp political rhetoric and attacks on the press

After first being notified she would get the award, Aro filled out forms and questionnaires at the request of officials and cancelled paid speaking engagements to travel to Washington to attend the March 7 ceremony in Washington. The State Department also sent her an official invitation to accept the award and planned an itinerary for a corresponding tour of the United States, complete with flights and high-profile visits to newspapers and universities across the country.

In 2014, Aro pursued reporting on a Russian troll factory in St. Petersburg that aimed to alter western public opinions. Long before the U.S. elections in 2016, which propelled Russian disinformation campaigns to the spotlight, she unearthed evidence of a state-sanctioned propaganda machine trying to shape online discourse and spread disinformation. After she published her investigation, Russian nationalist websites and pro-Moscow outlets in Finland coordinated smear campaigns against her, accusing her at times of being a Western intelligence agent and drug dealer, and bombarding her with anonymous abusive messages. She also received death threats.

reserved the right to seek damages, due to Aro having to cancel paid speaking events