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Michael Fisher

How Iranians See Their Country - 0 views

www.npr.org/...story.php

Iran Middle East NPR

shared by Michael Fisher on 18 Feb 09 - Cached
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  • Michael Fisher on 18 Feb 09
     
    NPR discussion about Iranian attitudes toward their country. Topics included common American misperceptions about Iran, the role of Iranian youth in domestic politics, and Iran's electoral process as it prepares for presidential elections in June.
Ed Webb

Common Knowledge : CJR - 0 views

www.cjr.org/...common_knowledge.php

media identity democracy USA cjr analysis socialmedia newspapers journalism politics

shared by Ed Webb on 21 Sep 09 - Cached
  • Berelson’s analysis documented what we denizens of the burgeoning ecosystem often shorthanded as “the new media landscape” understand instinctively: that news is much more than information. That it is more, even, than a cultural commodity. Berelson highlighted news’s status as a source both of intimacy and anxiety: news is not only a reflection of the world we live in. It is also a reflection of ourselves.
  • Aren’t consumers better served by many outlets that are specialized than by a few outlets that are generalized? And national news, even in its halcyon days—one thinks of Walter Cronkite, the “most trusted man in America”—was never a paragon of cultural comprehensiveness. Master narratives, the closest we’ve ever gotten to macro-communal news, have been, as well, products of oligarchic exclusivity.
  • consumers are increasingly presented with, and made to choose among, an expanding variety of ever-narrowing news sources
  • ...16 more annotations...
  • the inconvenience of being challenged in our beliefs.
  • Increasingly, we are able to choose not just which opinions to embrace, but also something more foundational: which facts to know in the first place.
  • a troubling paradox: the democratization of information, it turns out, is in some ways at odds with democracy itself.
  • Where is the middle ground between monopoly and chaos? How do we balance the individually empowering elements of the niche—and the passion and participation they encourage—with news that is empowering in a wider sense of civic life? How do we reconcile the intimacy of news consumption with Berelson’s insight that news is, at is core, a solidarity good? How do we structure a system of news that acts, in varying ways, as democracy’s common denominator?
  • news consumption itself has taken on a quality of itinerancy: audiences, per Pew’s most recent State of the News Media report, now “hunt and gather what they want when they want it, use search to comb among destinations and share what they find through a growing network of social media.” And consumption itself has thus taken on an increasingly self-definitional property: to read The New York Times, or to watch Fox News—or MSNBC—or the NewsHour—or to curate a personalized RSS feed, is, of course, to make not merely a commercial decision. It is also to make a declaration about who you are and how you see the world.
  • There has always been more information in the world than there have been news outlets to convey it; but the explosion of outlets, in particular, means that no longer is slant the key self-definitional distinction in news
  • “The news” itself, as a unitary entity, is no longer something we can take for granted. On the contrary: it is increasingly incoherent—“a mass of niches,” Jeff Jarvis has it. Indeed, the notion of a master narrative itself—the communal melody that, even in its exclusivity, also binds us together in its tunes and tones—is slowly dissolving into white noise.
  • echo chambers—even those that many might think of as ‘the good ones’—have an insularity that impedes broader political and cultural discourse. They distort reality through their very presumption of multiple realities. They assume—and, then, foster—a disconnect between sub-truths and, simply, truth.
  • In And Then There’s This: How Stories Live and Die in Viral Culture, Bill Wasik describes the “feedback loop among bloggers and readers,” citing a study finding that 85 percent of blog links led consumers to blogs of the same political bent—“with almost no blog showing any particular respect for any blog on the other side.” In this way, selective exposure becomes a communal activity.
  • “The problem is when extremism emerges from the logic of social interactions”—from, in other words, a system of discourse that allows for self-segregation. And that’s the problem we’re seeing, increasingly, in our journalistic infrastructure. On the one hand, people have access to more dissenting views than ever before; on the other, paradoxically, they are more able to ignore those views than ever before. My reality here. Your reality there.
  • Without “popular information,” we lose not only our baseline of knowledge about the political world, but also our bearings within it. We risk becoming subject, as it were, to subjectivity itself—and ending up with a society, as William James had it, in which “people think they are thinking when they are merely rearranging their prejudices.”
  • That journalism is crucial to modern democracy seems clear; that it is not by any means sufficient to democracy seems equally clear
  • News serves the public not only by feeding it information; it also fosters, in the phrase of the sociologist C. Wright Mills, the “sociological imagination”—the habit of mind required to connect one’s private concerns to the “public issues” that give rise to them. News itself is thus a self-fulfilling prophecy. In learning about our fellow citizens, we come to see their lives as they are: inextricably linked to ours. News begets empathy—and, in that, social capital. Connection is key: as Robert Putnam notes, “a society of many virtuous but isolated individuals is not necessarily rich in social capital.”
  • Mediated knowledge, in other words, united the country. Not by whitewashing differences among its consumers, but rather by giving those consumers a baseline of shared information and discourse that, eventually, transformed an awkward amalgam of loosely connected states—the experiment—into the United States. The nation.
  • The challenge, as we navigate the chasm between old ways and new, is to find a way to mingle the productive properties of commotion with the enduring value of community.
  • “It is hardly possible,” Mill had it, “to overstate the value in the present state of human improvement of placing people in contact with others dissimilar to themselves, and in contact too with modes of thought and action unlike those with which they are familiar.”
  • Ed Webb on 21 Sep 09
     
    Essential reading on media, identity, democracy, community.
Ed Webb

How one sultan's harem is another's school - Al-Monitor: the Pulse of the Middle East - 0 views

www.al-monitor.com/...arnates-harem-contraversy.html

Turkey education women history AKP Erdogan Ottomans media socialmedia

shared by Ed Webb on 11 Mar 16 - No Cached
  • After naming a few prominent valide sultans — the title of the legal mother of the sultan — from the Ottoman era, Erdogan said, “Valide sultans have been pioneers of their generation and examples to our mothers.” Challenging the Orientalist portrayal of the harem as a place where ambitious women battled with the power of their sexuality, Erdogan praised the harem, saying, “For the members of the Ottoman family, the harem was a school. It was a center of education, where women were prepared for life and organized volunteer activities. This household was led by the valide sultans.”
  • Indeed, despite harsh criticism by AKP elites, series like “Magnificent Century,” about the lives of prominent sultans and their lovers, such as Hurrem or Kosem Sultan, have become extremely popular in Turkey. These shows have also generated a niche for neo-Ottoman goods. Scents named after powerful women of the Ottoman court along with themed bathrobes, bathroom accessories, jewelry and even hair coloring are being sold. Ottoman-era aphrodisiacs to impress your partner have made a strong comeback and can be found in mainstream markets. Most of these products are not designed for Westerners fascinated by the ways of the East but for contemporary Turks. Today, one also has the option of partaking in the palace experience according to one's budget and tastes. For example, Les Ottomans, a fancy boutique and hotel on the Bosporus, offers rooms decorated to provide the unique atmosphere of the eras and tastes of 10 different sultans. US Republican presidential hopeful Donald Trump has even visited the hotel.
  • While journalists working for pro-government media outlets rigorously tried to prove the harem’s educational value, others asked whether the harem could be called a school simply because the residents were educated in certain trades. Ozlem Kumrular, a historian and author of the book “Kosem Sultan,” about the prominent valide sultan, tweeted an image of a painting depicting nude women around a pool, and wrote, “The artist of this harem painting is the last caliph, Abdulmecid. Odd but true.” It is interesting to note that although Kumrular’s message received hundreds of retweets, no backers of Erdogan’s praise of the harem tried to explain the rationale behind the painting. Most of the replies were satirical. For instance, one read, “Could [Sultan] Abdulmecid know the harem better than Mrs. Erdogan? I wonder what class this was.”
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  • A scholar of history and cultural studies, who requested anonymity for fear of losing her job
  • satire was the most common way Turkish social media dealt with the mysterious education system of the harem
  • Multiple social media users and pundits also criticized the Erdogan family for enjoying the benefits of Western, secular education themselves — all four Erdogan children attended college in the West — while encouraging a different system to domestic audiences. Hence, the most common and mind-numbing question circulating on social media concerned whether Erdogan’s words signaled intentions to establish a harem in their palace of more than 1,000 rooms.
  • In some countries, a simple comment about a chapter in history might be insignificant, but the efforts by the Islamists in Turkey to redefine a woman’s place and role in the public domain have scarred relations between different segments of the society. It is no longer a question of whether a woman is wearing a headscarf, but of welcoming a regression in women’s rights and glorifying the idea of enslaving women.
Ed Webb

A New History for a New Turkey: What a 12th-grade textbook has to say about T... - 1 views

www.eliamep.gr/...CE%AF%CE%B1-%CE%B4%CE%B9%CE%B4

Turkey history textbooks imperialism colonialism propaganda ideology US USA EU NATO UN analysis

shared by Ed Webb on 06 Jun 22 - No Cached
  • Rather than simply serving as crude propaganda for Erdoğan’s regime, Contemporary Turkish and World History aspires to do something more ambitious: embed Turkey’s dominant ideology in a whole new nationalist narrative. Taken in its entirety, the book synthesizes diverse strands of Turkish anti-imperialism to offer an all-too-coherent, which is not to say accurate, account of the last hundred years. It celebrates Atatürk and Erdoğan, a century apart, for their struggles against Western hegemony. It praises Cemal Gürsel and Necmettin Erbakan, on abutting pages, for their efforts to promote Turkish industrial independence. And it explains what the works of both John Steinbeck [Con Şıtaynbek] and 50 Cent [Fifti Sent] have to say about the shortcomings of American society.
  • Turkey has long had competing strains of anti-Western, anti-Imperialist and anti-American thought. In the foreign policy realm, Erdogan’s embrace of the Mavi Vatan doctrine showed how his right-wing religious nationalism could make common cause with the left-wing Ulusalcı variety.[5] This book represents a similar alliance in the historiographic realm, demonstrating how the 20th century can be rewritten as a consistent quest for a fully independent Turkey.
  • Ankara is currently being praised for sending indigenously developed drones to Ukraine and simultaneously criticized for holding up Sweden and Finland’s NATO membership. Contemporary Turkish and World History sheds light on the intellectual origins of both these policies
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  • Among the 1930s cultural and intellectual figures given place of pride are Albert Einstein, Pablo Picasso and John Steinbeck. Guernica is reproduced in an inset about Picasso, illustrating the artist’s hatred of war. (47) A lengthy excerpt from the Grapes of Wrath concludes with Steinbeck’s denunciation of depression-era America: “And money that might have gone to wages went for gas, for guns, for agents and spies, for blacklists, for drilling. On the highways the people moved like ants and searched for work, for food. And the anger began to ferment.”
  • The book places added emphasis on the harsh terms imposed on Germany at Versailles. Prefiguring the later treatment of Al Qaeda terrorism, the intention appears not so much to justify Nazism, but rather to present injustice as the causal force behind violence and cruelty in world politics.
  • the Holocaust instead appears here as one among several examples of Western barbarity
  • The foundation of the UN is immediately followed by a discussion of Israel under the heading “Imperial Powers in the Remaking of the Middle East.” (80-81) The Palestine problem, students learn, is the principal cause of conflict in the region. It began when the Ottoman Empire, “the biggest obstacle to the foundation of a Jewish state,” grew weak, leading to the creation of Israel.
  • Next comes a discussion of the post-war financial order and the International Monetary Fund. Students learn that “the IMF’s standard formula, which recommends austerity policies for countries in economic crises, generally results in failure, chaos and social unrest.” (81-83) An excerpt, which students are then asked to discuss, explains how the IMF prescribes different policies for developed and developing countries.
  • only in the context of the Cold War origins of the EU does the book engage in any explicitly religious clash-of-civilizations style rhetoric. The idea of European unity is traced back to the Crusades, while a quote about the centrality of Christianity to European identity appears under a dramatic picture of Pope Francis standing with European leaders. (112) The next page states that the EU’s treatment of Turkey’s candidacy, coupled with the fact that “all the countries within it were Christian” had “raised questions” about the EU’s identity.
  • Early Cold War era decolonization also provides an opportunity to celebrate Atatürk’s role as an anti-imperialist hero for Muslims and the entire Third World. (122-123) “Turkey’s national struggle against imperialism in Anatolia struck the first great blow against imperialism in the 20th century,” the authors write. “Mustafa Kemal, with his role in the War of Independence and his political, economic, social and cultural revolutions after it, served as an example for underdeveloped and colonized nations.” Atatürk himself is quoted as saying, in 1922, that “what we are defending is the cause of all Eastern nations, of all oppressed nations.” Thus, the book explains that “the success of the national struggle brought joy to the entire colonized Islamic world, and served as a source of inspiration to members of other faiths.” The section ends with quotes from leaders such as Jawaharlal Nehru, Muhammad Ali Jinnah, and Habib Bourguiba about how Atatürk inspired them in their own anti-imperial struggles or was simply, in Nehru’s words, “my hero.” An accompanying graphic shows Atatürk’s image superimposed over a map with arrows pointing to all the countries, from Algeria to Indonesia, whose revolutions were supposedly influenced by Turkey’s War of Independence.
  • Amidst the polarization of the Erdoğan era, what is striking in this book is the authors’ efforts to weave together the conflicting strands of Turkish political history into a coherent narrative. Illustrating Ernst Renan’s argument about the role of forgetting in nation-building, this account glosses over the depth of the divisions and hostility between rival historical actors, presenting them as all working side by side toward a common national goal
  • The authors also offer a balanced treatment of the fraught domestic politics during the period from 1945 to 1960 when Turkey held its first democratic election and experienced its first coup. (138-142, 144-146) They focus their criticism on the negative impact of U.S. aid, arguing that Washington intentionally sought to make Turkey economically and politically dependent, then sponsored a coup when these efforts were threatened.
  • The narrative of national independence also helps smooth over Turkey’s Cold War domestic divides. Students are introduced to the ‘68 Generation and left-wing leaders likes Deniz Gezmiş as anti-imperialists protesting against the U.S. Sixth Fleet in support of a fully independent Turkey. (185-186)[9] In this context, Baskin Oran’s work is again cited, this time quoting Uğur Mumcu on the role of “dark forces,” presumably the CIA, in laying the groundwork for Turkey’s 1971 coup.
  • The book also offers a relatively neutral treatment of political activism during the ensuing decade, suggesting that rival ideological movements were all good faith responses to the country’s challenges. On this, the authors quote Kemal Karpat: “Both right and left wing ideologies sought to develop an explanation for social phenomena and a perspective on the future. A person’s choice of one of these ideologies was generally the result of chance or circumstance.” (202) Thus the authors imply that while foreign powers provoked or exploited these movements, the individual citizens who participated in them can be given the benefit of the doubt. Interestingly, the book takes a similar approach in discussing the 2013 Gezi protests: “If various financial interests and foreign intelligence agencies had a role in the Gezi Park events, a majority of the activists were unaware of it and joined these protests of their own will.”
  • Turkey’s real struggle in the 21st century, as in the 20th, is against dependence on foreign technology
  • a book which begins with a portrait of Atatürk ends with a photo of the Bayraktar TB2.
  • the book’s biases are less in the realm of wild distortion and more reminiscent of those that plague ideologically infused nationalistic history education in all too many countries
  • its exaggerated critique of European imperialism may be no more misleading than the whitewashing still found in some European textbooks
  • At moments, Contemporary Turkish and World History is better aligned with recent left-leaning scholarship than the patriotic accounts many Americans grew up reading as well
  • Selçuk Bayraktar, the architect of Turkey’s drone program, said that as a student “I was obsessed with Noam Chomsky.” [16] During the 1980s and 90s, America sold Ankara F-16 jets and Sikorsky helicopters that were used to wage a brutal counterinsurgency campaign in southeast Anatolia. No one was more critical of this than left-wing scholars like Chomsky.[17] Now, Ankara is selling Bayraktar drones to Ethiopia, where they are being used to kill civilians and destroy schools in another violent civil war.
  • Turkey’s marriage of power projection and anti-colonial critique have been particularly visible – and effective – in Africa. Ankara has presented itself as an “emancipatory actor,” while providing humanitarian aid, establishing military bases, selling weapons across the continent.[13] In doing so, Turkish leaders have faced some of the same contradictions as previous emancipatory actors. In August 2020, for example, members of Mali’s military overthrew a president with whom Erdoğan enjoyed good relations. Ankara expressed its “sorrow” and “deep concern.”[14] Then, a month later, Mevlüt Çavuşoğlu became the first foreign official to meet with the country’s new military leaders. “Like a brother,” he “sincerely shared” his hopes for a smooth “transition process” back to democracy
  • Throughout the 20th century, America defined itself as the world’s premier anti-imperialist power, all while gradually reproducing many of the elements that had defined previous empires.[11] Today, it often seems that Turkey’s aspirations for great power status reflect the facets of 20th century American power it has condemned most vigorously
  • certain themes dominate Contemporary Turkish and World History. At the center of its narrative is the struggle for global hegemony, in military, economic, technological and artistic terms
Ed Webb

Twitter and the Anti-Playstation Effect on War Coverage | technosociology - 1 views

technosociology.org/?p=393

journalism media analysis twitter socialmedia andycarvin

shared by Ed Webb on 29 Nov 11 - No Cached
  • I’d like to argue that Television functions as a distancing technology while social media works in the opposite direction: through transparency of the process of narrative construction, through immediacy of the intermediaries, through removal of censorship over images and stories (television never shows the truly horrific pictures of war), and through person-to-person interactivity, social media news curation creates a sense of visceral and intimate connectivity, in direct contrast to television, which is explicitly constructed to separate the viewer from the events.
    • Ed Webb
      Ed Webb on 29 Nov 11
       
      Television as hot medium; social media as cool, demanding engagement? - see McLuhan
  • a very surreal and disorienting experience unless one has been thoroughly conditioned into accepting them as normal. All this positions the anchor between us and the event and signals to the viewer that the event is merely something to be watched, and then you move on.
  • the construction of the role of the anchor or the curator, and the role of content filtering.
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  • his news gathering and curation process is transparent–and that evokes a different level of engagement with the story even if you are only a viewer of the tweet stream and never respond or interact
  • on Twitter curation feeds, we are often in a position to observe the process by which a narrative emerges, trickle by trickle. “Polished” and “final” presentation of news invites passivity and consumption whereas visibility of the news gathering process changes our interaction with it into a “lean-forward” experience. Carvin’s reporting is not infallible–although most of the stories from citizen-media sources often turn out to be fairly accurate, belying the idea that Twitter is a medium in which crazy rumors run amok—but it wears that fallibility on its sleeve and is openly submerged in a self-corrective process in which reports and points-of-view from multiple sources, including citizen and traditional media, are intertwined in an evolving narrative.
  • This visibility of the process is a step in the opposite direction from French philosopher Jean Baudrillard’s famous assertion that we are increasingly moving towards a “procession of simulacra” in which the simulation (“the news”) increasingly overtakes any notion of the real and breaks the link between representation and the object –often in the form of spectacle–, ultimately erasing the real. Baudrillard famously wrote a series of essays titled “The Gulf War Did Not Happen” – he was not claiming that bombs were not dropped and people killed. Rather, he had argued that, for the Western audiences, the First Gulf war was experienced merely as green flickers on TV screens narrated by familiar anchors and without much connection with actual reality – reality as inhabited by human beings at a human scale.
  • the massive censorship of reality and images of this reality by mainstream news organizations from their inception has been incredibly damaging. It has severed this link of common humanity between people “audiences” in one part of the world and victims in another. This censorship has effectively relegated the status of other humans to that of livestock, whose deaths we also do not encounter except in an unrecognizable format in the supermarket. (And if anyone wants to argue that this is all done to protect children from inadvertent exposure, I’d reply that there are many mechanisms by which this could be done besides constant censorship for everyone.) While I cannot discuss the reasons behind this censorship in one blog post, suffice it to say it ranges from political control to keeping audiences receptive to advertisements.
  • I am not arguing that we would look at hurt children and be unmoved were it not for Carvin’s open display of emotion. I am arguing that traditional news anchors effectively invite us to do just that: to distance ourselves.Humans naturally react to suffering and it takes a very contrived environment to dampen that response.
  • watching Andy Carvin deal with his own vulnerability to imagining children hurt –children just like his– dramatically creates a mechanism in the opposite direction of that created by traditional news.
  • Contrary to assumptions, virtually everyone who does not fall into the rare breed of aggressive psychopaths who kill with ease has to be trained to kill. To the chagrin of military trainers and leaders throughout history, humans have an innate aversion to taking of human life. Untrained soldiers are historically averse to killing the “enemy” even when their life is in direct danger. Most will hide, duck, fire in the air, load and unload their weapons repeatedly, fire over the heads of the “enemy” and take other evasive actions, anything, to avoid killing. For example, in World War II, only about 20 percent of the riflemen were found to actually fire their weapons directly at enemy soldiers.
  • Twitter-curated news often puts us at bayonet distance to others –human, immediate and visceral– while television puts us on a jet flying 20,000 feet above the debris –impersonal, distant and unmoved.
Ed Webb

Why Breaking the Silence is prime target for Israeli right - Al-Monitor: the Pulse of t... - 1 views

www.al-monitor.com/...-yesh-din-punch-bag-right.html

Israel Palestine israelpalestine NGOs IDF military media propaganda censorship politics settlers

shared by Ed Webb on 27 Mar 16 - No Cached
  • only the activists of one organization, Breaking the Silence, have the dubious honor of being labeled “traitors.” That organization, which has documented and published testimony by military veterans about human rights violations in the territories since 2004, draws more fire than all the other organizations put together.
  • There are those who explain that the reason this group of former soldiers has become the punching bag of the country stems from the fact that it is no longer limiting itself to activity within Israel’s borders. Not only does it publish reports in Hebrew, it translates them into English, gets funding from foreign organizations and individuals, and appears before foreign parliaments. To put it bluntly, many believe that dirty laundry should be washed at home. Not in the foreign media, not in the offices of the European Union in Brussels and not in testimony before an investigative panel of the UN Human Rights Committee. By the same logic, even if the average Israeli concedes that the occupation is a pollutant, he must put up with the smell. A good Israeli must shut the windows and keep the stench at home.
  • Unlike Netanyahu, Breaking the Silence is careful to publish information only after clearing it with military censors. Details that the censor bans from publication or those that are not verified do not see the light of day. The organization made it clear that the censor’s office had approved the publication of most of the testimony recorded by Ad Kan activists and aired on a Channel 2 television investigative report. It was this report that initially claimed that Breaking the Silence was gathering classified operational information unrelated to soldiers’ testimony about human rights violations.
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  • Breaking the Silence is being picked on for cynical political reasons. For Israeli Jews, there is no cow more sacred than the IDF. A clear majority, including this writer, served, are serving or will serve in the armed forces, just like their parents, children and even their grandchildren. When Defense Minister Lt. Gen.  (res.) Moshe Ya'alon declares that the members of Breaking the Silence are traitors, he means that they betrayed all Israelis. This is not an argument about occupation, ethics or Israel’s international standing. It's about our lives. Ya'alon was the commander-in-chief of the military, a respected authority on the matter.
  • The tacit conventional wisdom since the start of the so-called “knife intifada” is based on Talmudic teachings: “If a man comes to kill you, rise early and kill him first.” Or in common parlance, neutralize him first. Israeli politicians have called for people to do just this when confronted with a possible terrorist. There are even Jews who have already ascribed a broad interpretation to this order. Anyone coming to kill you, in their interpretation, may be a Jew willing to hand over territory to non-Jews. Assassin Yigal Amir, for instance, shot Prime Minister Yitzhak Rabin after rabbis and politicians incited against him and his peace policy. Netanyahu himself took part in a demonstration at which a Rabin cutout dressed in a Nazi SS uniform was held aloft. Today, in his dressing down of the organization, he is dressing Breaking the Silence in the uniform of a kapo.
  • “Patriots” who beat up Palestinians for kicks on city streets and set a bilingual school on fire have already started sending threats to Breaking the Silence activists and their families, including their elderly grandparents. If, God forbid, anyone is hurt, Netanyahu, Ya'alon and Yesh Atid Chairman Yair Lapid will rush to issue “sharp condemnations” of the criminals. They will surely not forget to attack those spreading incitement, but they might forget or ignore their own past contributions.
Ed Webb

WASHINGTON: Study finds bias in Internet postings about Syria's civil war | Syria | McC... - 1 views

www.mcclatchydc.com/...bias-in-internet-postings.html

Syria media socialmedia language languages Arabic English analysis propaganda journalism news

shared by Ed Webb on 03 Mar 14 - No Cached
  • After reviewing more than 38 million Twitter posts about the Syrian conflict, a team of Middle East scholars from The George Washington University and American University concluded that rather than an objective account of what’s taken place, social media posts have been carefully curated to represent a specific view of the war. It said the skewing of the social media view of the conflict has been amplified by the way more traditional news outlets make use of the postings – for example, passing along social media posts written in English over those written in Arabic. The analysts studied tweets that mentioned Syria in English or Arabic from the start of 2011 through April 2013. They then analyzed how “traditional” forms of media, such as newspapers, used social media to supplement their coverage of the conflict.
  • Because journalists were largely unable to get direct access to the events in Syria at the start of the conflict, many relied on “citizen journalism,” or accounts from Syrians who said they’d witnessed events firsthand, often posted on social media, said Marc Lynch
  • Syrian activists became adept at crafting a specific message
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  • as the uprising continued, tweets in Arabic began to dramatically outpace tweets in English. From January 2011 to June 2011, English-language tweets were most common, but Arabic tweets made up almost 75 percent of all tweets about Syria just a year later.
  • By focusing only on English-language social media posts, mainstream media have frequently distorted the focus of the Syrian story, the report’s authors claimed.
  • “We here in Washington, especially, we think that the United States is really important; we think that American policy is the single most important thing about Syria, and what Obama does is what everybody wants to know about,” Lynch said. “The Arabic-speaking community does not care about Obama, for the most part. They don’t think American policy is all that important; they’re focused on other things.”Mentions of President Barack Obama, for example, are sporadic in Arabic tweets. By March 2013, Arabic tweets about Syria only mentioned Obama 0.28 percent of the time, compared to 4.28 percent of English tweets.
Ed Webb

Mapping Iran's Online Public: Politics and Culture in the Persian Blogosphere | Berkman... - 1 views

cyber.law.harvard.edu/...Mapping_Irans_Online_Public

iran berkman blogosphere mapping blogs bloggers politics

shared by Ed Webb on 04 Jun 09 - Cached
  • We label the poles as 1) Secular/Reformist, 2) Conservative/Religious, 3) Persian Poetry and Literature, and 4) Mixed Networks.
  • Surprisingly, a minority of bloggers in the secular/reformist pole appear to blog anonymously, even in the more politically-oriented part of it; instead, it is more common for bloggers in the religious/conservative pole to blog anonymously.
Ed Webb

Reviving the art of cinema in Gaza City - AJE News - 0 views

www.aljazeera.com/...gaza-city-160324060451220.html

film Gaza Palestine cinema

shared by Ed Webb on 27 Mar 16 - No Cached
  • The sight of an active cinema hall is not common in Gaza, where all cinemas were either destroyed or permanently closed around the time of the first Intifada. Save for a couple of failed attempts to reopen them in the 1990s, the 10 cinemas that existed across the coastal territory before the Intifada have remained shut ever since.
  • Gaza Cinema, led by members of the production company Ain Media, launched about six weeks ago with a goal to revive cinema culture in the besieged enclave, where younger generations have grown up without ever setting foot inside a movie theatre. "I'm from the generation that never experienced cinema in Gaza," 27-year-old Hossam Salem, one of the organisers, told Al Jazeera. "People have a wider choice online, so one of the challenges is to get them to come and pay money to see a movie. I would like to see cinema culture one day become mainstream again."
  • "We are working with films that do not breach our tradition and that carry a good message, whether it is national or social," Salem said, noting blurbs about each film are submitted to the culture ministry for approval prior to screening. Most of the movies screened so far have been Palestinian feature films and children's cartoons.
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  • The history of cinema in Gaza dates back to the 1940s, noted Khalil al-Mozayen, who directed a documentary called 36mm about the decline of cinema in Gaza.  "After 1948, war and refugees came to Gaza," Mozayen told Al Jazeera. "UNRWA [the UN's Palestinian refugee agency] began showing Arabic cinema in the refugee camps. Before the film, they'd broadcast messages telling people to drink milk and clean their teeth. The project enjoyed a lot of popularity." In the 1950s, Mozayen said, businessmen started to open cinemas. But after 1967, "religious groups started broadcasting messages against cinema", he said.
  • Al-Nasser Cinema was closed after the 1967 war, only to be reopened a year later upon the request of the new occupying authorities, the Israelis.
  • "At that time, we could no longer bring films from Egypt; we brought films from Israel. The cinema started showing Chinese, Indian, and European films," Khazendar said. "It was then that people began to stop going to the cinema. It became associated with the 'bad people'."
  • Gaza has produced notable film directors, such as Rashid Masharawi and the Nasser brothers, known as Arab and Tarzan, who have pursued their careers outside of Gaza
Ed Webb

How citizen video journalists in Egypt are 'pushing at traditional journalism' - Egypt ... - 1 views

www.egypt-business.com/...4769

Egypt journalism journalists media citizenJournalism

shared by Ed Webb on 24 Apr 12 - No Cached
  • Members of the collective see themselves as performing an essential storytelling role: providing coverage of police brutality and filling a media "vacuum". "There isn't a free media," founder member Omar Hamilton told me during a visit to the collective's workspace in Cairo. "We have to step in where we can to provide alternative narratives, to provide what we would see as the truth that's not being presented."
  • "There's nothing you can really do about it except run at the right time. Which is just after everyone else but not before it's too late,"
  • we needed a space to work out of and to host a library of revolutionary material and to archive everything we can, including mobile phone footage and news-quality material
  • ...6 more annotations...
  • The collective formed in the days following the January 2011 uprising when it set up a "human rights media tent" in Tahrir Square as "a point to collect footage that people had of police abuses".
  • Asked whether they see themselves as activists or journalists, Hamilton explained how they have a "definite journalistic push". "We have a decentralised approach. We don't have an editorial policy, we don't have an editorial meeting at the beginning of the day to tell people where to go." Anyone can contribute footage, creating an "almost infinite number of camera people" who can be out filming, using mobile phones, DSLRs and hand-held video cameras.
  • "We are both attacking state media and trying to push traditional media outlets into taking a stronger stance and backing them up in being able to show things that perhaps felt they were unable to show. "We are also empowering everyone that has a camera phone to make them feel like they can contribute to a wider narrative rather than just uploading it to YouTube."
  • Mosireen is therefore reaching out to those without internet access, which is "one of the big, big, big challenges". "It's very easy to forget how hyper-connected we are compared to most of the world," Hamilton said
  • The citizen journalists have licensed footage under creative commons on YouTube and Vimeo, where others can download the films. These can be used by broadcasters.
  • It is not the international audience the activists are focused on. "We are in a fight that is going to be settled, or won or lost, here [in Egypt], so we don't need to spend too much time talking to or addressing international audiences. "It's really much more about Egyptian public opinion and the narrative within Egypt that is important, and helping people get access to the truth."
Ed Webb

President Morsi of Egypt Is Undercut by State-Run Media - NYTimes.com - 0 views

www.nytimes.com/...dercut-by-state-run-media.html

Egypt media press ahram SCAF MB ikhwan

shared by Ed Webb on 14 Jul 12 - No Cached
  • Emad Shahin, a political scientist at the American University in Cairo, said the state media’s attacks on the head of state made the situation perfectly clear: Mr. Morsi represented a double threat as the first civilian and the first Islamist to hold the presidency. “This is a deliberate and well-orchestrated campaign to shake Morsi’s image, ensure his failure and frustrate the revolution,” Mr. Shahin said.
  • Ahmed Abu Baraka, a lawyer for the Muslim Brotherhood, said the issue was deeper than bias. “It is an incurable disease in state media that needs surgery,” he said, blaming 60 years of parroting the ideology of secular dictatorship.
  • Taghrid Wafi, a state television producer, said she and her colleagues were in “confusion.” “They don’t know who is in charge,” she said, noting that in some ways the military’s grip on the news media had loosened since Mr. Morsi’s election. For the first time, she said, she could interview activists who criticized the military for court-martialing civilians. “You know we don’t work on our own; we need approval for our guests.”
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  • when the military took hold of the building, it became forbidden to mention the military. If you did something like that you’d be called ‘an agenda with ulterior motives.’ ”
  • He insisted that Al Ahram was no longer “the newspaper with one reader” — that was President Mubarak — but now sent its reporters out to truly cover the news. On Wednesday, he promised that Thursday’s front page would feature the photograph of an 84-year-old man who had brought a complaint to President Morsi’s new grievance office — a demonstration of the paper’s new empathy for the common man and fairness to President Morsi. But the picture did not appear; the headline featured a misleading quotation from Mr. Morsi suggesting he had backed down before a new court order again dissolving Parliament. “The media looks to the center of power,” said Hala Mustafa, editor of the state-financed journal Democracy. “I think everybody knows that the military council represents the center of power, the real comprehensive authority in the country.”
Ed Webb

Syria uprising, Twitter, and social-media revolution fatigue. - Slate Magazine - 0 views

www.slate.com/...media_revolution_fatigue_.html

Syria Egypt revolutions Twitter socialmedia

shared by Ed Webb on 06 Mar 12 - Cached
  • As we can see from these estimates below, the volume of Syria-related tweets (as a percentage of overall tweets) appears considerably lower than the volume related to the uprisings in Egypt and Iran. The estimates were constructed using multiple published Web sources reporting on number of tweets for the observed events as well as total Twitter traffic over time, including Twitter's blog, Customer Insight Group, Mashable, the Sysomos blog, and a dataset acquired via Twapperkeeper.
  • The Iranian protests in 2009 marked the first time that social media let us witness this kind of protest in a closed society from the citizens' point of view. The world watched, transfixed, as the death of protester Neda Agha-Soltan was caught on video. Now, these kinds of horrifying images have become alarmingly common.
  • The revolution in Egypt was relatively short, fast, and explosive. The Syrian uprising, by contrast, has been going on for 11 long months. Certain moments have refocused the world's attention, such as the siege of Homs in early February or the deaths of journalists Anthony Shadid, Marie Colvin, and Rémi Ochlik. Otherwise, much of the Syrian uprising has tragically resembled, as NPR's Andy Carvin puts it, "the proverbial boiling of the frog." While Carvin and others have been devotedly tweeting about Syria, he acknowledges that the length of the uprising might deter some news coverage. "I could imagine editors saying, what's the new angle here?" he says.
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  • social media and mainstream media tend to be mutually reinforcing, so the dearth of one affects the other
  • for the average observer, the Syrian uprising lacks a clear and consistent narrative. The Assad regime's brutal repression is plain to see, but other aspects of the 11-month uprising are less clear. Some ask: Who exactly is the opposition, and what do the majority of Syrians actually want? Jillian York of the Electronic Frontier Foundation says that this confusion and lack of context spreads to the Twittersphere. With some exceptions, the Syrian tweeps who "are tweeting in English are not tweeting in the same way as Egyptians. They are not providing accuracy and context, nor is it really specific or retweetable."
  • there is no clear or easy solution to Syria's suffering
Ed Webb

New Study Shows Time Spent Online Important for Teen Development - MacArthur Foundation - 0 views

www.macfound.org/...rtant_for_Teen_Development.htm

research digitalcitizenship edu_trends resources news digitalnativity digital media identity

shared by Ed Webb on 09 Mar 09 - Cached
  • Young people respect each other’s authority online and are more motivated to learn from each other than from adults.
    • Ed Webb
      Ed Webb on 09 Mar 09
       
      The question is, how skilled are internet users in general, of any age, in assessing the quality fo information. Is the authority well-deserved in each case where trust is given, in other words? How finely-honed are users' filters?
  • learning today is becoming increasingly peer-based and networked
  • notions of expertise and authority are being redefined
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  • “Kids learn on the Internet in a self-directed way, by looking around for information they are interested in, or connecting with others who can help them. This is a big departure from how they are asked to learn in most schools, where the teacher is the expert and there is a fixed set of content to master.”
  • new challenges in how to manage their visibility and social relationships online
  • Online media, messages, and profiles that young people post can travel beyond expected audiences and are often difficult to eradicate after the fact
  • parents and their children came together around gaming or shared digital media projects, where both kids and adults brought expertise to the table.
  • an effort to inject grounded research into the conversation about the future of learning in a digital world.
  • America’s youth are developing important social and technical skills online – often in ways adults do not understand or value.
  • the social and technical skills they need to be competent citizens in the digital age
  • The social worlds that youth are negotiating have new kinds of dynamics, as online socializing is permanent, public, involves managing elaborate networks of friends and acquaintances, and is always on.
  • Jim Franklin on 09 Mar 09
     
    I agree. I actually wrote my common application essay on what I learned from online gaming (specifically World of Warcraft).
Ed Webb

ONI Releases 2009 Middle East & North Africa Research | OpenNet Initiative - 0 views

opennet.net/...dle-east-north-africa-research

opennet censorship middle_east middleeast news analysis internet socialnetworking

shared by Ed Webb on 12 Aug 09 - Cached
  • While not all countries in the Middle East and North Africa filter the Internet, censorship across the region is on the rise, and the scope and depth of filtering are increasing. Testing has revealed political filtering to be the common denominator across the region; however, social filtering is on the rise.
  • Based on ONI testing results, Algeria, Egypt, Iraq, Lebanon, and the West Bank do not currently filter any material; however, none of those are without regulations.
  • Bahrain, Iran, Syria and Tunisia have the strictest political filtering practices in the region.
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  • Although increased filtering is the rule and unblocking the exception, there are a few instances of the latter since our last report. Syria has restored access to Arabic-language Wikipedia, Morocco has lifted a ban on a number of pro-Western Sahara independence Web sites, and Libya has begun to allow access to previously banned political sites. Additionally, Sudanese filtering of sites containing LGBT, dating, and health-related content has lessened since the last round of ONI testing.
  • Iran is among the strictest filtering regimes in the world, pervasively filtering political and social content, as well as Internet tools and proxies, and substantially filtering content related to conflict and security.
  • In the Middle East and North Africa, the filtering of social media and social networking sites has become relatively commonplace. For example, YouTube and Facebook are currently filtered Syria and Tunisia, and Orkut and Flickr are blocked in Iran and the UAE. Iran also filters a local social networking site, Balatarin.com, and the UAE and Saudi Arabia filter certain YouTube videos, though not the entire site.
  • Blocking Web sites in a local language is approximately twice as likely as blocking sites only available in English or other international languages.
Ed Webb

Cockspiracy - 0 views

cockspiracy.blogspot.com

BBC censorship self-censorship blog opinion

shared by Ed Webb on 06 Apr 09 - Cached
  • How has a reporting service that has been trusted throughout the world become a puppet of our ever encroaching state and corporate machinery? Is there a new Room 101 censoring their reports? Are they under a series of gagging orders as I suspected?My thoughts - please feel free to disagreeI think they have become ultimately risk-averse, or in common parlance, have lost their balls. They are gagging themselves.
Ed Webb

This Magazine: Libya: Is it me you're looking for? - 0 views

www.thismagazine.ca/...libyaisitme.php

popularculture Libya music generational age culture

shared by Ed Webb on 25 Mar 09 - Cached
  • a preview of Poplak’s upcoming The Sheikh’s Batmobile: In Pursuit of American Pop Culture in the Muslim World (Penguin, 2009).
  • I thus broached the fact that I was in the country on false pretences with no small amount of trepidation. My reasons for being there sounded silly when I said them out loud, so I wasn’t sure how I’d explain that I’d travelled to Libya to confirm the story of a music video reenactment that had occurred in the Tripoli medina. But told him I did, bracing myself for a blow that never came. It was, in fact, remarkably easy convincing my chiselled praetorian to forgo the usual itinerary for some investigative work. “So, you don’t want to go with the Germans on a walking tour of the ruins?” asked Eder. “No,” I said. “I sort of lied about that on the visa application form.” “You want to find out about this music video?” “Yes. That’s why I’m here.” Eder shook his head. “Man, people come here and ask the weirdest shit. But what you are asking—this is not to fuck little boys or such.” I agreed. Vigorously. “But I warn you,” he said, presaging the fact that working in Libya was the journalistic equivalent of sculpting quicksilver, “the tour group will only allow you so much freedom before you make people suspicious. And people here don’t like to give information. They’re afraid, and maybe they should be.”
  • Eder felt more allegiance to East coast hip hop than he did to Middle-Eastern Arab culture. American popular culture was his popular culture.
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  • The Tripolitan shore is, after all, where America’s centuries-long relationship with the Muslim world properly began. Operation El Dorado Canyon was but another in a long line of American military engagements with the variegated rulers of Libya, a legacy that dates back over 200 years. Within the DNA of those dusty, forgotten battles lies the code of enmity that continues unabated. But this concomitant history also hints at a lengthy cultural involvement— a mutual fascination that was tinged with both revulsion and wonder.
  • The stage darkens. Lights swing back and forth, illuminating the Hanna House. Then all goes quiet. An icon of the 1980s— onetime member of R’n’B supergroup the Commodores, 90 million solo records sold, over a dozen Top 10 singles on the Billboard charts—stalks up to the spotlight, a smile on his face, the velvety Mediterranean breeze fluttering his navy-blue shirt. He then belts out five of his most beloved hits in front of the enraptured guests, culminating in a rousing sing-along, accompanied by 40 angel-costumed children typical to this sort of proceeding, of the “We Are the World” anthem he co-wrote with Michael Jackson. “Hanna will be honoured tonight because of the fact that you’ve attached peace to her name,” Lionel Richie tells the crowd. “I love you Libya! I’ll be back.” Yes, but how did he come to be there in the first place?
  • Did hundreds of young Libyan children really have the “Hello” video downloaded onto their cognitive hard drives the same way a Westerner born of the 1980s did? In no way did I think that GQ or Lionel Richie had willfully fabricated these details. I just wondered if something had become garbled in the translation. I had to find out if that video reenactment had happened. Mr. Corsello put it perfectly: “We … have a strategic, even moral, obligation to know: What is the freakin’ deal with Lionel Richie?”
  • popular culture as a binding force. Hundreds of millions of people in over a 100 countries know Lionel Richie’s music, and adore it. According to the GQ article, anti-Ba’athist residents of Baghdad had blasted “All Night Long” as the Shock ’n’ Awe™ commenced. “The only thing Shiite and Sunni now share, aside from their hatred of each other and their worship of Allah and his prophet, is their abiding love for Lionel Brockman Richie Jr.,” wrote Mr. Corsello.
  • The take-home message was that the man who wrote “Dancing on the Ceiling” was a greater nuncio for peace—or at least common ground—than any number of official envoys, roadmaps or summit meetings. But there was one item in the story that made me choke up, Beaches style. I played it again—just to make sure I hadn’t misheard. Then I made my way through the blustery autumnal day to the newsstand to purchase a copy of Gentlemen’s Quarterly. In print, the story hit me with a wallop I usually associate with passages from great literature (or first-edition comic books). Richie told GQ that when he visited the Tripoli medina, a contingent of Libyan children had massed around him, closed their eyes, made wavy gesticulations with their hands, and moaned “Hello.” This was not a séance, but rather a passable rendition of the “Hello” video clip (a staple on MTV in the station’s early years, and a landmark moment in the history of the music video), in which a gorgeous blind woman, who knows Richie only from his mellifluous voice, somehow sculpts a perfectly representative clay bust of his Jheri-curled visage. “What’s going on here? How do you know?” begged Lionel Richie of the Libyan children. “How do you know?” How did they know? Lionel Richie’s videos are prominent in the cultural memory of a generation of North Americans; a friend once described Richie’s “All Night Long” clip as “a profound piece of eschatological imagination.” Indeed, to a scion of the 1980s, the Richie oeuvre carries an almost oneiric weight. Like “All Night Long,” the “Hello” video was an indelible piece of my childhood, a kiln-fired shard of memory now flung into the quandary of the Muslim world.
  • The Libyans I’d met so far were polite but reticent. “Such questions!” they’d remark, sounding like so many Peter Lorres in Casablanca. “Behind the questions, what do you hope to find, Mr. Richard? There is only darkness.” Indeed, it was impossible to get a peripheral sense of what was going on in Libya: I felt out of my depth, immersed in an ostensibly bright world that was defined by brutality. Securing an interview felt like pinning live butterfly specimens. I kept in mind the recent case of five Bulgarian nurses, sentenced to death on trumped-up charges of injecting the AIDS virus into poor Libyan children. They had been horribly mistreated; it took some filthy dealing on the part of European governments to secure their freedom. And I knew that any locals implicated in my quest could expect much worse.
  • maybe you think we’re backwards here
  • we spent our evenings haunting stores that sold bootleg DVDs of titles that had yet to be released stateside
  • in the vanguard of a new Libyan generation, surfing the demographic wave of a massive Middle Eastern birthrate, pulled west by the accident of his tribal affiliations, plugged in because of an unprecedented technological sea-change in how media were disseminated. And that put him as much at odds with the Libyan mainstream as I was.
  • One thing I was slowly learning in the Muslim world: There is no Muslim world. There is no monolithic, stand-alone Other.
  • Cultural critic Greil Marcus once described early rock and pop as “music that affirmed meaninglessness and in that affirmation contained every conceivable kind of meaning.” This stands as a testament to what popular culture does best: unite us in an indefinable, unrefined moment of merriment, sadness, sentiment, titillation. There are two great equalizers: Death and pop culture. That’s what Lionel Richie meant by his story. And that’s why his story meant so much.
  • Ed Webb on 25 Mar 09
     
    Essential reading.
Ed Webb

Tweets Of The Rich And Famous : NPR - 0 views

www.npr.org/...story.php

tweets twitter

shared by Ed Webb on 25 Mar 09 - Cached
  • Twitter has had some revealing implications beyond the sudden intimacy with people you don't really know. Things you may not have wanted to know. Like that many of the people I have always admired don't know the difference between "their" and "they're."
  • Celebrities are nothing if not image-conscious. Entire fleets of people have made full-time jobs of dressing, primping, preening and generally ensuring that stars don't humiliate themselves in public. Why is the same concern not paid to whether they appear to have completed third grade? Twitter allows common people to access the inner-musings of those who appear larger than life. To find out that Imogen Heap's morning was as banal as my own disrupts my fantasy that being famous means not only being more wealthy and beautiful, but also more insightful and interesting. If you want to keep the image of your favorite celebrities intact in your mind, don't follow their Twitter. Unless it's Christopher Walken. The man is a genius.
  • Ed Webb on 25 Mar 09
     
    So, those of you wondering about Twitter, here's one answer - more to come!
Ed Webb

Enough About You - Features - Utne Reader - 0 views

www.utne.com/print-article.aspx

US USA opinion analysis society media psychology

shared by Ed Webb on 21 Apr 11 - No Cached
  • Economic man . . . has given way to the psychological man of our times—the final product of bourgeois individualism. The new narcissist is haunted not by guilt but by anxiety. His sexual attitudes are permissive rather than puritanical, even though his emancipation from ancient taboos brings him no sexual peace. He extols cooperation and teamwork while harboring deeply antisocial impulses. He praises respect for rules and regulations in the secret belief that they do not apply to himself. Acquisitive in the sense that his cravings have no limits, he does not accumulate goods and provisions against the future, in the manner of the acquisitive individualist of 19th-century political economy, but demands immediate gratification and lives in a state of restless, perpetually unsatisfied desire.
  • The contemporary climate is therapeutic, not religious. People today hunger not for personal salvation, let alone for the restoration of an earlier golden age, but for the feeling, the momentary illusion, of personal well-being, health, and psychic security.
  • Today Americans are overcome not by the sense of endless possibility but by the banality of the social order they have erected against it. People nowadays complain of an inability to feel. They cultivate more vivid experiences, seek to beat sluggish flesh to life, attempt to revive jaded appetites. Outwardly bland, submissive, and sociable, they seethe with an inner anger for which a dense, overpopulated bureaucratic society can devise few legitimate outlets.
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  • The mass media, with their cult of celebrity and their attempt to surround it with glamour and excitement, have made America a nation of fans and moviegoers. The media give substance to and thus intensify narcissistic dreams of fame and glory, encourage common people to identify themselves with the stars and to hate the “herd,” and make it more and more difficult for them to accept the banality of everyday existence.
  • The modern propaganda of commodities and the good life has sanctioned impulse gratification and made it unnecessary for the id to apologize for its wishes or disguise their grandiose proportions. But this same propaganda has made failure and loss unsupportable.
  • The proliferation of recorded images undermines our sense of reality. We distrust our perceptions until the camera verifies them. Photographic images provide us with the proof of our existence, without which we would find it difficult even to reconstruct a personal history.
  • Our over-organized society, in which large-scale organizations predominate but have lost the capacity to command allegiance, in some respects more nearly approximates a condition of universal animosity than did the primitive capitalism on which Hobbes modeled his state of nature.
  • The ideology of personal growth, superficially optimistic, radiates a profound despair and resignation. It is the faith of those without faith.
  • The modern prince does not much care that “there’s a job to be done”—the slogan of American capitalism at an earlier and more enterprising stage of its development; what interests him is that “relevant audiences,” in the language of the Pentagon Papers, have to be cajoled, won over, seduced.
  • At the same time that public life and even private life take on the qualities of spectacle, a countermovement seeks to model spectacle, theater, all forms of life, on reality—to obliterate the very distinction between art and life. Both developments popularize a sense of the absurd, that hallmark of the contemporary sensibility. Overexposure to manufactured illusions soon destroys their representational power. The illusion of reality dissolves, not in a heightened sense of reality as we might expect, but in a remarkable indifference to reality.
  • To the performing self, the only reality is the identity he can construct out of materials furnished by advertising and mass culture, themes of popular film and fiction, and fragments torn from a vast range of cultural traditions. In order to polish and perfect the part he has devised for himself, the new Narcissus gazes at his own reflection, not so much in admiration as in unremitting search of flaws, signs of fatigue, decay.
  • On the one hand, the degradation of work makes skill and competence increasingly irrelevant to material success and thus encourages the presentation of the self as a commodity; on the other hand, it discourages commitment to the job and drives people, as the only alternative to boredom and despair, to view work with self-critical detachment.
  • Excerpted from The Culture of Narcissism: American Life in An Age of Diminishing Expectations, by Christopher Lasch. Copyright © 1979 by Christopher Lasch. Used by permission of the publisher, W. W. Norton & Company, Inc. 
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