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Egyptian security authorities routinely surveil and target social media posts—particularly Facebook content—as a basis for the arrest and detention of Egyptian citizens. The state relies on provisions such as “spreading false news,” “joining a banned group” and “misuse of social media” to detain citizens for digital expression. These charges are found in the Penal Code, the Counterterrorism Law, and the Telecommunications Law, rather than new and highly publicized laws such as the Cybercrime Law and the Media Regulation Law.

Detainees held for digital expression violations by the SSP spend long periods in pretrial detention due to the unique procedural rules governing this body; many of these cases are never even brought to court

a dramatic increase in the use of a special prosecutorial body, the State Security Prosecution, to investigate digital expression cases.

The SSP is a special prosecutorial body which investigates and prosecutes cases related to national security and terrorism; it is notoriously subject to extraordinary procedural rules.

Egypt’s Prosecutor General issued a decree in 2018 directing prosecutors to focus on cases concerning the spread of false news. A “rumour collection network” was established for citizens to send in reports of false news and rumours to a WhatsApp number—effectively crowdsourcing surveillance to the civilian population.

Egyptian security authorities surveil online expression through technically unsophisticated strategies such as device seizures, observation of social media platforms, and informant networks. Demonstration events on Facebook, particularly during periods of heightened political tension, are routinely targeted by security authorities. Videos are also frequently targeted, as they are easily shared and accessed. Analysis of the dataset found three main types of arrests: mass arrests during periods of increased political tension; high profile figures targeted for their cumulative body of work; and individual posts that cause a citizen to be targeted.

existing efforts "focus on the interpretive responsibilities of the individual,"

"if bad actors intentionally dump disinformation online with an aim to distract and overwhelm, is it possible to safeguard against media manipulation?"

A 2012 meta-analysis by academic researchers found that media literacy efforts could help boost students' critical awareness of messaging, bias, and representation in the media they consumed. There have been small studies suggesting that media-literacy efforts can change students' behaviors—for example, by making them less likely to seek out violent media for their own consumption. And more recently, a pair of researchers found that media-literacy training was more important than prior political knowledge when it comes to adopting a critical stance to partisan media content.

the roles of institutions, technology companies, and governments

The author function is a particular fiction which is an outgrowth of a prior technological moment, one which perhaps is no longer appropriate in the digital network. As Foucault argues the author function is not natural but rather historical, “characteristic of the mode of existence, circulation, and functioning of certain discourses within a society.”2 Books, magazines, television and radio programs, and film all have authors, but if we begin our inquiry of “new media” by asking, “what does it mean to be an author for this ‘new media,’” we miss the way that authorship itself is heterogenous to the new archival structure.

writing and reading separate out the act of composition from the act of consumption in a way that is not descriptive of the type of collaborative literacy and composition that occurs in networked spaces

After The Post sent inquiries to the company’s executives, the website for Twenty Lake Holdings was replaced with a page saying “Our website is under construction.” Company president Joseph E. Miller declined to comment.

Alden has moved more aggressively to make money off its real estate than competing media companies. For Alden, the Commercial Appeal’s building may not have been an afterthought but its main target.

While Gannett is resistant to Alden’s hostile bid for the company’s newspapers, Gannett has already sold at least six of its buildings — at least five of them within the past year — to Twenty Lake Holdings or an affiliate

Gannett sold Twenty Lake the headquarters of the Asheville Citizen-Times in North Carolina for $3.2 million. In a transaction the county recorded on the same day, Twenty Lake flipped the property to a local developer for $5.3 million

the newspaper industry, which lost 45 percent of newsroom positions between 2008 and 2017

The union that represents reporters at Digital First has tried to persuade Duke — to which his family has been a major donor — to remove Heath Freeman from the advisory board of the Freeman Center for Jewish Life because of his role in “weakening American news collection and disserving American democracy.”

At the dozen Digital First publications represented by the NewsGuild, the number of union jobs has declined nearly 70 percent, from 1,552 in 2012 to 487 in 2018. University of North Carolina researchers found, based on 12 newspapers, that Digital First has cut staff at a rate more than twice the national average during that time.

a pure liquidation strategy

After Alden acquires a newspaper, the team of companies it backs moves to monetize every square foot of its real estate.

In January, layoffs at BuzzFeed and HuffPost accentuated the difficulty of growing a digital news business. On Jan. 24, Gannett began laying off dozens more newsroom staffers around the country.

At the Delaware County Daily Times in Pennsylvania, the staff shrunk from 125 people to 25 in six years, said Bill Ross, executive director of the NewsGuild of Greater Philadelphia. Digital First sold the paper’s old building for $2 million in 2016; reporters and editors now work out of a converted CVS and bicycle repair shop.

At several Digital First newspapers, employees now must work at home or from coffee shops, their brick-and-mortar newsrooms sold and replaced with the most profitable alternative: nothing.

“You’re going to take the profits that you reap as a result of cutting our staff and hurting the community that we serve, and you’re going to use it to buy stock in Fred’s pharmacy and then lose all that money?” Brandt said. “That’s what our purpose is? That’s what our sacrifice was for?”

low-cost organizational structure and no durable organizational mechanisms are put in place

he political evanescence of social media activism raises issues of accountability and democratic control on the new emerging leaders of social movements, because of a certain opacity that accompanies the fluidity and partial anonymity of online interactions

The political evanescence of digital activism in the Egyptian revolution needs to be understood in connection with the libertarian ideology of “leaderlessness” and “horizontality” that has provided a cultural framing for social media use among activists

it is apparent that the Egyptian revolution, as any great upheaval in history, was not completely spontaneous and leaderless. Rather it bore the mark of complex direction exercised in concert by multiple leaders, from grassroots groups on the ground as the April 6 Youth Movement, to organized forces such as the Muslim Brotherhood, Left opposition parties and NGOs, to end with digital activists responsible for spreading revolutionary information, recruiting online communities of supporters and publicizing protest events

While Ghonim had some basic activist experience, having done some digital campaigning in support of the presidential campaign of Mohammed el-Baradei in 2010, he was little known within activist circles. From the distance and safety of Dubai where he was working for Google, he collaborated with activists on the ground including Mohammed AbdelRahman Mansour who acted as co-admin on the page, and Ahmed Maher of the April 6 Youth Movement, the group that pioneered digital activism in Egypt. It was only after he was released from prison in the midst of the eighteen-day insurrection, that he suddenly became a famous and respected figure. Yet, Ghonim did not manage, neither he tried, to turn the great influence he had exercised during the revolution into any form of structured political leadership during the transitional phase. Ironically the Facebook fanpage he founded has discontinued its communications with a status message celebrating “the power of the people” on 3 July 2013, the day of the anti-Morsi coup. Ghonim has recently left the country for voluntary exile after a streak of attacks on the news media.

The case of Tamarrod demonstrates how the fluidity in the field of social media in the activist field, dominated by flexible groupings coordinated through social network sites can open space for opportunist groups. Both Wael Ghonim and the main leaders of Tamarrod were secondary figures in the activist scene in Cairo, despite the fact that some of them, had been previously involved in pro-democracy campaigns and in the Elbaradei presidential campaigns. Similarly to what happened with previous political groups it was a great extent this outsider aura that managed to gather so much enthusiasm from Egyptian youth. The group managed to build an extensive network across the country, collecting millions of signature (the exact quantity will remain unverified) to withdraw confidence from Morsi. However, it progressively became clear that Tamarrod was far from being simply a disingenuous and spontaneous citizens groups. It has been publicly confirmed that the campaign received substantial funding from a number of Egyptian entrepreneurs, including Naguib Sawiris. It is also reasonably suspected that the group received financial and operational support from the Egyptian army, and the so-called deep state, which saw in Tamarrod a sort of useful idiot to get rid of the Muslim Brotherhood and create a favorable climate for the coup d'etat. Since the campaign of repression orchestrated by al-Sisi and the new post-coup government, the group has been marred by intestine fight between different factions, and seems to have lost much of its “street cred” among Egyptian youth. It was yet another group falling victim of its own precipitous rise.

According to one survey, the majority of Africans welcome the Chinese involvement, but critics, such as the Senegalese author Adama Gaye, have warned of a new form of colonialism

China has thrown its support behind diplomatic initiatives and has contributed around 2,500 troops to UN peacekeeping missions in Congo, South Sudan and Mali. China is also helping with efforts to combat the Ebola epidemic and it even funded the construction of the African Union headquarters in Addis Ababa. The country has also established 49 Confucius Institutes across the continent, which promote the Chinese language and culture. At the heart of China's Going Out policy is a media offensive launched in March 2018, an initiative coordinated by the broadcast group Voice of China and carefully monitored by Communist Party censors. In addition, the state-run news agency Xinhua was expanded and now claims to be the largest news wire in the world.

Every year, 1,000 African journalists take part in training programs in China and Chinese investors have been investing heavily in African media outlets. The TV station StarTimes now broadcasts its paid offerings in 30 African countries and declares itself to be the most influential digital channel on the continent.

it is the only television station in the world that broadcasts in all six official UN languages. It has 79 million Facebook followers, which is roughly as many as the BBC and CNN combined

CGTN employs around 150 people, including journalists from China, South Africa, Britain, Nigeria and Kenya, yet even when promised anonymity, nobody initially agreed to speak with DER SPIEGEL. "They're afraid of Liao," an employee would later say.

"We don't produce independent journalism, but pure propaganda by order of the Communist Party." He says the goal is that of presenting the most harmonious image possible of China's activities in Africa, including construction sites full of smiling workers and positive coverage of massive endeavors like dams and other mega-projects along with humanitarian aid contributions.

He shows a text message that he recently received from the boss: "No reports on the chaos!" The reference was to political disturbances in a country in Africa.

particularly sensitive texts have to be reviewed in Beijing and if the censors disapprove, the stories are killed. "Criticism of the government, human rights issues or analysis of the growing amount of African debt held by the Chinese are all taboo,"

In September, the journalist Azad Essa reported on China's oppression of the Uighurs, a Muslim minority in China, and was fired afterward. His employer, Independent Media, is the second-largest media outlet in South Africa. And since 2013, a Chinese investor has held a 20-percent stake

"We have good relations with the Chinese, even if they would rather stick to themselves." Mwaura is a 40-year-old Kenyan reporter who works for the Xinhua news agency and his view of the situation is much less dark. He believes that local media outlets poison relations with the Chinese because they don't understand Chinese culture and are still under the influence of British colonial attitudes. Mwaura says China's involvement in Africa is a win-win scenario that helps bring the continent forward. Claims that China is conquering Africa, he says, are just "stupid chatter" from bloggers who are on the payroll of Western embassies. He views his task as that of providing more optimistic coverage to counter such "negativity."

Mwaura says he can write about whatever he wants, but adds that his supervisors ensure that reports are "politically correct," meaning that they reflect the communist worldview. After all, he says, "we are working on behalf of the geopolitical interests of the Chinese state."

“Nationalist Memes” is a Facebook page with 11,000 followers and one administrator who advocates for Egyptian nationalism and promotes this idea to the public, for example. The aim is to instill patriotism into a generation that may be sceptical of it and to respond to rumours on social media.

“opposition political parties are very weak in Egypt and have no impact on the streets. People do not care to hear about them or know what they are doing. Memes, however, are followed by many Egyptians, especially young people who may sign up to several meme pages and interact with them all the time. Their impact is so great that many of the ideas doing the rounds of young people in Egypt have their origin in a meme on the Internet.”

One of the most audacious deception operations appeared to be connected to the UAE. Between 2019 and 2021, op-eds that supported the foreign policy position of the UAE, Saudi, and the U.S. administration under Trump began appearing in numerous well-known U.S. outlets, such as Newsmax, The National Interest, The Post Millennial and the Washington Examiner. The catch: The journalists writing them did not actually exist.

the Emiratis worked with ex-NSA spies to hack the devices of U.S. citizens. And both Saudi Arabia and the UAE are among the biggest customers of NSO, the Israeli firm that sells the spyware Pegasus, which they have used to target dozens of activists, journalists and academics

In 2011, during the heady days of the Arab Spring, social media and digital technology was touted as the force that would help liberate the region from authoritarian rule and bring democracy. Now, authoritarian regimes in the Gulf, along with Western companies and expertise, are using digital technology and social media to try and hack democracy wherever they find it, including in the U.S. The effect is clearest, however, in the Middle East. With critics silenced through incarceration, surveillance, torture, or death, opposition voices are increasingly fearful of self-expression, meaning that the digital public sphere is simply a space to praise the regime or engage in banal platitudes.

News about politics is viewed as particularly suspect and platforms are seen by many as contentious places for political conversation – at least for those most interested in politics. Rates of trust in news in general are comparatively higher than trust in news when it pertains to coverage of political affairs.

Negative perceptions about journalism are widespread and social media is one of the most often-cited places people say they see or hear criticism of news and journalism

Despite positive feelings towards most platforms, large majorities in all four countries agree that false and misleading information, harassment, and platforms using data irresponsibly are ‘big problems’ in their country for many platforms

Twenty-two years after Tiananmen and a lifetime away from the journalism of the 1980s, the 2011 uprising in Tahrir Square brought not only mainstream news crews, but smaller outlets, freelancers, and even bloggers to the table. These varied actors were able to challenge the often Orientalist mainstream narrative, and - thanks to social media - share their content with the world.

virality requires consent

We should be more concerned with the amount of advertising content masquerading as journalism

It seems highly unlikely that, in the days before the internet, #BlackLivesMatter would have made it to the front page of the New York Times - or, for that matter, that it would've happened on such a large scale at all

This is in great contrast to the compelling stereotypes unleashed by the corporate-controlled media following the 1992 Los Angeles riots

we simply have to understand virality for what it really is: A means through which truly great content and cute cat video alike have become available to the world, as well as the means by which news organisations now make money

We must therefore make digital literacy a priority - so as to ensure readers know how to responsibly consume the media that surrounds them

Reporter Zeynep Karatas said she was shocked when her story about police brutality during Women's Day demonstrations was replaced with an article about the inauguration of a new steel bridge.

Zaman’s circulation numbers fell from 600,000 to 18. This has been a bittersweet victory for Edib, who views the boycott by readers as a show of solidarity and passive resistance. Yet the newspaper he loves is being strangled before his eyes.Employees wonder why they are putting together a newspaper that is never going to print and is expected to be read by only 18 people. In spite of this, many of them are refusing to abandon ship.

Zaman's journalists are working under heavy police surveillance.“There must be at least 30 to 40 policemen inside our headquarters in Istanbul who are playing 'editor',”

 “I was giving an interview to a Singapore-based TV channel in a public park next to the building and a policeman approached me, took my name and told his superiors I was talking to foreign media,”

On Thursday, the new administration deleted the paper's digital archives, removing thousands of articles, including those of Haaretz reporter Louis Fishman.

"It is out of the question for either me or any of my colleagues to interfere in this process," Turkish Prime Minister Ahmet Davutoglu said.Edib disagrees. He said the deletion of Zaman’s archives was a political move to damage the paper's legacy and remove all traces of critical opinion from its records. “Every day there has been a new Zaman on the shelves, but I feel no part in it, nor do any of my colleagues, since we have nothing to do with the editorial line, story choice or layout,” he said.Those were his last words before our telephone conversation was interrupted by a police officer.

According to Aykan Erdemir, a former member of Turkish Parliament now serving as a senior fellow at the Washington-based Foundation for Defense of Democracies, the evolution of Erdogan's “disciplinary technologies” paints a startling picture of media control in Turkey.

“Erdogan's control over the media cannot be explained just by the fight between him and Fethullah Gulen. This is a bigger issue,” Gul said. He has concerns about how far Erdogan might go in order to silence opposition in the run-up to a referendum on the presidential system.  “Voices, that express discomfort (regarding Erdogan's presidential model), even within his own party, are being smeared and silenced.”

In this climate, Aykan said he wouldn’t be surprised if the remaining independent media outlets begin to “willingly” promote the virtues of Erdogan’s executive presidential system.

he feels a lack of solidarity from Turkish journalists and the international community

Two days after the newspaper takeover, the Turkish government was greeted in Brussels with billions in aid and renewed prospects of joining the EU for their help in resolving Europe’s migrant crisis, which critics say indicates the relative weakness of the EU's negotiating power.Edib and Akarcesme said they felt disappointed, if not betrayed, by the EU appeasing Turkey in exchange for cooperation in curbing Syrian refugees. Brussels is only validating Erdogan's image, power and popularity at home, they said.

if he really means requiring users to authenticate their identity with some form of legal ID, that would mean a world of trouble for users in highly repressive MENA states. Many activists and dissidents face extreme consequences should their identities be discovered. So do many LGBTQ, atheist, or other users from marginalized or even criminalized communities

The bot armies really are annoying, and if Musk could figure out a way to remove them then the MENA region would benefit greatly. Disinformation, harrassment and abuse (especially of women), polluting hashtags to make conversation impossible, obnoxious trolling, intimidation… all of these have contributed to making MENA Twitter at worst almost unusable, and at best a highly distorted reflection of reality. Saudi Arabia, the UAE, and Iran are among the worst offenders among states, but the problem is endemic

Sure, if Musk actually does end up taking over and running Twitter (big ifs, still), he probably wouldn’t actually have those positive effects, at least not intentionally. But it’s still tempting to read some real significance into his intriguing little public spat with Waleed bin Talal, where he asked “What are the Kingdom’s views on journalistic freedom of speech?”

“What I fear is that this pool of currently unemployed talent will switch careers, which will come at the longtime expense of the industry since these are trained professionals. I do not believe that the military [Synergy] sees this; they simply have one clear goal: to control the industry. The government has effectively, through the institutions it runs, carried out the first monopolization process in the history of neoliberalism.”

In June 2018, the authorities banned a film examining a love affair between a Muslim man and a Christian woman before it hit the cinemas, although director Khaled Youssef said he obtained the necessary licenses. The decision was later revoked, but was alarming to many given rising censorship levels

While over fifty shows typically aired during the peak Ramadan season, even during economically turbulent years as in 2017 and 2018, only twenty-four shows aired last Ramadan, and over two-thirds of them are produced by Synergy. Production powerhouses like El Adl Group and Beelink Productions were notably absent this season from their regular Ramadan run, while regionally acclaimed megastars like Yossra, Adel Imam and Laila Elwy uncharacteristically did not star in any shows during the peak season either, likely due to the dramatic, forced budget cuts which make casting an A-lister virtually impossible. Compensation levels for many of these lead faces could often be as high as EGP 50 million (~USD 3 million), the currently imposed budget cap for aggregate production costs of a Ramadan soap opera’s full season

“For a producer, the direct client of drama series is television channels, and several factors have negatively impacted their purchasing power. The GCC-owned channels are struggling in light of the economic difficulties there, primarily due to the war in Yemen, so the main overseas market for selling television series is not that great. Add to this that privately owned channels in Egypt were never highly profitable, and media budgets generally were slashed with Egypt’s high inflation levels [during the past couple of years], and you have a situation where many production companies are struggling to stay afloat.”

Over the course of the past year, EMC CEO Tamer Morsy also gradually gained majority ownership of key television networks such as CBC, ONTV, DMC and Al-Hayat, a move facilitated through the recent launch of EMC affiliate United Group for Media Services. Moreover, state-owned entities effectively gained control of both the production and purchasing sides of the business as these unprecedented levels of regulation and government ownership were put in place.

in early May United Group for Media Services launched paid streaming app WatchiT and prohibited the longtime convention of shows airing online on YouTube for those who couldn’t catch them on satellite television channels. Widely accessed streaming app EgyBest, among other free online streaming services, were also blocked to allegedly mitigate “piracy”, granting government intelligence-affiliated WatchiT a monopoly over streaming services. Since digital finance and financial inclusion levels are low in the most populous Arab country, the decision came to the dismay of throes of viewers regardless of political affiliations or regulation concerns. For those following television series on satellite channels, short broadcast announcements interrupt episodes to denounce a May 28 Human Rights Watch report on enforced disappearances, killings and torture in North Sinai. Other broadcasts order audiences to pay heed to “threats to terrorism and national security.”

“Because these people [Synergy and EMC] are military men, their mentality is to cut off what doesn’t work, with little concern for the consequences. The military don’t understand or love the arts; they see it as just another industry they can profit off by minimizing losses.”

“It’s understandable that they [the military] would be more concerned with penetrating television production as opposed to the cinema industry, because viewership numbers are higher for television series in comparison to films. Not everyone can afford a cinema ticket, but most Egyptians, be they rich or poor, have access to a television set. There’s nothing to stop them from gaining as much control of the film industry as they have with television, but I believe they’re not investing in it [as much] because it isn’t as lucrative,”

Saudi Arabia is once again opening cinema theaters following a 35-year ban, creating a significant potential box office market for Egyptian films, particularly since plans for the inauguration of 2,000 theatres in the kingdom before 2020 are in the works

our country was once the Hollywood of the Middle East,”

There was a time when everyone in the Arab world recognized Umm Kalthoum and Ismail Yassin, even more so than [our own president] Nasser. We need to work towards reestablishing that, and understanding how entertainment can be used as a tool for soft power

On the morning of 1 April, when official complaints about elections were due, they documented nearly two hundred and fifty irregularities. “This is the first time citizens counted their own votes in Turkey,” says Engin. “We made a call on social media, and in a couple of hours we have received more than six thousand responses. With software finalized in two hours and a team of two hundred volunteers, we reported the irregularities and challenged results in Istanbul and Ankara,”

“We are quite worried about the current political and media system in Turkey,” Engin adds, “and we want our broadcast to provoke people to interrogate what the system tells them.” I press him a little and remind him that their efforts could not change much, so why continue? At first, he does not even understand my question. He then explains that we need people to stop submitting to the state, capital, and the mainstream media. Until then, Journos will keep on doing what they are doing.

Journos is now working on a web interface that will share all the ballot box results they have received with the public in a way that lets people run their own search. Citizens will be able to detect the discrepancies between the number of votes documented in paper ballots and the official results

as a Jordanian, I was part of what I personally believe to be the final generation that actually gave a damn what the government did or did not do. Our relationship with the state was like our relationship with a television – a one-way communication channel, where we are on the receiving end no matter how much we yell at the screen. And that was that

Like everyone else, I have no idea how this conflict will end. But I know that the Web will undeniably play a leading role – and that’s not something anyone could’ve imagined back in 1948. As yet another cycle of violence is upon us, that role is worth studying, and it’s that role that I find myself paying attention to the most.

Emma Sinclair-Webb of Human Rights Watch said the government "is equipping itself with powers to exert enormous control over social media." "The law puts the tech companies in a very difficult position: they either have to comply with the law and remove content or even hand over user data or they face enormous penalties,"