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Only seven Egyptians have held the field marshal rank since Egypt declared independence in 1952, and Sissi is the only one to hold it without fighting a war.

The limited footage displayed on state TV captured a defiant Morsi. “Who are you? Tell me,” he was shown yelling at the judge. “Do you know where I am?”“The head of the Criminal Court,” the judge replied.

“They have collaborated with Hamas, Lebanon Hezbollah, jihadists and the international Muslim Brotherhood organization to bring down the Egyptian state and its institutions,” the prosecutor read from the list of charges.

Based on Al Jazeera Arabic’s online narrative, Morsi is depicted as an Egyptian warrior, born destined to fight the Egyptian army into submission and championed by oppressed Arabs while at once terrifying their archenemy, Israel. The channel, of course, neglects to mention that President Morsi repeatedly vowed to honor international treaties, in reference to the Israeli-Egyptian peace accord, not to mention his repeated praise of the army

in Palestine, Al Jazeera Arabic scores major coups in uncovering the rampant corruption of the Palestinian Authority but neglects to mention democratic setbacks in the Hamas Muslim Brotherhood-controlled Gaza strip

there is no other single channel to carry the mantle that Al Jazeera Arabic has so readily done away with. The best Arabic-language speakers can do now is to flip between two or more channels that carry a different narrative in order to arrive as close as possible to the truth

the same narrative does not plague Al Jazeera’s English-language version of the station

when the military took hold of the building, it became forbidden to mention the military. If you did something like that you’d be called ‘an agenda with ulterior motives.’ ”

He insisted that Al Ahram was no longer “the newspaper with one reader” — that was President Mubarak — but now sent its reporters out to truly cover the news. On Wednesday, he promised that Thursday’s front page would feature the photograph of an 84-year-old man who had brought a complaint to President Morsi’s new grievance office — a demonstration of the paper’s new empathy for the common man and fairness to President Morsi. But the picture did not appear; the headline featured a misleading quotation from Mr. Morsi suggesting he had backed down before a new court order again dissolving Parliament. “The media looks to the center of power,” said Hala Mustafa, editor of the state-financed journal Democracy. “I think everybody knows that the military council represents the center of power, the real comprehensive authority in the country.”

Some private outlets have also thrown their weight behind Egypt’s new leaders. A reporter at one newspaper said that her editor had given his staff explicit instructions not to report on pro-Morsi demonstrations and to make sure that articles indicated that the perpetrators of violence were always Islamists. The reporter requested anonymity, and her claims about the editor’s remarks could not be independently confirmed. A look at Saturday’s articles on the Web site of the newspaper seemed to corroborate her assertions.

State television prepared the public for the earthquake, in soothing segments that made no mention of Mr. Morsi or the Brotherhood, which instead was referred to as “that group.” A host interviewed a retired general, who spoke about the central, critical role of Egypt’s military over decades. Clips of fighter jets screeching through the sky were played, as well as patriotic anthems.

Events stoked the growing sense of victimhood among the president’s supporters at a demonstration in Nasr City, where the sudden loss of privilege was acutely felt. As journalists were warmly welcomed at the sit-in, there was no talk of Mr. Morsi’s own prosecutions of his opponents in the news media, which while less draconian, were just as selective.

"He is trying to get closer to the people, trying to comfort us, but we know he can't do anything when he's handcuffed by the military council,"

Issues such as the judiciary, sanitation and social justice have been tackled in different episodes.

"If he really delivers on any of his promises, people will not need a radio or TV programme to know it."

Newspapers backing the army's version of events this week – such as al-Dustour and al-Watan – were only a fortnight ago attacking Morsi every day.

The private TV stations don't tell the story. With the closure of the Islamist stations you really have to turn to CNN or al-Jazeera to see what the Islamists are saying and doing – except the footage of them committing atrocities

low-cost organizational structure and no durable organizational mechanisms are put in place

he political evanescence of social media activism raises issues of accountability and democratic control on the new emerging leaders of social movements, because of a certain opacity that accompanies the fluidity and partial anonymity of online interactions

The political evanescence of digital activism in the Egyptian revolution needs to be understood in connection with the libertarian ideology of “leaderlessness” and “horizontality” that has provided a cultural framing for social media use among activists

it is apparent that the Egyptian revolution, as any great upheaval in history, was not completely spontaneous and leaderless. Rather it bore the mark of complex direction exercised in concert by multiple leaders, from grassroots groups on the ground as the April 6 Youth Movement, to organized forces such as the Muslim Brotherhood, Left opposition parties and NGOs, to end with digital activists responsible for spreading revolutionary information, recruiting online communities of supporters and publicizing protest events

While Ghonim had some basic activist experience, having done some digital campaigning in support of the presidential campaign of Mohammed el-Baradei in 2010, he was little known within activist circles. From the distance and safety of Dubai where he was working for Google, he collaborated with activists on the ground including Mohammed AbdelRahman Mansour who acted as co-admin on the page, and Ahmed Maher of the April 6 Youth Movement, the group that pioneered digital activism in Egypt. It was only after he was released from prison in the midst of the eighteen-day insurrection, that he suddenly became a famous and respected figure. Yet, Ghonim did not manage, neither he tried, to turn the great influence he had exercised during the revolution into any form of structured political leadership during the transitional phase. Ironically the Facebook fanpage he founded has discontinued its communications with a status message celebrating “the power of the people” on 3 July 2013, the day of the anti-Morsi coup. Ghonim has recently left the country for voluntary exile after a streak of attacks on the news media.

The case of Tamarrod demonstrates how the fluidity in the field of social media in the activist field, dominated by flexible groupings coordinated through social network sites can open space for opportunist groups. Both Wael Ghonim and the main leaders of Tamarrod were secondary figures in the activist scene in Cairo, despite the fact that some of them, had been previously involved in pro-democracy campaigns and in the Elbaradei presidential campaigns. Similarly to what happened with previous political groups it was a great extent this outsider aura that managed to gather so much enthusiasm from Egyptian youth. The group managed to build an extensive network across the country, collecting millions of signature (the exact quantity will remain unverified) to withdraw confidence from Morsi. However, it progressively became clear that Tamarrod was far from being simply a disingenuous and spontaneous citizens groups. It has been publicly confirmed that the campaign received substantial funding from a number of Egyptian entrepreneurs, including Naguib Sawiris. It is also reasonably suspected that the group received financial and operational support from the Egyptian army, and the so-called deep state, which saw in Tamarrod a sort of useful idiot to get rid of the Muslim Brotherhood and create a favorable climate for the coup d'etat. Since the campaign of repression orchestrated by al-Sisi and the new post-coup government, the group has been marred by intestine fight between different factions, and seems to have lost much of its “street cred” among Egyptian youth. It was yet another group falling victim of its own precipitous rise.

the recent appointment of the new minister of information, Salah Abd El-Maqsoud, a MB membe

Gamal Fahmy, secretary general of the Journalists' Syndicate, also told Egypt Independent that he thought the majority of the new editors were weak, professionally speaking, and certainly not qualified to lead the kind of large staffs involved in these papers. Professional competence is an especially sore point; Yasser Rizk, the former editor of Al-Akhbar is generally acknowledged to have worked wonders with the ailing publication. However, he has not been supportive of the Islamists and was replaced during the shuffle.

On August 9, Khaled Salah, the editor-in-chief of Al-Youm Al-Sabei, a paper that has been increasingly critical of the Brotherhood, was attacked by what he said were MB protesters on his way to his television program. The attackers, whom he claimed were holding pro-Morsi banners also smashed the windscreen, windows, and mirrors of his car, calling him "one of those who antagonized Morsi." Nor was he the only one; Youssef el-Hosseini, appearing on the same program, was also attacked. MB spokesman Mahmoud Ghozlan categorically denied the charges but the banners were identified by independent witnesses. An investigation is underway.

Journalists listened warily to Morsi's comments earlier this week on supporting "the idea of forming a national council to oversee state and private media." In Egypt, the words "National Council" are usually synonymous with "Government Stranglehold."

Louis Greiss, former editor of the state-owned weekly Sabah el-Kheir said the Brotherhood might not know what they're up against. "Egypt's press has had 200 years of government intimidation," he said. "There's always a way around it. They always get tired before we do."

“What I fear is that this pool of currently unemployed talent will switch careers, which will come at the longtime expense of the industry since these are trained professionals. I do not believe that the military [Synergy] sees this; they simply have one clear goal: to control the industry. The government has effectively, through the institutions it runs, carried out the first monopolization process in the history of neoliberalism.”

In June 2018, the authorities banned a film examining a love affair between a Muslim man and a Christian woman before it hit the cinemas, although director Khaled Youssef said he obtained the necessary licenses. The decision was later revoked, but was alarming to many given rising censorship levels

While over fifty shows typically aired during the peak Ramadan season, even during economically turbulent years as in 2017 and 2018, only twenty-four shows aired last Ramadan, and over two-thirds of them are produced by Synergy. Production powerhouses like El Adl Group and Beelink Productions were notably absent this season from their regular Ramadan run, while regionally acclaimed megastars like Yossra, Adel Imam and Laila Elwy uncharacteristically did not star in any shows during the peak season either, likely due to the dramatic, forced budget cuts which make casting an A-lister virtually impossible. Compensation levels for many of these lead faces could often be as high as EGP 50 million (~USD 3 million), the currently imposed budget cap for aggregate production costs of a Ramadan soap opera’s full season

“For a producer, the direct client of drama series is television channels, and several factors have negatively impacted their purchasing power. The GCC-owned channels are struggling in light of the economic difficulties there, primarily due to the war in Yemen, so the main overseas market for selling television series is not that great. Add to this that privately owned channels in Egypt were never highly profitable, and media budgets generally were slashed with Egypt’s high inflation levels [during the past couple of years], and you have a situation where many production companies are struggling to stay afloat.”

Over the course of the past year, EMC CEO Tamer Morsy also gradually gained majority ownership of key television networks such as CBC, ONTV, DMC and Al-Hayat, a move facilitated through the recent launch of EMC affiliate United Group for Media Services. Moreover, state-owned entities effectively gained control of both the production and purchasing sides of the business as these unprecedented levels of regulation and government ownership were put in place.

in early May United Group for Media Services launched paid streaming app WatchiT and prohibited the longtime convention of shows airing online on YouTube for those who couldn’t catch them on satellite television channels. Widely accessed streaming app EgyBest, among other free online streaming services, were also blocked to allegedly mitigate “piracy”, granting government intelligence-affiliated WatchiT a monopoly over streaming services. Since digital finance and financial inclusion levels are low in the most populous Arab country, the decision came to the dismay of throes of viewers regardless of political affiliations or regulation concerns. For those following television series on satellite channels, short broadcast announcements interrupt episodes to denounce a May 28 Human Rights Watch report on enforced disappearances, killings and torture in North Sinai. Other broadcasts order audiences to pay heed to “threats to terrorism and national security.”

“Because these people [Synergy and EMC] are military men, their mentality is to cut off what doesn’t work, with little concern for the consequences. The military don’t understand or love the arts; they see it as just another industry they can profit off by minimizing losses.”

“It’s understandable that they [the military] would be more concerned with penetrating television production as opposed to the cinema industry, because viewership numbers are higher for television series in comparison to films. Not everyone can afford a cinema ticket, but most Egyptians, be they rich or poor, have access to a television set. There’s nothing to stop them from gaining as much control of the film industry as they have with television, but I believe they’re not investing in it [as much] because it isn’t as lucrative,”

Saudi Arabia is once again opening cinema theaters following a 35-year ban, creating a significant potential box office market for Egyptian films, particularly since plans for the inauguration of 2,000 theatres in the kingdom before 2020 are in the works

our country was once the Hollywood of the Middle East,”

There was a time when everyone in the Arab world recognized Umm Kalthoum and Ismail Yassin, even more so than [our own president] Nasser. We need to work towards reestablishing that, and understanding how entertainment can be used as a tool for soft power

The series revolves around how Selim I, who is trying to extend the empire he forcefully took from his father, is faced with the opposition of the people of Cairo led by the fighter-turned-leader Toman Bay as he fights to conquer Egypt.

The $40 million series caused still another tension in Turkey’s strained relations with Egypt, due to Ankara's support of the banned Muslim Brotherhood and late President Mohammed Morsi. Ankara’s ties are also tense with Saudi Arabia — whose channel broadcasts the series — over the murder of dissident journalist Jamal Khashoggi at the Saudi Consulate in Istanbul. Moreover, the launch of the series is also believed to be strategically timed, to precede another Turkish production on the Ottoman Empire and the life and times of Osman, who gave the empire his name.

ome challenged his description of the Ottomans as “occupiers” and the Mamluks as the locals, whereas the Mamluks were also an occupying force in Egypt. Faisal bin Fahad bin Jasim Al Thani, chairman of one of Qatar’s biggest conglomerates, tweeted that this sentence was “ignorance” coupled with hate. “Toman Bay and the Mamluks are Turks [not Egyptians], and the Ottomans are also Turks. So, if you consider the Ottomans to be an occupier, you need to concede that the Mamluks were, too,” he tweeted.

In recent years, there have been requests in Egypt to remove the name of this violent sultan from streets and squares in the country. The first attempt was in February 2018 when the Egyptian authorities decided to remove Selim’s name from a street in the Zeitoun neighborhood in the east of Cairo.

According to a number of Hamas officials interviewed by Al-Monitor, the movement felt that it lacked the proper venue on other Palestinian, Arab and foreign media outlets to express its views, because those outlets are biased toward either the Palestinian Authority (PA) or Israel and limit their coverage to exposing the movement’s negative aspects, without any mention of its positive ones.

Hamas gives great importance to the media, and has tried on more than one occasion to pressure media outlets into adopting its point of view or political line. Its dispute with Fatah also compelled Hamas to try to control the Palestinian Journalists Syndicate in Gaza, where Fatah controlled the majority of board members. Hamas formed its own Journalists Syndicate board of directors in Gaza, composed of journalists affiliated with the movement and Islamic Jihad. But the experiment quickly proved to be a failure when the board announced its resignation several months later.

“The channel’s discourse will be different from the one adopted by other Hamas-affiliated media outlets. It will express the point of view of the government and will not be similar to that of the Hamas-affiliated Al-Aqsa satellite channel. We will try to focus attention on the human aspect and the suffering of people, as well as the positive qualities of Palestinian society in the Gaza Strip,”

“There was a clear mix-up, in Arab and foreign countries, between the stance of the Gaza government and that of Hamas as a movement, after the ouster of President Mohammed Morsi. As a result of satellite channels abroad being agreeable to the Muslim Brotherhood, and our lack of control over their editorial policies, it became necessary for us to have our own television channel that would target Arab and Western audiences and clarify the government’s stance independently.”

the Gaza government still bars the distribution of West Bank newspapers in Gaza, in retaliation for the PA’s ban on the distribution of Hamas-affiliated newspapers in the West Bank. Hamas continues to forbid Fatah-affiliated media offices from conducting business in Gaza, but has allowed some of their reporters to file from Gaza, in return for the Ramallah government allowing Al-Aqsa TV and Al-Quds reporters to work there