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Nature Middle East Editor Mohammed Yahia has been actively promoting science in the Middle East region for a number of years. Prior to joining Nature Middle East, Mohammed was the MENA region coordinator for the website SciDev.Net and has worked as a reporter, editor, and consultant.

following the launch of Nature India in February 2008 and Nature China in 2007

these tales don’t come from fantasies like “The 1,001 Arabian Nights” but instead Middle Eastern history, especially Ottoman history. Anyone familiar with the region’s culture and storytelling will be struck by how thoughtful the film is, despite its kooky, over-the-top vaudeville

Miller’s location, cast and music celebrate rather than lampoon the Middle East, above all the wonders of Turkey. Shot on location in Istanbul, the film pans over Topkapi Palace, the Hagia Sophia and other iconic hotspots. Turkish actors fill most of the minor roles and speak Turkish throughout (Elba gives it his best college try). “Chesm-i bulbul,” or “the nightingale’s eye,” the name for the djinn’s bottle and hence of Byatt’s story, is in fact a beloved style of glasswork. The film credits roll to a Turkish love song.

“Three Thousand Years,” billed as “Aladdin for adults” and based on the 1994 short story “The Djinn in the Nightingale’s Eye” by A.S. Byatt for The Paris Review

he adds a scene that’s unjustified by the plot and which mainly serves the demands of cultural sensitivity, in deference to viewers who don’t know enough about the Middle East to see how much care Miller has taken. Back in London and close to the finale, Alithea greets two neighbor ladies who ask why Alithea wastes time with “ethnics.” She fires back that she can’t abide people — like them — with knee-jerk reactions against anyone different. “Fuckface,” one of them spits at Alithea, who ducks back into her house.

This scene’s welcome jab at xenophobia is not what annoys; it is rather the non sequitur. It’s the one and only time we meet these neighbors, though they later stand aghast while Alithea explains her enormous ebony djinn will be staying for a while. It’s the one time we hear their views. Their struggle to grasp the Middle East has not shaped us in any way, nor does the script humanize them beyond political caricature. “OK, boomer,” says the movie with a sneer. Miller could have stood on his thoughtfulness toward the Middle East without pandering, but in fairness, he’s less to blame than a culture industry that makes directors like him think that pandering is the price of keeping their skin.

Byatt’s story is nothing if not highly sexed, and Miller’s retelling can’t do it justice.

That both the djinn and Alithea are trapped by their own gigantic emotions produces one of the film’s loveliest sentiments, spoken by Alithea as part of her wish for the djinn’s affections: “I want our solitudes to be together.”

a series of shared behavioral patterns. The personas identified by The Daily Beast were generally contributors to two linked sites, The Arab Eye and Persia Now; had Twitter accounts created in March or April 2020; presented themselves as political consultants and freelance journalists mostly based in European capitals; lied about their academic or professional credentials in phony LinkedIn accounts; used fake or stolen avatars manipulated to defeat reverse image searches; and linked to or amplified each others’ work. 

In February, two websites, The Arab Eye and Persia Now, were registered on the same day and began to acquire a host of contributors. 

both sites share the same Google Analytics account, are hosted at the same IP address, and are linked through a series of shared encryption certificates

Persia Now lists a non-existent London mailing address and an unanswered phone number on its contact form. The apparent editors of the outlets, Sharif O'Neill and Taimur Hall, have virtually no online footprints or records in journalism.

They’re critical of Qatar and, in particular, its state-funded news outlet Al Jazeera. They’re no big fans of Turkey’s role backing one of the factions in Libya’s civil war

constant editorial lines like arguing for more sanctions on Iran or using international leverage to weaken Iran’s proxy groups in Lebanon and Iraq. The personas are also big fans of the United Arab Emirates and have heaped praise on the Gulf nation for its “exemplary resilience” to the COVID-19 pandemic, its “strong diplomatic ties” to the European Union, and supposedly supporting gender equality through the Expo 2020 in Dubai.

criticizing Facebook for its decision to appoint Tawakkol Karman, a 2011 Nobel Peace Prize laureate, to its oversight board. Media outlets in Saudi Arabia, Egypt, and the United Arab Emirates have criicized the appointment of Karman, a former member of the Muslim Brotherhood affiliated Islah Party in Yemen, for her association with the group.

None of the Twitter accounts associated with the network ever passed more than a few dozen followers, but a few still managed to garner high profile endorsements for their work. An article by “Joyce Toledano” in Human Events about how Qatar is “destabilizing the Middle East” got a shout-out from Students for Trump co-founder Ryan Fournier’s nearly million-follower Twitter account and French senator Nathalie Goulet high-fived Lin Nguyen’s broadside about Facebook and Tawakkol Karman.

All of the stolen avatars were mirror image reversed and cropped from their originals, making them difficult to find through common Google reverse image searches

On her LinkedIn page, “Salma Mohamed” claimed to be a former reporter for the AP based in London, though no public record of an AP journalist matching Salma Mohamed’s description is available.

Another persona, Amani Shahan, described herself in bios for Global Villages and Persia Now as being a contributor to and “ghostwriting articles” for The Daily Beast. No one by that name has ever written for The Daily Beast and The Daily Beast does not employ ghostwriters. (Shahan also referred to herself with both male and female pronouns in different author bios.) 

A recent spate of exhibitions at institutions such as the Sharjah Art Foundation has contributed to a growth in demand for contemporary African art

So, who is acquiring African art in the Middle East? Pablo del Val says buyers’ tastes are increasingly catholic. “Middle Eastern collectors don’t tend to focus exclusively on African art, but regional collecting is becoming more international,” he says. With less of a “white, Western-centric focus” than other fairs, Art Dubai is the perfect crucible of cultures, Del Val adds.

Rakeb Sile argues that the label “African art” is dated, but sees it as probably necessary for this “bridging time”. She adds: “African art might be the last frontier in terms of discovery and value, but, quite soon, we would like our artists to simply be considered mainstream contemporary artists.”

The increased repression, coupled with persistent concerns over the government's incapacity to handle the pandemic, and plummeting oil prices that spell disaster for Algeria's economy, are all contributing factors to a tension threatening to boil over onto the streets, pandemic or not. 

"We work in fear," an Algerian filmmaker who spoke to MEE on condition of anonymity said. "People aren't only afraid for their safety, but also for their families' safety, as you never know how things can escalate with this Kafkaesque judicial system.

"Algeria is the country where, more than any other in the Middle East, authorities have exploited the pandemic to neutralise active opposition to its rule," Eric Goldstein, the deputy director of Human Rights Watch's Middle East and North Africa division, told MEE.

"President Tebboune took office saying he had heard the Hirak's calls for reform and promised a new constitution. "Instead, he exploited the Covid-19 lockdown to try to put the Hirak genie back in the bottle, while proposing a draft constitution that does little to advance political and civil rights."

Reporters without Borders has ranked Algeria 146 out of 180 countries and territories in its 2020 World Press Freedom Index - five places lower than in 2019. 

Many journalists and activists face campaigns of disparate accusations and slander, and anyone using the internet to voice dissent against the monarchy and ruling elite faces possible prison time. 

Some 16 Moroccans have been arrested on similar charges as Radi since October, including famous rapper Gnawi, YouTubers, as well as several high school students.

Since Morocco's Hirak protest movement erupted in 2016, the Moroccan Association for Human Rights has documented more than 1,000 cases of political detention.

Moroccans continue to advocate under the #FreeKoulchi ("Free everything") campaign for the release of all those imprisoned.

Despite adopting some reforms since 2011, citizens are offered little political power under King Mohammed VI, who this year has entered his third decade heading the kingdom. Like much of North Africa as a whole, unemployment levels are high, political corruption and abuses of police power are widespread, and social services are lacking. 

According to the Arab Barometer,  a central resource for quantitative research on the Middle East, 70 percent of Moroccans aged 18-29 have thought about emigrating, a strongly held sentiment shared by both Algerians and Tunisians, whose migration to Europe has increased significantly this year. 

Last month, a Tunisian woman was sentenced to six months in jail after sharing a Facebook post about the coronavirus written as a Quranic verse. The post mimicked the style of the Quran in reference to Covid-19, encouraging people to wash their hands and observe social distancing.

he consolidation of the prime minister's power in Tunisia, high levels of corruption, security and economic challenges along with political stagnation, are all factors that have helped to scupper Tunisia's democratic consolidation.

Though the best performing out of the Maghreb countries, Tunisia still has much room for improvement when it comes to freedom of expression. Despite the steps taken, journalists still face pressure and intimidation from government officials, and reporters covering the operations of security forces often face harassment or arrest.

In terms of the pandemic, unlike in Morocco and neighbouring Algeria in particular, the majority of Tunisians have expressed trust in their government - with 71.2 percent trusting the government to control the virus, and 84.5 percent trusting it to communicate effectively with the public, according to the Sigma Conseil. 

"The Covid-19 pandemic has been a stress test for authoritarian and democratic governments alike,"

The social, economic, and security effects of the pandemic are likely to divert attention away from needed long-term reforms, the political agency of civil society, and risk the permanence of authoritarianism that mirrors Egypt under President Abdel Fattah el-Sisi, after the worst of the pandemic has gone.  

many of the region’s youth have become immobilized by revolutionary fatigue left by the tragic, violent trauma of the Arab Spring’s aftermath

Breakthroughs in surveillance methods are allowing intelligence outfits across the Middle East to infiltrate just about every crevice of civil society, making it almost impossible to communicate or organize without the government’s knowledge. Some of the most sinister of these weapons have been manufactured in Israel, which has emerged as a leading global exporter of surveillance technologies that are now being deployed against oppressed populations worldwide.

with the United States declining as a global hegemon, authoritarians are selling their allegiances to the highest bidder, with human rights, democracy, and accountability falling further by the wayside.

While arming themselves with the latest repressive tools, autocratic regimes across the Middle East continue to be encouraged by their external benefactors to prioritize security and foreign interests at the expense of democracy and human rights at home

The prospect of acquiring dystopian surveillance tech like Pegasus has become a driving motive for authoritarian Arab leaders in their rush to normalize relations with Israel, against the will of their people

Since 2011, Russia has doubled down on its support for some of the most brutal regimes in the region.

About 60 percent of the region’s population are under 25 years old, and the dire socio-political and economic conditions that much of the Middle East’s youth face have changed little since the thwarted revolutions of 2011. Youth unemployment has, in fact, worsened over the past decade, increasing from 23.8 percent in 2010 to 27.2 percent in 2020. The lack of opportunities continues to fuel brain drains and mass migration across the region.

dictators driven by paranoia have continued to hollow out civil society, ensuring that no viable political alternative to their rule exists. Press freedom across the region has declined drastically; Egypt, for example, has become one of the world’s top jailers of journalists since President Abdel Fattah al-Sisi came to power in a military coup in 2013. In Tunisia, President Kais Saied has undone many of the country’s democratic advances by dissolving the government and enhancing his powers through a new constitution.

This aggressive trend has intensified in Palestine, too. Following the 2021 Unity Intifada, Israeli forces arrested hundreds of political activists and are now stepping up efforts to target civil society and human rights groups that expose Israeli war crimes and rights violations. Meanwhile, the Palestinian Authority has entrenched its role as a subcontractor of the Israeli occupation, stepping up arrests of political activists and resistance fighters alike across the West Bank at Israel’s behest.

A recent study by The Guardian and YouGov found that although a majority of respondents in Sudan, Tunisia, Algeria, Iraq, and Egypt do not regret the uprisings, more than half of those polled in Syria, Yemen, and Libya say their lives are now worse

By shutting down spaces for Iranians to realize their imagined future, Iran’s leaders have ensured that any substantial transfer of power will be violent

the biggest discovery of this year’s edition from the Middle East could very well be Sudan, the new Arab cinema on the block making its major international festival debut with two documentaries by first-time filmmakers: Marwa Zein’s Forum contender, Khartoum Offside; and Suhaib Gasmelbari’s Panorama pick, Talking About Trees.

Iran has had a modest presence during the recent past at Berlin – and this year is no different, with only a single feature representing the once powerhouse cinema across all sections. Deviating from the country’s signature social realism, newcomer Suzan Iravanian is attracting buzz for her Forum curio, Leakage, a supernatural mystery about a fifty-something middle-class woman who starts leaking oil from her body after her husband disappears.

Mostafa Derkaoui’s forgotten 1974 classic, About Some Meaningless Event, a docudrama about a group of filmmakers asking passersby in Casablanca about their expectations for Moroccan cinema, only to shift their focus to a resentful worker who accidentally kills his superior.  An investigation of the role of cinema and art in society, this militant effort - which was primarily funded by the sale of paintings of a number of contemporary painters – was banned in Morocco and virtually disappeared, until a negative print was discovered in the Spanish film archive, Filmoteca de Catalunya, in 2016 and subsequently restored.

new ways of building came, like so much else, from the West, first through colonial administration and then through foreign “advisors,” often taking advantage of the insecure land-law of the region, introduced by the Ottoman land code of 1858. By the time France had been granted the mandate to govern Syria in 1923, modernist building types, the mania for roads and motorized “circulation,” the idea that cities should be disaggregated into “zones”—residential, commercial, industrial, and so on—and the obsession with hygiene had all made their destructive mark on the urban fabric

As in Russia and Germany, the arrival of the totalitarian state was prefaced by the arrival of totalitarian architecture

a modern city, another piece of anywhere

Architectural modernism fed into the Arab inferiority complex: concrete high rises, plazas, geometrical patterns, energy-intensive fenestration, sometimes with a mihrab or a dome stuck on in deference to a history that is no longer really believed in—all these have become part of the new vernacular of a hasty urbanization. The basic idea has been to abandon the great tradition of the Ottoman city, with its many communities in their tents of stone, and to “catch up” with the West

Rarely, in any of this, however, has provision been made for the migrants from the villages, who have been compelled to survive in unplanned and unregulated structures, heaped up around the cities with no thought for how they look or for the character of the public spaces beneath them

The old rabbit-warren city of the Middle East was a conflict-defusing device, a continuous affirmation of neighborhood and settlement. The new city of jerry-built concrete towers is a conflict-enhancing device, a continuous “stand-off” between competing communities on the edge of a place that does not belong to them and to which they in turn cannot belong.

in the 1990s there were many popular Syrian TV drama series about how people lived and interacted with each other in the neighborhoods of the old cities in Syria during the late 19th and early 20th century. They depicted the days when the Levant society as it existed in its centuries-old Ottoman era make-up, just prior to the transition into colonial and post-colonial modernity and showed how rich and poor lived together in the same neighborhood, it showed the old houses, the shops & the markets.

We should remember that the idea of replacing the organic city of customary styles with cleared spaces and blocks of concrete, while it originated among European intellectuals, was first tried out in the Arab world. Le Corbusier, who had attempted in vain to persuade the city council of Paris to adopt his plan to tear down the entire city north of the Seine and replace it with an assemblage of glass towers, turned his attention to the North African city of Algiers instead, which was at the time under French colonial administration. As architectural advisor to the French Vichy government during the war he was able to overrule the elected mayor of Algiers and impose his will upon the city—though the Allied victory abruptly put an end to his plans.

Le Corbusier’s scheme is still studied and even treated with reverence in modern schools of architecture. It involved erasing the old city from the map, replacing it with great square blocks that negate the Mediterranean coastline and the contours of the landscape, and surmounting the whole with streets along which automobiles fly above the population. No church or mosque has a part in the plan; there are no alleyways or secret corners. All is blank, expressionless, and cold. It is an act of vengeance by the new world against the old: not a project for settling a place, but a project for destroying it, so that nothing of the place remains

the glitzy restaurant style of Dubai, in which vast gadgets, belonging to no known architectural language but looking like kitchen tools discarded by some gigantic celebrity chef, lie scattered among ribbons of motorway

Care for one’s place is the first move towards accepting the others who reside there. The thoughts “this is our home,” and “we belong here” are peacemaking thoughts. If the “we” is underpinned only by religious faith, and faith defined so as to exclude its historical rivals, then we have a problem. If, however, a resident of Homs can identify himself by the place that he shares with his fellow residents, rather than the faith that distinguishes him, then we are already on the path away from civil war.

decisions are made by officials, and officials belong to the great system of Mafia-like corruption that is the true cause of the Syrian conflict, and which has encouraged the Syrian political elite in recent times to look to Russia as its natural ally

Capitalism’s “creative destruction” is the anti-conservative claim that nothing that exists could not be improved easily in a short time by fast, profitable and “efficient” total replacement.

architect Marwa al-Sabouni, whose book, The Battle for Home, tells the story of how the conflict in Syria has overwhelmed her own city of Homs. She shows that you cannot destroy the serene and unostentatious forms of the Levantine city without also jeopardizing the peace that they symbolized and which to a measure they also protected

Roger Scruton is romanticizing. He therefore completely misunderstands the expressive functional reality of ordinary homes and security by focusing on public architecture, which everywhere expresses elite ideals instead of common ones. Take Florence and the Italian Republics. Frequent wars and not infrequently with Muslim empires meant homes had to be defensible and closed off from streets. Only later, briefly, and elsewhere later like in Britain and the US were isolated farm villages open to welcome trade, or US farm homes isolated away from the necessity of group protections because genuine threats had become to rare to proactively defend against them. Similarly, the divide in the Muslim world is between open plans in port cities secured through trade by larger powers that could ensure protection, versus homes way from ports, deliberately closed off against strangers so as to be defensible against frequent invaders. Most of the Islamic world remains like unstable and insecure early Florence. And homes throughout MENA reflect their isolation and insecurity through closed plans, just as much as Spanish ones from Moorish times do, even in the New World.

Competition for the regional market of 300 million people is heating up. Netflix (NFLX), Malaysia's Iflix, and Dubai's Starz Play are all vying for dominance

Raina said better broadband capabilities in the region has helped streaming services grow, but payment systems remain a challenge. Credit card use in some parts is still "near zero," he told CNN Business.

The move by Fox comes just over a year after it added 3 new TV channels to its existing line up, including the first Fox-branded channel to broadcast in Arabic.

One of the most audacious deception operations appeared to be connected to the UAE. Between 2019 and 2021, op-eds that supported the foreign policy position of the UAE, Saudi, and the U.S. administration under Trump began appearing in numerous well-known U.S. outlets, such as Newsmax, The National Interest, The Post Millennial and the Washington Examiner. The catch: The journalists writing them did not actually exist.

the Emiratis worked with ex-NSA spies to hack the devices of U.S. citizens. And both Saudi Arabia and the UAE are among the biggest customers of NSO, the Israeli firm that sells the spyware Pegasus, which they have used to target dozens of activists, journalists and academics

In 2011, during the heady days of the Arab Spring, social media and digital technology was touted as the force that would help liberate the region from authoritarian rule and bring democracy. Now, authoritarian regimes in the Gulf, along with Western companies and expertise, are using digital technology and social media to try and hack democracy wherever they find it, including in the U.S. The effect is clearest, however, in the Middle East. With critics silenced through incarceration, surveillance, torture, or death, opposition voices are increasingly fearful of self-expression, meaning that the digital public sphere is simply a space to praise the regime or engage in banal platitudes.

the imperative to document and preserve the heritage of the Middle East, as it goes through another decade of dramatic aesthetic and political change. The stakes involved in these transformations are highlighted by the saddening example of Khaled Assad, director of antiquities at Palmyra Museum in Syria. Assad went to his grave in 2015 protecting the location of priceless artifacts under his care from ISIS

The ACOR Photo Archive also depicts the very forces threatening cultural heritage in the region. For example, it includes photographs of the archaeological digs of 1982 and 1983, in which the Ayn Ghazal statues – among the earliest large-scale depictions of human forms in the world (from the mid-7th millennia) – were unearthed in Jordan. As the photographs illustrate, the excavation site lay mere feet from the highway, highlighting the threats to physical cultural heritage posed by routine urbanization. Archeologist Gary Rollefson, a key member of the team that discovered the Ayn Ghazal statues, has participated in the digitization project, providing extensive background information on the digs catalogued in the archive.

By encouraging people to see their old family photographs as intimately connected to the public history of Jordan, Palestine, and the rest of the region, the archive aims to encourage citizens to take steps to preserve and digitize their own personal collections.

Leaks reveal insiders’ growing uneasiness, which points to the elephant-in-the-room question: Will MBS’ grandiose venture bankrupt the kingdom?

Saudi private investors will also be encouraged to pitch in during a potential public listing of Neom in 2024. That raises questions about how consensual this private investment will be. Indeed, Saudi Arabia reportedly “bullied” several of the kingdom’s wealthiest families to become cornerstone investors out of “patriotic duty” in the IPO of Saudi energy firm Aramco in 2019.

a large chunk of Saudi money carefully set aside for decades to fund the transition to a post-oil era will pay for Neom's astronomical price tag. A bet on an unproven vision

60 skyscrapers that were built in Riyadh’s financial center are still standing largely empty.

Neom’s initial burst of economic activity, if unsustainable at a similar pace, would simply be "stealing" future economic benefits to create an illusion of growth right now

perhaps the motive is not sustainable growth at all, but creating what Pettis calls a "pyramid effect." This would be an attempt to copy monarchs of ancient Egypt who redistributed wealth to the population through jobs – paid laborers built Egyptian pyramids, not slaves. Although Saudi Arabia’s oil wealth is already redistributed to ordinary Saudis through public-sector jobs and subsidies, a large tranche is retained and stored in its sovereign wealth funds and U.S. Treasuries. In theory, flushing Saudi citizens with cash would stimulate the local non-oil economy. But in practice, the pyramid effect is likely to first and foremost cause economic leakages, as the kingdom imports most of what it consumes locally, including labor, despite the “Saudification” of the labor market being one of Vision 2030’s key priorities. Migrant workers account for about 77 percent of private sector jobs. At Neom, highly paid Western consultants are toiling to match MBS’ demands, and Asian low-income workers are building it, remitting Saudi money home.

Riyadh sweetened the project’s launch party with a flurry of social reforms, such as lifting the ban on women driving. (Saudi Arabia was the last country in the world to lift this kind of ban, and it didn’t do so as a principled stand on behalf of women’s rights.) The idea was not only creating a buzz among investors and the global public, but whipping up aspirational momentum among Saudis.

“Infrastructure spending is like doing lines of cocaine; you have to do bigger and bigger and bigger lines just to feel high,”

MBS, high on his visionary self-branding and his concentration of power, may have to pay the costs of bankruptcy – whether by admitting full responsibility or via a renewed deployment of decidedly imperious and despotic tactics to crush dissent. The latter path is, of course, what the late Shah of Iran chose, with notorious results.

Observers are worried because tightened cybercrime legislation in the United Arab Emirates has been used to prosecute dissenting speech seen on Twitter, Facebook and YouTube

Qatar’s Twitter community is relatively robust with many commentators taking to the social media platform to complain about aspects of government services. However, no one has directly questioned or challenged the emir’s rule. Unlike other Gulf countries, the Qatari government has not arrested anyone for their social media speech.

Just last week, two Emiratis were convicted for violating a law that made it a crime to “damage the national unity or social peace or prejudice the public order and public morals.” The government also convicted 69 citizens of sedition last year and prosecuted two Emiratis for spreading “false news” about that trial.

Qatar’s move to pass cybercrime legislation could also be a nod to assuage security concerns of its neighbors. Earlier in March, the UAE, Saudi Arabia and Bahrain withdrew their ambassadors from Qatar. They announced that country needed to “take the appropriate steps to ensure the security of the GCC states.”

the work on the ground, archiving and writing their own modern history.”